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December 25, 1986|By Joyce Johnston, St. Cloud Daily Times.
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COLD SPRING, MINN. — Frank Eisenschenk`s resume reads like a archive of axial Minnesota Catholic parishes. He has put his stencils and acrylic brushes to assignment in churches in Cold Spring, Eden Valley, Freeport, Melrose, Rockville and Roscoe. ``There are so abounding churches,`` Eisenschenk said, ``that sometimes aback I anticipate of it for a day or so, I bolt some that I forgot.``
Eisenschenk, 79, is a retired abbey decorator. But his accompanying sons, Erick and Patrick, 34, accept connected the burdensome ancestors business and alike refurbished churches their ancestor already decorated.
The ancient Eisenschenk still paints statues and murals for his sons`
company, Eisenschenk Decorators, in a Benedictine religious appearance alleged Beuron art.
According to Frank Kacmarcik, a Minneapolis artist, artisan and civic abbey art consultant, Eisenschenk may be the aftermost active artisan accomplished by one of the aboriginal masters of the circuitous style, which absent its acceptance in the 1930s.
Beuronese designs are based on a absolute algebraic blueprint developed by a Benedictine abbot in the average of the 19th century, Kacmarcik said. Paintings and sculptures created in the appearance are the beheld agnate of Gregorian chants, he said.
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The abstracts in a Beuron art painting angle straight. They attending collapsed and accept none of the caliginosity and bendable adequateness of added artlessly complete figures.
The Beuronese adjustment is exacting, Kacmarcik said, acquainted the oil paints are activated in layers and topped with a coat of beeswax.
Frank Eisenschenk abstruse the address in the 1930s from Brother Clement Frischauf, OSB, a Beuronese adept who had corrective churches in Europe and South America afore advancing to the United States and St. John`s University.
In 1934, he corrective the sheep and bristles of the angels on Frischauf`s 50-foot mural that still hangs in the university`s Great Hall. In contempo years, Frank Eisenschenk has adequate some of the university`s Beuronese paintings and sculpture.
``From a abstruse point of view, he`s actual good,`` Kacmarcik said of Eisenschenk. ``I achievement somebody annal what he knows afore he dies.``
Frank Eisenschenk grew up on a acreage abreast Collegeville, Minn., practicing art aback in brand school.
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``I consistently admired colors. And I got acceptable marks,`` he said. At home, he corrective roosters and owls on agenda with barn and abode paint, he said.
He took art accord courses from schools in Minneapolis and Chicago. After belief at St. John`s with Frischauf, he began decorating churches.
At first, Eisenschenk said, the religious art business was slow.
``I corrective about all the houses in Greenwald,`` he said. ``But already bodies saw what I could do, I got abiding work.``
Erick Eisenschenk said he and his brother were about 8 years old aback they began allowance their ancestor by affective dropcloths.
Eisenschenk eventually accomplished his sons how to adjustment and acrylic bronze and arrangement designs on abbey walls, Erick said.
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When the boys were still in aerial academy the ancient Eisenschenk retired. About 10 years later, the sons opened their own company.
The best difficult assignment in adornment a church, Erick said, is analogous beginning acrylic to the blush of the aboriginal art work. Every blush is composed of several altered colorants, or pigments. The colorants accept to be alloyed by hand, corrective on the bank and accustomed to dry afore you can acquaint whether they bout the original.
Decorators additionally charge absorb the antecedent decorator`s appearance into any new assignment they add to the churches they refurbish, Erick said.
``You accord with a lot of new people. You accord with new problems. Every archdiocese wants article different. It`s a way of life.``
But the Eisenschenks` way of activity is not aggregate by many. There are few bodies who are still accommodating to apprentice the assiduous assignment of bond colorants, refinishing pews, acclimation and repainting altars and statuary, applying gold and argent blade to the adhesive saints` halos and the hems of their robes.
Kacmarcik said few companies in the country adorn churches and alike beneath do it well. Like the Beuronese appearance Eisenschenk abstruse in the 1930s, abbey adornment has anesthetized its heyday, he said: ``It`s a asleep art.``
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