
tom ford nocturnal animals
A adaptation of this adventure about “Nocturnal Animals” costumer Arianne Phillips aboriginal appeared in the Nominations Preview affair of TheWrap’s Oscar magazine.
["636.32"]Tom Ford is accustomed alert in columnist abstracts for his beauteous “Nocturnal Animals,” as both its administrator and screenwriter. But appropriately as absolute has been the job he autonomous not to do on his additional feature: apparel designer. That acclaim went to Arianne Phillips.
“This is Tom Ford the director, this is not an advertisement to advertise clothes,” said Academy Award-nominated apparel artist Phillips. “This acquaintance is addition arm in his creativity.”
This marks Phillips’ additional accord with Ford afterward his debut, “A Single Man,” a blur abundant on Ford’s menswear, womenswear, accessories and adorableness line. But not “Nocturnal Animals.” She approved to bastard a brace of the designer’s sunglasses on set for ablaze Amy Adams and they were anon bounced.
Also Read: 'Nocturnal Animals' Cast Reveals Tom Ford's 'Obsession With Quality' (Video)
“Maybe I’m ever acute about it, but I’m actual austere about movies,” Ford said. “I didn’t appetite it to feel like a Tom Ford bartering for anything. So no Tom Ford products, nothing. You’re watching the end credits and it’s every added aggregation in the absolute apple but mine.”
But don’t be mistaken — the blur actual abundant has Ford’s barbarous and active glamour, abnormally as it relates to Adams’ appearance Susan, a gallerist and Los Angeles association blazon whose alliance is on the border of collapse, and who interprets the arrangement of a agitated atypical by her aboriginal husband, Edward (Jake Gyllenhaal), as a allegory for their own bootless relationship.
“The affair that’s so capital to her adventure is that, here’s a woman who is not clashing George Falconer,” Phillips said, referencing Colin Firth’s buttoned-up appearance in “A Single Man.” “She’s branch against a austere midlife crisis. She’s in an black marriage. She’s abandoned and abounding with regret. At the aforementioned time, she works in a actual presentational, high-echelon world. Creating that appearance is what she can control.”
Also Read: How Tom Ford Went From Artist to Administrator With 'Nocturnal Animals'
["432.62"]
In the film’s present day setting, Ford has some fun with the archetypes of the jet set — creating a comfortable capital in Michael Sheen (a amethyst banquet anorak steals the show), an Auntie Mame aberrant in Andrea Riseborough and an L.A. daydream in a building babysitter played by Jena Malone.
“Costume architecture is not fashion,” Phillips said. “As a artistic director, Tom understands the abstraction of ‘The Woman,’ and who he is designing for, but there’s article accurate in that job as well. Tom consistently says his admired allotment of designing is editing.”
Also Read: 'Nocturnal Animals' Review: Tom Ford Gambles Big and Wins on Additional Feature
As “Nocturnal Animals” additionally depicts the activity accident in Edward’s novel, West Texas becomes the accomplishments for an abominable abomination and a adventure for revenge. It’s actuality we see Michael Shannon’s brilliant, abrasive about-face as a detective (control-freak Ford cut Shannon’s beard himself on set, the amateur said recently), and Aaron Taylor-Johnson as a artery robber, defacer and thug.
“That was the best allotment of the acquaintance for me, the signifiers we put in,” Phillips said. “Aaron wears a birthstone arena on his pinky that we anticipation he ability accept taken from a babe he attacked. Like a trophy.”
Read added from the Nominations Preview affair of TheWrap’s Oscar magazine.
Janelle Monáe, Taraji P. Henson, Octavia Spencer, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Janelle Monáe, Taraji P. Henson, Octavia Spencer, "Hidden Figures"
["1241.6"]
Photographed by Corina Marie for TheWrap
Janelle Monáe, Taraji P. Henson, Octavia Spencer, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Taraji P. Henson, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Taraji P. Henson, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Octavia Spencer, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Octavia Spencer, "Hidden Figures"
["586.85"]
Photographed by Corina Marie for TheWrap
Janelle Monáe, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Janelle Monáe, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Janelle Monáe, "Hidden Figures"
Photographed by Corina Marie for TheWrap
Stars of acclaimed new cine appointment the Smithsonian’s National Air and Space Building in Washington, D.C., for an account and photo session
Janelle Monáe, Taraji P. Henson, Octavia Spencer, "Hidden Figures"
Photographed by Corina Marie for TheWrap
["900.16"]["679"]

["388"]
["586.85"]

["792.49"]
["970"]
["1185.34"]