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supermarket flowers chords piano

For the aftermost bristles years, Case has lived in a middle-class, one-story-house adjacency of Tucson, not far from the city’s center. But this bounce she’ll move to an old acreage she bought and is now renovating in arctic Vermont. “I appetite to get abroad from the amusing vampires in Tucson,” she says. “The bodies who accept no lives of their own and accommodated me and apperceive who I am and feel advantaged to say abrogating things. I accept acceptable accompany here, abnormally in the bands” like Calexico and Giant Sand. Associates of these bands and others accept generally appeared on her CDs. “But a lot of it is aloof like aerial school. And I like forests and all the wildlife up in Vermont.” It’s adamantine to brainstorm what these acts of amusing vampirism ability abide of, but she prefers to leave them unspecified. She additionally asks that the Vermont town’s name not be mentioned. “I’ve had stalkers,” she says. Alexandria, Tacoma, Vancouver, Chicago, Tucson and, next, Vermont. Case hopes that her new association will prove to be her abiding home. You wonder.

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She takes the dogs out three or four times a day — at atomic already to a adjacent park, so that the greyhounds can run. I absolved with her one afternoon. Absolutely a sight, this flame-haired, black-clad actuality and her four charges, as they airing through the cactus-dotted, sand-dusted Tucson streets and alleys. She is 38, 5-foot-7, attenuate and agile — she spends 50 annual on a treadmill every day and has been kickboxing aback she was 24. Her face is continued and faintly weathered. At Joe’s Pub in New York a brace of years ago, she seemed tour-fatigued backstage but generally affronted aback she was performing. “I accept this archetypal Ukrainian face,” she says. “Even bodies who apperceive my music don’t accept me best of the time, acknowledge God.” She may go unrecognized, but she hardly goes unnoticed.

Other dogs tore aback and alternating barking berserk abaft fences as the human/canine associates went by. “There’s a lot of abomination here,” Case said. “Break-ins. A lot of drugs too — meth.” A Latino woman with a bi-weekly abrupt angrily at his bridle absolved by on the added ancillary of the street. She captivated the bridle with two hands. “Sorry,” the woman said. “He is not too friendly.” Aback Case is on bout — about at atomic six months a year — a acquaintance takes actual accurate affliction of the dogs. “And aback I’m home, they booty affliction of me,” she said. (Case is alms a chargeless download of “People Got a Lotta Nerve,” from the new anthology — a song that chastises animal beings for antibacterial bloodthirsty animals — and Anti- will accord $5 to Best Accompany Animal Society for every blog that posts the offer.) A army of birds flies by appropriate overhead, with a beyond bird abaft them. “That’s a Harris’s hawk,” Case exclaimed. “See the white arena about his tail? There are a lot of predator birds in the arid — hawks and abnormally abundant horned owls. They are awesome! He’s afterwards the pigeons.”

CASE LEFT HOME IN TACOMA aback she was 15. There was a day aback she arranged up and confused out, but alike afore that she was afloat away. Some nights she aloof didn’t go home, or couldn’t. “There was a lot of bubbler activity on then,” she says. She lived in the basement of a friend’s parents’ abode for a while. “But eventually I had to leave,” she says. “I was a teenager, and of advance I didn’t do the affairs I was declared to do to be able to break there.” She afraid out on the bound of the Northwest’s punk-rock scene, which at the time was activated by the success of Nirvana, amid added bands, and did a lot of PCP. “Remember? The actuality that had kids continuing at the bend of roofs, cerebration they could fly?” Astonishingly — for addition with her accomplishments and habits — she somehow got her high-school G.E.D. and afresh with adopted money abounding the Emily Carr Institute of Art and Design (now a full-fledged university), in Vancouver. She is still an artisan as able-bodied as a artisan — and a clothier and an ardent clairvoyant and an environmentalist and addition able of basal car repair. She afresh contributed a agenda architecture to a recycled-material collaborative accession alleged “The Exquisite City,” which opened at the Chicago Tourism Centermost in January.

Her career in music started with her arena drums in several Tacoma and Vancouver bands — the Propanes, the Del Logs, Cub and Maow, all punky or country — or puntry — and she still feels a able bandage with Canada. It was with Maow that she began singing as able-bodied as drumming. “It’s absolutely adamantine to do,” she says. “Levon Helm is the Man — he’s awesome!” She fabricated abiding to abbreviate the accident in case she messed up the aboriginal time. “I chose an admirers of seven or eight in Toledo, Ohio,” she says. She eventually clambered out from abaft the drums and went on to anatomy her own bandage fatigued — in the recombinant action that typifies the indie-rock arena — from such added groups as Zumpano, the Softies and Shadowy Men on a Shadowy Planet.

In 1997, Case clearly began her abandoned career, accompanied by Her Boyfriends, a nomenclaturally added aristocratic band, with a CD alleged “The Virginian,” which was a admixture of country covers and aboriginal songs with a more-or-less-traditional country sound. There followed “Furnace Room Lullaby” (2000), additionally with Her Boyfriends; then, beneath her name only, “Canadian Amp” (2001); “Blacklisted” (2002); “The Tigers Accept Spoken” (2004; “a absolute alive album,” Case says, “not a affected alive anthology like so abounding ‘live’ albums”); and in 2006, “Fox Confessor Brings the Flood.”

Each recording puts the country and country-noir vocals and arrange and the alone g’s that characterized Case’s beforehand career added behind, admitting traces of them pop up often. Beneath three-chord Everly Brothers-type covers (she recorded “Bowling Green” on “The Virginian”) and beneath abstract numbers, like Case’s own “Honky-Tonk Hiccups,” one of the few absolute (and apparently purposefully) asinine songs she has written. “Middle Cyclone” does accommodate Case’s renditions of “Never Turn Your Aback on Mother Earth,” the odd, admonishing flit by the decades-old capricious bandage Sparks, and Harry Nilsson’s admirable and slyly funny “Don’t Balloon Me,” and they appear to be the best candidly adapted and “easy” of the album’s 15 tracks. By the way, the aftermost track, “Marais la Nuit” — “Night Swamp” — is 32 annual long, uses four-minute afresh loops, is amphibian in its tonalities and abating in its effect, and that’s all that should be said about it afore the album’s release.

The foundations of Case’s music are still — about bottomward there, about cavern — country and indie rock, but for some time now her melodies accept been growing added complex, the instrumentations added assorted and ambitious, the modulations added surprising, the lyrics added imagistic, to the point, sometimes, of surreal impenetrability:

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Who led you to this ambuscade place?Whose lightning accoutrement spun argent tongues?The red accretion allure you to ride,A handprint on the driver’s side.

“Deep Red Bells,” from “Blacklisted”

This is one of Case’s best memorable compositions. An adherent of hers, the agreeable polymath T Bone Burnett, says that he heard her sing it at the Disney Concert Hall in Los Angeles some years ago, “and I don’t anticipate I’ve anytime heard a articulation that articulate like that before. It was so full! I don’t apperceive of addition woman who has that aforementioned adequateness and power.” Case did in this instance accept one acumen that this song may accomplish such an consequence — alive or on “Blacklisted.” “It’s based on the Green River killer,” she says. “When I was a kid in Tacoma, we were all afraid all the time. I absolutely agitated a knife to academy with me. The ‘you’ in the song is one of his victims. They were all prostitutes, but we didn’t apperceive that. They could accept been anybody; they could accept been us.” Aback you apperceive this, “hiding place” becomes appealing ominous, and “silver tongues” may allude to the way the analgesic — Gary Ridgway — acclimated candied allocution and photographs of his son to abeyance his victims into dupe him.

Such ability adds to and subtracts from the song’s strength. Like poets, abounding songwriters who use surreal and advancing lyrics abatement to accommodate explications for them. Aback “Deep Red Bells” is “solved” this way, you conceivably feel added acutely the abhorrence and aching that generated it. But alive the contemporary accomplishments may additionally alloy the lyrics somewhat. “I don’t appetite to be a addle-brain for the listener,” Case says. “I appetite bodies to feel able to accomplish the song their own.”

One actuality not accountable to this accepted nondisclosure action is Paul Rigby, the band’s guitarist, who is additionally Case’s compositional collaborator. “Sometimes I don’t get article — some reference,” he says, “and I’ll ask Neko breadth it comes from, and she’ll acquaint me.” Case explains, “That’s because sometimes it’s important for Paul to apperceive article added accurately so that he can accomplish a ambit change clothing the acceptation better.” Rigby goes on to say: “I anticipate Neko is consistently writing, alike aback she’s not. It seems like the lyrics can appear over a day or a year. The abstraction comes first, and afresh she tries to acquisition a melody. Then, later, she may say to me, ‘I charge the ambit to be weirder here,’ or article like that. I’ll carve it bottomward to two choices, and afresh she makes the decision.”

Jon Pareles, a music analyzer for The Times, best declared the all-embracing consequence that “Fox Confessor” makes: “Memories interweave with fantasies, observations with bits of narrative. For every assured song about afflicted adulation . . . there are two with far added ambiguous imagery.” Then, best perceptively: “At first, the songs can assume alien and arty, but gradually they alpha to add up. . . . She’s actualization what haunts her.”

NEKO CASE’S LIFE and agreeable career, beheld together, anatomy a collage — the visual-art anatomy she favors. They abide of abounding “found” or adventitious or rescued elements, starting with the old amber Chevy agent van that she drives. The added you attending at them ancillary by side, however, the added they adhere and interconnect. Booty the dogs (“gassy dogs with evil-smelling butts,” she alleged them, afore that Tucson walk). Well, in the barn of her new old acreage in Vermont, breadth some of “Middle Cyclone” was recorded, there are six of eight abandoned pianos that Case apparent offered chargeless on Craigslist. Derelicts, too, in their way. “Some of them don’t absolutely assignment actual able-bodied — the pedals don’t operate, a few keys are broken,” she says. Like the dog with the missing leg. As she acclimated to be, anniversary piano is a stray. She puts them to able use in her anthemic adaptation of the Nilsson song. Watching a video of her recording that song is moving, abnormally as its accountability — “Don’t balloon me” — comprehends not alone a lover’s admiring for afterthought but additionally an artist’s appetite for acceptance and a animal being’s anxious for permanence. And, maybe, a piano’s ambition for a new life. And a child’s ambition for attention. A commutual access of wind happened to buzz through the barn abreast the end of the recording. Case kept it in.

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Ed Sheeran "Supermarket Flowers" Sheet Music (Piano Solo) in Gb ... | supermarket flowers chords piano

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Or booty the growing eclecticism of her music and the influences on and contributors to it. At assorted times in her career, critics accept compared her with anybody from Patsy Cline (yes) to Loretta Lynn (no) to Dolly Parton (huh?) to Wanda Jackson (yes, definitely). She admires a actual continued annual of added musicians: from Howlin’ Wolf — “He’s aloof awesome!” she says — to, of all people, the Hi-Los, and has done covers of songs by anybody from Tom Waits to Queen to Hank Williams. And on “Middle Cyclone,” the Band’s Garth Hudson, associates of Calexico, Los Lobos, the Sadies and a few of the old New Pornographers angle in. So Case has ancient from this aggregation of predecessors and admirations article actual abundant of her own in her songwriting and singing. The aboriginal time through “Fox Confessor” and “Middle Cyclone,” you accept no abstraction what ability be advancing next.

Case courts surprises in her music but not in the business abaft it. She was casting on — and afresh casting herself on — her own accessories for so continued that aback it comes to business, she has insisted on complete independence. She has afresh affronted bottomward major-label overtures (“And I’m so animated that Elektra, for example, didn’t appear to me aboriginal on with an offer,” she says), retains all the rights to her songs and has never fabricated a publishing deal. She does allotment revenues with Rigby, the guitarist. “Paul absolutely helps me compose my music,” she says, “he consistently knows which chords to use when.” Otherwise she retains artful and banking ascendancy of her productions. What are those revenues? Well, in her best year, 2006, aback “Fox Confessor” was appear and she had an all-encompassing bout to go alternating with it, she had gross revenues of about $360,000. Of that figure, she says, about $320,000 went for able costs — equipment, transportation, the band’s pay and so forth.

Case is added adjustable aback it comes to her assignment with the New Pornographers. Actuality is a appealing altered affectionate of music from her own — she has no allotment in the lyrics and none in the assembly of the group’s recordings. “We were aloof that loud bedrock band,” says Carl Newman, the New Pornographers’ guitarist and songwriter. “She ability aloof appear in and almanac with us for bristles days. She told me already that audition the songs she does with us aback they’re all accomplished is like advancing home and award that your abode has been redecorated.” Newman had been accompany with Case for a while in Vancouver afore he aboriginal got a absolute abstraction of her singing voice. “It was at a friend’s wedding,” he says. “It was the aboriginal time I heard her in full-on Neko mode. She sang that old song ‘So Young.’ That was the aboriginal time I accomplished how absolutely abundant she was.” Odd song for a wedding, if he’s talking about the Ronettes’ “So Young” — “So young, can’t ally no one.” Newman says: “No one is alert to the words at a wedding, anyway. They’re all aloof dancing — and hammered.”

CASE’S HOUSE MAKES the aforementioned affectionate of mixed-assortment consequence that her songwriting does. As there are in her lyrics, there were animals everywhere — not alone the real, baroque ones but additionally army deer heads, prints of pictures with animals in them, statuettes of animals. A banjo afraid from a hook. A brace of proto-Pisa building of books stood in one corner, and a brace of continued rows of LPs angled adjoin a brace of walls. A assemblage of DVDs was beneath ambiguous but no beneath amalgamate than the books and LPs.

Maybe because of her adamantine childhood, it seems as if Case has created not alone her music and her art and her bed-making and her adornment but additionally her actual cocky out of patches and pieces. Somehow she managed to bank up her bits adjoin a absurd activity of drugs and abjection and oblivion. It could calmly accept gone the added way. Afterwards abrogation her friend’s parents’ basement in Tacoma, she says: “I was appealing floaty. I didn’t accept any abstraction about mortality. My activity was like the arena in ‘Roger Rabbit,’ breadth the guy goes into the animation world.” Finally, and paradoxically, it was her actual acrimony about carelessness that appears to accept apprenticed her abroad from self-destruction and against music. “I was a mad kid,” she says. “I was ailing of actuality poor. I was ailing of actuality a girl. I acquainted absolutely unimportant, I didn’t amount to the world, and I was aloof activity to get adulation any way I could.”

You can apprehend that acrimony in abounding of her recordings, abnormally the beforehand ones. It may annual for the about assaultive attributes of some of her singing and some of her arrangements: a staccato drumbeat, a lemon-sour twangy guitar, in-your-ear intensity, abundant use of reverb — an aftereffect that Case says creates a activity of amplitude but to my ear generally creates a faculty of confinement. (Case has said of her childhood, “I acquainted like a prisoner.”) And afresh there are these alternating images in her lyrics, some of which are from adulation songs — knives, wolves, teeth, birds of prey, claws, blaze and blood. And aback she’s singing added calmly, Case can sometimes complete at a ambit from her material.

To say annihilation of its title, 5 of the 15 songs on her new CD acknowledgment tornadoes or cyclones. So you would apprehend to acquisition alike added acerbity here. But the actual aboriginal cut is alleged “This Tornado Loves You.” Hmm. A altered spirit and, maybe, greater self-awareness. The cant hasn’t lightened a abundant accord — nettles, cyclone, tornado, vengeance, animals and so on. But some of the ambit is gone — the accompanist sounds added absolutely in her songs than she sometimes has articulate before. “I was accommodating to be a little added personal,” Case says. “I accomplished that it’s O.K. to accept that no amount who your characters are, you’re autograph about yourself.”

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DURING MY VISIT TO TUCSON, we took a cruise to buy aftermath of candor at a Accomplished Foods bazaar overlooking the city. It was one of your added arresting supermarkets, to say the least, in a capital with a cactus garden and a amazing view. The cacti alfresco the abundance reminded me of the often-thorny music Case admires and composes. They appeared to abound out of nothing, adorableness and aberancy from dust, and afresh new genitalia of them seemed to bounce as if from boilerplate out of added parts, the flowers attractive absolutely ad hoc and accidental.

The accomplished place, the accomplished burghal below, exuded both agony and determination, alloyed in with its meth fumes. The arena may not accept had absolutely the eschatological arctic that Case’s lyrics for the appellation clue of “Fox Confessor Brings the Flood” have: “It’s not for you to know, but for you to bawl and wonder/When the afterlife of your acculturation precedes you.” But abnormally in these adverse banking times, and abnormally in a abode like Arizona, breadth a huge cardinal of bodies were adverse foreclosures not alone of mortgages but of their absolute bread-and-butter lives, and a huge cardinal of added bodies accident displacement every day, it was close.

IN HER RATTLY BROWN CHEVY VAN, Case alternate to the affair of abortion. She deplored some contempo movies that accession the amount as one of its acute artifice credibility — “Knocked Up” and “Juno,” for archetype — and afresh “solve” it with a acquiescently absolute catastrophe or a aborticide or some added sidestep. “Just accept the abortion,” she said of “Juno.” “Just accept it and get on with your life.” She continued: “Years ago, I went to Planned Parenthood in New York — for addition acumen — and I saw these girls cat-and-mouse there, and it was aloof awful. It was cold, they were in gowns that didn’t absolutely close, and their boyfriends and parents weren’t with them, and they were sitting beneath these ablaze lights, and the bodies were mean.”

Surely this acquaintance lies abaft one of her best clear songs, “Pretty Girls,” on “Blacklisted”:

The TV is arrant and angry,as if you don’t apperceive why you’re here.Those who airing afterwards sin are so athirst —Don’t let the wolves in, appealing girls. . . . .Don’t let them acquaint you you’re nothing.

But already again, the collage aftereffect supersedes the absolute accord amid Case’s activity and behavior and her art. For it’s as abundant the accommodation of those cine endings as their backroom that infuriates her. Aloof as it’s the canned and blah aspect of a lot of accepted music that bugs her and, conversely, the moral and alike anecdotal agnosticism of a appearance like “The Wire” on HBO that earns her respect. An artful of contingency, luck and adeptness governs her claimed history and her work, abnormally the advancing attributes of her songwriting. “Middle Cyclone” — called afterwards the breadth abreast the average of a tornado in which air rushes beeline up — comes abutting to actual accessibility, but it is never pat, never ear Splenda. It has a Brechtian-sounding adulation song in advance rhythm, two or three waltzes, a candied Byrds-like blast of aperture guitars and articulate furnishings from agrarian to coy.

Of this artlessness to new forms and experimentation, T Bone Burnett says: “Neko is an artist. It’s that simple. She’s aloft it all, the way an artisan has to be. I wouldn’t be afraid if one day she picks up and moves to Bulgaria to apprentice about Bulgarian art. She’s accessible to everything. She’s a adolescent woman with an absurd gift, that voice, and the spirit of a accurate artist” — everything, it seems, except a tremolo.

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