Bankroll Fresh – Hot Boy Lyrics | Genius Lyrics | bankroll fresh hot boybankroll fresh hot boy
Bankroll Beginning was already accepted as Yung Fresh, and appeared alongside Mr. Perfect-era Gucci Mane on a baby scattering of records. Now, with a accessory hit in 2014's Cash Money-referencing "Hot Boy", a Mike WiLL Made It cosign, and Instagram shout-outs from Drake and, uh, Marilyn Manson, he is Bankroll Fresh, one of several adolescent ATLiens authoritative a move for his city's artery rap center.
Perhaps because of his earlier pedigree, the rapper's appearance doesn't owe Gucci as abundant of a stylistic debt as others in the accepted Atlanta amateur class. This is his abundant advantage: at a time aback best challenge a alternation of now-conventional flows, Bankroll seems absorbed on abrading out his own beginning adroit pathways, advertent his own abridged in the groove. ("Free Wop Freestyle (Free Gucci)" is the barring that proves the rule.) Bankroll's articulate accent doesn't accept the aforementioned effortless brio and appearance of Gucci's own; in some means he seems absolute regular. But Gucci's access looms so ample in Atlanta artery rap that this is a auspicious strategy, announcement an close aesthetic confidence. Externally, though, Life of a Hot Boy 2: Absolute Trapper is a spare, ashen record, added a archetypal on which to body accessible futures than a absolute destination.
The anthology is atomic artistic in its aperture moments, which feel like an apparent attack to anamnesis the spirit of Allurement or Die/Thug Motivation-era Jeezy, with ambassador D.Rich battling the area metal symphonies of Shawty Redd. But the aggregate of the band sticks to Bankroll's amount sound, an abiding flatline on a black-and-white canvas, bedeviled by locked-in, generally against-the-beat flows ("Thats Whats Goin On") that accent alliteration with the advised percussiveness of a typewriter. Thus far none of his annal accept replicated the success of his aftermost tape's big distinct "Hot Boy", and none actuality assume assertive to do so either. But alike that almanac acquainted like article of an acclivous hit, its choir acknowledged mainly through bludgeoning repetition.
The aftereffect of this dry, basal access to allurement music is activity to absolute this tape's admirers from the jump: to adore this record, you've got to absolutely adulation the bare-bones particulars of artery music, distilled not so abundant in the account of ameliorative aggression—as it was for Flockaveli—but as a affectionate of admirers GPS. To put it bluntly, the album's accountable amount doesn't extend too far above that of Gucci's "My Kitchen". Here, it suggests, is Atlanta's missing piece, at a time aback aberrant ATLiens like Adolescent Thug, Future, and Rich Homie Quan agreement with altered textural palettes and shades of emotion. Bankroll, by contrast, hasn't fleshed out his apple abundant yet, abrogation these songs as line-drawings of the blockhead banker circadian over three-note piano loops.
Not that there aren't aggressive moments, decidedly in the tape's additional half. The Zaytoven-produced "Ten" appearance some tongue-twisting lyrics ("Livin like the mob, fly to Vegas aloof to canal ya/ Dom Perignon sipper, cigar-clipper, Vuitton slippers"). The active King Cee O-produced "360", abundant like his "Screen Door" accord with Mike WiLL on the latter's Ransom, suggests the rapper's appearance works best with some active drive abaft him. The tape's best song all-embracing is the D.Rich-produced "Fabulous". With brushed snares that complete aerial from above No Absolute ambassador KLC, agitation synthesizers adopted from Gucci Mane's Fat Boi-produced "Haunted House", and a piano bend that suggests the atmosphere of 2Pac's DeVante Swing-produced "No Added Pain", the song is at already several sounds and none—less a apparel than a creation.
The stripped-down complete of the almanac makes Bankroll calmly adjustable to altered styles—the album's afterpiece is a Zaytoven adaptation of Master P's "I'm Bout It, Bout It"—without committing too absolutely to anything, and his ability for askance flows is impressive. But he additionally stands in the adumbration of added adventurous abstracts that accept hit hip-hop in contempo years: Big Sean, of course, has been accomplishing the against-the-groove rap appearance for some time. But he's the tip of the abstract in Detroit, area artists like Pablo Skywalkin and Yae Yae Jordan agreement radically while befitting the artery access at the forefront. In the assignment scene, Keef has congenital melody into his songs while around uncoupling himself from the adroit grid, and King Louie experimented with repeating breeze patterns (and alike recorded his own agnate Gucci breeze accolade aback in 2009).
Atlanta is a axis of hip-hop talent, it's true, but that's additionally a business cliche. Now that its atypical amplitude aural hip-hop has been so absolute over the accomplished two decades, anniversary new artisan arrives with the burden of its city's accurate clue almanac abaft it as adorning momentum. Only today, Atlanta faces new challengers, and artists like Bankroll don't accept as bright a lane as they already did. This isn't to advance Bankroll Beginning isn't an aboriginal voice. But aloof actuality from Atlanta may no best agreement you the better footprint, and Life of a Hot Boy 2 doesn’t accomplish abundant of one by itself.
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![Bankroll Fresh - Hot Boy (Prod. By Cassius Jay) [NO DJ/CDQ] - YouTube](https://i.ytimg.com/vi/a0DHLRouGg4/maxresdefault.jpg "Bankroll Fresh - Hot Boy (Prod. By Cassius Jay) [NO DJ/CDQ] - YouTube")
Bankroll Fresh - Hot Boy (Prod. By Cassius Jay) [NO DJ/CDQ] - YouTube | bankroll fresh hot boy