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In abounding productions, "The Bottle Menagerie" can be as brittle as Laura's brittle figurines.

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Fading Southern belle Amanda has a brittle anchor on reality; her babe Laura's brainy accompaniment is alike added delicate. The actual attributes of anamnesis — and "The Bottle Menagerie is so beautifully a anamnesis comedy — is brittle as thoughts and images alluvion ephemerally through our minds.

Even author Tennessee Williams, through Tom's narration, tells us that anamnesis plays by their actual attributes are bendable about the edges, with dim lighting and abroad music.

Yet Beth Marshall Presents' assembly goes adjoin that atom with attention-grabbing results. A auspicious blow of backbone runs through the affection of this staging and makes it accessible — and agitative — to attending at this archetypal anew.

For the Garden Theatre, Marshall directs her accomplished casting on a stripped-down stage. There's no bottle in sight, but Kenny Howard's acute complete architecture captures the noises of anamnesis — the way a aperture slams, the characteristic cranking of an old Victrola.

Projections enhance emotions. Back Amanda recalls a adulation of chicken jonquils, images of the annual ample the stage. And a photo of the long-absent Wingfield ancestor looms beyond than activity over the afflicted ancestors he abandoned.

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His wife, Amanda, deludes herself that things will be accomplished alike as her ancestors sinks added into abatement during the Great Depression. Son Tom, an ambitious writer, seeks escape from his achromatic activity in the adventures at the movies. Babe Laura is so acutely shy that she can almost collaborate with people, preferring the aggregation of her bottle animals.

Matters ability a arch one bitter night back Amanda and Tom align for a "gentleman caller" to accommodated Laura.

Anthony Pyatt Jr., who raged a year ago in a bounded assembly of "A Clockwork Orange," keeps Tom's blaze mostly on the central — but the admirers is consistently acquainted of his ablaze anger. Tom's exoteric disengagement adds to the tension, admitting Pyatt could appearance a bit added affliction in his narration.

Cami Miller's Amanda is a animate magnolia — aureate and fluttery but with a amount of iron. That her close backbone is based on blank absoluteness alone makes Miller's achievement added compelling.

Anneliese Moon and Zach Lane, as Laura and admirer addition Jim, do the best assignment I've apparent from them. She's biconcave fast as her eyes appeal for help; he's a hopeful buoy broken amid amore and discomfiture.

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Jamie DeHay's arresting set allows words from Williams' argument to arise at key moments, an abstraction I anticipation would be too glossy for the brume of memory. But I afflicted my view; bodies do bethink things that are said and things that can't be unsaid. And I will bethink this actual accomplished assembly for a continued time to come.

'The Bottle Menagerie'

• What: Beth Marshall Presents assembly of the Tennessee Williams play

• Length: 2:40, including intermission

• Where: Garden Theatre, 160 W. Plant St., Winter Garden

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