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A benevolent, affable man, Fats Domino was an absurd spearhead of the rock’n’roll anarchy of the mid-Fifties. His 1949 song “The Fat Man”, a airy anniversary of his size, can be beheld as the aboriginal rock’n’roll record. The dichotomy is calmly explained: Fats Domino begin his actualization at that time, and some years later, it happened to accord with the new music. He is a absolute archetype of addition actuality in the appropriate abode at the appropriate time, and was absent at actuality hailed as a rock’n’roll pioneer. “Well, I wouldn’t appetite to say I started it,” he would say, “but I don’t bethink anyone afore me arena that affectionate of stuff.”
["1173.7"]Hi, My Name's Catrina | Know Your Meme | hi my names katrinaDomino’s music was decrepit in New Orleans culture, and he was built-in Antoine Domino Jr in the below ninth area of the burghal in 1928. His aboriginal accent was English, admitting announced and articulate with a abundant Creole patois.
There was little money in the abode as Domino’s ancestor approved to abutment his nine accouchement with a job at the chase track. His ancestor played the violin but adolescent Antoine Domino’s afflatus came from his uncle, Harrison Verret. Verret had played banjo with Kid Ory and he encouraged Domino to practise on an old ancestors piano. “He’s the one that accomplished me the foundations,” said Domino. “Once he showed me the chords, I knew I could comedy with aloof about any band.”
Domino admired the boogie-woogie annal of Albert Ammons and Pete Johnson and he admired the acceptable humour begin in Fats Waller, Big Joe Turner and Louis Jordan. He was absorbed by bounded heroes like Champion Jack Dupree and Professor Longhair. He saw himself as afterward in the attitude of New Orleans alehouse entertainers, although every almanac he fabricated had Fats Domino formed appropriate through it.
His aboriginal jobs were abject ones in the French Quarter such as alive in a bakery, agronomical and carriage ice. He about absent some fingers in an blow at a bedspring factory. In 1946 he played with Billy Diamond’s bandage at one of the bigger venues in the city, the Hideaway Club on Desire Street. By then, Domino was 5ft 5in and 15 bean and Diamond was the aboriginal to alarm him “Fats”. He accepted to be a capital allure with the band.
In 1947, Lew Chudd formed Imperial Annal in Los Angeles and he befriended a New Orleans trumpeter, Dave Bartholomew, who was arena in Houston. Back they reconvened in New Orleans, Bartholomew took him to see Fats Domino at the Hideaway Club. Bartholomew acclimated his own bandage back he produced Domino’s aboriginal affair in Cosimo Matassa’s flat in New Orleans in December 1949. They recorded a carbon of Champion Jack Dupree’s 1941 distinct “Junker’s Blues”, now alleged “The Fat Man”. Because it was abandoned recorded on a distinct clue machine, they could not acclimatize Domino’s piano playing, which was too dominant. As it angry out, the baking boogie-woogie aperture awash the record. Within a fortnight, 100,000 copies had been awash in New Orleans and it fabricated the civic R&B chart, ascent to cardinal 6.
As with Elvis Presley’s “That’s All Appropriate (Mama)” (1954) and Gene Vincent’s “Be Bop a Lula” (1956), Fats Domino’s “The Fat Man” is an amazing recording admission that additionally captures the aspect of his approaching style. There is the animated articulate – in this instance, Domino is adage it’s OK to be fat – and from time to time, he mimics a trumpet with a “wah wah wah”. This impaired vocalising is a affection of abounding of his annal and the Domino access was that the accessible was added acceptable to bethink sounds than words. Domino’s consecutive singles did not advertise as able-bodied but the locals admired the Creole feel of “Hey! La Bas Boogie”.
["606.25"]This Video Of Kids Introducing Themselves Is Now A Huge Meme | hi my names katrinaIn September 1950 he had addition civic success with “Every Night About This Time”, developing addition of his trademarks, the bluesy piano triplets, which had been adopted from Little Willie Littlefield. In 1952, he had his aboriginal R&B cardinal 1 with the complaining “Goin’ Home” and back the almanac was deposed, it was by addition New Orleans record, “Lawdy Miss Clawdy” by Lloyd Price, on which Domino played piano. Domino’s wife, Rose Mary Hall, was the afflatus for “Rose Mary”; he said, “‘Rose Mary’ was the abandoned song I anytime wrote about a absolute person. I wrote a lot of songs with girls’ names in them, but they weren’t absolute people.” He remained adherent to his wife and they aloft eight children, all of their names alpha with “A”.
Because of the ancestral capacity in American society, acknowledged atramentous annal were generally adapted with white performers. In 1955 Fats Domino topped the R&B archive for 11 weeks with “Ain’t That A Shame” but, although his almanac did cantankerous over to the pop charts, the song became a US cardinal 1 for Pat Boone. The trim Boone additionally inexplicably covered “The Fat Man”. Addition of Domino’s hits, “Bo Weevil”, was covered by Teresa Brewer. Nevertheless, Domino appeared alongside white performers on tours organised by the DJ Alan Freed who had branded the new music “rock’n’roll”.
Fats Domino about topped the US archive with the affable “I’m In Adulation Again”, which featured an alluring coaction amid Domino’s articulate and Lee Allen’s tenor sax. The B-side of that record, “My Blue Heaven”, this time featuring his added saxophonist, Herb Hardesty, became Domino’s aboriginal UK hi, in 1956. Domino active abounding standards including “I’m in the Mood for Love”, “Margie”, “Jambalaya”, “Put Your Arms About Me, Honey” and his show-stopping “When the Saints Go Marching In”, but the best acknowledged was the adventurous “Blueberry Hill”, which accomplished cardinal 2 on the US pop archive in 1956. It was additionally his abandoned Top 10 success in the UK.
President George W Bush presents Domino with a Civic Badge of Arts at the musician’s home in New Orleans in 2006. It replaced the badge the artist absent in the flood amnion of Hurricane Katrina (Getty)
Bartholomew and Domino wrote abounding of their hits, including Domino’s claimed favourite, “Blue Monday” (a song about his adulation of leisure) and “I’m Walkin’” (which was covered by Ricky Nelson), “I Appetite to Walk You Home” and “My Girl Josephine”. Anything would accomplish a song: Domino heard addition affairs roosters in the artery and this led to “The Rooster Song”. His “Whole Lotta Lovin’” came from the sounds he heard in Mardi Gras parades.
Domino appeared in several of the rock’n’roll films – Shake, Rattle & Rock! (1956, singing “Honey Chile”, “I’m In Adulation Again”, “Ain’t That a Shame”), Disc Jockey Jamboree (1957, “Wait And See”), The Big Beat (1958, arena the appellation song and “I’m Walkin’”) and The Girl Can’t Help It (1956, “Blue Monday”). He consistently looked blessed and contented, but to some, his connected beam was an archetype of Uncle Tom-ism. His complete had hardly changed, but he did acknowledgment rock’n’roll in lyrics such as “I’m Ready” (1959) and he had agreeable backings on several songs. His abounding albums included Rock and Rollin’ with Fats Domino (1956), Here Stands Fats Domino (1957), The Fabulous Mr D (1958) and A Lot of Dominoes (1960).
["465.6"]Hi, My Name's Catrina | Know Your Meme | hi my names katrinaAs able-bodied as his own songs and standards, Domino generally performed songs by added New Orleans writers including Chris Kenner (“Sick and Tired”), Roy Hayes (“I’m Gonna be a Wheel Someday”) and Bobby Charles (“Walkin’ to New Orleans”, “It Keeps Rainin’”). He angry bottomward Charles’s “See You After Alligator”, a hit for Bill Haley and his Comets, and his brother-in-law Reggie Hall’s song “You Talk Too Much”, a hit for Joe Jones.
In 1959, back the adolescent songwriter Tommy Boyce was about to be kicked out of his home, for indolence, Domino recorded Boyce’s “By My Guest” and gave him a million-seller. The adolescent Ernest Evans took his date name, Chubby Checker, as a accolade to Fats Domino, but by 1960, Domino was actuality admired as alliterative rather than consistent. Strings were added on break and his piano can hardly be heard on “Let The Four Winds Blow” (1961) area his articulation contrasts with Earl Palmer’s superb percussion. Domino’s songs became fragmentary, although, with added application, both “My Girl Josephine” and “Shu Rah” could accept been, absolutely should accept been, archetypal records.
In 1963, Domino confused to ABC-Paramount and his new achievement had to attempt with advance he had ahead recorded for Imperial. The ABC advance were mostly disappointing, but there was a marvellous adaptation of the accepted “Red Sails in the Sunset” as able-bodied as the archness of “Mary Oh Mary” and “Wigs”.
Rather belatedly, Domino fabricated his aboriginal UK actualization in 1967, actualization at Brian Epstein’s Saville Theatre. The concert was a appalling success, although the Teddy boys did not affliction for the aperture act, the Bee Gees. A few months later, the Beatles wrote and recorded “Lady Madonna”, which can be seen, in allotment at least, as a accolade to Domino. Back Domino recorded it, he struggled with the complicated lyric. That criticism is accurate for the absolute anthology Fats Is Back (1968), as neither the ambassador Richard Perry nor the arranger Randy Newman realised that the best way to almanac Domino was to leave him alone.
Domino appeared in the concert film, Let The Acceptable Times Roll (1973) and he sang “Whiskey Heaven” in the Clint Eastwood blur Any Which Way You Can (1980). He recorded actual little in after years, although Sleeping On the Job (1979) is accomplished and alike his melancholia album, Christmas is a Special Day (1993), has its moments.
Domino admired ultra-spicy cajun affable and, for a time, he marketed Fats Domino’s Fried Chicken. Back the authorization folded, he recorded commercials for the Southern fast-food alternation Popeyes Chicken and Biscuits. Throughout the Seventies, he played in Las Vegas, sometimes alive there for 10 months a year. Occasionally, Elvis Presley would go on date with the words, “Hello, I’m Fats Domino.”
["465.6"]Hi, My Name's Catrina | Know Your Meme | hi my names katrinaIn the Eighties, Domino absitively to abide at home, at the baroque abode he had congenital in New Orleans and he collection about in a blush Cadillac. Although he wore big-ticket jewellery, he never acquainted threatened because, absolutely simply, everybody admired him and accepted what he had done for the city. President Bill Clinton said he would adulation to comedy saxophone for Fats Domino, but not alike an allurement to the White House, nor his consecration into the Rock and Roll Hall of Fame, could allure Domino to leave New Orleans.
Domino alike backward at home in 2005 back others were evacuating at the access of Hurricane Katrina. Initially there were fears that he had died in the storm which ashore his house, but he was eventually rescued. However, his abode was broke and best of his possessions, including his gold and platinum discs, were destroyed by the floods.
President George W Bush fabricated a claimed appointment and replaced the Civic Badge of Arts that was absent in the debris. His gold annal were additionally replaced.
In 2007 he played a account concert in aid of New Orleans, which remained his home until his death.
Antoine Domino (Fats Domino), accompanist and pianist, built-in 26 February 1928, died 24 October 2017
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