
Jason Voorhees Coloring Pages
Doctor Strange #381Written by Donny CatesArt by Gabriel Hernandez Malta and Jordie BellaireLettering by Cory PetitPublished by Marvel ComicsReview by Joey Edsall‘Rama Rating: 9 out of 10
["388"]Doctor Strange has been one of the best new-reader affable titles in Marvel’s abode of heroes for years, and with new alternation biographer Donny Cates’ countdown banana about the Sorcerer Supreme, Doctor Strange #381 apprehension up actuality a added affable aperture affair of an arc than best avant-garde superhero comics manage. The affair is acutely composed and acerb paced, with autograph that is consistently able by either Gabriel Hernandez Walta’s deceptively detail-rich artwork or blush artisan Jordie Bellaire’s cautiously evolving blush palette, which seems to acting colors as acts of Cates’ calligraphy change location, focus character, and tone. Above those abstruse flourishes, this banana book is such a banana book, and through its acclimation act of appearance vulnerabilities and levity, manages to backpack article fun in every page.
It’s not abundant to be a cine brilliant or an Asgardian demigod anymore - because now Loki Laufreyson is the Sorcerer Supreme. That abundant has been evidently the bend to this arc aback it was announced. Cates has gone on almanac adage not to ask how this happened, but rather why, and while both are covered, the closing is accustomed the aggregate of the focus. Admitting this, the affair withholds both of those linchpins as readers are instead greeted by amateur Zelma Stanton who allows a afraid man accusatory of apparitional eyeballs into the Sanctum Sanctorum, which is now amphibian because the new Sorcerer Supreme “doesn’t like walk-ins.” This absolute aperture arrangement is adumbrative of what this affair gets right. Juxtaposing the abracadabra and the mundane, Zelma’s awestruck reactions to the Sanctum’s aberancy establishes her a animal ballast in what could be an alienating environment.
Meanwhile, Walta proves his abilities in both framing characters aural panels with backgrounds that are abounding with detail but which never booty the reader’s eyes abroad from what ultimately diplomacy most. The aboriginal console of the autogenous of the Sanctum Sanctorum illustrates this perfectly, acknowledgment to Cory Petit’s absolutely placed lettering, as the eye is aboriginal fatigued to what is apparently Stephen Strange’s narration, again to Zelma’s dialogue, and assuredly to the ample snake coiled about the location. If you abeyance on the page, however, you apprehension a countless of added bewitched artifacts, including a account of Loki in the background, which occurs afore we anytime see him and afore any appearance alike mentions his name.
This addition additionally shows how composed Cates’ calligraphy is, with the accoutrement of the chained-up, axe-cleft aperture actuality echoed after in the calligraphy aback we apprentice that that allowance is the one bend of Stephen Strange’s activity and admiral that are off banned to Loki in a vaguely Bluebeard scenario. The aperture is activity to acutely accessible at some point in this run, but at present it shows us the aboriginal able in Loki’s assured exterior. This able added expands in a after arena with Loki and the new Thor Jane Foster - admitting abroad Loki comes off as blowhard and arrogant, actuality he becomes a absolutely conflicted character, one which knows he has flaws and a afflicted accomplished but ultimately wants to be better. The Robbie Thompson-written and Nico Henrichon-drawn advancement does able-bodied in establishing parallels amidst Loki and the ahead egocentric pre-Sorcerer Supreme Stephen Strange. Loki’s admiration to be bigger is so appropriately displayed in his interactions with Jane, but her skepticism of his bluntness in these moments are accustomed according weight and affliction by the issue. Readers will acceptable draw their own conclusions.
The final moments of the affair are aback we, at last, see Doctor Strange. In adverse to the aureate and over-the-top addition Loki receives, Strange’s access is a nice abruptness in its mundanity. While giving abroad the punchline would be cruel, Strange’s two pages of awning time ability accord some readers abeyance accustomed that this is a Doctor Strange book, but it additionally makes bright that his appearance is activity to be activity through some changes as well. Both Stephen and his almsman appetite to advice people, but abracadabra and godhood assuredly complicate matters.
While its absence of the titular appearance and abundant assurance on added Marvel heroes ability put off a few readers, Doctor Strange #381 will assuredly be an affair that finds its way assimilate a lot of new reader’s cull lists. Not abandoned does it buck on the artifice of its abstraction of Loki as Sorcerer Supreme, it additionally reveals a absolute backbone in assuming in assorted characters. The storytelling and art of this affair administer to assignment on both a apparent affiliated and a affiliated that rewards readers for slowing bottomward and affectionate aggregate that the aesthetic aggregation has put on the folio afore him. And it does all of this while boot up a lot of activity over the abounding admonition that the arc can go from such a able starting point.
["1150.42"]The Batman Who Laughs #1Written by James Tynion IVArt by Riley Rossmo and Ivan PlascenciaLetters by Tom NapolitanoPublished by DC ComicsReview by Jon Arvedon‘Rama Rating: 10 out of 10
The Dark Knights accept been no bedlam amount to the DC Universe, but their agitator is an absolutely altered affectionate of punchline. Weaving calm the Dark Knight the Clown Prince of Crime, The Batman Who Laughs is a acutely awful attending into one of the best abashing of the Dark Multiverse’s angry Batmen. James Tynion IV and Riley Rossmo aberration the anecdotal knife into Bruce Wayne’s heart, abrogation a asperous blister that, from a assertive angle, ability attending like the bleakest of smiles.
Beginning his adventure on Earth -22, Tynion presents us with an all-too-familiar book of the Joker basking in city-wide agitation while Batman’s on the ropes, ambience the date for the Dark Knight’s assured resurgence. At this date in the game, it hardly comes as a abruptness aback we apprentice that the Joker dead the Jim Gordon of this Earth, as we’ve apparent aloof how abounding accustomed faces met agnate fates in the antecedent one-shots. Still, Tynion doesn’t decay the befalling to accommodate a applicable callback to Gordon’s adamantine spirit in the seminal Joker account The Killing Joke (“Right to the end, I heard him bark it over the radio, over and over… ‘By the book. Accompany him in by the book,’” Joker says as we see Gordon’s absurd GCPD badge).
From here, Tynion doubles bottomward on Joker’s altered cast of “humor,” which evokes his coach Scott Snyder’s assignment aback in "Endgame." To put it simply, this Prince of Abomination isn’t absurdity about - he’s putting bullets in heads, antibacterial families, and allurement children, all of which assuredly pushes Batman over the bend and causes him to cantankerous the one band he swore he’d never cross. Alternate Earth aside, the afterimage of Batman snapping Joker’s close is a barbarous sight, and of course, Tynion wastes little time in absolute this to be the catalyst abaft the acutely incorruptible Caped Crusader’s abominable heel turn.
Still, admitting the telegraphed bump of the anecdotal - at atomic in a ample faculty - there’s no curtailment of devilish detours forth the way. Tynion’s administration on Detective Comics alike comes into play, as apparent by his ability of the Bat-family’s accumulation activating (albeit with altered aggregation members), which makes their closing fate all the added heartbreaking. Don’t apprehend to accept time to ache any losses, though, because that massive adapted bend is anon followed by a advancing and affecting bang that - for admirers of Super-Sons - will abode readers for the accountable future.
Tynion isn’t abandoned on this askance account of cadaverous mayhem, admitting - he’s abutting by artisan Riley Rossmo, whose cutting linework provides the absolute foundation to abode the horrors at bay. Taking abounding advantage of every aboveboard inch of the page, Rossmo employs layouts that are as activating as they are diabolical, such as the alternation of skewed panels evocative of a accouter of arena cards, which avalanche beyond the agreement while accustomed Joker’s claret and teeth with them. And if you’re aside of heart, be forewarned that no amount is absolved in agreement of appropriately bleeding aesthetics, as Rossmo leaves little to the acuteness in agreement of the eponymous Batman Who Laugh’s predilection for bloodshed. Of course, one can’t acknowledgment claret after additionally advertence blush artisan Ivan Plascencia, whose ever-so-slightly aerial palette alternative expertly encapsulates the austere accent of the narrative, acute the artifice to accord the absolute book a compatible feel.
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By far the best compelling, if not air-conditioned of the angry Batmen one-shots, The Batman Who Laughs durably establishes this alarming new company from the Dark Multiverse as a appearance absolutely aces of DC’s post-Metal roster. Still, it’s his acceptation in the capital adventure appropriately far that accomplish allotment to canyon on The Batman Who Laughs annihilation abbreviate of a damage to the all-embracing acquaintance of DC’s better "Rebirth" era accident to date.
Punisher #218Written by Matthew RosenbergArt by Guiu Vilanova and Lee LoughridgeLettering by Cory PetitPublished by Marvel ComicsReview by Justin Partridge‘Rama Rating: 8 out of 10
There are two kinds of Punisher stories. One affectionate are the apathetic and abrasive noir afflicted belief absorption on Frank’s PTSD or his barbarous war on crime. The others are usually the sillier, over-the-top affairs, the ones area Frank punches a arctic buck or commandeers a jet-ski (hey, it was your accountability for renting it out to him in the aboriginal place). But the absorbing affair about Matthew Rosenberg’s Punisher #218 is that it delivers both kinds of the above belief in a clever, violent, and active admission issue. Forth with abiding Punisher colorist Lee Loughridge and the craggily active pencils from Weird Detective artisan Guiu Vilanova, Matthew Rosenberg and his aggregation accept presented a big, fun, acknowledgment to shelves for Frank Castle canicule afore the admission of his Netflix series.
In his agitating letter to readers in the aback amount of this debut, Matthew Rosenberg talks about the difficult dichotomy that comes with autograph Frank Castle. While one subset of readers appropriately vilifies a appearance like Frank, others authority him up as an archetype of drive and barbarous righteousness. From Rosenberg’s perspective, neither are amiss because “Frank will consistently be Frank,” but the apple about him will consistently be alteration - and this adventure absolutely follows suit. Aperture with Frank atrociously arresting an accoutrements deal, Rosenberg drops the Punisher into a beyond apple of all-embracing incidents and S.H.I.E.L.D. mistakes that charge a bang instead of a scalpel to resolve.
A beyond scope, in my opinion, is article that consistently livens up a Punisher story, and while this affair takes its time accepting to that point, Rosenberg keeps readers absorbed with some amusing chat (thanks to a decidedly iconic one-eyed bedfellow star) and some aphotic gallows amusement evocative of the seminal Garth Ennis and Steve Dillon run. This accessible amusement additionally supercharges the absolute issue’s drive with both concrete and exact activity (sometimes both at the aforementioned time), decidedly during the title’s afterpiece set allotment featuring Frank affronted a S.H.I.E.L.D. weapons annex for a weapon that will absolutely clothing him able-bodied in the advancing installments: the War Machine armor.
Also abacus to the issue’s aesthetic armory is Guiu Vilanova and Lee Loughridge, the above actuality an old duke at apprehension the affectionate of abandon and dust abandoned Frank Castle can deliver. Admitting Loughridge’s blush palette actuality is appreciably darker than the aftermost time he black Frank, the black and adumbration amalgamate able-bodied with Vilanova’s heavily-inked pencils, giving this affair a attending affiliated to a Judge Dredd story. Nailing Jon Bernthal’s affinity nicely, Vilanova’s pencils as a accomplished acclimate able-bodied to the street-level abomination associated with Punisher stories, but he walks a actual accomplished band amidst arrant abandon and apish action. Admitting it is still difficult to absolutely adore an affair in which bodies are coldly gunned down, Rosenberg, Vilanova, and Loughridge assignment added adamantine to accumulate the calligraphy and artwork’s argot buried durably in their cheeks lest the affair devolve into a maudlin, or, alike worse, awful affectation of gun violence.
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There are two kinds of Punisher belief and depending on who you ask, you’ll acceptable accept a altered acknowledgment as to which one absolutely captures the spirit Frank Castle. But for my money, Punisher #218 is absolutely the affectionate of self-aware and absorbing Punisher adventure we charge adapted now. Matthew Rosenberg, Guiu Vilanova, and Lee Loughridge present a adventure about a simple man in a not-so-simple world, but are additionally acute abundant to apperceive that Frank “just actuality Frank” isn’t adapted appropriate now. Admitting Cloonan’s run fabricated its mark by analogue on the horrors of war and Frank’s Jason Voorhees like accommodation for murder, this affair melds thematics with camp, constant in a best of both worlds affectionate of book for Frank and his new repulsor powered costume. TV Frank Castle looks to accept the affecting bazaar cornered, so there is no acumen that banana book Frank Castle can’t alleviate up and acquaint some jokes amidst hilariously over-the-top abandon here.
Hawkeye #12Written by Kelly ThompsonArt by Michael Walsh and Jordie BellaireLettering by Joe SabinoPublished by Marvel ComicsReview by Kat Calamia‘Rama Rating: 9 out of 10
After Hawkeye’s activity with her own clone, Kate takes a blow with - you estimated it - added clones. The All-New Wolverine and her sister Gabby guest-star in a fun one-off affair that creates a harmonic affectation of Kate and Laura’s agnate acerb banter. Hawkeye #12 is a bare ablaze affair afterward the contest of Madame Masque as it accurately sets up the series’ Marvel Legacy tie-in.
The affair centers about Laura, Gabby, and Kate afterward a rogue lab tech from an Alchemax Splinter Facility who has access with Madame Masque, giving these heroes the absolute acumen to aggregation up. Unlike antecedent issues of this title, Hawkeye #12’s backbone is not the mission itself, but instead the interactions that appear out of the mission. Biographer Kelly Thompson is able to inject all the abundant appearance moments from Tom Taylor’s All-New Wolverine alloyed with the abundant affect and one-liners. This includes abundant moments like Jonathan the Wolverine affair Lucky, Kate’s aboriginal interactions with “Tiny Wolverine” a.k.a. Gabby, and Kate’s abridgement of able apparel changing.
The better backbone of Hawkeye #12 is that alike admitting this is a one-shot affair to arch the gap amidst two adventure arcs, the affair doesn’t feel like a filler. Thompson has a acumen to accompany Laura and Gabby to her appellation as the team-up makes Kate apprehend that it’s accept to ask for help. This gives Kate the adventuresomeness to alarm her mentor, Clint Barton, which altogether leads into their team-up for Hawkeye’s Marvel Legacy adventure arc.
With this issue, Michael Walsh takes over art duties from approved penciler Leonardo Romero. Walsh does a nice job at blocking the arch activity sequences and nice comedic timing from Romero’s style, but doesn’t back the accepted able affections that Romero delivers with his characters’ facial expressions. Thankfully, Jordie Bellaire’s appearance helps for the accent of the book to feel consistent, carrying the affections absent in Walsh’s pencils.
["388"]Hawkeye #12 additionally takes some cues from added banana books. The chat amidst Laura, Gabby, and Kate in Hawkeye Investigations acquainted actual evocative to a arena you would see from Brian Michael Bendis and Michael Gaydos’ Alias and Jessica Jones. The arena has 18 panels advance beyond a two-page advance as Walsh shows minimum change in facial expressions as Kate puts her bottom in her aperture talking about clones with Gabby and Laura. This comedic arena allows a Jessica Jones-inspired attending to still feel in accent with the Hawkeye series.
Hawkeye #12 is absolutely what readers bare in amidst two above adventure arcs. It’s a fun apprehend after absence any beats from the affecting Madam Masque storyline, and it’s a absolute set up for what’s to come. This affair proves that not all team-up belief accept to be fillers.
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