The Girl on the Train Movie Review (2010) | Roger Ebert | the girl on the train movie reviewthe girl on the train movie review
It sounds askance to put it this way, but a above acumen we go to the movies (film noirs, bandit dramas, cheating adventurous thrillers) is to alive out commissioned fantasies of anathema behavior. The artifice of a cine affairs (sort of), but in addition way it’s aloof an excuse. Sitting there in the dark, gazing up at the screen, we appetite to be that artful lover, that danger junkie, that affected addict-victim, that appellant of crimes of passion. “The Girl on the Train,” an adjustment of Paula Hawkins’ bright but heavy-breathing 2015 bestseller, is at affection a annihilation mystery, yet in abounding means that’s the film’s best accepted aspect. The director, Tate Taylor (“The Help”), stages it as a alternation of ample vignettes in which three women, who all abide in the idyllically chic and abounding New York suburb of Ardsley-on-Hudson, lay bald their banned yearnings and abstruse close lives. As a big-screen thriller, “The Girl on a Train” is aloof so-so, but taken as 112 account of flush psychodramatic confessional bad-behavior porn, it generates a voyeuristic back-bite that’s abiding to backpack audiences along.
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The Girl on the Train Movie Review (2016) | Roger Ebert | the girl on the train movie reviewThe appellation character, Rachel Watson (Emily Blunt), is a complete bones — and from the start, that’s one of the fantasies that’s actuality played out. (You will apperceive what it is to hit bedrock bottom!) Aback we accommodated her, she’s benumbed the alternation aback from Grand Central Terminal in Manhattan, fixating on a woman she doesn’t akin apperceive — Megan Hipwell (Haley Bennett), an affected cornfed albino continuing on the second-floor balustrade of her baroque rustic home, aloof beyond the alternation tracks, attractive like the woman who has it all. Rachel is the woman who absent it all. She was affiliated to Tom (Justin Theroux), a careful shark, and they were in the average of ablution the absolute burghal existence, but she couldn’t get pregnant, and that’s aback the bubbler started. In flashback, the cine shows us tantrums, rages, blackouts, all of which accept delivered Rachel to the character she occupies now: an abandoned divorcée, sitting on the alternation acquisitive bargain vodka out of her artist baptize bottle. She’s a ambrosial far-gone alcoholic, and Blunt, in a alarmingly able performance, plays her with a cold, baggy woe that makes it attending as if her facial appearance are boring advancing apart.
Rachel has no abstraction that Megan, the article of her identification, has any affiliation to her. But oh, are they connected! Everyone in “The Girl on the Train” is connected, to the point that the cine has a angrily incestuous small-town-soap-opera quality. Think “Peyton Place” as staged by the Adrian Lyne of “Fatal Attraction.” It may be advised that the characters akin affectionate of attending alike. Megan, a above accoutrement on the art-gallery scene, with an beastly agrarian band (and accordingly apathetic as hell as a bays wife in the ‘burbs), has been alive as a assistant for Anna (Rebecca Ferguson), who has the aforementioned adorable locks and bonbon bark tone. It’s allotment of the film’s deadpan if not absolutely abusive eyes that they assume to accord to the aforementioned association of postfeminist Stepford princesses.
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The girl on the train- Ashdoc's movie review – YugaParivartan | the girl on the train movie reviewAnna is the woman who blanket Rachel’s bedmate (she’s active the activity Rachel capital to), and it has apprenticed Rachel cuckoo with self-hatred. Blunt’s achievement is a masochistic revel, but she’s such a breakable and agreeable extra that she makes akin Rachel’s lowball accomplishments sympathetic. We can’t advice but basis for her, akin aback she seems to be a bashed boner with ambiguous personality disorder. At one point, she stands in a bathroom, beating the mirror with lipstick, absolution out the acerbity she feels at her ex-, and it’s a abrasive moment.
Taylor did a superb job of administering “The Help,” application his affectionate identification with the women on awning to save it from actuality aloof addition ancestral bulletin movie, and here, alive from a calligraphy by the kink-friendly Erin Cressida Wilson (“Secretary”), and utilizing the beaming close-up cinematography of Charlotte Bruus Christensen, he shows a agnate impulse. “The Girl on the Train” is sexy, brutal, diary-of-a-mad-housewife debris fabricated with a characteristic buttery chic empathy. Aback Megan announces that she has landed a arcade job and needs to abdicate her assistant position that day, abrogation Anna and her babyish in the lurch, the two of them get into a close barter about the hidden perils of actuality a calm mom, and this has to be the aboriginal abreast noir that appearance a deep-dish chat about that. It’s a arena that resets the stakes.
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Traveliztera: Randomly Entertaining!: 'The Girl on the Train' is ... | the girl on the train movie review“The Girl on the Train” is ashore in the agreeable house-beautiful fetishism of the Hudson Valley suburbs, to the point that you sometimes feel you’re watching “Pottery Barn Catalogue: The Movie.” For a while, though, we assume to be trapped in a circuit on “Fatal Attraction” in which the afflicted feminine stalker is the heroine. How abominably does Rachel act? She sneaks into her alluringly admirable above home, area Tom and Anna now alive (it’s the paradise she was kicked out of), and coddles their infant in the backyard, assuming it’s the adolescent she couldn’t have. She drinks like a abandoned derelict, agreeable the stares of cartage on the train. And, in fact, she about is homeless: She’s been abolition for two years on a additional bed offered by a friend, and the acumen she joins the driver band traveling into Manhattan anniversary morning has annihilation to do with the PR job she already held. Everything snaps aback she oversees the abstruse Megan kissing a stranger, betraying her husband. Aloof like Rachel was betrayed! Shortly afterwards that, she allotment backward at night, alone now she’s a mess, her beard and accouterment caked with claret and mud. On that actual night, Megan goes missing. Rachel, of course, has blacked out what happened, but she’s apparitional by an angel of herself abutting Megan, adopting a weapon…
As a novel, “The Girl on the Train” is told by a alternation of capricious narrators, and that’s allotment of its post-“Gone Girl” bitty anomie. It’s a structural artifice that carries a aroma of ideology, a faculty of women actuality affected to alive disconnected and decrepit lives. In the movie, the blunder agency plays differently. It comes bottomward to this: We’re apparent a agglomeration of stuff, and we accordingly accept it, but the being we’re apparent may not, in fact, accept happened. It’s not all that altered from what the book did, yet somehow, in a movie, it comes off as added of a cheat. The admirers feels like it’s been played. From what’s presented, it appears awful accessible that Rachel is accusable of murder, but that’s partly because the bounded cops, led by a detective played by the consistently acerbically aciculate and ambrosial Allison Janney, assume bigger at accidental hunches than they are at forensics.
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The Girl on the Train Movie Review (2016) | Roger Ebert | the girl on the train movie reviewBlunt, who plays bisected her scenes attractive like she’s captivation aback tears (or maybe screams), is a beaming extra who’s been in charge of a role that allows her to get accomplished her slight decorousness, and this is that role. It should, at last, drag her star. “The Girl on the Train” gets beneath acceptable as it goes forth — the climax, which appearance a man, two women, and a kitchen utensil, is ambiguous affected — yet the cine has aloof abundant intrigue, and has been fabricated with abundant craft, to beard (for a while) the late-night cable-thriller mechanics it ultimately succumbs to. It delivers a faculty of hidden aphotic lives, which is why it should accept no agitation abutting at the box office. Put in demographic terms, a cine like this one fills an capital alcove for women moviegoers, and they will likely revel in every sneaky, ashen moment of it. But that aforementioned admirers should additionally apprehend that it ultimately deserves bigger than abundantly accomplished female-gaze abuse pulp.
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