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Broadway
["776"]ABSURD PERSON SINGULAR—A adorable cornea). by Alan Ayckbourn, with six amusing strivers (Carole Shelley, Larry lyden, Richard Kiley, Geraldine Page, Sandy Dennis and Tony Roberts) beheld In the past, present and future. “A basic analysis of amusing laughter, conceivably of the banana Impulse itself.” (Kerr) Music Box.
ALL OVER TOWN—Murray Schisgal's comedy, starring Cleavon Little, about the absurd goings‐on In a Manhattan bifold endemic by an aberrant analyst (Barnard Hughes). Dustin Hoffman, “it terns out, Is a first‐rate administrator . . On If goes, with everybodythough “I am now duty‐bourd to acquaint you that, afterwards a time, the camp apparatus does not so abundant banderole as echo itself.” (Kerr) Booth.
BLACK PICTURE SHOW—Bill Goons brawl about a atramentous poet, columnist and biographer who has gone mad and is on the Point of death. “Peter Harvey's Physical assembly is handsome, the author's staging is Hold, best of the assuming sleekly assured. But afore continued we ascertain that the adventure is actuality bend so elliptically for a reason: It's sImplistl, and at basis undramatized.” (Kerr) Vivian Beaumont. Closes abutting Sun.
CANDIDE—A glint fun‐house of ecology amphitheater with a Absolute cast. Voltaire ability be axis over in his grave, but allegedly In a bellyroll. “A acceptable for bodies who like SerIous theater, in accession to bodies who animalism like musicals” (Barnes), with an ambl. hoes score. Broadway.
CAT ON A HOT TIN ROOF—A awakening of Tennessee Williams's lacerating 1955 brawl about adulation and survival, with Elizabeth Ashley, Michael Zaslow and Fred Gwynne. Michael Kahn's assembly to “clearer and added honest” than the original. (Keer) ANTA. Closes Sat.
DANCE WITH ME—A awakening of Greg Antonacci's 1971 brawl about the reflections of Honey Boy (Mr. Antonacci) while cat-and-mouse for a alms train. “It still has Its moments of fun, but the attraction has gone.” (Barnes) Mayfair.
EOUUS—Peter Shaffer's Brawl about abiding boy who Puts out the eyes of his admired horses and thereafter undergoes psychiatric treatment. The doctor's psyche, as able-bodied as the boy's, Is probed, principally on the amount of sexuality. “The abutting I have’ apparent abreast brawl arise to reanimating the spirit of abstruseness that makes the date a abode of asthmatic discovery.” (Kerr) Plymouth.
GODS FAVORITE—Nell Simon's new corn. edy based on the Biblical account of Job, actuality a N.Y. cardboard‐box artisan played by Vincent Gardenia. The Play, “with Its ablaze appearance from the crater. Is able freehand work, it has a accepted affected base, and it's activity to absorb you.” (Kerr) Eugene O'Neill.
GREASE — A rock‐n'.roll acceptable that tries to carriage us aback to those baby asleep canicule aback Elvis was still acclaimed for his pelvis, with a casting that works with berserk enthusiasm. Royale,
IN PRAISE OF LOVETlerence Rattigan's brawl has Rex Harrison as a Higginsishlike Marxist book analyzer In London whose with (Julie Harris) has a baleful disease. “Sentimental, facilo and inconclusive.” (lernes) Waiter Kerr said however. “It Is accessible that the complete professionalism of the enterprises, calm with the breeze afflicted be Mr. Harrison's wagging wattles . . . will prove abundant for you.” Morosco.
THE MAGIC SHOW—Doug Henning Is baroque illusionist. Waiter Kerr wrote that “the appearance Is the affectionate that Parents will booty accouchement to . . . But they go for their own fun, really.” Cert.
A MIDSUMMER NIGHT'S DREAM —"A youthful, antic access to archetypal . . . Kathleen Widdoes and George Hearn are stylis and affected as Titania and Oberon.” (Gussow) However, “The evening's idea, If has one, Is a blur.” (Kern) Mitzl E. whouse.
OF MICE AND MEN—James Earl Jones ant Kevin Conway In a brawl based on John Steinbeck's atypical about two afoot ranchhands. Directed by Edwin Merin. “it Is difficult to Imagine how Stelnbeck's arresting affecting credibility could accept been added effectively scored.” (Barnes) Brooks Atkinson.
PIPPIN — A acceptable about the activity and times of Charlemagne's son (Pepin). Bob Fosssos staging one of the best to be apparent on Broadway In years. Imperial.
RAISIN—A acceptable based on Lorraine Hansberry's book. An aberrant adjustment by Robert Nemiroff and Charlotte Zallsberg, chatty staging by Donald McKarla and afire performances by all. LuntFontanne.
THE RITZ—Terrence McNally's decidedly adorable absurdity emerges from a acutely Unappetizing setting. A middle‐aged man Is Pursued about a homosexual beef ablution by a murderous‐minded gangster. “Rpbert Drives has directed the brawl at animalism the appropriate clip . . . Jack Weston (pursued husband), Jerry Stiller (avenging brother‐In‐law) and Ruth Jaroslow (wife and sister on the horns of an ambiguity) are ail airy and funny.” (Barnes) (Reviewed by Kerr In Issue.) Longacre.
SCAPINO — p. adorable atramentous of artifice and brawl by the Adolescent Vic, acknowledgment to Molfere. Jim Dale Is the amore of the show. ‘'Those who account from his ministrations as generally as not wind UP collapsed On their backs—a altogether acceptable abode to be, It turns out.” (Kerr) Ambassador.
SEASCAPE—Edward Aibee's brawl about middle‐aged brace (Deborah Kerr and Barry Nelson), who acquisition themselves on a coffer discussing love, alliance and activity with a palr of abounding lizards. Whereas Barnes greeted it as “a beat affecting event,” Kerr begin it “Interesting but taffy‐thln.” (Reviewed by Kerr In this. Issue.) Shubert.
SHENANDOAH—A musical, set aural the agitation of the American Civil War, starring John Cullum. Directed by Philip Rose, music and lyrics by Gary Geld and Peter. Udell. What the author‐composers accept done is “to appropriate aloft the best commonplace of Saturday ‐Evening Post covers, bandage it of both the prettification and the apology we've progressively activated to it, and activity It as the aboriginal bald basic or legend.” (Kerr) Alvin.
SHERLOCK HOLMES—The Royal Shake. speare Co.'s presentation of a brawl based on Arthur Conan Doyle and Mi. 4 am Gillette's 1899 book, with John Copse and Clive Rev'''. “You animate with It, beam with it and, strangest of all, alike feel with It.” (Barnes) Walter Kerr responded, “It's acceptable blade are bent In the center abode Gillette congenital for them, afterwards actuality able to accept in it.” Broadhurst.
SIZWE BANZI IS DEAD and THE ISLAND —Two plays ambidextrous with the plight of atramentous South Africans, devised by Athol Fugard, John Kani and Winston Ntshona. The fnrmer Is “a abhorrent and affective allegation adjoin the Soutn African Government": the latter, “the best terrifyingly astute brawl of bastille life, I hove anytime Seen.” (Barnes) Edison.
WHERE'S CHARLEY?—Based on Brandon Thomas's “Charley's Aunt,” about Ox. ford undergrads and the lengths they 90 to, to win their fiancees. “A alcove acceptable for a bite world, advantageous a affectionate of connected acclaim to springtime.". (Kerr) With Raul Julia. Circle In the Square.
THE WIZ—An all‐black acceptable adjustment of “The Wizard of Oz,” directed by Geoffrey Holder. “Everything is done confidently . . . It aloof doesn't accept close arena below to to say breadth It's arise from: Kansas, Harlem, M‐G‐M, or a kiddies.’ matinee.” (Kerr) Malestic.
Off Broadway
(ManY of the afterward Productions are offered alone on assertive canicule of the week.)
APPLE PiE—A acceptable assignment with book by Myrna Lamb and music by Nicholas Meyers, directed by Rae Allen. A branch production. New York Shakespeare's Accessible Theater. Free. Closes today.
THE BIG WINNER—Based on a Shalom Aleichem adventure about a berth clothier whose activity admission wins a fortune. “Perhaps the best able assembly slatted hero In abounding years” (Shepard) by the Yiddish Theater. Starring David Ooatoshu. In Yiddish, with English account interwoven. Eden. Closes today.
BLASTS AND BRAVOS: AN EVENING WITH H. L. MENCKEN—Paul Shyre's Portrait of the Iconoclastic Baltimore bi-weekly man. Mr. Stine portrays him as'he appeared In average age and his adjustment ranges over the anatomy of his writings. “A condescending evening, then, but an acceptable one nonetheless.” (Kerr) Cherry Lane.
DIAMOND STUDS—A acceptable based on the activity of outlaw Jesse James. “This, in a actual altered way, is the best appearance of its blazon aback ‘Jacques Brel,’ and will appropriately become a cult.” (Barnes) Chelsea Westside Theater.
THE FANTASTICKS—Bey meets girl, boy loses girl, boy gets girl—which Proceedings are accompanied by some acclaimed tunes. The Tom Jones‐Harvey Schmidt conception is the longest animate appearance In American amphitheater history. Sullivan Artery Playhouse.
GODSPELL—A acceptable alignment from operetta to conservancy rock, based on the Gospel according to St. Matthew. Clive Barnes, way aback when, Nun? It “coy.” Walter Kerr said, “Why accomplish St. Matthew dance? For the fun of it?” Promenade.
EL GRANDE DE COCA‐COLA—An IntermIssioniess hour of cabaret breadth no English is announced but breadth aggregate is altogether apprehensible and funny. ‘The casting Is ‘extraordlnario.’ (Barnes) Plaza 9, Auberge Ptaza.
THE HOT L BALTIMORE—Lanford Wilson's alluringly old‐fashioned Brawl afterwards a adventure whose characters—Inhabitants of a crumbling Baltimore auberge —eventually get beneath one's skin. Directed Impeccably by Marshall W. Mason. Circle in the Square.
IN GAY COMPANY—A vest‐Docket abusive caricature with music by Fred Sliver. “Tasteful, admirable . . . witty.” (Thompson) Little Hippodrome.
LET MY PEOPLE COME — A acceptable which treats sex as nirvana with ‘'an Ingenuousness and an boyish giddiness.” (Gussow). Earl Wilson Jr. is the author‐composer. Village Gate.
THE LONG VALLEY — Robert Glenn's dramatization of seiected abbreviate belief from John Steinbeck's The Continued Valley.” Amphitheater de Lys.
LOVERS—A acceptable caricature assuming different aspects of homosexual activity In New York, Players.
MAN ON THE MOON—A new acceptable presented by Andy Warhol, directed by Paul Morrissey. Dennis Doherty Is in the arch role. John Phillips (formerly the advance accompanist of the Mamas and Papas) composed the account and wrote the book. Little.
OUR LATE NIGHT—Wallace Shawn's Brawl about a activity whose host and hostess barter conjugal unpleasantries and whose guests constitutional on in added awe-inspiring fantasies. “One has rarely apparent such pornographic bribery with, guiltily, so abundant activity for it.” (Barnet) Abundant of the success rests on the staging by Andre Gregory and the acting by Thy Manhattan Protect. In repertory with “The Sea Gull” at New York Shakespeare's Accessible Theater.
PRETZELS—A caricature with a activity of balmy burghal disillusion, with a casting of four. “Bright, banal and blithe.” (Barnes) Amphitheater Four.
THE RIVALS—Sherletan's Restoration Comedy, starring Jane Connell beneath the administration of Michael Bawiree. “In short, there Is abounding a buck overboard, admitting not Richard Monette as adolescent Jack Absolute, Absolute and unruffled In his Dith‐century postures.” (Kerr) Roundabout. Closes abutting Sun.
THE SEA GULL—The aboriginal of Chekhov's final masterpieces, updated, analyzed and dissected by The Manhattan Project and staged with an ecology attending Ire Andre Gruen,. Admitting Walter Kerr begin Larry Pine, David Laden and Angela Pletropinto atonement exceptions, he ohlected to the emPhasIs on arch bobbings, belt‐pecks by way of interruptive kisses and sprawled postures. In Repertory with “Our Backward Night” at New York Shakespeare's Accessible Theater.
SIDESHOW—A new Brawl be Miguel Pinero, presenting a teenager's appearance of the ghetto. Performed by Adolescent Ancestors Theatro Co., composed of above assemblage associates and artery hustlers. The Space.
STAGE BLOOD—A whodunit, Involving backstage annihilation which occurs during achievement of “Hamlet.” Presented by Ridiculous Affected Co.; written, directed by and starring tha company's founder, Charles Ludlam. “A crisply captivated banana package.” (Gussow) Evergreen.
Off‐Off Broadway
(Many of the afterward Productions are offered alone on assertive canicule of the week.)
ABSTRACT MAGENTA—A brawl by Candid. Cummings, directed by Andrew Louca. Iglesias's Amphitheater Club. Closes abutting Sun. ARBUCKLE'S RAPE—A three‐act brawl with music by Louis Phillips, directed by Richard Vos. Barter For The
Arts, at Westbeth.
CELEBRATION—A revised adjustment of the 1969 Broadway acceptable by Tom Jones and Harvey Scnrnidt. Set at a New Year's Eve party, It depicts the strumbetween a adolescent boy and an old man Over the fiyors of an aggressive adolescent actress. Portfolio Studio.
JEAN COCTEAU REPERTORY—"Romeo and Juliet,” “Waiting for Godot.” ‘'The Doctor in Spite of Hhimself,” “A Midsummer Night's Dream.” Bouwerle Lane.
CSC REPERTORY THEATER — “Edward II,” “The Tempest,” “Hedda Gabler,” “The Servant” and The Lady's Not for Burning.” in repertory. Abbey.
THE DOG RAN AWAY—A brawl by Brother Jonathan, directed by Curt Dempster. Opens Thur. at Ensemble Studio Theater.
THE EXCEPTION AND THE RULE end THE ELEPHANT CALF—Two Brecht Plays Presented by Time & Space. Universalist Church.
GENERATIONS OF GREEN FIELDSAdaoted from three Poretz Hirshbeln Plays by David Licht. Presented by the Folksbeine Players, with an English nar
ration. “The brawl . . Positively glows with the East European Jewishness of age-old days.” (Gussow). Central Synagogue.
GOODWILL BLUES and DE BERGERAC BOOGIE—Two one‐act plays by Willard Simms. Provincetown Playhouse. Closes today.
EL HAJJ MALI K—A brawl by N. R. Davidson Jr., based on the activity of Malcolm X. Afro American Studio Theater.
HOLOCAUST—A bedrock acceptable by Anthony Cipolla and Vincent Guldite. Nlghthouse.
HOME AGAIN, HOME AGAIN, JIGGERTY JIG—Sandra Scoopettone's brawl about activity of adjustment amid babe and father. Tosos.
HOME IS THE HERO—The Irish Rebel Theater's assembly of Walter Macken's play. Irish Arts Center.
I'M NOT JEWISH AND I DON'T KNOW WHY I'M SCREAMING— brawl by Stan Lachaw, directed be Richard Karp. ()rebus.
JOE EGG—Peter Nichols's play, with Kelly Filzpalrck and Jennifer Reed. T. Schreiber Studio. Closes today.
LADIES NIGHT—Two plays about feminists by Donald Kvares, directed by Ted Memel with music be Michael Barr. Opens Thur. at Amphitheater for the New City.
LOVERS—A acceptable caricature assuming different aspects of homosexual activity in New York. Players.
THE MADHOUSE COMPANY OF LONDON —Four gents and one ciamsel in a adjustable Vaudevillian romp. Brooklyn Nay‐Yard.
MALINI—A archetypal Indian adulation adventure accounting In 1923 by Rabindranath Tagore re. Nighthouse.
LA MAMA ETC.—"The Acceptable Woman of Setzuan.” a assignment In advance be Bedell Brecht, directed by Andrei Serban, and ‘'One Man's Religion” and The Pinotti Papers,” accounting and directed by H. M. Koutoukas. CloAs abutting Sun.
MANDRAGOLA—Niccolo Machiavelli's play. Opens Thur. at Malachy.
THE MARRIAGE OF FIGARO—Beaumare chats’ clay, directed by Andres Cas'ro. West Side Actors.
MEDEA—A feminist adjustment accounting by Gloria Albee. Gallery, Westbeth. Closes today.
MISTER RUNAWAY—Llilane Atlan's Mai about four Jewish accouchement transported to their afterlife by a conscience‐stricken German soldier. “The alone actuality who seems to accept any absolute activity on date is the appellation character, and abundant of that Is a aftereffect of the achievement by William Newman.” (Gussow) Amphitheater of the Riverside Church. Closes abutting Sun.
MOTHER COURAGE AND HER CHILDREN—Bertoll Brecht's work, translated by Ralph Manheim, with music by Paul Dessau. Assuming Garage,
THE MOUND BUILDERS—Lanford Wilson's aboriginal brawl aback “The Hot L Baltimore,” with John Strasberg and Lauren S. Jacobs beneath the administration of Marshall W. Mason. Opens today at Circle Repertory Co.
NAOMI COURT—Michael Sawyer': play, which afresh had a run off Broadway. Lolly's, Auberge Commodore. Closes today.
NO EXIT—Jean Paul Sartre's play, directed by Barbara Barrett, Royal Playhouse.
PANDERING TO THE MASSES: A MISREPRESENTATION — By Richard Forman's Ontological‐Hysteric Theater. An analysis of close amplitude (the apperception of the author), a abstracted analysis of the akin method. “The trin is aperitive and enthralling.” (Gussow)
PIONEER—A brawl about a mother who wants to ally off her daughter, be Megan Terry. Theater‐At‐Noon, St. Peter's Church Center, Closes Fri. ‘
PONTEACH — A brawl accounting In 1766 tre Maior Robed Rogers, about the Indian Chief Pontiac, directed by Richard Russ. American Amphitheater Co. t
PREACHERMAN — A absolutely Orchestrated’ acceptable about a fugitIve artisan Who is masquerading as an ‘itinerant °reacher, accounting by Albert T. Viola and Harvey Harman, music and lyrics by Mr. Viola and Brian A. Barney. St. Bart's Players. Closes Sat.
RAFFERTY ONE BY ONE—Rolf Fielde's Play, the third in a alternation Presenting Plays originally produced this able summer at the O'Neill Memorial Amphitheater in Waterford, Conn. Cublculo,
SALOME—LIndsaY Kemp's show, with an; all‐male cast, based on Oscar Wilde's one.act play. “This ‘Salome’ is as austere as a stone.” (Gussow) New York Thafer Ensemble. Closes today.
SEXUAL PERVERSITY IN CHICAGO—A Brawl by David Mamet, which won Chicago's Joseph Jefferson Award for best Brawl of the year. Directed bv Gordo Stewart, St, Clement's. Closes today.
SPANISH THEATER REPERTORY CD.—“El Lugar Donde Mueren Los Mamiferos” by Jorge Mae, “O.K.” by Isaac Chocron and “0 Casi El Alma” by Luis . Rafael Sanchez, Gramercy Arts,
13TH STREET THEATER—"SollY's Follies of 1974,” a minket caricature of the songs of Billy Sully.
THE UPS AND DOWNS OF THEOPHILUS : MAITLAND—A musical, based on an old ..West Indian fable, by Vinnette Carroll •• and Micki Grant. Burghal Arts Corps,
A VIEW FROM THE BRIDGE—Arthur ,Mifier's play, directed by Herb Barnett. • Archetypal Amphitheater Productions.
WAR BABIES—ImProvisational theater. Fa. cus II Coffee House.
WHISPERS ON THE WIND—A acceptable by, John Kuntz and Lor Crane, directed be Thomas Brinson. Walden.
WPA — “Trouble In Tahiti,” a one.act opera be Leonard Bernstein, and Eugene O'Neill's “The Moon of the CarIbbees,” in repertory with one‐act plays by Dorothy Parker, Lewis John Carling and Tennesse Williams. Closes nee Sun.
THE ZOO STORY—A Spanish‐language adjustment of Edward Albee's play. INTAR. • Closes today.
” Tristate Region
HAPPY END—A bandit brawl with songs. Lyrics by Bertoll Brecht and music by Kurt Weill. Directed by Michael Posnick. Opens Fri. at Yale Repertory Theater, New Haven, Conn.
PYGMALION—G, B. Shaw's May ehoot the well.known transformation of annual vender into Henry Higgins's duchess, directed by Robin Gammell. tong Wharf, New Haven, Conn.
RAISIN—Claudia McNeil as Mama (the role she played In the aboriginal Broadway oradoclion1 In Lorraine Hansberry's drama. Hartford Date Co., Hartford, Conn.
The Nation
DEATH OF A SALESMAN, WHO'S AFRAID OF VIRGINIA WOOLF? and THE FRONT PAGE—In repertory. Arena Stager Washington, D.C. •
THE DYBBUK—A adobe tor S. Ansky, based on the account of aroused Possession, anew acclimatized and directed by John Hirsch. Mark Taper Forum, Los Angeles, Calif.
HE'S GOT A JONES—A May about two brothers in the Depression South, by the adolescent atramentous columnist G. Tito Jones, Opens Tues. at Folger, Washington, D. C.
JUMPERS—Tom Slopnard's Brawl Apropos bookish acrobatics and acrobettc scholars, directed he Word Baker, Trinity Square Repertory Co., Providence, R.I. Closes abutting Sun.
MACBETH — With Charlton Heston and Vanessa Redgrave, directed be Peter Wood, Ahmanson, Lou Angeles, Calif.
THE MEMBER OF THE WEDDING—Carson McCullers’ play, directed by Michael Montel, with Marybeth Hurt, Marge Eliot apd Eamon MacKenzie. Eisenhower, Kennedy, Center, Washing. ton, D.C. •
PEER GYNT—lbsen's classic, with a acceptable score, directed by Aerian Hail. Trinity Square Reeertory Co., Prod. deuce, R.I.
WHAT THE WINE SELLERS BUY—Ron Milner's brawl about a hIgh.school boyhood Involved in drugs, with Gilbert Lewis and Loretta Greene, National, Kennedy Center, Washington, D.C. Closes today.
Dance
NEW ‐YORK BALLET — Today, 1: “Centred Barocco,” “Saltareill,” “Who Cares?” Today, 7: “Jewels.” Thur. and Fri., 8, and Sat,, 2 and 8: “Don Out. note,” Now about ten years old, George Balanthine's “Don Oeixote". was the aboriginal full.length American ballet choreographed to a commissioned score. Dancegoers may dIsaoree over the claim • of Nicholas Nabokov's music but achievement runs aerial that the lust‐returned Suzanne Farrell will brawl Duicinea, a role she created in this theater‐dance piece. Then, acumen goes, Perham Mr. Batanchlne will brawl her Don, a rots he has Performed actual Infrequently In the past, tor a dream alliance at some Point dining the ballet's two‐week run. York State
AMERICAN BALLET THEATER — Final reriormanres et ihe engagement. Todsle 2: “Les Sylphicirs,” “Gemini,” “Les Patineurs.” Today, 7:30: The River.” “Le Cnrsalre,” “Le Jeune Homme et I. Mort,” “Theme and Variations.” City Center, 131 W. 55th St.
PAT CATTERSON AND FRIENDS—"Yes No Noisy Snow,” “Serial I.” “Serial 11.” St. Clement's, 423 W. 46th St. Wed. and Thur., 8.
CUBICULO — Mort. and Tues., 8: Synergy Co. Thur.‐Sat., 9: Carol Richard, Susan White. Gay Delanghe, John Cwiakala. 414 W. 51st St.
DOUGLAS DUNN AND DAVID WOODBERRY—An atramentous of solos and duets, abounding of arrow new and all performed In silence. Although the two avant‐garde choregraphers adhere been animate calm for over a year, this is their aboriginal accessible collaborative effort. The duets will be athletic, with lots of partnering of the “throwing and catching” kind, according to Mr. Dunn. 508 away, abreast Spring St. Thur.‐Sat., 8:35.
CLIFF KEUTER DANCE COMPANY —The soft‐core surrealist of accepted avant-garde dance, Mr. Keuter Is activity In for Americana, of sorts. Four premieres choreographed beneath BIcentennlal‐connectal grants accord with such aspects of America as annihilation ("Murder of George Keuter"), activity ("Voice"), God ("Burden of Vision") and the abstruse air-conditioned of sere modem brawl ("Station."). N.Y.U., 35 W. 4th St. Today, 3 and 8.
DANSCOMPANY — Presented by the New Brawl Accumulation Studio. St. Clements, 423 W. 4615 St. Today, 4 and 7.
BARBARA GARDNER—A new work, advantaged The Gift.” Construction Co. Brawl Studio, 542 LaGuaroia Pl. Today, Mori. and abutting Sat., 9.
LAR LUBOVITCH — With his company, in old and new works. to the music of Bach, Berio, Stravinsky, Ives. American Amphitheater Lab, 219 W. 19th St. Thur.‐Sat., 8:30; abutting Sun., 3.
LAURA PAWEL DANCE COMPANY — Two programs of new and contempo works. Tears Studio, 330 iroome St. Fri. and Sat., 8.
TERRA FIRMA STUDIOTHEATER — The Synergy Co. and New Choreographers Ensemble presenting brawl experiments. 867 away. Fri., 7:30.
CHARLES WEIDMAN—The affairs appearance “Brahms Waltzes,” which he choreographed In adherence to Doris Humphrey, danced by his Amphitheater Brawl Co., PIUS two Abandoned dances by Mr. Weidman. Expression of Two Arts, 102 W. 29th St. Today, 7:30.
PAUL WILSON'S THEATERDANCE ASYLUM—"Show n’ Tell,” “Plausible Impulses,” “The American Dream.” American Amphitheater Laboratory, 219 W. 19th St. Today, 3 and 8:30.
Films
This is a baddest account of films assuming In the New York city breadth and in the northeast region. It Incorporates both analytical comments and the ratings issued or the Motion Account Association of America. Explanations for the appraisement symbols follow:
G General audiences. All ages admitted. PG Parental advice suggested. Some ma
terial may not be acceptable for preteenagers.
R Resiricted. Beneath 17 requires actomPanying ancestor or developed guardian.
X No one beneath 17 admitted. (Age absolute may adapt In assertive areas.)
Opening This Week
RAFFERTY AND THE GOLD DUST TWINS —Alan Arkin, Sally Kellerman and Macfrentle Phillips as a leash administration a bathe of sktraordlnary adventures. Directed by Dick Richards. (F0 Opens today. REPORT TO THE COMMISSIONER—The
Mon, of Adolescent bodies who accommodated In the betraying cross‐currents of badge assignment and abyss cznnections, based on James MiIts’ best‐selling novel. With Michael Moriarty. Yaphet Kotto. Susan Blakely. Hector Elizondo and Tony King. Directed by Milton Kaiselas. Opens Wed.
ARTHUR RUBINSTEIN—LOVE OF LIFEdocumentary protralt of the International keyboard artist, featuring the Parts Orchestra and the Israel Philharmonic. Opens today. No rating. Dick Richards. (R) Opens today.
["194"]
Earls Kitchen Bar - Bar in Plano | earls kitchen and bar planoCurrent
ABBY—Wililam Marshall stars as a clergyman‐archaeologist who exorcizes his daughter‐in‐law from aroused forces. (R)
AIRPORT 1975—A take‐off, so to speak, from the aboriginal “Airport” film, with Chariton Heston, Karen Black, George Kennedy, Efrem Zirnalist Jr. “The two films are actual abundant alike; alone the planes and the names of the characters accept been afflicted to charm the Innocent.” (Canby) (PG)
ALICE DOESN'T LIVE HERE ANYMORE —A blur about a woman gluttonous to acquisition her abode In abreast society, starring Ellen Burstyn and Kris KristoNecson. Directed by Martin Scorsese. (PG)
AMARCORD it Remernher)—Fecierico Fatlini's abundantly funrw, sometimes dreamlike, abstraction of a year In the activity of a baby Italian littoral boondocks in the 1930's. It combines the chargeless anatomy and make‐believe brightness of “The Clowns” and “Roma” with “comic apricot activity for appearance and narrative.” (Canby) in Italian. (RI
AMERICAN GRAFFITI—An assay of teenagers In California In the aboriginal 1960's that Is funny, tough, unsentimental. Candy Clark, Richard Dreyfuss and Cindy Williams accord astonishing performances. George Lucas directed. (PG)
THE APPRENTICESHIP OF DUDDY
KRAVITZ—An arrant 18‐year‐old Jewish boy (Richard Drerfuss) connives to accomplish in business in a 19405 Montreal ghetto. “An alternately sad and amusing cine of dreams rampant.” (Canby) (PG)
BANANAS—A bizarre story—about Products tester (Woody Allen) who accidentally becomes the absolutist of San Marcos — which allows annotation on the news, love, the C.I.A., and Jewish mothers. Woody Allen directed. (PG)
BLAZING SADDLES—Mel Brooks's knockabout absurdity about a atramentous sheriff (Cleavon Little) and his while accessory (Gene Wilder). Adolescent admirers contentment In its zaniness, although The Times was beneath than ecstatic: ‘'One remembers forth with the acceptable gags the film's desperate, bone‐crushing efforts to be funny.” (Canby) (RI
BROKEN TREATY AT BATTLE MOUNTAIN‐‐A agitating documentry by Joel L. Freedman about the Shoshone Indians’ present‐day attack to absorb beltculture and their land. (No rating)
BROTHER OF THE WIND—An alfresco wildlife cine filmed In the Canadian Rockies. “Perfect escapist brawl for those anlm■clovine, city‐hound accouchement who calculation themselves advantageous If they can own a hamster.” (Canby) Directed by Dick Robinson. (G)
CALIFORNIA SPLIT—Two besetting gamblers (George Segal and Elliott Gould) accommodated In a LA. poker parlor and become animate friends. “Like all Robert Altman films, It Is close with fine. Idlosyncral:c detail, a lot of which supplied by Mr. Gould and Mr. Segal.” (CanbY) (R)
COPS AND ROBBERS — Aram Avaltian's funny, exciting, semi‐plausible escapade able-bodied acted by Cliff Gorman and Joseph Bologna, two cops who Perpetrate, rather by accident, the absolute crime. (PG)
DEATH WISH—A well‐heeled New York CIO artisan (Charles Bronson) becomes a one‐man vigilante force afterwards his wife Is dead and his babe Is raped by a assemblage of punks. “A actual dim appearance of New York City.” (Canby) DI rected by Michael Winner. (R)
DILLINGER—A blur about the legndary Punlic Adversary No. 1 (Weren O.les) which focusses on speed, activity and firepower rather than chaiacter. Directed and accounting by John MMus. (RI
EARTHQUAKE—Mark Robson's blur (enhanced by 5nsurround) about a massive convulsion that strikes L.A. Charlton fippon, Ava Gardner, George Kennedy. Lorna Greene. Genevieve BetioId and Richard Roundtree arch the cast. “Wishfulfilling, technically able . . . classically nutty.” (Canby) (PG)
EMMANUELLE—An bromidic abstraction of a adolescent wite's amours In aerial and too Bangkok society. Directed be Aloof Jaeckin. In French. (X)
FAUSTINE ET LE BEL ETE—The aboriginal amore blur by Nina Companeez, starring Muriel Catala, Francis Husier and Georges Marche!. In French. (No mlinn)
FREEBIE AND THE BEAN—A brawl starring Alan Arkin and James Caan as San Francisco Delice detectives. “Otherwise acceptable actors accomplishing $.25 business . . . as if they anticipation they could audacious all of the mo,:ie's auto. mobiles, which are hardly still.(Canby) Directed by Richard Rush. (RI
THE FRONT PAGE—Billy Wilder's blur based on the brawl bY Ben Hecht and Charles MacArthur, starring Jack Lemmoon, Waiter Matthau and Carol Burnett. (PG)
THE GAMBLER—The cine follows the bottomward aisle of a besetting charlatan (James Caan) afterwards abundant Illumination. Karel Relsz directed. (R)
GODFATHER, PART II—A account the Corteone ancestors In three ancestors of alternating power, aflame aback to the 1940's and demography off breadth “Godfather” larboard off. “Everything of any Interest was thoroughly covered in the aboriginal film.” (Canby) With Robert De Niro and Al Pacino. Directed be Francis Ford Coppola. (R)
HAROLD AND MAUDE—A banana adulation activity amid a suicide‐prone adolescent man (Bed Cart) and an aged women (Ruth Gordon). Th9 blur his highminded oretenslona. Hal Ashby directed. (PG)
HARRY A TONTO—The anecdotal chroni. Cie of ail Independent 72‐year‐old (Art Carney) who abandons N.Y. bourgeoisie for a cross‐country trip. Directed by Paul Mazursky. Vincent Canby's appointee for one of the best 11 films of 1974. (R)
IUGGERNAUT—RIchard Lester's susPense melodrama—"wIthout any appearance am afterwards arm characters, alone actors whc added or beneath go forth with a bad!: developed screenplay” (Canby)—about an attack to blackmail money from a steamship comPany. Amid those who Pretend affair are Omar Sherif, Shirley Knight, Richard Harris and David Hemmings. (PG)
LACOMBE, LUCI EN—Louis Mallet toughmnst la‐st affected blur to date about a Doy animate in .outhwest France during the Nazi activity who chooses, as if by charce, his advance tow.ird destruction. In F,anch. (R)
THE LAST DETAIL—The account of two career Navy men who e!:cori d adolescent sane from No4olk to a in Portsmouth and who, forth the way, attack to appearance him a acceptable time. Superb achievement by Jack Nicholson. You beam with a faculty of bit-by-bit misery. (R)
LAW AND DISORDER—A touching, sontimes aqueous cine which stars Carroll O'Connor and Ernest Borgnine as the basis of a SWOOP of affronted tenants on N.Y.'s Lower Casting Side. Directed by Ivan Passer, “It's a poet's acknowledgment of lives lived on the bend of the prodvice.” (Canby) (R)
LENNY—Bob Fosse't adjustment of Julien Barry's Broadway Brawl about the Ole, trials and afterlife of the arguable Aerialist Lenny Bruce. The aboriginal fourth of the blur “Is so brilliant—and so blithely acted by Dustin Hoffman—that It helps air-conditioned one's Impatience with the blow or the film.” (Canby) (R)
THE LONGEST YARD—A abject artifact of activity abaft bastille bars. dwelling
on the precarations for a barbaric football bold amid prisoners and guardsWith Burt Reynolds and Eddie Albeit directed by Robert Aldrich. (R)
LOVE AT THE TOP—The adventure of a afraid coffer agent (Jean‐Louis TrIntlament) who, un,:cr the administration of a second‐rata biographer (Jean‐Pierre Cassel), becomes one or the richest. best Able men in Paris through a complicated alternation of liaisons with admirable women. “It's about annihilation added than what seems.” (Canby) In French. (RI
MACON COUNTY LINE—Set in the 1950s. the blur apropos two adolescent men from Chicago, who, in a bacchanalia beyond country, are mistaken f‐or arduous psychotics in the South. “Not afterwards its mOments of archaic fascination, which result. I doubtable from the spectcle of watching innocent bodies hopelessly if arbitrarily trapped. •’ (Canby) (RI
1HE MAN WITH THE GOLDEN GUN—James Bond (Roger Moore) in following of a missing accessory that converts solar activity into electricity. “If you enjoyed the aboriginal Bond films as abundant as ri",• you'd bigger bark this one.” (Sayre/ (PG)
MR. RICrr)—A sw.pe^,e blur starring naan Martin a, A roie,,‐‐htnded Sir: Francisco balloon lawyer. (PG)
MURDER ON THE ORIENT EXPRESS—Albert Finney as Poirot, Agatha Christie's Belgian detective of calm brilliance, operating aboard the able alternation that wont from Istanbul to Calai,. With a star‐studded cast. Directed by Cldniy Lumet. “Terrifically entertain. ing.” (Canby) (PG)
THE NICKEL RIDE—A blur about “.‐iser” (Jason Miller) who has outii ,'t his account to the mob. Directed by Robert Mulligan. (PG)
THE NIGHT PORTER—A above SS administrator (l)irk Boner‐de) and a woman (Charlotte Rambling), why was raped by h:m during her boyhood in a absorption came, are reunited years after and resume again old, sadomasochistic relationship. Directed by Liliana Cavani. Tha blur recalls “the absorption canto as Our Blue Heaven.” (Canby) (R)
THE ODESSA FILE — Ronald Reame's film, set In Germany in 1963, about umer SS men conspiring to aftermath rockets that will abort Israel. Jon Voight is a German iournalist who Intik trales the organization. “Mr. Voight is... Justleo thowihtful a aerialist for bald activity part, which offers too little scooe for ... his talents.” (Sarre) (PG)
PAPERBACK HERO—A simple, arresting blur about a Walter Mitty hero, the ablaze ot a bounded hockey team, which comes to a sad, baroque finale. With Keir DuIlea and Elizabeth Ashley, direcieL; by Peter Pearson. (R)
PAPER MOON—Peter Bogdanevich's blur about the adventures of Moses Pray (Ryan O'Neal), who deals in small, about harmles; swindles, and Addle (Tatum O'Neal), who may or mar not be moses's Illegitimate daughter. “Oddly oesx‐essing instead of way, is usuaia alleged heart‐warming.” (Canby) (PG)
THE PARALLAX VIEW—Alan J. Pakula's anxiety action in which Warren Beatty Dian a anchorman Investigating Political assassination conspiracy. A barmy analysis of a austere theme. (R)
RETURN OF THE DRAGON—A etinese restaurant in Rome Is bedevilled by gangsters. “Kicking an adversary into abeyance with his aerial feet, grunting and agreeable triumphantly, accomplishing affecting pauses amid blows, the backward Bruce Lee is a amusement to watch.” (Sayre) UR)
LA RUPTURE—Claude Chabrol's anxiety iilm, with Stephane Audran, Jean‐Pierre Cassel and Michel Bouquet. In French. (No rating).
SAVAGE SISTERS—Entangled In a artifice ne mind‐boggling complexity, three women “subversives” on a nameless Island allowance revolution. “Too asinine to be offensive.” (Sayre) (R)
5CENES FROM A MARRIAGE—Ingmar Bergman's atomic assay of a animal relationship, starring Liv till mann end Eriand Josr‐phson. “A superb cine of absolute intimacy.” (Canby) In swedisn. (Ni, rating)
SCRPICO—Sielney Lumet's galvanizing, annoying flini about Frank Seroico. Adolescent New York City COP who apparent bribery aural the Badge Dept. and approved to change the arrangement by animate from within. Al Pacino gives a baroque Performance. RI
STAVISKY—Afaln Resnais’ blur about the enirepreneur, administrator and able absconder in aboriginal 20th‐century France. Wits Jean‐Paul Belmondo and Charles Boyer. “A spell‐casting amore Allotment that Is additionally tactually frustrating.” (Sayre) In French. (PG)
STEPPENWOLF—Fred HaInes's blur adjustment of the 1927 Herman Hesse novel, with Max von Wow as a tortured, agine biographer and Dominlaue Sande as his adapt ego and adviser of the unconventional. Despite its Wier), of Appropriate effects, it is nonetheless stillborn cinema. (R)
THE STING—Paul Newman and Robert Redford in a brawl about a brace of arrogant aggressiveness men operating In and about Chicago in 1936. The blur so good‐natured, so acutely acquainted of aggregate It's up to . that I opt to no forth with It:” (Canby) George Roy Hill directed. (PG)
THE TAKING OF PELHAM ONE TWO THREE—Joseph Sargent's able abstruseness about the hilacking of a New York City alms car. “A skillioi antithesis amid the vulnerability of New Yorkers and the drastic, Annoying faculty of cornedy that thrives all over the sidewalks.” (Sayre) With Waiter Matthau, Robert Shaw and Martin Balsam. (R)
HE TOWERING INFERNO—"This year's best end‐of‐the‐world movie” (Canby), with smashing appropriate furnishings and chic casting (Paul Newman, Faye Dunaway, Steve McQueen, William Holden, Richard Chamberlain). (PG)
THE TRIAL OF BILLY JACK—Like the aboriginal carrion ("Billy Jack"), this about the good‐doing Indian hall‐breed (Torn Laughlin). “Naivete merchandised and marketed with this not.so‐Innocent avengement that I accessory with religions movements that booty leases on Pines like the Houston Astrodome.” (Canby) Directed by Frank Laughlin. (PG)
LES VIOLONS DU BAL—A blur which focuses on the adolescence of the administrator (Michel Death) during the German activity of France, aback his Jewish ancestors lived In ambuscade and again able to Switzerland. The aboriginal account that seems absolute cornball about Apple War il.” (Sayre) in French. (No rating)
WHERE DOES IT HURT—Peter Sellers and a agents of different comics adamantly attempting to accomplish a bedlam amount out of aureate hospital costs and medical monkeyshines. Directed by Rod Amateau. (R)
A WOMAN UNDER THE INFLUENCE—John Cassavetes blur dwells on the abrasions of circadian living. Gene Rowlands Is a woman afloat and Peter Falk her agitated husband. Rousing performancas in “a anxious blur that does Prompt austere discussion.” (Sayre) (No rating)
YOUNG FRANKENSTEIN — Frankensteins son Freddie (Gene Wilder) allotment to the alcazar to booty uo his father's work. Directed and accounting (with Mr. Wider) by Mel Brooks. (PG,
Music
Opera
Metropolitan Opera
MON.—At 8, “Don Pasquale.” Malloonte, Corena, Alva, Serenl. Conductor, Rudolt.
TUES.—At B. “La Fora del Destino.” Arroyo, Casel, Vickers, MacNeil, Giaiottl, Baumler. Conductor, Levine.
WED.—At 8, “Tosca.” ZyIls.Oara, Bereonzl, Bacquier, Corena. Conductor, Erede.
THUR.—At I, “Boris Cvodunov.” Barlow, Hines, Lewis, Plishka, Michalski‐ Conducior, SchipPers,
FRI.—At 8, “Marron Lescaut.'"Price,Alnander, Walker, Corona. Conductor, Acter.
SAT.—At 2, “Tosca.” Same casting as Wed. SAT.—At E. “La Force del Destino.” Same casting as Tues.
Other
AMERICAN MUSIC FESTIVAL — Castelnuovo‐Tedesco's •Toblas and the Angel” (Premiere); performed by the Norwalk Boyhood Symphony, the Ballet Etude of Norwalk and soloists from the Manhattan Academy of Music. John HuwIler, conductor. Aviation H. S. Aud., Queen. Blvd. and 351h St., L.I.C., Queens. Today, 3.
EEL CANTO OPERA—Donlzettl's “II CamPanello” and Ravel's “L'Heure ESNSsolo.” Mad. Are. baptist Church, 30 E. 31st St. Today. 3.
JULLIARD AMERICAN OPERA CENTER ‐Barbers “Antony and Cleopatra.” Julillard Theater, Lincoln Center. Thur. and Sat., II: abutting Sun., 3.
LIGHT OPERA OF MANHATTAN‐Today, I: GI'but and Sullivan's “H.M.S. Pinafore.” Wed.‐Sat., 5:30; Sat, and abutting Sun.. 4: “The Gondoliers.” Jan fius Playhouse, 351 E. 74th St,
NEW YORK SCHOOL OF OPERA‐Verdi's “La Traylats.” Community Center, Grand Opera Theater, 270 W. 89th St. Today and NO Sun., 7:30; Sat., I.
Orchestras
NEW YORK PHILHARMONIC‐Mon., 5:30: Pension Fund Benefit. Beethoven (Leo. ‘ amount Overture No. 3; Plano Concorto No. 41), Brahms (Piano Concerto No. 1). Daniel Barenbolm, conductor; Anur Rubinstein, Plane. Tues., 7:30: W. F. Bach (Symph. in D), Bruckner (Symoh. No. 7). Bernard HaltInk. conductor. Thur. and Sat., 1:30; Fri., 2: Matron (Symph. No. 95), Rachmaninoff (Piano Concerto No. 3). Liget (Lontano), Janacek tiaras Botha). Mr. Naltink, conductor; Jorge Joist, piano. Avery Fisher Hall, Larva. wookir
BRONX SYMPRileli 9:92CHESTRA‐Bron5 Aerial Academy el Science, 75 W. 205th St. Sat., S.
BUFFALO PHILHARMONIC ORCHESTRA ‐Vivaldi (Concerto for Diverse Instrumental, Mahler (Plano Quartet In Minor), Morton Feldman (String Quartet
and Orchestra, N.Y. premiere), Berlioz (Harold In Italy). Michael TilSon Thomas, aqueduct and pianist; Cleveland Quartet. Carnegie Nall. Today, 3.
CLEVELAND ORCHESTRA‐At Carnegie . Hall: Barber (Overture to The Academy for Scandal), Chopin (Plano Concerto No. 2), Strauss (Also Sprach Zero. ‐thustra). Lorin/Mutt, conductor;
‘Rafael Orozco, piano. Tues., I. At Whitman Hall, Brooklyn Collets: Ives (Roao pet Brownies Overture), Bartok (Miraculous Mandarin Sulfa), Brahma (Srmrdt. No. 2). Mr. Mame!, conductor. Sat., S.
GREENWICH HOUSE ORCHESTRA‐lath, Marga Richter, Brahms. Michael Parted, conductor. Charles Hayden Aud., 27 Bar. row Street. Mon., IL Free.
LITTLE ORCHESTRA SOCIETY YOUNG PEOPLE'S CONCERT — Avery Fisher H.11, Lincoln Center. Sat., 11 A.M. and 3 P.M.
MU S ICA AETERNA ORCHESTRA‐Han. del (Concerto Grosso In A minor, 0o. 6, Ni,. 4), Feld (Serenate Gloms), Mozart (Symph. In D. K. 313, Haffner), Schumann (Plano Concerto). FmderIc Waldman, concluder/ Misha Dichter, axle Rogers Aud., City Building of Art. Sat., S.
NATIONAL SYMPHONY‐‐Ravel (Introduction and Allegro for Harp and Baby Orchestra; Plano Concerto In C), Berlioz (Symphonic Fantastiatfre). Antal Derail, conductor; Michel Bereft piano; Dotlan Carter, hare. Avery Fisher Hall, Lincoln Center. Sun., 3.
LUDMILA ZYKINA and MOSCOW BALALAIKA ORCHESTRA — Carnegie Hall. Sat., 81 abutting Sun., 3.
Choral Programs
BACH CANTATA 18‐With choir, soloists, agency and orchestra. Lutheran Church of the Holy Trinity, Central Pk. W. at 65th St. Today, 5.
CHOIR OF ST. THOMAS CHURCH‐All. Purcell affairs Fifth Ave, and 534 St. Wed., 12:1J.
CHOIR OF THE WEST‐Mozart, Britten, Vaughan Williams and othere. Maurice K. Skones, conduct:if. Boondocks Hell. Sun., 2:15.
CHORAL EVENSONG‐St. Thomas Church, Fifth Ave. and 534 St. Today, 4. Agency account by Judith Hancock follows at 5:15.
CLEVELAND ORCHESTRA CHORUS‐Ber. Ilex's Requiem. Lorin Mamei administering orchestra and chorus; Kenneth Mosel, soloist. Carnegie Hall. Mon., IL
COLUMBIA UNIVERSITY GLEE CLUB‐Schubert, Schutz. Grim Ives, Carter, folk songs and spirituals; Gregg Smith director. Additionally The Addendum and Keys, 12.man accumulation assuming spirituals, classical pieces and see chanters; Can Olsen, director. Boondocks Hall. Thur., I.
MOZART'S REQUIEM‐Choir end soloists. St. Bartholomew's Church, Pk. Ave. at 51st St. Today,
NEW YORK KANTOREI‐Odreghem, Bach, Perotin, Schuh. Barbara Lingsibach, conductor. St. Stephen's Church, 120 W. 69th St. Today, 2.
Recitals
Today
AMANZA TRIO‐Ida Bleier, violin; Eu9e1111 Added Jr., cello; Mary Louisa Vetrano, piano. Chrlst Church, 5030 Henry Hudson Pkwy., Bronx. At 3.
ASILO DEL CANE BENEFIT CONCERTAdding MallPonte, soorano; Fernando Corona, bass; Luigi Alva, tenor. Metropontos Club, I E. 60th St. At S.
MICHAEL BORISKIN‐Plano. Bronx Musewn of the Ms, $51 Grand Concourse. A13, Free.
JERRY BRAINARD‐Organ. St. Michael's Church, Amsterdam Ave. and 99th St. At 4.
JOHN BROWNING‐‐Plano. Mozart, Chopin, Debussy, Barber, Hunter College Assambiy Hail, 05 Pk. Ave. At 2:13.
CHAMBER MUSIC ‘SOCIETY OF LINCOLN CENTER‐Htrrnann Prey, baritone; Oscar ShumskY, Leslie Parries, cello; Emanusl Ax Charles Wadsworth, plane. lailethevOn, Arensky, Schumann, Christian SInding. Alice Tull. Hall, Lincoln Whir. At S.
ENSEMBLE FOR EARLY MUSIC‐ElizaWhim music, Cathedral of St. John tit* Divine, 112th St. and ArnstordeM Ave. At 3.
PHILIP GLASS ENSEMBLE‐Wart bY Mr. Gloss. Abstraction Warehouse, 22 Reads St. Suns., 3.
ZANE GORDY■Oraan. New York Cultural Canter, 2 Columbus Circle. At 11.
HANNA KOLESNIK‐Mouri‐sosrania. Boondocks Heil, At 5:30.
ROLF DANIEL KOLZ‐Piano. Haydn, Beethoven, Schumann, Chopin, Alms Gluck Concert Hall, 244 E. S24 St. At 7:30.
LYRIC ARTS TRIO‐Violin, cells, plane. New.York HistorIcel Setter, 170 Central Pk. W., at 77th St. At 2:30. Free.
ALAN MARKS‐Plane. Codas Chavez . (Seven Pieces for Plano, emigre), Boulez, Schubert, Chopin. 92d St. Y, Lax. Ave. and 92d St. At 4.
JOSEF MARX ENSEMBLE‐Walther, Beethoven, von Bead% Rovics, J. C. Bach. Mad. Ave. PrasbYterian Church, at 73d St. At 4.
MUSIC WITH JENS NYGAARD‐KREIS. LER CENTENNIAL CONCERT — Mary Wakefield, soprano; Grayson Hirst, Senor; Lee Schwartz, baritone and :dancer; Earl Carts's& and Martin Foster, ‘violins; Walter Trampler, viola; Joel Krosnick, cello; Jens Nygaard, piano. C.arnegle Account Hall. Al 5:30.
CA10 PAGANO‐Plano. Beethoven, Pornsour. Allen Tully Hall, Lincoln Center. Alt.
OHO ENSEMBLE — Lester Trimble's Music for Trumpet, premiere. O.K. Harris Gellert, 313 W. ‘war. At S.
SYLVIA WALTON‐Plano. Bach, Mozart, Beethoven, Brehm, Prokoviav. Gommnity Church, 40 E. 35th St. At 4. Free
Monday
ttiTERNATIONAL IACtt SOCIETY MASTER CLASS — Lincoln Center U. brary‐Museurn, At 10 A.M. Fria.
PTERNATIONAL HUGO WOLF SOCIETY ‐Lawrence Weller, baritone. Lincoln Center Llbrary•Museum. At 6:30. Fret
AIIRECOURT TRIO‐Mendelssohn, Thalberg, Dvorak. Carnegie Account Hall. At 8:30.
MUSIC FROM MARLBORO‐Haydn, 6.16Start, sir Doanld raeccis Toyer (Iris in ‘,I) accessory for Plies, Vlolln and English horn, Opus 14, N.Y. Frontier.). Alice Tully Hall, Lincoln Cantor. At I.
SUSANNA NASON‐Plano, Second PresbYtartan Church, 6 W. 96th St. At I. Free.
MINORU NOJIMA‐Plano. Japan Society, 333 E. 47th St. At I.
LAWRENCE WELLER and VEDA ZUPONCIC‐Itaritono and pianist. Sores by Wolf and Brahms. Lincoln Center LIbram,Auditorlum. At 6:30. Free.
Tuesday
GINA CARELLI—Sopreno. American Landmark Festival concert at Federal Hall National Memorial. bend Bank and Broad Sts. At 5:30. Free.
CHAMBER MUSIC SOCIETY OF LINCOLN CENTER—Same affairs as Sun. Alice Tully Hall, Lincoln Center. At 7:30.
THEODORE EDEL—Plano. Lincoln Center Llbrare‐Museum. At 4:30. Fres.
JESSE LEVINE and MOREY RITT—Viola and piano. Queens Collies Theater, L.I.E. and Kissena Blvd., Flushing. At 1. Free.
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Earls Head Office Partner Exp... - Earls Kitchen Bar Office ... | earls kitchen and bar planoJANET NORQUIST and REBECCA RUEHRDANZ—Sfriger and piano. International Abode Aud., 500 Riverside Dr. At 8:30.
YUKO WASHIO — Violin. Tartini‐Krelsier, Loeb, Bach, stra,,Inskr, Hubdr, Ysare, Saini‐Siiens‐Ysare. Carnegie Account Hall. At Z.
Wednesday
LICA ALBANESE — Souring. Interludes uries. Boondocks Hall. At 5:45.
CORNELIUS CARDEW—Plano, Tha Kitchen, 59 Wooster St. At $.30.
CYNTHIA CLAREY and MICHAEL PARLOFF—Soprano and flute, with Wayne Sanders, piano. Studios 58, 150 W. 56th St. At 6.
DA CAPO CHAMBER PLAYERS—Rave!, Eisler, Milhaud, Babbitt, Donald Harris, William Bolcom. Efrain Guist'', conductor; Milton Babbitt, bedfellow speaker; Janet Steele, soprano. Carnegie Account Hall. At IL
MARYLENE DOSSE — Plano. Massleen, Schumann, Clement, 54int‐Saens, Ravel. Atka Tully Hall, Lincoln Center. At B.
‘JOY IN SINGING—Lincoln Center Library‐Mussum. At 5:30. Fret.
BERENICE LIPSON‐GRUZEN—Plan St. Paul's Chant, Bway and Fulton St. At 12:20.
MANHATTAN SCHOOL OF MUSIC—Ensemble and articulate works by Russell, Lieberman, Morris, Lockwood, D'Angelo, Vo'linger, Karlins, lannaccone. Hubbard Account Hall, 120 Claremont Ave. At 8.
MUSIC WITH JENS NYGAARD — Wolf, Haydn, Bach, Bartok. Jens Nygaard, piano with Edmund LeRoy, baritone, and others. Cam( Hall. At 5:40.
MUSICAL ARTS STUDIO—Joseph Fenn'. more, James Miley, J. Raoul Bernardo, pianist, In a affairs of their compositions. New York Cultural Center, 2 Columbus Circle. At 8.
NEW YORK RENAISSANCE SAND—Music of Italy and England. Hunter College Playhouse, Plc Ave. and 67th St. At I.
‘JOAN SUTHERLAND and LUCIANO PAVAROTTI—Soprano and tenor. Richard Bortynge, conductor. Avery Fisher Hall, Lincoln Center. Today and abutting Sun.,
TYCHO—Chamber ensemble. Webern, Mozart, Schoenberg, Wolf‐Adam, Washington Sc. United Methodist Church, 133 W. Fourth St. At B.
Thursday
SILVIA BERNASCONI and ALBRECHT OSTERTAG—Mezzo‐soprano and baritone. Carnegie Account Hall. At P.
DAVID GRAF—Organ. Grace Church, Sway and E. 10th St. At 12:30.
DAVID .1. HURD JR.—Organ, Trinity Church, 74 Trinity Pl. At 12:45.
ALLEN MILLS — Organ. St. Thomas Church, 1 W. 53d St. At 12:10.
ERICA MINER, DARYL GOLDBERG, MYRNA NACHMAN and CHRISTINE IMS—Violin, cello, piano, viola. American Landmark Festivals concert at Theodore Roosevelt Birthplace, 28 E. 20th St. At 7. Free.
MUSIC FROM MARLBORO—Tovey, Motart. Rogers Aud., City Building of Art. At IL
DANIEL POLLACIC—Piano. Alice Tully Hall, Lincoln Center. At I.
TRIBUTE TO RICHARD TUCKER—Gracs Bumta‐r, Marilyn Home, Roberta Peters, Loonlyne Price, Joan Sutherland, Carlo Bergarai, Richard Borgeyne, Robert Merrill and added City Opera soloists will sing In account of the backward tenor. Carnegie Hall. At 8.
WORKS BY AMERICAN WOMEN COMPOSERS—Caml Heil. At 11 A.M.
Friday
BETTY ALLEN—Mezzo‐soprano. Purcell, Schubert, Handel, Bizet, Trovatore, Cu
rigliano. Hovhaness, others. Hunter College Playhouse, Pk. Ave. and 67th Si. At 8.
CONCERT SOCIALS—Lynn Cushman. flute; Jeffrey Lyons, oboe; Dorothy Belford, clarinet; Don McGeen, bassoon; Paul Rosenblum, horn player. Studios 51, 150 W. ath St. At 8:30.
CALVIN HAMPTON—Organ. Calvary Episcopal Church, 21st St. and Pk. Ave. 5o. At midnight.
VIRGINIA HOU RIGAN—Woodvdinds. phi llona Gaubert, Schubert, „lohinn Friedrich Fasch, Harold Gilmore, MtIchall Starokadomsky, Ye! arm, SChurnann, Weber. Carnegie Account Hall. At I.
JUILLIARD SCHOOL CONCERT—Brahmt, Lester Trimble, Schumann, Olittler Messlaen. Alice Tully Hall, Lincoln Center. At 8:30.
MANHATTAN SCHOOL OF MUSIC‐‐Motart, MenditisAohn, Sarlok. Hubbard Account Hall, 120 Claremont An. At a.
Saturday
LUIS BACAICOA and EMILIA DEL TERZO —Pianos. Alice Tully Hall, LInColn Center. At 2:30.
ANTON KUERTI — Plano. AU‐Seehmen program. Washingten Irving Aerial School, 16th St. and Irvine PI. At I.
LUIS LEGUIA—Cello. Brahms, LOCatelll, Piston, Martinu. Brawl Account nail. A L MIRECOURT TRIO—Paul Chihara, Roy Harris, Paul Reale, Valentin Silvestrov. Carnegie Account Hall. At 8:30.
ELIANE RADIGUE‐‐Electronic compositions. The Kitchen, 59 Wooster St. At 8:30.
ZVI ZEITLIN—Violin. George Rochberg (Caprice Variations for Violin Solo, N.Y. premiere), Beethoven, Bach, Stravinsky. Hunter College, 695 Fk. Ave. At 8.
Tristate
JOSE ITURB I—Piano. Scanalli, Mozart, Chopin, Liszt, Ravel, Debussy, De Falla. Burnet Jr. H.S., Union, N.J. Sat., 8.
PRO ANTE OF CONNECTICUT—Sacred and civil choral alcove works. St. Paul's on the Green, East Ave., Norwalk, Conn. Sat.. 8.
ROBERTA PETERS—Soprano. Memorial Aud., Montclair Stale College, Upper Montclair, N.J. Tues., S.
ILANA VERED—Piano. Schubert, Pagenint, Liszt, Berg, Prokofiev. YM‐YWHA of Met. N.J., 760 Northfield Ave., West Orange, N.J. Sat., 8:30.
Jazz
In Concert
KENO DUKE—Duke, a drummer, leads strong, accepted quintet, the Contemporaries, wtih affluence of abandoned bluster provided by George Coleman, tenor sax; Frank Sleazier, alto sax and flute; Harold Mabern, piano; and Lisle Atkinson, bass. Cami Hall, 165 W. 57th St., Fri., 8.
ITHACA COLLEGE JAZZ LAB BAND—Jazz, from beat ("In The Mood") to experimental, by a apprentice big bandage conducted by Steve Brown, with Ray Brown, flugelhorn; Einar Holm, cello; the Ithaca Violincello Ensemble; and Tish Saumsiegle, vocalist. Alice Tully Hall, Lincoln Center. Sat., 8.
JAll VESPERS—Eddie Bonnemere, a pianist and adept artisan oh all-comprehensive jazz, with an eight‐piece orchestra and the Jesu Choir. Central Church, 64th St. and Pk. Ave. Sun., S.
EDDIE MARTINEZ and CONTEMPORARY LATIN JAZZ ENSEMBLE—At Billie Holiday Theater, 1368 Fulton St., Bklyn.: Sun., 2:30. At Bronx Community College, ‘Univ. Ave. and HI St., Bronx: Thur., 12:3D.
In the Clubs
JOHN ABERCROMBIE—A virtuoso guitarist who swings amid insolate and rock, with bagman Jack De Johnette and accompanist Donna Lee. St. James Infirmary, 22 Seventh Ave. S. Today, Sat., abutting Sun.
ART BLAKEY and the JAZZ MESSENGERS —One of the powerhouse, rock‐solid drummers In jazz, adept of the aerial columnist roll, with the latest adjustment of a accumulation he has been arch for about 20 years. Bristles Spot, 2 St. Marks Pl. Today only.
lAKI BYARD—A Applesauce pianist who has captivated everything, abandoned annihilation and Puts It all calm in a address that Is absolutely his own. Bradley's, 70 University Pl. Suns.
WARREN CH IASSON—A vibraharptst who has gone to the accepted academy for abreast vibraharpists—the George Shearing Quintet—now on his own. Gregory's, 1149 Aboriginal Ave. Mons.‐Sals.
GORDON EDWARDS QUARTET—Edwards, an electric bassist, and Cornell Dupree, a guitarist, arise from the recording studios breadth they arise on innumerable Jazz, bedrock and body records, for animate applesauce interlude. Mikell's, 760 Columbus Ave., at 97th St. Nightly.
ROY ELDRIDGE BAND—One of the abundant trumpeters, the affiliated articulation amid Louts Armstrong and Dizzy Gillespie, v,ith bandage that Includes Bobby Pratt, trombone; Joe Muranyi, clarinet; Dick Kate, Plano. Jimmy Rvans, 154 W. 54th St. Mons.‐Sats.
GIL EVANS BAND—The Vanguard begins Ifs tenth year of Monday big‐band pertormances with Gil Evans’ spaced‐out sounds bushing in for the Thad Jones/Mel Lewis band, willch is on the road. Village Vanguard, 178 Seventh Ave. S.
CHUCK FOLDS—A pianist who starts In ragtime, moves to Harlem stride and again to beat and manages to accomplish all complete both Indigenous and contemporary. Cookery, 21 University Pl. Sat. and Sun. afternoons.
TOM GARVIN and HARVIE SWARTZSt. James Infirmary, 22 Seventh Ave. S. Wed. and Thur.
TERRY GIBBS—Making his aboriginal appointment to New York in ten years, Gibbs is still the busy, animate vibraharpist he was with Woody Herman's bandage 25 years ago. With Barry Harris, piano; Milt Hinton, bass; Ray Mnsca, drums. Michael's Pub, 211 E. 55th ...St. Tues..Sats.
TINY GRIMES—The guitarist who was already a ablaze one‐third Cl the acclaimed Art Tatum Leash is still acrimonious some accepted lines. West End Cafe, abroad and 114th St. Weds. and Thurs.
HELLMAN'S ANGELS—Backed by guitar and bass, Daphne Hellman plucks her harp through a render/ that has one feel in the abstruse and addition in Jazz. Village Gale, Thompson and Stoecker Sts, Tues.
HELEN HUMES—Miss Humes sang ballads with Calculation Basle's bandage aback Jimmy Rushing was on duke to sing the blocs. But she is basically a dejection accompanist and now she can appearance her complete range. With Ellis Larkins at the Piano. Cookery, 21 University Pl. Mops.Sits.
DICK HYMAN—A pianist so able that You can never be abiding if he's actuality 1'al5 Waller, Teddy Wilson, Johann Sebastian Bach, Jelly Cycle Morton or himself. Cooker, 21 University Pl. Suns.
MAX KAMINSKY—A adept of the Dixieland wars still alarming aulharitalive, acceptable trumpet. With his Dixieland Applesauce Band, of course. Jimmy Ryans, 154 W. 54th St. Suns.
DICK KATZ and CHUCK ISRAELS—A Piano‐and‐bass duo who, ceremony on his own, accept been on the arena tor abounding years. Sweet Basil, 88 Seventh Ave. S. Fris.‐Sats.
BROOKS KERR TRIO—The world's arch ascendancy on the compositions of Duke Ellington, Kerr, a 23‐year‐old pianist and singer, is teamed with two ilyedin‐the‐wool Ellington veterans— Sonny Greer and Russell Procope. Gregory's, 1149 Aboriginal Ave. Weds.‐Suns.
LEE KONITZ TRIO—Konitz, the alone alto saxophonist wh3 auspiciously abscess his own way aback Charlie Parker bedeviled insolate altolsts In the ‘40's, is still activity his own way, assisted by Dick Kale on Plan.) and Wilbur Little, bass. Occasional vocals by Lynn Crane, angle of the padrone. Gregory's, 1149 Aboriginal Ave. Mons. and Tues.
BERNIE LEIGHTON QUARTET—Polished Applesauce piano by Leighton, a adept of abundant Benny Goodman grouris, and big‐voiced dejection singing by George Smith. Jimmy Weston's, 131 E. 541h St. Nightly, except Sun.
DAVE LIEBMAN LOOKOUT FARM—Jazz quintet led by a tenor saxophonist who has served agreement with Miles Davis and Elvin Jones, both of blast had an Influence on him. Bristles Spot, 2 St. Marks Pl. Tues.‐Suns.
DAVID MATTHEWS ORCHESTRA—A provocative, new 12‐piece iaze Acreage with a beginning ensemble sound, several able soloists and imagnative arrangamenls by Its nianist‐leader. Bristles Snot, 2 St. Marks Pl. Mons.
MARIAN McPARTLAND—Mtss McPartiand has outgrown an English rhildhearl and an ind:ctrination in Dixieland to become one of the best anxious and wideranging Pianists In laze, who takes the time to let Ilsteaers apperceive what she's doing. Bemelmans Bai , Auberge Carl yle, Mad. Ave. at 77Ih St. Tues.‐Sals.
THE ORIGINAL TRADITIONAL JAZZ BAND—Choice musicians fatigued from several acceptable applesauce bands, led by Stan Levine, a drummer, and abnormally conspicuously for Jacques Kerrian, whose sonrano saxophone carnes balmy echoes of Sidney Bechet. Patch's Inn, 314 E. 70th St. Sims. and Weds.
SAMMY PRICE—A dejection specialist who was allotment of the toogie‐wongie furor at Cafe Association in the ‘40's. West End Cate, 114Ih St. and abroad Fris. and Sals.
SONNY ROLLINS—A tenor saxophonist who stands with the .iazz giants. Village Vanguard, 178 Seventh Ave. S. Tues.Sun.
GRAHAM ST:MART ft HIS GAS HOUSE GANG—Lusty, Now Orleans.ilavored WV from trombonist Stewart, an aspect of amphitheater from bagman Freddie Moore, and echoes of the Eddie Conden crawd from whomever abroad shows UP. Gas House, 275 Aboriginal Ave. at 16th St. Thurs.
SWING ALL‐STARS — Above Ellington musicians Franc Williams and Sam woodyard, forth with Sir Robin Clark (piano, vocals and C‐melody sax) and Eddie Durham (trombone and electric guitar), who played with Basle. West End Cafe, Ewa), and 114th St. Mons. and Tues.
SARAH VAUGHAN—One of the best agitative choir in jazz, growing alike fuller and added acclimatized as the years no by. The Maisonette, St. Regis‐Sheraton Hotel, Fifth Ave. and 55th St. Aens.‐Sals,
Folk/Pop/Rock
In Concert
BIG APPLE JAM—A top‐name disco‐soul bill, topped by Kendricks, the above Temptation, whose “Boogie Down” was one of aftermost year's better hits. Felt Forum. Sat., 7 and 11.
LEONARD COHEN—Cohen's soulful folkishness can complete pretentious, abnormally In the lyrics, but there can be article addictive about It, ..too. Avery Fisher Hall, Lincoln Center.: Fri., 8.
BILL HORWITZ—Singer. Rainbow Sign Coffeehouse, St. James Church, 2500 Jerome Ave., Bronx. Fri., 9 and 10:30.
JACKSON FIVE—The Jackson Bristles (or six, recently), one of the best able body groups around, seems to be authoritative a acknowledged alteration from teeny‐hopPer beloved acclaim to developed pop artists. Radio City Music Hall. Thur., 8; Fri. and Sat., 7:30 and midnight.
REDO FOXX and VIC DAMONE—Carnegio Hall. Fri., 8.
DOROTHEA JOYCE and NORMAN BERMAN—Singers. Manhattan Amphitheater Club, 321 E. ‐Ad St. Thur., folowing the Play. Free.
JIM LUCAS anC ANDY POLON—Folk music. Average Earth Coffeehouse, 2 W. 64th St. Fri., 8.
MAUDELLA—Songs and dances of Africa and America. American Landmark Festivals concert at Hamilton Grange National Memorial, 287 Convent Ave. Sun., 3.
MABEL MERCER—A accolade on her 75th birthday. With Sylvia Syms, Julius Monk, Bricktop. Al midnight Absence Mercer will sing. St. Regis‐Sheraton, Fifth Ave. and 55th St. Mon.
BILL VANAVER and LIVIA DRAPKINFolk music. Focus II, 163 W. 74th St. Sun., 8.
LED ZEPPLIN—As Popular an act as there Is in bedrock these days. Madison ‘Square Garden. Mon., Fri., abutting Wed., 8.
In the Clubs
JOANNE BERETTA—Singer. Reno Sweeney, 126 W. 13th St. Suns.
DAVID BROMBERG BAND—New York's best animate veterans of the Village folk scene, allegedly undiminished In spirits. Bottom Line, 15 W. 4th St. Tues. and Wed.
BISHOP CAINES and JERRY SHORE—Singer and pianist. Pub Theatrical, Bway and 5*.st St. Tues.‐Sats.
BOB CUBBAGE — Piano. Sherry‐Netherlands Cafe. Fifth Ave. and 59th St. Tues.‐Sats.
ANITA DAR IAN—Brother's and Sister's, 355 W. 46th St. Today only.
RITA DIMITRI and STANLEY BRILLIANT On‐la‐la in their own bait° by a bedmate (piano, guitar) and wife too‐la‐la) team. La Chanscnette, 890 Second Ave. Toes‐Sits.
GEORGE FEVER—Popular piano by an amateur who has been on the bistro arena for added than 25 years. Stanhope, Fifth Ave. at 81st St. Tues.‐Sats.
ROBIN FIELD—Singer‐pianist. Top of The Six's. 666 Fifth Ave. Mons.‐Fris.
HILDEGARDE—Singer. Persian Room, Auberge Plaza, Fifth Ave. at 59th St. Mon, Sat.
ISRAELI SHOW—Avram Grobard, Bristles Russkys, others. El Avram, 80 Grove St. Weds.‐Suns.
LARRY KERT—The advance of the Broadway Assembly of “West Side Story” (1957) and the added contempo “Company” follows his sister, Anita Ellis, into the Bird Cage. Michael's Pub, 211 E. 55th St. Tues.‐Sats.
MELISSA MANCHESTER — With James Newton Howard and Stank.), Brown Group. Like Barry Manitow, Manchester is a Bette Midler spin‐off. Unlike Manilow, Manchester hasn't absolutely fabricated II. vet. Bottom Line, 15 W. 4th St. Thur.‐Sat,
MARY McCARTY—Brother's and Sister's, 355 W. 46th St. Wed.‐Sun,
BILL McCAULEY—Singer and pianist. Pub Theatrical, Bway and 51st St. TuesSatz.
AHAH McLAWLER—Singer‐organist, Sam's, 1220 Second Ave. Mons.‐Sats,
NOSTALGIA—Joe Carter, one‐man band, with Dorothy Arms, soprano; Hall Willard, baritone; Bill Deco, ::anlo; and others. Bill's Gay ‘90's, 57 E. 54th St. Mons.‐Sats.
KENNY RANKIN—Recovered from a selfadmitted bender with drugs, Rankin is aback absorbing his admirers with his high, accurate folk tenor. Bottom Line, 15 W. 41h St. Today only.
RICARDO RODA — Singer‐guitarist. !perbole, 137 E. 55th St. Mons.‐Sats.
EARL ROSE—Pianist. Sign of the Dove, 1110 Third Ave. Toes.‐Sets.
AR1S SAN GROUP—Sirocco, 29 E. 29th St. Toes.‐Suns.
HUGH SHANNON and BRICKTOP—Shannon s huge bag of affable songs by Porter, Coward, etc., circuitous with Brickt,p's memories of Paris In the 20's. Soeraba1a, Lee. Ave. and 74th St. Nightly.
Tristate
LINDA RONSTADT—With Tom Rush and David Bromberg and Friends. Cannot, 326 Monroe St., Passaic, N.J. Today, 8.
SHA NA NA—With Michael Murphey, Capitol, 326 Monroe St., Passaic, N.J. Sat., 8.
(All galleries, unless contrarily noted, are bankrupt Sundays.)
Galleries Uptown
KAREL APPEL‐011 paintings from the 1960's by a founding affiliate of the Cobra group. GIMPOI, 1040 Mad. Ave., at 79th St. Through Feb. 15.
RUDOLF BARANIK—Laige paintings. Lerner‐Heiler, 78? Mad. Ave., at 67th St. Through Feb. 15. Bankrupt Mons.
HAROLD BAUMBACH — Landscapes and allegorical paintings. Larcada, 23 E. 67th St. Through Feb. 15.
HENRI CARTIER‐BRESSON — Allegorical assets and landscapes, in pencil, ink and pierre‐noire, by the acclaimed photographer. Carlton, 127 E. 691h St. Opens Tues. Through Mar. 8. Bankrupt Mons.
BEVERLY CHESLER — Semi‐abstract collages of nudes. Rehn, 655 Mad. Ave., at 60111 St. Through Sal.
ALAN E. COBER—"The Abandoned Society,” a appearance of drawings, some of them lifesir, of the mentally retarded, prisoners and added unfortunates. Dintenfass, 18 E. 671h SI. Through Feb. 15. Bankrupt Mons.
DADO — Surrealist paintings, drawings, etchings and collages. Aberbach, 988 Mail. Ave., at 77th St. Through Sal. Bankrupt Mons,
["993.28"]
Canadian restaurant Earls Kitchen Bar now open in Plano, with ... | earls kitchen and bar planoGEORGE DEEM and JAY ROSENBLUMRealistic aintings apropos to Vermeer by Mr. Deem, and small, blithely striped paintings by Mr. Rosenblum. Slone, 43 E. 06th St. Opens Tues, Through Feb. 28. Bankrupt Mons.
TONE DoLAP — New • ‘,Manes. Elkon, 1061 Mail. Ave., at 19th St. Through Feb. 26. Bankrupt Mons.
SIMON DINNERSTEIN — Realistic, awful detailed. :aintinas and drawings. Starmoill, A7 E 77th St Through Sat, Bankrupt Mons.
PAUL DORROUGH and SAM PILGREEN —Abstract landscapes by Mr. Dorrough and wet ks In alloyed mediums by Mr. Pigreen. Avanti, 145 E. 724 St. Through Feb. 14. Bankrupt Mons.
ARTHUR G. DOVE‐Paintings, watercolors and collages by a foremost American abstractionist (1880‐1946), from the acreage of the artist, clandestine collections and museums. Dintenfass, 18 E. 67th St. Through Feb. 22. Bankrupt Mons.
RUTH ECKSTEIN‐Colages and prints with Impressions ot geological elements. Alonzo, 26 E. 63d St. Opens Tues. Through Mar. 1. Bankrupt Mons.
JANET FISH‐Still‐hies In pastel. Kornblee, 58 E. 7905 St. Through Feb. 27. Bankrupt Mons.
SATISH GUJRAL — Symmetrical sculptures In metal and copse by an Indian artist. Sculpture Center, 167 E. 69th St. Through Wed. Bankrupt Mons.
SHIRLEY HENDRICK — Allegorical oils. Bodley, 1063 Mad. Ave., at 80th St. Through Sat. Bankrupt Mons.
ALEXEJ JAWLENSKY‐FiguratIve paintings and portraitures by a backward German Expressionist (1864‐1941). Sabarsky, 987 Mad. Ave., at 77th St. Bankrupt Mons. Through Feb. 28.
DANIEL LARUE JOHNSON — Abstruse paintings. Geldowsky, 1078 Mad. Ave.. at 81st St. apens Tues. Through Feb. 28. Bankrupt .dons.
FLOYD JOHNSON‐PaintIngs with a barnerlike format. Rankow, 108 E. 78th St. Bankrupt Mons. Through Sat.
BRUNO LUCCHESt‐Terra‐cotta and brownish sculptures. Forum, 1018 Mad. Ave., at 79th St. Bankrupt Mons. Through Fri.
CLYDE LYNDS‐KInetic constructions with cycles of alteration ablaze and color. Babcock, 805 Mad. Ave., at 68th St. Through Feb. 26. Bankrupt Mons.
GIACOMO MANZU‐FiguratIve reliefs and sculptures, mostly in bronze, of the artist's acceptable religious subjects, additional gold Jewelry. Rosenberg, 20 E. 79th St. Through Mar. 7. Bankrupt Sots.
HENRI MICHAUX‐Black‐and‐whIte paintings in acrylic and India Ink. Lefebre, 47 E. 77th St. Bankrupt Mons. Through Feb. 15.
ROBERT MOTHERWELL‐Fourteen paintlugs and collages, all accomplished in 1974. “A able appearance by one of our best painters.” (Kramer) Knoedler, 19 E. 70th St. Bankrupt Mons. Through Sat.
TONY PADOVANO ‐Sculptures in bronze, steel, copse and casting stone. Graham, 1014 Mad. Ave., at 78th St. Opens Tues. Through Mar. 1. Bankrupt Mons.
MARY PETTY‐Fifty cartoons from the 1920's, 30's and 405, PIUS watercolors. Nicholls, 1014 Mad. Ave., at 78th St. Opens Wed. Through Mar. 1. Bankrupt Mons.
SAM RICHARDSON‐Paintings, sculptures and watercolors from his “Sierra Snow Series.” Jackson, 32 E. 69th St. Opens Wed. Through Mar. 1. Bankrupt Mons.
KEITH SONNIER‐A two‐way amplified complete system, from the New York arcade to a arcade in L.A. Castelli, E. 77th St. OPens Sat. Through Feb. 22. Bankrupt Mons.
FRANEK STAROWIEYSKI — Surrealist Paintings and gouacnes by a Polish artist. Zarre, 20 E. 69th St. Opens Tues. Through Mar. 8. Bankrupt Mons.
SERGIO GONZALEZ TORNERO‐Surrealist oils and acrylics, mostly in Workand‐white, by a Chilean artist. Grueneboom, 15 E. 77th St. Bankrupt Mons. Through Sat.
ANTON VAN DALEN‐An amazing arrangement of drawings, constructions and army cutouts all accompanying to the Imagery of the automobile. “This aboriginal abandoned exhibition Is not one we shall anon forget.” (Kramer) Cordier 8 Ekstrom, 980 Mad. Ave., at 76th St. Bankrupt Mons. Through Sat.
VACHA and UWE KIND‐Abstract paintlogs by Vacha and fantasy oils and watercolors by Mr. Kind. Caravan, 32 E. 65th St. Through Feb. 15. Bankrupt Mons.
WOELFFER‐Abstract paintings. Poindexter, 24 E. 84th St. Through Feb. 15. Bankrupt Mons.
Group Shows
LA BOETIE, 9 E. 824 St.‐Dix, Klee, Klimt and added German and Austrian Expressionists. Bankrupt Mons. Through Feb. 28.
BORGENICHT, 1018 Mad. Ave., at 79th St.‐Landscapes by Milton Avery, Bonnard, Cezanne, Monet and others. Through Feb. 27. Bankrupt Mons.
CENTER FOR INTER‐AMERICAN RELATIONS, 680 Park Ave., at 68th St.Figurative and abstruse paintings by six Cuban artists animate In New York. Mons.‐Suns.; 12‐6. Through Feb. 23.
McKEE, 140 E. 634 SL‐Abstract bank reliefs in copse by Jim Huntington, Additional assets by sculptors Kohn. Madsen and Unclni. Through Feb. 22. Bankrupt Mons.
• RAYDON, 1091 Mad. Ave., at 824 St.About 50 paintings and sculptures, all portraits done by Europeans. Bankrupt Mons. Through Mar. 3.
ZIERLER, 956 Mad. Ave., at 75th St.Works by American masters. Bankrupt Mons. Through Feb. 27.
Galleries 57th St.
ALICE BABER‐Lyrical abstractions bY a adept New York artist. Sachs, 29 W. 57th St. Through Feb. 20. Bankrupt Mons.
TOM BLACKWELL — Photo‐Realist cityscapes. Janis, 6 W. 57th St. Opens Wed. Through Mar. 1.
STANLEY BOXER‐Abstract paintings. De Nagy, 29 W. 57th St. Bankrupt Mons. Through Feb. 13.
MARY FRANK and ANDRA SAMELSONLarge, allegorical terra‐cottas by Absence Frank and paintings on linoleum by Absence Samelson. Zabriskie, 29 W. 571h Si. Bankrupt Mons. Through Feb. 15.
GERSTNER‐Abstract paintings. Rene, W. 57th St. Through Feb. 22. Bankrupt Mons.
CONRAD MARCA‐RELLI — Abstruse collages, some with oil, on canvas. Marlborough, 40 W. 57th St. Opens Sat. Through Mar. 1. Bankrupt Mons.
MATTA‐In aftereffect a retrospective, with loans from three above museums and Important paintings from Clandestine collections, “notably the trucIfixhim• of 1967.” (Russell) Crisoo, 41 E. 57th St. Bankrupt Mons. Through Feb. 15.
VITA PETERSEN‐Representational drawMos of objects, such as stones, basic and agenda bags. Parsons‐Truman, 24 W. 57 St. Through Feb. 15. Bankrupt Mons.
JASON SCHOENER‐LandscaPe paintings. Midtown, 11 E. 57th St. Through Feb. 22. Bankrupt Mons.
ROBERT SLUTZKY‐Geometric paintings. Schaefer, 41 E. 57th St. Through Feb. 15. Bankrupt Mons.
LARRY ZOX — Abstruse paintings. Emmerich, 41 E. 57th St. Through Feb. 19. Bankrupt Mons.
ZUTRAU‐Abstract paintings. Parsons, 24 W. 57th St. Through Feb. 15. Bankrupt Mons.
• Accumulation Shows
ARRAS, 29 W. 57th St.‐Pa)ntings, sculptures and tapestries be Vasarely, GratzGarriga, Laliberte and added Olen, artists. Bankrupt Mons. Through Feb. 28.
ESMAN, 29 W. 57th St.‐"Three Approaches to Paper” by Ethelyn Honig, Mol Levinson and Howardena Pindell. Through Feb. 27, Bankrupt Mons.
PACE PRIMITIVE 8 ANCIENT ART, 32 E. 57th St.‐African sculptures from the Bangwo, Doom, Kongo, Lehi Yoruba and added indigenous groups. Through Feb. 28. Bankrupt Mons.
PACE, 32 E. 57th St.‐"The bristles artists represented in this baroque exhibitionAlexander Calder, Joseph Cornell, Isamu Noguchi, Louise Nevelson and David Smith‐are amid the best acclaimed of our time, yet so abundant of the assignment actuality Is of such arresting amore that we sre them with beginning eves.” (Kramer) Through Feb. 22. Bankrupt Mons.
Galleries SoHo
ANITA ASKILD — Abstruse bank hangings fabricated of yarn and rope. Second Adventure Spring Artery Society, 167 Spring St. Opens Sat. Through Feb. 27. Bankrupt Mons
AUDREY BERGENSTEN and NORMAN TURNER‐FlguraNyo paintings by Absence Bergensten and landscapes, mostly Vermont, by Mr. Turner. Green Mountain, 135 Greene St. Tues.‐Sats., 12‐6. Through Feb. 13.
NATALIE BIESER and PETER PLAGENS ‐Abstract bank constructions accumulation wood, cilia and chaplet by Absence Moser, and geometric paintings on agenda by Mr. Piagens. Hoffman, 429 W. Bway. Opens Sat. Through Mar. 6. Bankrupt Mons.
CHARLOTTE BROWN‐Abstract landscapes. LevItan, 42 Grand St. Opens Sat, Through Mar. 5. Turs.‐Sats., 1‐6.
BOB CASEY‐Flgurative paintings. Prince Artery Gallery, 106 Prince Si. Tues.Sots., 1‐5. Through Feb. 12. MICHAEL EISENMAN‐Palnlings of abstracts set in environments, PIUS landscapes. Bowery, 135 Greene St. Through Fob. 14. Bankrupt Mons.
SUZI FERRER and WALLACE FRENCHF igui alive, ecology sculptures, which apply alloyed mediums, by Absence Ferrer; and corrective bank constructions in wood, animate and aluminum by Mr. French. Westbroadway, 431 W. Bway. Through Feb. 20. Bankrupt Mons.
RICHARD FISHMAN — Polychromatic abstruse sculptures. Hutchinson, 127 Greene St. Opens Sat. Through Mar. I. Bankrupt Mons.
REGINALD FLUDD—Abstract landscapes on artificial panels. Second Adventure Spring Artery Society, 167 Spring St. Through Feb. 20. Bankrupt Mons.
BROWER HATCHER—Large animate sculptures. Emmerich, 420 W. way. Bankrupt Mons. Through Feb. 12.
MARY ANN GILLIES and LUCY SALLICK —Sculptures accumulation adjustment rods and macrame bY Absence Gillies, and stilllifts by Absence Sallick. SoHo 20, 99 Spring St. Tues.‐Sats., 12‐6. Through Feb. 12.
STEVE KELSEY and ALAN KESSLERAbstract paintings on triangular‐shaped canvases by Mr. Kelsey, and astute paintings of beginning plants by Mr. Kessler. Yu, 393 W. Bway. Through Feb. 12. Bankrupt Mons.
LOUISE KRAMER — Abstruse sculptures from the able two years, complete of steel, agenda Cr latex. kl.R., 97 Woost.f St. Bankrupt Mons. Throt‐gh Feb. 12.
TOM MARTIN and NANCY SKAVERComic drawings, taken from blur stills, of Tartan, King Kong and added figures, by Mr. Martin; and photographs of accouterment by Absence Shaver. Hundred Acres, 456 W. Bway. Through Feb. 22. Bankrupt Mons.
RAQUEL RABINOVICH and MAC WELLS—Abstract sculptures in bottle by Absence Rabinovich, and abstruse paintings by Mr. Wells. Caldwell, 383 W. Bway. Through Feb. 19. Bankrupt Mons.
MARY SHAEFFER—Abstract sculptures in glass. Benedek, 14$ Spring St. Through Feb. 22. Bankrupt Mons.
JERRY TUBLIN—Paintings, assets and a film. Hansen, 70‐72 Wooster St. Bankrupt Mons. Through Feb. 11.
NORMAN TURNER — Representational paintings of abstracts and landscapes. Green Mountain, 135 Greene St. Through Feb. 13. Tues.‐Sats., 12‐6.
RICHARD WAXBERG—Large paintings In acrylic. Aames, 93 Prince St. Through Feb. 15. Bankrupt Mons.
Group Shows
BUECKER & HARPSICHORDS, 46$ W. Bway.—A arrangement of works by 14 abreast artists on the activity “Outdoors: Indoors.” Through Feb. 22. Weds.‐Sats , 12‐6.
14 SCULPTORS, 75 Thompson St.—Models and assets of sculptures by Priscilla Heep, Mashike Kimura, Jane Schneider and others. Tues.‐Sats., 12‐6. Through Feb. 12.
LANDMARK, 469 Broome St. — Nonrepresentational paintings by Janet Fish, Angelo Ippolito, Lester Johnson, Kaldis, Alvin Ross, Nora Sneyer, Jane Wilson and Charles DuBack, additional a abstracted one‐man appearance by Mr. DuBack of Maine landscapes in watercolor. Through Feb. 20. Bankrupt Mons.
O.K. HARRIS, 383 W. Bway.—PaIntings by John Clem Clarke and Douglas Bond, reelections by Carol Wald and sculptures by Warren Owens. Through Feb. 22. Bankrupt Mons.
SOHO CENTER FOR VISUAL ARTISTS, 110‐114 Prince St.—Abstract paintings by* Fred Goof, Ron Lusker and Susan Nakata, Opens Fri. Through Mar. 1. Weds.Fris., 1‐5; Sets., 11‐5.
Other
PAUL GOLDBERG and JUDY SILVER—Representational paintings by Mr. Goldberg and collages by Absence Silver. Walker Street, 46 Walker St. Through Feb. 22. Tues.‐Sats., 1‐5.
SYLVIA SLEIGH — Allegorical paintings, some of the macho nude. New School, 66 W. 12th St., Allowance 410. Opens Tues. Through Feb. V. Mons.‐Weds., 10‐8; Thurs. and Fris., 10‐5.
WESTBETH, 463 West St—Gallery artists. Through Mar. 2. Fris., 5‐8; Sats. and Suns., 2‐6.
WOMEN'S INTERART CENTER, 549 W. 526 St. Annual Associates ExhibitiLn. Through Feb. 23. Mons.‐Fris., 2‐8.
Museums
AMERICAN MUSEUM OF NATURAL HISTORY. Central Park W. at 79th St.—“Insects and Us,” a affectation which examines the accord amid PEOPIO and Insects. Eating habits, advice of ache and sources of aliment are examined. Through Mar. 31. “PupPets: Brawl and Brawl of the Orient,” a appearance of added than 200 two‐climenstonel abstracts allegorical the shadowtheater ancestry of India, China and added Asian cultures. Through Apr. 20. Fourteen aboriginal album pages absolute the assets and accurate addendum of Leonardo da Vinci which, in part, accord with clockwork mechanisms, brawl and roller bearings, and chain‐and‐sprocket systems. Throught Feb. 14. Mons.‐Sats., 10‐4:45; Suns., holidays, 11‐5.
ASIA HOUSE, 112 E. 64th St.—"Asian Art, Allotment II: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3d.” “There are astonishing brownish abstracts from India, corrective scrolls from China and Japan, ceramics from Korea, bean carvings from Java and Slam, sculptures from Cambodia and adorning altar from around every bend of the age-old Asian cultures.” Mons.‐Fris., 10‐5; Sats, 11‐5; Suns., 1‐5. Through Mar. 23.
BROOKLYN MUSEUM, Eastern Parkway and Washington Ave.—Contemporary Japanese ceramics by both accustomed and lesser‐known pottery‐makers. Through Apr. “Inside Outside: Art from the Brooklyn Abode of Detention for Men,” an exhibition of paintings, drawings, sculptures and ceramics bY Prisoners enrolled in the art analysis program. Through Mar. 2. Weds., 17‐9; Thurs.Sots., 10‐5; Suns., 11‐5; holidays, 1‐5.
GUGGENHEIM MUSEUM, 1071 Fifth Ave., at 89th St. — “Masters of Avant-garde Sculptures,” a sampling of works by 25 artists, amid them Boccionl, Ernst, Balla and Giacomettl. “An Interesting analysis of the Influence of Cubism on avant-garde sculptural thought.” (Kramer) Closes today. Tues., 10‐9; Weds.‐Sats., 10‐6; Suns. and holidays, 12‐6.
JEWISH MUSEUM, Fifth Ave. at 92d St.—Over 30 tapestries from the Mambush branch in Israel, from designs by such artists as lance, Rattner and Aro. Mons.‐Thurs., 12‐5; Suns., 11‐6. Through Apr, 27,
METROPOLITAN MUSEUM OF ART, Fifth Ave. at 826 St. — “Romantic and Glamorous Hollywood Design,” an exhibition of clothes beat by acclaimed blur stars from the 1920% to the 1960's. Through Aug. 31. “The Impressionist Epoch” commemorates the 100th ceremony 01 the aboriginal Impressionist exhibition In Paris with a affectation of 42 paintings by Monet, Renoir, Degas and other. masters. “You accept abounding abundant architect to hazard both crowds and the sea of printed annotation in adjustment not to absence a abundant occasion.” (Kramer) Through Feb. 16. “The Influence of Japanese Woodcuts on French Prints,” a alternative of about 100 prints, with examples by Hokusal, Hlroshigi and Utamaro, and Menet, Degas, Bonnard, ToulouSe‐Lautrec and added 19th‐century French artists. Through May 11. Weds.‐Sats., 10‐4:45; Tues., 10‐8:45; Suns., 11‐4:45. Bankrupt MUSEUM OF CONTEMPORARY CRAFTS. 29 W. 53d St.‐"Forms in Metal.” affectation of added than 125 anatomic and sculptural pieces, from the 1943's to the present. Tues.‐Sets., 11‐6; Suns., 1‐6. Through Mar. 2.
MUSEUM OF MODERN ART, 11 W. 53a St.‐"American Prints: 1913‐1963,” alternative of added than 100, from Marin to Rauschenberg. “A appearance that gees alee and upward. In agreement of quality.” (Russell) Through Mar. 3. “Furniture from tho ()este:a Collection: Thonet, Guimard. Wright and Rietveld.” Opens Fri. Through Apr. 6. Mem.Sets., 11‐6; Thurs., 11.9; Suns., 126.
NEW YORK CULTURAL CENTER, Columbus Circle — “William‐Adolphe Bouguereau: 1325‐1905,” a analysis of 26 works bY the French Salon painter. “Visitors . . may acquisition themselves leveloping a cheating amore for painter they accept never absolutely looked at before.” (Canaday) Closes today. “Man Ray: Inventor/Painter/Poet,” above attendant of some 356 works by the 25‐year‐old American artist. “The career of Man Ray is one of the longest and best arresting in the account of American art, yet the abounding attendant ... is the aboriginal of its affectionate to be army in New York.” (Kramer) Through Mar. 2. “Chant. Henri ford: The Kathmandu Experience.” a appearance of watercolors, handprinted monotyoe woodcuts, cottony embroideries, aopliques, board sculptures and masks accomplished by Nepalese craftsmen from designs by Mr.
NEW YORK PUBLIC LIBRARY, 5th Ave. at 42:1 51.‐"Owen D. Young, Book Cal. actor: 1874‐1974‐selected items contrbuted to the Berg Collection of Eng. Ilsh and American literature. Through Apr. 12. Mons.‐Sats., 9‐9.
STUDIO MUSEUM IN HARLEM, 2033 Fifth Ave., at 125th St.‐Brightly black weavings, based on African bolt designs, be Napoleon renderson. Through Feb. 23. Mons. and Weds., 10‐9; Tues., Thurs. end Fris., 10‐6; hats. and Suns., 1‐6. Thrcugh Feb. 28.
WHITNEY MUSEUM, 945 Mod. Ave., at 75th 51.‐1975 Biennial of Abreast American Art” surveys, in four stages, works in different mediums by 147 lesser‐known artists. Stagy and II run through Mar. 16 and 23. respecfleet"; Date III, until Mar. 30; Date IV opens Tues, and runs through Apr. 9. Mons.‐Sats., 11‐6; Tues, eves. until IC; Suns., 126.
YESHIVA UNIVERSITY MUSEUM. Amsterdam Ave. at 185th St.‐A attendant et Arthur Coyle, with 65 works oy the Illuminator, Including miniature paintings and a alternation of Apple War It car. boons. Suns., 12‐6; Tues. and Thurs., 11‐5. through Feb. 23.
Tristate Region
HUDSON RIVER MUSEUM, 511 Warburton Ave., Yonkers, N.Y.‐Bronze sculetures, Plaster models and carve photo enlargements by Isidere Konti (1862‐19381. Through Mar. 20. Toes‐huts., 10‐5; Wed. eves., 7‐10; Suns., 1‐5.
NEUBERGER MUSEUM. College at Purchase, Purchase, N.Y.‐Etchings and woodcuts by Isac Friedlander. Through Feb. 15. The.atricil assets and watercolors of Ge,ron Grosz. Through Mar. Tues.‐Sals., 1:‐5; Suns., 1‐5.
PARRISH ART M12.SEUM, 25 Job's Lane, Southampton, I.Y.‐"By Request,” an arrangement of works best frequently requested for accommodation to added institutions, by William Merritt Chase, Larry Rivers, Raphael Sorer and others. Astute paintings and drawings, absorption the awe-inspiring mural appearance of the 1930's, by Cleonike Wilkins. Tues.Sals., 10‐5; Suns., 2‐5. Through Mar. 2.
YALE UNIVERSITY ART GALLERY, New Haven, Conn.‐Dutch religious art in the Safs., 10‐5, and Thur. eves, 6.9; Suns., 2‐5.
Photography
LEE FRIEDLANDER‐Modern landscapes and pictures taken at parties by a avant-garde photographer. “His ‘accidental’ attendance adapted a alternation of adept accurate ‘mistakes’ into a adventure of avant-garde life.” (Thornton) Building of Avant-garde Art, 11 W. 53d St. Mons.‐Sats., 11‐6; Thur. eves. until 9; Suns., 12‐o. Through Feb. 9.
SEAN KERNAN‐Photos. Additionally scenes of artery activity in London In 1877, by John Thomson. Stieglitz, 30 W. 13th St. Fels.Suns., 1‐6, and Tues. eves., 7:30‐9. Opens today. Through Feb. 25.
ROBERT MacPHERSON — Photographs of Rome by a Scottish surgeon who acclimatized there In the aboriginal 1840's and became a arch architectural columnist In Italy, Schoelkopf, 825 Mad. Ave., 17th century. Through Mar, 16, Tues.69th St. Bankrupt Mons. Through Feb. 28.
TONY RAY‐JONE5‐Photograehs ambidextrous with acceptable English activity as It lived at bank resorts, chase tracks, dog shows, railroad stations and added places of accessible accommodating. “At hls best, he could compose a articular account out of acutely disparate incidents or elements with the adventuresomeness and aggressiveness el (ho earls. Cartier‐Bresson.” (Thornton) Foto, 492 Broome St. Weds.‐Sats., 1.6. Through Feb. 9.
STEPHEN SHORE and FRANK GOHLKE ‐Color prints taken on trips beyond North America by Mr. Shore; prints of automated forms in the Midwest mural by Mr. Gohlke. Light, 1018 Mad. Ave., at 79th St. Ooens Tues. Through Mar. 1. Bankrupt Mons.
EDWARD WESTON‐A attendant of 125 Prints, Wain, 243 E. 60th St. Tues.Sate., 11‐6, and Thur. eves. until Through Mar. 1. Anether retrospective, this one accoutrement bristles decades of his career. Building of Avant-garde Art, 11 W. 53d SI. Weekdays, 11 to 6, and Thur. eves. until 9; Suns., 12‐6. Through Mar. 31.
Group Shows
ELLIOTT, 1018 Madison Ave., at 79th St. ‐"Masters of Photography,” from Talbot to Evans. Bankrupt Mondays. Through Mar. 1.
GROLIER CLUB, 47 E. 60th St.‐"The Truthful Lens,” an display of books Illustrated with aboriginal army photographs (1884.191411, which shows the development of this work. “Never afore accept so abounding books that are acclaimed In the history of Photography been aggregate calm In erne room.".. (Thornton) Closes Sets, at 3. Through Sat.
INTERNATIONAL CENTER OF PHOTOGRAPHY, Fifth Ave. at 94th St.‐A new building adherent to exhibition, education, advertisement and archival preservalbs. The Inaugural appearance will Include it10 black‐and‐white prints by CartierBresson, the assignment of six photographers In the humanist tradition, and a accumulation exhibition of 21 blush photographers. Daily, ekceat Mons., 11‐5. Through Feb. 15.
NEIKRUG, 224 E. 63th St.—PhofograPhs by Walker Evans, Jean Claude Gautrand. Russell Orisch. Tours..Sat., 1‐6; Suns., 2‐5. Through Mar. 2.
SOHO PHOTO, 30 W. 13th St.—Lynn Earley, Harriet Hadley, Barbara Jaffe and Jon Rdey, additional three featured phoVagraphers. Fris.‐Suns., 1‐6, and Tues. curs., 7:30‐9. (bens today. Admitting Feb. 25.
AiI For children
STORYTELLER—Story readings by carol accompanist Pete Senor. Martinique, 32d St. and Bway. Mon., 11.
CRAFTS SHOW—"Folk Roots la Abreast Crafts,” a appearance apery 53 craftsmen from all over tho country. FaIrtree, 924 Mad. Ave., at 74th St. Through Mar. 1.
Miscellany
LASERIUM—The also-ran bound concert. Hayden Planetarium, E26 St. and Central Park W. Fris.‐Sans., 7:30. 9 and 10:30 P.M.
SUB‐PLOT CABARET — “Jean Shepherd Plays Jean Shepherd.” The columnist will Piesent stag:11 readings from his own arcane works. American Pace, Ill W. 46th St. Today and Mon.
Lectures
ART—"The Pattern in Painting,” with Martin Bressler, Rosalind Hodgkins, Valarie Jaudcn, Tony Robbin, Sandford Warmfold. Mario YrIsarry. Open Mind. 66 Gieene ‘St. Fri., 8:30.
FILM—A address by Kenneth Kelman. author and blur critic. Cooper Union, Seventh St. and Fourth Ave. Wed., 8. Free.
PUBLIC AFFAIRS—"Some Analytical Choices apropos Burghal America,” by Edward J. Logue, admiral of N.Y. State Burghal Development Corp. Cooper Union, Seventh St. and Fourth Ave. Mon., 8.
THEATER—Robert Ka!fin will accord a address on OH‐Broadway. 92d St. Y. Lexington and S2d St. Tues., 11.
Poetry Readings
ACADEMY OF AMERICAN POETS—A affairs of weft', by accustomed and anonymous cods from America's Past, apprehend by Jane Cooper, David ignalo.v, Jean Valentine and James Wright. 1078 Mad. Ave. TOZ'aY• 2.
AREA KOVNER—The champ of the Israel Price in Abstract will apprehend from his own works and Shirley Kaufman will translate. 92d St. Y, Lexington Ave. and 92d St. Men., 8.
JACKSON MACLOV/ — Dr. Generosity's Poetry Pub, Second Ave. at 73d St. Sat., 2.
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