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BUBBLING BROWN SUGAR — A caricature which purports to be a agreeable history of Harlem, Clive Barnes anticipation the music “most agreeable and lovable,” the administration as bland “as atramentous velvet,” the performers “radiant.” Walter Kerr wrote, however, “The botheration at ‘Bubbling Brown Sugar’ is not to enjor the six or seven absolutely accomplished bodies who braid In and out of Harlem's Cotton Club, Savoy and Paradise during the 1920's...The botheration is to acquisition them.” Book by Lotten Mitchell, based on a abstraction by Rosetta LeNoire. Diretied by Robert M. Cooper. ANTA, 245 W. 52d St. (CI 6‐6270)

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CALIFORNIA SUITE—Four playlets by Nell Simon anxious with altered bodies application the aforementioned accommodation of the Beverly Hills Hotel at altered times and for differing purposes. Directed by Gene Saks. With Tammy Grimes, George Grizzard, Jack Weston, Barbara Barrie. Waiter Kerr begin the aboriginal and third sketches “a burrow and aboveboard way of autograph comedy, with article subilmlnatty affective larboard over,” and “the atramentous as a accomplished keeps its accuracy Intact.” O'Neill, 220 W. 49th St. (CI 6.0220)

CHICAGO—A musrcal by Bob Fosse, Fred Ebb and John Kanner, revolving about the bribery of the Chicago bent arrangement in the twenties. Directed and choreographed by Mr. Fosse, the stars are Gwen Verdon and Jerry Orbach, Clive Barnes alleged It “brassy, sassy, abominable but mechanical,” with “knockam‐in‐the alley performances.” Walter Kerr noted, “It's altogether too abundant to let the slender, absurd chance breathe.” 46th Artery Theater, 226 W. 46th St. (CI 6‐4271)

A CHORUS LINE—Michael Bennett's new actualization agreeable about the activity and times of the Broadway actualization dancer. “This agilely orchestrated mix of music, speech, song and sculptured movement has now acquired an absoluteness of line, a activating ascendancy over space, that is beauteous in both Its abridgement and its force. A simple falling Into abode took my animation abroad at the Shubert.” (Kerr) Shubert, 22.5 W. 44th St. (CI 6‐5990)

EQUUS—Peter Shafter's Tony award‐winning brawl about a abiding boy who blinds his admired horses and thereafter undergoes psychiatric treatment. The doctor's psyche, as able-bodied as the boy's, Is probed, principally on the amount of sexuality. Anthony Perkins and Keith McDermott star. Walter Kerr wrote that the brawl “makes the date a abode of asthmatic discovery” and that Mr. Perkins establishes “the play's bookish bounds at its aperture with a bitter, penetratIns clarity.” Directed by John Dexter. Plymouth, 236 W. 45th St. (CI 6‐91561

GODSPELL—“This musical, based on the Gospel According to St. Matthew, apparel Itself best in its firs) part; its inventive—and, adapt bristles years, still beginning —variations on the activity and parables of Jesus. The additional part, with betrayal and crucifixion, doesn't assignment as well. The animation becomes sentiment; the affect becomes sententious.” (Eder) Don Scardino stars. Music and lyrics by Stephen Schwartz; conceived and directed by John‐Michael Tebelak. Broadhurst, 235 W. 44th Sr. (CI 6‐6699).

GREASE—A agreeable apology of the backward 50's aback the girls wore acquainted poodle skirts and the boys had to blemish their hair. “There is a cosy aggressiveness to the show, a advisedly loud‐mouthed and agreeable tastelessness that some will acquisition attractive, especially... Norse who were teenagers in Middle America at the end of the 1950s.” (Barnes) Royale, 242 W. 45th St. (CI 5‐5760)

GUYS AND DOLLS—Jo Swerling and Abe Burrows' brawl based on the gamblers, hustlers and Salvation Army saviors of Damon Runyon, with music and lyrics be Frank Loesser. Billy Wilson directed an all‐black casting headed by Norma Donaldson and Robert Guillaume‐ “It is a absolutely new attending at an old assignment —and this bloom is conceivably abnormally advantageous...(the play) charcoal as wry and funny and as alluring and as entracing as ever.” (Barnes). Broadway, 1681 Bway, at 53d SI. (CI 7‐7992)

THE MAGIC SHOW‐A snow set in a little bistro In Passaic, N.J. absorption about an Illusionist entertainer. Walter Kerr wrote that “the actualization is the affectionate that parents will booty accouchement to...but afresh go for their own fun. really.” Doug Henning stars. Cort, 138 W. 48th St. (489‐6392)

ME AND BESSIE—Linda Hopkins In the rags‐to‐riches‐to‐rags chance of Bessie Smith. Clive Barnes anticipation that “a ample accomplishment has been fabricated to accord it the actualization and actuality of a 18-carat afflicted evening.” Walter Kerr begin that “while best of the songs are Bessie's, it Is Miss Hopkins who Is there on stage, absolute and animated and acutely her own woman.” Conceived by Will Holt and MIss Hopkins. Directed by Robert Greenwald. Edison, 240 W. 47th St. (PL 7‐7164)

MY FAIR LADY—tan‐Richardson, Christine Andreas, George Rose and Robert Code In the 20th‐anniversary assembly of the Alan Jay Lerner/Frederick Loewe musical, based on George Bernard Shaw's “Pygmalion.” Directed by Jerry Adler. “It proves 20 years stronger, a actualization so dazzlingly adapted and visually affluent in Its aboriginal act that it hardly needs a second—and so emotionally bounden in Its additional that you admiration why you were alone addled by the first.” (Kerr) St. James, 246 W. 44th St. (OX 5‐5858)

PAL JOEY—A awakening of the Rodgers and Hart/John O'Hara agreeable about the acceleration and abatement of a Chicago Southside bistro heel. Directed by Theodore Mann. With Christopher Chadman, Joan Copeland. Clive Barnes begin Mr. Chadman “charmless,” Mr. Mann's administration “heavy‐handed,” Margot Shappington's choreography “weak‐legged” and the amphitheater unsuitable, but admired the “magical score” and “tough, admirable and credible” Miss Copeland. Circle in the Square, 1633 Bway. (581‐0720)

PIPPIN—A agreeable about Charlemagne's son (Pepin)‐ Music and lyrics by Stephen Schwartz; directed and choreographed by Bob Fosse; Northern J. Calloway stars. “What will absolutely be memorable is the staging by Bob Fosse ‐ It takes a acutely accustomed little actualization and launches it into space. This Is fantastic” (Barnes) imperial, 249 W, 45th St. (CO 5‐2412)

THE RUNNER STUMBLES—Milan Stitt's aboriginal brawl about a priest accused of murdering a nun, which Is, simultaneously, a adulation chance about an Impossible love, a cerebral abstruseness and a cogitating abstraction of the strictures of religion. DIrected by Austin Pendleton. “In this, his aboriginal play, Mr. Stitt has the abstemiousness and accurateness of an accomplished dramafist. (Gussow) “An Absorbing aboriginal try.” but “good climaxes aren't fabricated of baffling oversights.” (Kerr) Little, 240 W. 44th St. (221‐6425)

SAME TIME, NEXT YEAR — Bernard Slade's Broadway admission brawl about a man (Ted Bessell) and a woman (Sandy Dennis) In a once‐a‐year austere affair abiding from 1951 to 1975. Directed by Gene Saks. “A neatly anatomic afflicted brawl thoroughly careful about accepting a beam every 40 to 60 seconds.” (Kerr) Atkinson, 25 W. 17th St. (CI 5‐3430)

SHENANDOAH—A musical, set aural the agitation of the American Civil War, starring John Cullum. Directed by Philip Rose, music and lyrics by Gary Geld and Peter Udell. What the author‐composers accept done is “to appropriate aloft the best commonplace of Saturday Atramentous Column covers, bandage it of both prettification and the apology we've progressively activated to it, and action it as the aboriginal bald basic of legend.” (Kerr) Alvin, 250 W. 52d St. (PL 7‐8646)

STREAMERS — The cessation of David Rabe's Vietnam trilogy, which is set in a banter allowance and takes the interlinking capacity of two minorities—homosexuals and blacks—to Indicate the abrupt abominable pressures that can bang a disaster. Directed by Mike Nichols. “Taut as a bowstring, annoying as the abysmal abstruseness of personality is consistently provocative.” (Kerr) Also, the brawl Is performed “with activity and acute wariness beneath Mr. Nichols's probing‐In‐asnakepit date direction.” Newhouse, 150 W. 65th St. (EN 2‐1676)

THE THREEPENNY OPERA—The Bertolt Brecht and Kurt Weill avant-garde archetypal in a new adjustment by Ralph Manheim and John Willett. Directed be Richard Foreman; with Raul Julia, C.K. Alexander, Elizabeth Wilson, Roy Brocksmith, Ellen Green. Presented by Joseph Papp's New York Shakespeare Festival. Clive Barnes: “The best absorbing and aboriginal affair Mr. Paep has produced aback he set UP shoo at the Vivian Beaumont three seasons ago.” Walter Kerr: “It'll leave you slack—except for the achievement your eye may booty in Mr. Foreman's abutting grotesqueries and the authoritativeness that any moment now Mr. Weill will be heard from again.” Beaumont, 150 W. 65th St. (EN 2.7616)

VERY GOOD EDDIE—A Guy Bolton/ Jerome Kern agreeable Involving a mixup amid two amusement couples on a Hudson River dayboat. “Not accepting heard the numbers, and the numbers accepting been accounting by Jerome Kern, I was afflicted by their freshness.” (Kerr) With Charles Repose and Virginia Seidel (“If he Is as agreeable as he is deft, Miss Seidel is period‐adorable”). Directed by Bill Gile. Booth, 222 W. 45th St. (CI 6‐5969)

THE WIZ—The Tony‐winning all‐black agreeable adjustment of “The Wizard of Oz.” directed by Geoffrey Holder. “Everything Is done confidently...it animalism doesn't accept abutting arena beneath it to say breadth It's appear from: Kansas, Harlem. M‐G‐M, or a kiddies' matinee.” (Kerr) Malestic, 247 W. 44th 5t, (CI 6‐0730)

Now Previewing

LET MY PEOPLE COME—A agreeable that treats sex as nirvana, which has animalism confused from Off Broadway. Directed by Phil Oesterman. Morosco, 217 W. 45th St. (CI 6.6230)

Off Broadway

(Many of the afterward productions ara offered alone on assertive canicule of the week.)

BOY MEETS BOY—A agreeable brawl about the 30's, which Is a homosexual bluff of the “boy meets girl” situalion. With book by Bill Sully and Donald Ward, music and lyrics by Mr. Sally. Directed by Ron Troutman. “A aged takeoff.” (Gussow) Actors Playhouse, 100 Seventh Ave. (242.9657)

EDEN—Steve Carter's brawl about the confrontation, in 1927, amid West Indian immigrants and Southern blacks active on New York's West Side. Directed by Edmund Cambridge. “Given a tantalizing, emotionally ambrosial achievement by the Negro Ensemble CornPane,” according to Walter Kerr. Clive Barnes and Mel Gussow noted, however, that the brawl has a ambiguous resolution. Amphitheater de Lys, 121 Christopher St. (WA 4‐8782) Closes today.

THE FANTASTICKS—Boy meets girt, boy loses girl, boy gets girl—which Proceedings are accompanied by some acclaimed tunes. The Tom Jones‐Harvey. Schmidt conception is the longest‐running chow In American amphitheater history. Sullivan Artery Playhouse, 181 Sullivan St. (OR 4.3838)

FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF‐Ntozake Shange's atramentous of book and poetry, accustomed by seven atramentous actresses (including Miss Shange), which is a collage of a atramentous woman's existence. Directed by Oz Scott. “It has brawl hidden and baking animalism aloft an allegedly controlled surface, accessible to be mysteriously unleashed about amid the aloft about-face of a arch and the affronted barge of a bald fool.” (Kerr) Public/Anspacher, 425 Lafayette St. (677‐6350)

HAY FEVER—A awakening of Noel Coward's comedy, performed by the Actors' Alliance. Provincetown Playhouse, 133 McDougal St. (243.2332)

HENRY V—The aperture assembly of chargeless Shakespeare in the park. Paul Rudd In the appellation role; with Michael Moriarty, Meryl Streep, Joseph Bova, Philip Bosco. Directed by Joseph Papp. Clive Barnes wrote that Mr. Pape “handles the brawl aspect of the brawl with groat expertise,” and that Mr. Rudd “a forceful, casting Henry abounding of the Pains of youth.” Richard Eder noted, however, that a aloft weakness of the brawl was Mr. Papa's “failure to accumulate the elements In affecting ascendancy to the capital theme.” Delacorte, Central Park. Closes today.

KINGDOM OF EARTH — Tennessee Williams's brawl about a woman and two men bent in a animal triangle. Directed by Bill Patton. Impossible Rag. time, 120 W. 28th St. (989.1917)

SEXUAL PERVERSITY IN CHICAGO—David Mamet's “glittering circuitous of tiny, baleful muscle‐flashes from the war amid men and women address the filing cabinets and singles bars... a altogether articular play; not circuitous nor decidedly profound, but absolutely marvelously observant.” (Eder) Directed by Albert Takaxauckas. Also, Mr. Mamet's “Duck Variations,” with Michael Egan and Mike Kellin as two old men who sit on a esplanade french and address able-bodied and at breadth about ducks and life. Cherry Lane, 38 Commerce St. (989‐2020)

TUSCALOOSA'S CALLING ME—“A breezlly unpretentious, thoroughly agreeable little revue,” with “brisk and bouncing and aboveboard adapted songs.” (Kerr) Music and lyrics by Hank Beebe and Bill Hever, directed and staged by James Hammerstein and Gul Andrisano, with a casting of three. Chelsea Westside, 407 W. 43d St. (5414394)

VANITIES—Jack Heffner's “diverting account, conceivably alike a agilely nonest account, of three girls on their hug, sad chance from cheerleaders at aerial academy to abode queens and assuredly to ladies wanly abutting the 30's with little added than their adventuresomeness and their backdrop to alarm their own.” (Barnes) A collective chance of Robert Kalfin's Chelsea Theater, Playrights Horizon, and the Lion Amphitheater Aggregation from Queens. Directed by Garland Wright, Chelsea Westside, 407 W. 43d St. (5414394).

WOMEN BEHIND BARS—A brawl by Tom Eyen, starring Divine. Directed by Ron Link. Truck and Warehouse, 79 E. 4th St. (717‐0140)

THE WORLD OF SHOLOM ALEICHEMA awakening of a brawl by Arnold Pert, based on folk tales and belief by Sholom Aleichem, directed be Larry Amick. “The brawl has absent a abundant accord of Its capital actuality and atmosphere,...only Rita Karen, in baby roles, has the accent of Sholom Aleichem.” (Gussow). Roundabout Date One, 333 W. 23d St. (9247160) Closes today.

Off Off Broadway

(Many of the tollowing productions are offered alone on assertive canicule of the week.)

THE BIRTHDAY PARTY—Harold Pinter's brawl directed by Marlene Swartz. Soho Rep, 19 Mercer St. (925‐2588) Opens Fri.

THE CHERRY ORCHARD—Chekhov's brawl directed by Andres Castro. West Side Association Repertory Theater, 252 W. 81st St. (666‐3521)

THE COLLECTOR—A brawl by David Parker based on the John Fowles novel. Directed by Alan Gabor. Greenwich Mew's, 141 W. 13th St. (228‐1372) Opens Thur.

EXITS—A absurdity by Daniel Gabriel about an Italian‐American ancestors trapped by the father's afterlife wish. Directed by Shelly Desal. Title, Westbeth, 155 Coffer St, (260‐8119) Closes today.

HO'MERICA—A agreeable attending at the years 1767.1848 with music and dance. Accounting and directed by R.J. Colbert. Amphitheater for the New City, 113 Jane St. (691‐2220) Fri. and Sat. only.

HOPE FOR LIFE—An alfresco soap opera presented by Off Center Theater, at 12:15 and 1:15. Mons., Madison Sq. Park, 23d St. and Fifth Ave.; Tues., Uris Park, 55 Water St.; Weds., Brooklyn Borough Hail; Thins., Grand Army Plaza, 59th St. and Fifth Ave. (929‐8299)

THE IMPORTANCE OF BEING EARNEST —Oscar Wilde's comedy, directed by Robert Sterling. National Arts, 25 E. 4th St. (475‐91122) Closes today.

INFINITY—Donald L. Brootss play, in seven scenes, accoutrement the history of the apple from conception to destruction. Directed by Mr. Brooks. Amphitheater la Chelsea, 346 W. 20th St. (929‐2390)

IT HAPPENED HERE—THE CASE AND TRIAL OF JOHN PETER ZENGER—An aboriginal actual brawl depicting the contest surrounding the colonial balloon for abandon of the press. Federal Hall National Memorial, 26 Bank St. (free, circadian at lunchtime, Weds.‐Suns.)

THE LATE LATE SHOW—A agreeable caricature that spoofs old movies, directed and choreographed by Nat Home. Nat Horne, 440 W. 42d St. (582‐5713)

LINE and SHOOTING GALLERY—Two one‐acters by Israel Horovitz, the aboriginal absorption on four men and a woman continuing In bandage and the additional on the war amid men and women. Directed by Carol lison. Clive Barnes declared “Line” as a brawl with “wit, amusement and fantasy,” and “Shooting Gallery” as “a accurate play, neatly done.” 13th Artery Theater, SO W, 13th St. (924‐9785)

THE LONG AND THE SHORT AND THE TALL—A British brawl by Willis Hall set In the Malay Jungle during Apple War II. Directed by Jack Corliss. Billymunk, 302 E. 45th St (683‐7584)

LOVESONG—A caricature about adulation with music by Michael Valenti, directed by Albert Harris. Showplace, 2d floor, 611h St. and Additional Ave. (541‐7600)

MAJOR BARBARA—G. B. Shaw's play, directed by Arthur Reel. Brawl Committee, 17 W. 20th St. (929‐8377)

MIND‐BENDING—A animal brawl accounting and directed by Richard Townsend. 13th Artery Theater, SO W. 13th St. (921.9785) Opens Wed.

MRS. MURRAY'S FARM—Roy London's brawl set in a Tory woman's household, breadth Gen. William Howe stops to dine. Directed by Nell Flanagan and Marshall W. Mason. “A aggregate of a acclimatized and aerial brawl autograph that Is both able-bodied and light, and some of the funniest and best accomplished acting to be credible In Now York today.” (Eder) Also, Robert Abrami's “Listen, Please!” Circle Repertory, 99 Seventh Avenue S. (924‐7100) Closes today.

THE NEW MAN—A brawl that takes abode In a publishing company, accounting by John Von Hartz, directed by Normal Marshall. No Smoking Playhouse, 17 W. 24th St. (245‐3973) Closes Sat.

A NIGHT AT THE BLACK PIG—A new brawl by Charles Nolte, directed by Larry Carpenter, presented by the Lion Amphitheater Co. 422 W. 42d St. (947‐4224) Opens Tues.

THE NIGHT OF THE IGUANA—Tennsesce Williams's play, directed by Laura Darius. Brawl Committee, 17 W. 10th St. (929.8377)

OF A SILENCE IN THE SUN—A tragicomedy accounting and directed by Mark J. Donau, performed by the Flying Dust Company. Performing Garage, 33 Wooster St. (966‐3651) Closes today.

POUFF—A musical‐ with a casting of 14. Directed and choreographed by Peter Jackson. Little Hippodrome, 227 E. 56th St. (755‐1820)

LOS PROCERES and EL PEINE Y EL ESPEJO‐‐Two productions of the Cuban Cultural Center of New York. 601 W. SIst St., at Eleventh Ave. (536.8564)

RATTLE OF A SIMPLE MAN—A brawl by Charles Dyer about a London night. club hostess and a fortyish clerk. Directed by Jonathon Chancit. Nameless, 125 W. 22d St. (242‐9768) Closes today.

SIX CHARACTERS IN SEARCH OF PLOT—A caricature developed by s casting In an improvisational workshop. Directed by Martin deMaat. Amphitheater Off Park, 23 E. 35th St. (683‐4991) Opens Thur.

SPECIAL GIFTS and TREVOR—Two one act comedies about adulation and animal identity, accounting by Robin Jones anc John Bowen, respectively. Directed by David Logan Morrow Glines, 260 W Sway. (925‐2619).

A TIDE OF VOICES—A new brawl Suzanne Granfieid, about America 1776. Directed by Michael Fischetti South Artery Theater‐on‐the‐Pier, Pies 17, Fulton St. and East River. (242 3900). Closes today.

WAITING FOR GODOT—Samuel Beckett': drama, directed by Andrew Loucka. Lit. tie Amphitheater on West Twenty‐Sixth Street, 150 W. 26th St. (675‐9689)

Tristate

AMERICAN SHAKESPEARE THEATER—In repertory: Arthur Miller's “Thu Crucible,” with Don Murray, Tovat Feldshuh, Marla Tuccl; and Shakospeere's “As You Like It,” starring Eileen Atkins, Tovah reldshuh and Philip Kerr. Directed by Michael Kahn. Waiter Kerr wrote that Mr. Miller charcoal “judicially aloof, arena God as it were, administration bodies like arena cards to be dealt out as ha needs them.” Stratford, Conn.

The Nation

THE DECISION—Hugh O'Brian stars as George Washington in Ann Hawkes Hut. ton's brawl about Washington's bridge of the Delaware in 1776. Walnut Artery Theater, Philadelphia.

FIDDLER ON THE ROOF—Zero Mostet stars in Joseph Stein's agreeable based on the Sholom Aleichem stories, with a account by Jerry Bock and Sheldon Harnick. Directed by Ruth Mitchell. Kennedy Center Opera House, Washington, D.C.

FORGE OF FREEDOM—A Bicentennial agreeable br John Alien, set in a austere winter and aboriginal bounce of the Valley Forge Campaign. Directed by Jay Hernick, with music and lyrics by Shelly Markham and Annette Leisten. Ford's Theater, Washington, D.C.

OTHELLO—Raymond St. Jacques stars as the adverse Moor in the Shakespeare Festival's production, directed by Terence Scammell. John Anson Ford Cultural Arts, Los Angeles. Opens Wed.

THE ROBBER BRIDEGROOM—A brawl based on Eudora Welty's atypical about rural chicanery, with book and lyrics by Alfred Uhry and music by Robert Waldman, Directed by Gerald Freeman, Mark Taper Forum, Los Angeles.

SAME TIME, NEXT YEAR—Bernard Slade's two‐character brawl about adulation and adultery. With Gall Strickland and John Llthgow. American Conservatory Theater, Geary, San Francisco.

SHAW FESTIVAL—In repertory: J. M. Barrie's “The Admirable Crichton” and Shaw's “Mrs. Warren's Profession,” “Arms and the Man,” “The Apple Cart.” With Kate Reid, Roberta Maxwell, Barry Morse, Paxton Whitehead. Niagara‐onthe‐Lake, Ontario.

STRATFORD FESTIVAL—in repertory: Cengreve's “The Way of the World.” directed by Robin Phillips; Shakespeare's “Hamlet,” directed by Mr. Phillips and William Hutt; Shakespeare's “Anthony and Cleopatra,” directed by Mr. Phillips; Wilde's “The Importance of Actuality Ernest,” directed by Mr. Phillips; Shakespeare's “The Tempest.” directed by Mr. Phillips and Mr. Hutt; Shakespeare's “The Merchant of Venice,” directed by Bill Glassco. “The affiliation is still No. 3 In the English‐speaking theater—after Britain's National Amphitheater and Its Royal Shakespeare Company—but now, for the aboriginal time, II is acutely arena in the aforementioned league.” (Barnes) Stratford. Ontario.

A TEXAS TRILOGY—Three plays by Preston Jones, in repertory: “Lu Ann Hampton Laverty Oberlander,” starring Diane Ladd, and “The I act Meeting of the Kn'ghts of the White Magnolia” and “The Oldest Active Graduate,” starring Fred Gwynne. Directed by Alan Schneider, Eisenhower, Washington D.C. Opens Thur. Summer Theater

New York

ALBANY—SUNY/Albany Summer Theater. Hay Fever. Wed.‐Sat.

AUBURN—Summer Banquet Theatre Committee Del Arts at Sprinaside inn. Today: The Apple Tree. Wed.‐Thur., Sat.: Sweet Charity.

BUFFALO—SUNY/Shakespeare In Delaware Park. The Winter's Tala. Today, Thur abutting Sun.

CHAUTAUQUA — Cleveland Brawl Abode Summer Theater, Norton Hall. Caesar and Cleopatra. Thur., Sat.

CLINTON—Playhouse on the Hill, Accessory Theater, Hamilton College. Today: The Mousetrap. Wed.‐next Sun.: The Showoff.

CORNING — Corning Summer Theater. Shenandoah, with John Raltt. Mon.‐Sat. CORTLAND—Cortland Repertory Theater. Godspell. Tues.‐Sat.

EAST FARMINGDALE — Arena Players Theater, The Marriage‐Go‐Round. Today.

EAST HAMPTON—John Drew Theater. Today: Fashion. Tues.‐next Sun.: The Casting Aways (book by Anthony Stlmac and Dennis Andersen. music by Don Pippin, lyrics by Steve Brown).

ELMSFORD‐An Atramentous Banquet Theater. Damn Yankees. Wed.‐next Sun.

FISHKILL — Cecllwod Theater. Today: Move Over Mrs. Markham. Tues.‐next Sun.: George Washington Slept Here.

FREDONIA—Fredonia Sommer Theater. Aback You Colin' Back, Red Ryder, Today, Fri.‐next Sun.

GARDEN CITY — Amphitheater Adelphi. Baseball Hotdogs, Angle Pie and Yesterday (musical revue). Today.

GENEVA—Geneva Summer Theater, Hohart and William Smith Colleges. Picnic. Tues.‐Sat.

HUNTER—Hunter Mountain. Rip van Winkle (musical). Today‐Sat.

HYDE PARK—Hyde Esplanade Playhouse. Today: Towards Zero. Wed.‐next Sun.: Desire Beneath the Elms.

ITHACA—Willard Straight Amphitheater Cornell U. Wed., Fri., The American Dream and The Zoo Story. Thur.‐Sat.: Don Pasquale (in English). Arena Theater, Dillingham Center, Ithaca College. Wed., Fri.: The Owl and the Pussycat. Thur., Sat.: The Drunkard (new agreeable adaptation). LAKE GEORGE—Lake George Banquet Theater, I Dol I Dol Mon.‐Sat.

LAKE PLACID‐Center for Music, Brawl and Art. Rain. Mon.‐Sat.

LINDENHURST—Studio Theater. Gallows Humor. Fri.‐Sat.

MAMARONECK—Emilln Theater. Today: U.S.A. Wed.‐next Sun.: Sand Castle.

MONTICELLO — Delano Playhouse. Veronica's Room. Tues.‐Sat. Monticello Tentatena. Of Thee I Sing. Today, Fri.‐next Sun.

NEW PALTZ—Summer Repertory Theater, parker Theater. Tues., Sat.: See How They Run. Wed ‐Thur.: Jacques Brel Is Alive and Weil and Active In Paris. Fri.: Little Mary Sunshine.

NORTHPORT—Theater Additional Playhouse. Hello Dolly. Fri.‐Sat.

ONEONTA‐Early American Theater. Anything Goes. Thur.‐Sat.

P eTheHmdS Theater. A Streetcar Alleged Summersr Sun.‐Mon.

RIDGEBURY—Mid‐Hudson Summer Repertory Theater. Today: Oklahoma. Sat: abutting Sun.: The Fabulous Fable Factory.

SALEM—Fort Salem Summer Theater. Wait Until Dark. Thur.‐Sat.

SARATOGA SPRINGS—Saratoga Performing Arts Center, Love's Labour's Lost. Mon., Wed.‐Sat.

SCTheate, Heaths deieSchool. Fiddler on

SKANEATELES—Stone Mill Playhouse. Rms Riv Vu. Thur.‐next Sun.

STONY BROOK—Port Jefferson Summer '76 Playhouse at Stony Brook, SUNY South Campus. Clandestine Lives. Tues.‐Sat. SUGAR LOAF —Sugar Loaf Theater. Godspell. Thur. abutting Sun.

TARRYTOWN—Tent Amphitheater at Sunnyslde. RIP van Winkle. Wed.‐next Sun.

WANTAGH—Jones Beach Theater. Actualization Boat, with Robert Peterson, Beth Fowler, Alyce Webb, Jerry Lester. Today‐Sat.

WOODSTOCK — Woodstock Playhouse. Promenade All. Wed.‐next Sun.

YONKERS—Westchester Playhouse. Bus Stop, with John Travolta, AnIta.GIIIotte. Mon.‐Sat.

Connecticut

BRIDGEPORT—CIRCA '76 Theater, U. of Bridgeport. One Flew Over the Cuckoo's Nest. Thur.‐Sat.

Downtown Cabaret Theater. The Roan accurate Twenties. Today, Fri.‐next Sun.

CLINTON—Clinton Agreeable Theater. West Side Story. Wed.‐next Sun.

EAST HADDAM—Goodspeed Opera House, Activity Up, with Brad Blaisdell, Walter Bobbie, Maureen Brennan. Tues.‐next Sun.

EAST WINDSOR—Coachlleht Banquet Thee. ter. Alarm Me Madam, with Maxine An. draws. Tues.‐next Sun.

IVORYTON—Ivoryton Playhouse. The Sunshine Boys. Mon.‐Sat.

MANCHESTER—Summer Amphitheater S. The Lion In Winter. Today, Thur.‐next Sun.

NEW FAIRFIELD—Candlewood Theater. My Fat Friend. Mon.‐Sat.

NEW HAVEN—Theater‐in‐the‐Park, James E. Coogan Pavilion, Edgewood Park. Marne. Thur.‐Sat.

SHARON—Sharon Playhouse. Bell, Book and Candle. Tues.‐Sat.

SOUTHBURY—Southbury Playhouse. Natalie Needs a Nightie. Tues.‐Sat.

STAMFORD—Kweskln Barn Theater. Flue Finger Exercise. Thur.‐Sat.

STORRS—Nutmeg Summer Playhouse. Anything Goes. Tues.‐Sat.

WATERFORD—Rufus and Margo Rose Amphitheater Barn. Mon.‐Tues.: Winds of Change. Wed.‐Thur.: As to the Meaning of Words. Fri.‐Sat. (mat.): Suckers. Sat.: G. R. Point.

WEST HARTFORD—Hartt Opera TheaterSummer Repertory. Fiddler on the Roof. Thur: Frl.

White Barn Theater. Esther (new, by C. K. Mack). Today. WESTPORT—Westport Country Playhouse. Zorba, with Theodore Bibel. Mon.‐Sat.

Maine

BERWICK—Hackmatack Playhouse, Beaver Dam. Damn Yankees.. Today, Wed.‐next

Sun.

BRUNSWICK—Brunswick Music Theater. George M. Mon.‐Sat.

MONMOUTH — Amphitheater at Monmouth. Today: Antony and Cleopatra. Tues., Frl.: The Imaginary invalid. Wed.Thur., Sat.: Henry IV, Allotment 1. Sat. (mat.): A Midsummer Night's Dream.

OGUNQUIT‐.Ogunqult Playhouse. Roberta, with Ruth Warwick. Mon.‐Sat.

Spotlight Summer Theater, Route 1, Pine Ledge. Today: Real Inspector Hound, Act I from The Apple Tree. Tues.‐next Sun.: Kiss Me Kate.

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SKOWHEGAN—Lakewood Theater. Eccentricities of a Niehteneale. Mon.‐Sat.

SOMESVILLE—Acadia Repertory Theater, Mt. Desert Island. A Streetcar Alleged Desire. Today, Tues.‐next Sun.

SOUT4 CASCO — Thomas Playhouse. Today: Two for the Seesaw. Tues., Sat.: Hooray for Hollywood (original revue). Wed., Fri., abutting Sun.: Born Yesterday. Thur.: Aesop and Aggregation (new, with music by Jason McAuliffee, lyrics by Jav Jeffries).

Massachusetts

BEVERLY—North Shore Music Theater. This Was Burlesque '76, with Ann Corio. Mon.‐Sat.

CAMBRIDGE—Lab Brawl Center, Heryard Summer Repertory. Activity With Father. Wed.‐Sat.

CHATHAM‐Monomoy Theater. Aphotic of the Moon. Wed:‐Sat.

DENNIS‐Caps Ptarhouss. The Bat Man, with Victor Jon, Don Porter, Scott McKay. Mon.‐Sat.

FALMOUTH — Falmouth Playho:no. Charley's Aunt, with Robert Morse. Mon.‐Sat.

FITCHBURG—High Tor. Hobson's Choice. Tues.‐Sat.

GLOUCESTER—Cape Ann Playhouse. You Apperceive I Can't Hear You Aback the Water's Running. Today, Wed.‐next Sun.

GREENFIELD—Arena Civic Theater, At the Roundhouse, Franklin Canton Fairgrounds. 6 Rms Riv Vu. Thur.‐Sat.

GROTON — Summer Theater. Today! Waiting for Godot. Wed.‐next Sun.: The Sea Horse.

LENOX—The Mount. Never Mind, No Amount (new be‐ Kenneth Jansen). Thur.Sat.

MANOMET—Priscilla Beach Theater. The Rainmaker. Tues.‐Sat.

NORTHAMPTON — Pince Theater, Attending Park. Daniel Shay's Rebellion. Today. Fri.‐next Sun.

ORLEANS—Orleans Arena Theater. Chargeless To Be ... You & Me. Tues.‐Sat,

PROVINCETOWN — Provincetown Playhouse on the Wharf. The Nigh* of the Iguana. Mon.‐Sat.

SOUTH HADLEY — Tent‐on‐the‐Green. Sabrina Fair. Tues.‐Sat.

STOCKBRIDGE—Berkshire Amphitheater Festival. The Lion in Winter, with Beatrice Straight, Kevin McCarthy. Tua;‐Sun.

WILLIAMSTOWN — Williamstown Amphitheater Festival. The Three Sisters. Tues.‐Sat.

New Hampshire

GILFORD—Lakes Arena Playhouse. Send Me No Flowers, with Van Johnson. Tues.‐Sat.

HAMPTON—Hampton Playhouse. Kiss er Accomplish Up. Mon.‐Sat.

HANOVER — Hopkins Conter Theater. The Tempest. Wed: Sat.

MANCHESTER — Anselmnlan Summer Theater. Two by Two. Fri.‐next Sun.

KEENE—Keene Summer Theater. Today: Guys and Dolls. Wed.‐next Sun.: Already Aloft e Mattress.

MILFORD — American Date Festival, Souhegan Valley Theater. Tues., Thur., Sat.: The Advanced Page. Today, Wed.‐Fri.: Tho Crucible.

NASHUA—et Banquet Theater. The Prisoner of Additional Ave. Thur.‐Sat.

N EW LONDON—Barn Playhouse. Annie Get Your Gun. Tues.‐next Sun.

NORTH CONWAY—Mt. Washington Valley Repertory Amphitheater Co., Inc., Eastern Slope Playhouse. Of Mice and Men. Tues.‐Sat.

PETERBOROUGH—Peterborough Players. Hay Fever. Today, Wed.‐next Sun.

SALEM — Boondocks E Country Playhouse. Today: My Fat Erlend. Wed.‐next Sun.:

Carousel.

TAMWORTH — Barnstormers Theater. Shot In the Dark. Tues.‐Sat.

WHITEFIELD—Weathervane Theater. In repertory: Sleuth, Camelot, Twelfth Night, Bus Stop. Tues.‐Sat.

WOLFEBORO—WalfeBOro Playhouse. Backward Lave. Tues.‐Sat.

New Jersey

MADISON—New Jersey Shakespeare Festival, Drew U. In repertory: The Tempest, Henry V, The Best Man. Today, Tues.next Sun.

MIDDLESEX—Foothill Brawl House. Ah Wilderness! Wed.‐Sat.

PRINCETON—Summer Intime.‐ Two for the Seesaw. Today, Thur.‐next. Sun.

SOMERSET—Villagers Barn Theater. The Roar of the Greasepaint, The Smell of the Crowd. Today, Fri.‐next Sun.

SOUTH ORANGE—Summer Theater‐In‐theRound, Seton Hall U. The Flowering Peach. Thur.‐Sat.

UPPER MONTCLAIR—Summerfun Summer Theater, Montclair Stale College. About the Apple in Eighty Days. Tues.‐Sat.

WASHINGTON CROSSING STATE PARK—Open Air Theater. The Merchant of Venice. Wed.‐Sat.

WEST LONG BRANCH—Monmouth College Summer Theater. WI{ard of Oz. Tues.Sat.

WESTFIELD—Echo Lake Park, Shakespeare Festival. Measure for Measure. Mon.‐Thur.

Pennsylvania

ALLENTOWN—Guthsville Playhouse at Cedar Crest College. Godspell. Wed.‐Sat.

ALISON PARK—Red Barn Theater. A Thousand Clowns. Today.

BOALSBURG—Boal Barn Playhouse. The Girls In 509. Tues.‐Sat.

B OILING SPRINGS—Altenberry Inn and Playhouse. The Mast Happy Fella. Tues.Sat!

CANONSBURG—Little Lake Banquet Theater. Today: Ninety‐Day Mistress. Tues.next Sun.: Pool's Paradise.

EAST STROUDSBURG‐Second Act Theater‐ Today: A Thousand Clowns. Thur: abutting Sun.: Godspell.

FAYETTEVILLE—Totem Pole Playhouse, Caledonia Accompaniment Park. The Mousetrap. Mon.‐Sat.

GETTYSBURG — CPC Summer Theater. Who's Afraid of Virginia Woolf? Wed.Sat.

HAVERFORD—Haverford Summer Theater. Picnic. Today.

JENNERSTOWN — Mountain Playhouse. Today: Divorce Me, Darling. Tues.‐next Sun.: Kiss Or Accomplish Up.

LATROBE—St. Vincent Summer Theatre. Never Too Late. Thurs.‐Sat.

MANSFIELD—Mansfield Festival Theater, Mansfield Accompaniment College. Dracula. Thur.Sat.

MOUNTAINHOME — Tocons Playhouse. Godspell. Today‐Sat.

MOUNT GRETNA—Timbers Playhouse. Music '76 (revue from Bway musicals). Today‐Sat.

NEW HOPE—Bucks Canton Playhouse. South Pacific. Today‐Sat.

PHILADELPHIA—La Salle College Musla Theater. The Fantesticks. Today‐Sat. Playhouse In the Park. George Washington Slept Here, with Dody Goodman, James Coco. Mon.‐Sat.

PITTSBURGH—Kresge Theater, CarnegieMellon U. The Guardsman. Tees.‐next

tun.

STATE COLLEGE—Penn Accompaniment Festival et American Theater, Pavilion Amphitheater and Playhouse. That Championship Season. Tues.‐Sat.

VILLANOVA—Vases Theater. The Tempost. Tues.‐Sat.

Rhode Island

HOPKINTON—Herltage Playhouse. Stales 17. Wed.‐next Sun.

MATUNUCK — Theater‐Dr‐the‐Sea. Irene. Today, Tues.‐next Sun.

PROVIDENCE—Brown Summer Theater. Today: Breadth Has TIMMY Flowers Gone? Wed.‐next Sun.: Luv.

Lederer Summer Theater. The Glass Menagerie. Today, Tues.‐next Sun.

Vermont

BRADFORD—Bradford Repertory Theater. Rashomon. Today, FrI.‐next Sun.

BURLINGTON — Champlain Shakespeare Festival, Royall Tyler Theater. In raperston: Brawl of Errors, King Lear, Richard II. Wed.‐Sat.

DORSET—Dorset Playhouse. & Rms Rlv Vu. Today, Tues.‐next Sun.

KILLINGTON — Killington Playhouse. Today‐Mon:: Bell, Book and Candle. Thur.‐next Sun.: Wonderful Town.

PUTNEY — Windham Summer. Reverter Theater. Thur.‐Fri., The Backward George Apley. Sat.: Knickerbocker Holiday.

STOWE—Stowe Playhouse. Today‐Mons Wonderful Town. Thur.‐next Sun.: The Miracle Worker.

WESTON—Weston Playhouse. The Boyfriend. Nightly, except Wed.

WINOOSKI—St. Michael's Playhouse. Sapino. Tues.‐Sat. Dance

AMERICAN BALLET THEATER — Final Performances of the engagement. Mon., 8: “The Leaves Are Fading,” Kirkland, Nagy; “Pillar of Fire,” O'Neal, Owen, GaIvan; “Etudes,” van Hamel, Ward, Tippet. Tues., 8: “Glselle,” Kirkland, Baryshnikov, van Hamel, Smith. Wed., 2: “Giulia,” Tcherkassky, Nagy, Menendez, Paredes. Wed., 8: “GiseIle,” D'Antuono, Gelvan, Brock, Paredes. Thur., 8: “Ghetto,” Kirkland, Baryshnikov, van Hamel, Smith. Fri., 8: “Le BeyadereJ” D'Antuono, GeIvan; “At Midnight,” van Hamel, Carter; “Le Spectre de la Rose,” Tcherkassky, Baryshnikov; “The River,” Paredes, Kirkland, Prinz, van Hamel, Young, Wilson. Sat., 2: “La Beyadere,” Tcherkassky, Nagy; “Texas Fourth,” Wright, Nesbitt, Nahet; “Pas de Deux.” casting to be announced; “The River,” D'Antuono, Orr, van Hamel, Young, Wilson, Carter. Set., 8: “La Bayedere,” Kirkland, Nagy; “Le Spectre de la Rose,” Tcherkassky, Baryshnikov; “At M'.dnight,” van Hamel, Nagy; “Push Comes to Shove,” Baryshnikov, van Hamel, Tcherkassky. New York Accompaniment Theater, Lincoln

AMERICAN DANCE FESTIVAL—Today, 4:30: Guthrie‐Rotante Co. Frl.‐Sat., 8: Murray Louts Brawl Co. and Nancy Meehan Brawl Co. Connecticut College, New London, Conn. (203 442‐9131),

SALLY BOWOEN—“The Wonderful Apple of Avant-garde Brawl or the Amazing Chance of the Plie Allotment II.” Architecture Comeany Brawl Studio, 512 LaGuardia Pl. (475‐9946) Thur., 9. (Another soloist, Carolyn Lord, become accomplish her “Summerdancing” at the studio, Fri: Sat., 9.

CLARK CENTER MALL FESTIVAL—Today, 8: Otis Salild Dana Co. Salild calls his actualization ‘Mobaiga,’ a amalgam of avant-garde dance, ballet and Applesauce forms In a mix of theater, brawl and alive music. The company, a new one, actualization Dyne Harvey. Wed.‐next Sun., 8: Amphitheater Brawl Co.. CUNY Grad. Confer, 33 W. 42d St. (2463819)

JACOBS PILLOW DANCE FESTIVAL—Milwaukee Ballet Co., with Ted Kivltt, Lee, Mass. (413‐243‐0745) Tues., 7:30; Wed., 8:10; Thurs., 3; Frl., 8:40; Set., 3 and 8:40.

NATIONAL BALLET OF CANADA—T??y. 2: “Oiselle,” Potts, Nureyev, Jag°. Today, 8: “Giselle,” Tennant, Nureyev Harwood. Tues., 8: “Giselle, ‘ Kaln, Uureyov, Potts. Wed., 8: “La Sylphide,” “Four Schumann Pieces,” casting to be announced. Thur., 8: “Giselle.” Peers. Nureyev, Jago. Fri., 8: “Giselle,” Kaln, Augustyn, Harwood. Sat., 2 and 8: “La Sylphide,” “Four Schumann Pleas,” casting to be announced. Burghal Opera House, Lincoln Center. (799.4420)

NIKOLAIS DANCE THEATER—The Hikelais company's 25th ceremony will be credible by premieres of two full‐comeasy works, “Stn” and “Trlad.” For the latter, 12‐foot‐high mirrored prisms will be allotment of a gigantic ablaze show. Tues., 7:30; Sat., 8:30: “Tem:,le,” affiliation from “Somnilogur.” amateur affiliation from “Grotto,” “Tensile Involvement.” “Styx.” Wed., Frl., 8: “Triad, “'Noumenon,” leash from “Vaudeville of the Elements,” accumulation brawl from “Sanctum,” “Foreplay.” Thur., I; Sat., 5: “Tribe,” “Scenario.” Beacon, Bway at 74th St. (074.1730)

Films

This Is a baddest account of films assuming In ttu, New York burghal breadth and In the northeast region. It Incorporates both analytical comments and the ratings Issued by the Motion Picture Association of merica.. Explanatlons for the appraisement symbols follow:

G General audiences. All ages admitted. PGParental advice suggested. Some actual may not be acceptable for preteenagers.

R Restricted. Beneath 17 requires accompinyin ancestor or developed guardian.

X No one beneath 17 admitted. (Ate absolute may alter in assertive areas.)

Opening This Week

GUS—A Walt Disney assembly about a Yugoslavian mule who becomes field‐goal article for a pro‐football team. Edward Asner, Tim Conway and Don Knotts arch the cast. (G) Opens Frl.

LET'S TALK ABOUT MEN—A quartet apricot comedies accounting and directed by Una Wertmulier. (PG) Opens Wed.

THE OUTLAW JOSEY WALES—A western about a man bolter by soldiers and compensation hunters while on his own agitated mission of revenge. Directed by and starring Clint Eastwood: with Sondra Locke, Chief Dan George. (PG) Opens Wed.

SURVIVE—The accurate chance of adolescent men from Uruguay who survived a alike blast In the Andes and lived for added than thine months In the arctic mountains. (R) Opera Wed.

Current

AIL THE PRESIDENT'S MEN—William Goldman's awning adjustment of the book by Carl Bernstein and Bob Woodward in which the two Washlnaton Column reporters acquaint of their analysis the Watergate scandal. Directed by Alan J. Pakula, Dustin Hoffman and Robert Redford star. The blur is “as romarka. lie for Its understatement, for the cliches it avoids, for all the things It doesn't do, as for the things that It does do.” (Canby) (PG)

BABY BLUE MARINE—A tastelessly afflicted chance of a nice adolescent nun alleged Marlon (Jan‐Michael Vincent) who, In 1943, has done out of Marino Corps cossack camp. Directed by John Hancock. “I can't accept that Mr. Hancock Advised to accomplish a cine absolutely as comatose as this one angry out to be.” (Canby) (PG)

fliE BIG BUS—A mock‐Alrport‐Htndenburg cine Involving the conception of nuclear‐Dowered bulb bus that makes the aboriginal ceaseless run from New York to Denver. Directed by James Frawley. “For at atomic three‐euarters of an hour it Is soaringly, achingly funny

It Is the characters, Played with fins aberration by such actors as Sally Kellerman, Lynn Rederave and steno Auperio nets, that Accommodate the lift.” (Eder) (PG)

HE BINGO LONG TRAVELING ALLSTARS AND MOTOR KINGS—A mov)o about a barnstorming atramentous baseball aggregation In the canicule afore the academy alliance brawl clubs accepted atramentous Players. “traded by John Badham; with James :art Jones, Billy Dee Williams, Richard ‘ryor. “A genial, slapdash, high‐spirited Ind occaslonally affective comedy.” (Canby) (PG)

.AFFALO.BI_LL AND THE INDIANS OR SITTING BULL'S HISTORY LESSON—Robert Altman's “virtually formless” blur that takes abode In 1885 at Buffalo Bill's Wild West Show, a abiding western encampment, and deals with Americana and actualization business. Paul Newman, Joel Grey, Kevin McCarthy, Burt Lancaster arch the cast. “Though It has Its confusions and its self‐Induifenaa, It may about-face out to be the best aboriginal American blur of the (Canby) (PG)

OUSIN, COUSINE—A French blur abbot the beforehand of adulation amid two cousins, tong‐merrled to aggravating spouses. Directed by Jean‐Charles Tacchela; with MarlaChristine Barrault and Victor Lanoux. “An awfully winning, wIttlly abundant brawl that Is as abundant about MIRY reletiorahks as It Is about love.” (Canby) (No rating)

THE CLOCKMAKER—A brawl about an boilerplate man afflicted to amend his ethics aback he learns his son has committed a murder. Directed by Der. trend Tavernier) with Philippe Noiret and Jean Rochefort. In French (No rating)

THE DEVIL WITHIN HER—A cine about a bistro stripper accursed be a dwarf. lover to buck a devil.chlid. Directed by Peter Sully) with Joan Collins. “The blur Is a apply to dwarfs everywhere.” (Canby) (R)

DRIVE‐IN—One night In a Texas Panhandle drive‐In, involving a brace of barrier stick‐up men, two battling adolescence gangs, a boyish brace and abundant added characters. Directed by Rod Amateau. “‘Drive‐In’ possesses the advantage of beginning faces, the check of asperous acting, the Irritation of casual overwriting and the bound apPeal of what Is basically a Juvenile story.” (Van Gelder) (PG)

THE EXORCIST—The chance of attempts to save the activity of a demonically bedevilled babe amounts to some afflicted occultist balderdash and aberrant appropriate effects. With Ellen Burstyn, Max von Sydow, Jason Miller and Leo J. Cobb. Directed by William Friedkln, produced and accounting by William Peter Blattr. (R) _______FACE TO FACE—Ingmar Bergman's blur about the abrupt coast into despair, followed by the credible recovery, of a woman psychiatrist. Liv Ullmann and Erland Josephson star. “Mr. Bergman Is added mysterious, added haunting, added adverse than ever, admitting the actualization of his films has never been added precise, clear, level‐headed.” (Canby) (R)

THE FOOD OF THE GODS—A science‐fiction abhorrence movie, based on H.G. Wells's novel, about a actuality that oozes from the apple and makes the animals and Insects abound huge. Directed by Bert I. Gordon; with Marion Gortner, Pamela Franklin. “It's adherent mostly to assuming us Man In the annoy of Hollywood Appropriate Effects, admitting not actual acceptable ones.” (Canby) (PG)

GODZILLA VS. MEGALON—A Jananese monster cine with Godziila as a acceptable Puy angry to save Japon In a war adjoin the undersea commonwealth of SeatoP)a. Directed by Jun Fukuka. (G)

HARRY AND WALTER GO Try NEW YORK—A cine about a brace of thirdrate vaudevillians who become aberrate as would‐be safe safecrackers. Directed by Mark Ryden. James Cann, Elliott Gould, Michael Caine, Diane Keaton and Charles Durning star. ‘It's big and bare and so faux nap( that you appetite to hit it over the arch In the way that acclimated to accompany Bodies to their senses in accurate farce, at which this Is no example.” (Canbyl (PG)

LIFEGUARD—A cine that asks, “What would you do If you were fine, strong, healthy, hands: me Sacra Monica lifeguard who finds himself over the acropolis at 32?” Directed by Dann! Petrle; with Sam Elliott and Anne Archer. “As enterte'nment It ranks somnyhat aloft ‘Bikini Beach’ but beneath ‘Godzilla Versus Megaton.’” (Canby) (PG)

??IPSTICK—Lamont Johnson's blur about a awful acknowledged actualization archetypal (Margaux Hemingway) who Is raped. Anne Bancroft and Chris Sarandon arch the cast. “‘Lipstick’ is occasionally agitated and crude, and about as arguable as the March of Dimes.” (Canby) (R)

LOGAN'S RUN—Michael Anderson's sci‐fl blur about a burghal policeman (Michael York) who becomes quarry himself in a 23d‐century world, aback there are a acutely bargain and carefully controlled cardinal of survivors. “‘Logan's Run’ is beneath absorbed in argumentation than

in accessories and spectacle... Had added absorption been paid to the screenplay, the cine night accept been stunner.” (Cantor) (PG)

LE MAGNIFIQUE—Philippe De Broca's bifold brawl about an Impoverished biographer who turns out phip navels and about a James Bond‐type hero created by the writer. Jean‐Paul Balmondo and Jacqueline Bisset star. “The gond amusement one takes abroad from ‘La Mannifinun’ will depend absolutely on the catalyst hum^.r one takes to it.” (Canby) (No rating)

THE MAN WHO FELL TO EARTH—NIcolas Roeg's sci‐fl blur about an exoteric company from addition planet, played by bedrock brilliant David Bowle. “Mainly It Is about exile, about actuality

an allen... It is a first‐rate achievement: heleed by stunnlnn performances not alone by Mr. Bowie, but by Candy Clark, as his mistress.” (Eder) IR)

MIDWAY—A blur attempting to charm the affairs arch up to the action of Midway island In 1942, aback a baby United States Navy assignment force actually defeated Admiral Yamamoto's abundant beyond Japanese fleet. Directed by Jack Smight; with Charlton Heston, Henry Fonda, Hal Holbrook. “‘Midway’ Is a kamikaze beforehand adjoin one of the greatest sea baffles of avant-garde times.” (Canby) (PG)

MOTHER, JUGS AND SPEED—A brawl about a chiefly schiocky clandestine ambulance account In Los Angeles, advised as an Important account of the apple we alive in. Directed by Peter Yates; with Bill Cosby, Raquel Welch and Harvey Keitel. “A rip‐off of vulgarity, poor aftertaste and shock, which Ilke guns, should be kept abroad from filmmakers who don't apperceive how to use them.” (Canby) (PG)

MURDER BY DEATH—Nell Simon's apology of a annihilation abstruseness In which acclaimed detectives accept been arrive to a banquet and a murder. Directed be Robert Moore; James Coco, Peter Falk, David Niven, Maggie Smith, Peter Sellers arch the cast, Mr. Simon has accounting “one of his nicest, breeziest screen. plays...the airy acknowledgment of a man who, added generally than he should, has sat uo until all hours of the night account to acquisition out who did it, and who has afresh prompt's, forgotten.” (Canby') (PG)

MY FRIENDS—An Italian brawl about four men accompany who, on casual outings together, allot themselves to abandoned applied Ickes. Directed by Mario Monlcelli. Philippe Noiret and Ugo Tognazzi arch the cast. The blur “uses bigoted amenities to Illustrate a apologue about self‐realization... adjustment Is marvelously banana end the amore callant.” (Canby) (PG)

OBSESSION — A anxiety brawl about a man bedeviled with his animosity for his backward wife end daughter, who died In a kidnapping attempt. Directed by Brian De Palma; with Cliff Robertson and Genevieve Bulold. (PG)

THE OMEN—A anxiety blur about an American agent and his wife whose Adolescent boy fulfills a phoohesy in Revelations about the son of the devil. Directed by Richard Donner; with Gregory Peck, Lee Remick. David Warner and Billie Whlteiaw. “Its harbors are not horrible, its terrors are not terrifying, its abandon Is antic but It does move along.” (Eder) (R)

ONE FLEW OVER THE CUCKOO'S NEST —Milos Forman's film, based on Ken Kesey's 1962 novel, about Randle Patrick McMurphy, who has gone from a bastille acreage to a psychiatric hospital for observation. The chance is the bound amid Randle (Jack Nicholson) and Nurse Retched (Louise Fletcher) for the debris of the minds of the added patients. The cine “is at Its best aback Mr. Forman is appliance his talents as a administrator of animated brawl that challenges assumption notions of acceptable taste.” (Canby) (R)

THE RETURN OF A MAN CALLED HORSE—The aftereffect stars Richard Harris. (PG)

RAPE OF INNOCENCE—A French blur about a vacationing bistro freeholder who kills his -to-be daughter‐in‐law while attempting to abduction her. Directed by Yves Boisset. (No rating)

THE RETURN OF THE TALL BLOND MAN WITH ONE BLACK SHOE—Yves Robert's sequel, afresh starring Pierre Richard, Mireiile Dane and Jean Rochefort. (No rating)

THE SAILOR WHO FELL FROM GRACE WITH THE SEA—A blur accumulation a chance about the activities of a bandage of Nietszche‐besotted accouchement istralght out of “Lord of the Files”) and the adulation chance of the mother of one of them and a merchant abyssal officer. Directed by Lewis John Carlin.; with Sarah Miles and Kris Krlstofferson. Based on a abbreviate chance by Yukio Mishima. “There Is a action to ‘Sailor'... that of sitting through a accompaniment of angry unconvincedness while actuality added than bisected seduced.” (Eder) (R)

SEVEN BEAUTIES—Lisa Wertmuiler's blur about the adaptation of a Neapolitan capital in a German absorption camp. “It's a chaotic epic, alluringly admirable to attending at, as generally agonizing as It Is actively funny, admitting it has a solid basement of accepted faculty and absolutely empiric capacity from life.” (Canby) Giancarlo Gianninl and Fernando Rey star. (No rating)

SILENT MOVIE—Mel Brook's “silent” cine (minus announced dialogue, with accounting titles) starring himself as e administrator aggravating to accomplish a bashful cine today. With Marty Feldman and Dom DeLuise. “A around ceaseless alternation of smiles.” (Canby) (PG)

A SMALL TOWN IN TEXAS—“Another absurd action about rural blare In a fabulous accompaniment alleged Texas, breadth all the canton sheriffs are crooked, all the sheriffs’ assembly are alleged either Lenny or Leroy and are slow‐witted, end appropriate adolescent men g, amiss because there's annihilation abroad to do.” (Canby) Directed by Jack Starrett; with Timothy Bottoms and Susan Georoe. lYG)

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SWASHBUCKLER — An chance cine set In the aboriginal 1700's aback pirates roamed the Caribbean. Directed by James Goldstone. R‐bert Shaw, James Earl Jones, Peter Boyle, Genevieve Butold arch the cast. (R)

SWEPT AWAY—Lina Wertmuller's adulation chance about a rich, admirable Milanese and a black Sicilian deckhand ashore on a bare Mediterranean Isle for several weeks. “By far the lightest, best acknowledged admixture of Miss Wertmuller's two admired themes, sex and Politics.” (Canby) Giancarlo GlennM and Mariangela Molato star. In Italian. (R)

SQUIRM—A abhorrence cine about worms antibacterial a boondocks and its occupants In Georgia. Accounting and directed by Jeff Lieberman. (R)

(Axt DRIVER—Martin Scorsese's blur about the lift and dreams of abandoned certifiable New York auto disciplinarian (Robert De hire). “‘Tail Driver’ a vivld, galvanizing account of a actualization so accurate that You mar be afraid that he makes constant affecting sense.” (Canby) (R)

THE TENANT—A movis about a aberrant alternation of wells that tab abode aback a filing aphotic moves Into a two‐room Paris accommodation fabricated abandoned by the attempted suicide of the antecedent tenant. Directed by and starring Roman Polies ski; with Isabelle Adlani, Shelley Wintars, Melvyn Douglas. “The best acknowledged and best consistently accurate Polanski blur In years,” which “displays the dear‐eyed anecdotal conduct of his aboriginal ‘Knife In the Water’ and ‘Repulsion.”’ (Canby) (R)

THAT'S ENTERTAINMENT, PART 2—Sequences fatigued from 72 M‐G‐M actualization and from the studio's abbreviate sublects, apery the M‐G‐M achievement from 1929 through 1962. Fred Astaire and Gene Kelly accommodate introductions. “99 7/10 percent magic...compiled with the affectionate of intelligence and amore that acquiesce us to get some acquirement on the Hollywood history fabricated by M‐G‐M after spending our accomplished lives at the lob.” (Canby) (G)

TUNNELVISION — “Very wan caricature that pretends to accord us a sampling of TV programming In 19E5. The prediction: It will be animalism like today's admitting not as piously, Innocently funny.” (Canby) Directed by Brad Swirnoff and Nell Israel. (R)

THE WILD GOOSE CHASE—A French brawl about the attack of a coffer official bent up In a banal theft. Directed by Claude Zldi; with Pierre Richard and Jane Birkin. “'The Wild Goose Chase’ lacks a absolutely banana eyes of actualization and II63. The aftereffect looks like a archive of agitated and accustomed situations.” (Van Gelder) (No rating)

Music

BOX OFFICES FOR MAJOR HALLS

ALICE TULLY HALL)

362‐1911

CARNEGIE NALL

247‐7459

Opera

BROGUE OPERA COMPANY — Shield's “Rosine” and Pergolesi's “The Music Master.” ETC Theater, 182 Fifth Ave. Today, 2.

LIGHT OPERA OF MANHATTAN—Today, 4: Romberg's “The Student Prince.” Wed.‐Sat., 8:30: Gilbert and Sullivan's “The Pirates of Penzance.” Eastside Playhouse, 334 E. 74th St..

MULTIMEDIA THEATER—John Gilbert's “Rotation,” with dance. NYU, Educ. Theater, 35 W. 4th St. Wed.‐Thur., 8.

Today

GUGGENHEIM MEMORIAL CONCERT—Goldman Band. Herbert, Williams, Bennett, Auber, others. Richard Franko Goldman and Alnslee Cox, conductors. Damrosch Park, Lincoln Center. At Free.

MOSTLY MOZART—Lill Kraus, piano. Mozart (Adagio In C minor, K. 396, Sonata in B flat, K. 281; Variations, K. 455; Sonata In A minor, K. 310), Beethoven (Sonata in C, Op. 53; Variations In E flat; Op. 35). Alice Tully Hall, Lincoln Center. At 8,

NAUMBURG ORCHESTRA—Saint‐Seen (B accessory concerto, Mozart (Symph. No. 41), Benlamin Franklin (Suite). Jacques Singer, conductor; Jaime Laredo, violin. Central Esplanade Mall, Fifth Ave. and 72d St. At 5. Free.

TRIO SONATA—Anton Kusk'n, flute; Donaid Bender, oboe; Gary Kessler, guitar. Ginger Man, 51 W. 64th St., at noon. Aunt Fish, 63d St. and Sway, at 2.

Monday

MOSTLY MOZART— Festival Orchestra, with John Nelson, conductor; Lill Kraus, piano. Mozart (Plano Arrangement in minor, K. 466; Plano Arrangement In G, K. 453), Beethoven (Symph. No. 1). Ake Tully Halt, Unie Center. At 8.

MUNICIPAL CONCERTS ORCHESTRA—. Mozart, Dvorak. Julius Grossman, conductor; Warren Lash, cello. Harry S. Truman H.S., Co‐Op City, Bronx. At 8. Free.

NEW YORK UNIVERSITY AND VILLAGE SINGERS—Summer sing. Verdi (Requiem), Clara Lonostreth, director. Loeb Student Center, Elsner and Lubin And., 566 La Guardia PI. At 7:30.

AVILDA VILLARINI—Plane. NYU, Edue. Theater, 35 W. 4th St. At L Free.

WEST VILLAGE CHORALE—Summer slog. Bernstein (Chicestr Psalms), Thompson (Last Words of David; Atletulia), Dello Jots (Jubilant Song). Jon DeRevere, director. St. Luke's Chapel, 487 Hudson St. At 7:30.

Tuesday

FESTIVAL ORCHESTRA—Arthur Bloom, conductor. Washington Aboveboard Park. At 8.

MOSTLY MOZART‐Alicia de Urroche, piano. Haydn (Andante and Varlations), Mozart (Sonata In F, K. 332; Sonata In C, K. 545; Sonata in D, K. 576). Alice Tully Hall, Lincoln Center. At 8.

MUNICIPAL CONCERTS ORCHESTRA—Schubert, Brahms, others. Julius Grossman, conductor; Irene Kessler, soprano. St. Stanlstaus Memorial Column No. 1771, Greenpoird, Bklyn. At 8.

NEW YORK CHORAL SOCIETY—Summer sing. Haydn (Mass In Time of War), Puccini (Massa de Gloria). Robert DeCormler, director. CAMI Hail, 165 W. 57th St. At 7:30.

NEW YORK PHILHARMONIC — Tchen. kovsky (Symph. No. 5), Schuman (New England Triptych), Rossini (William Acquaint Overture, with fireworks). Andre Kostelanetz, conductor. Sheep Meadow, Central Park.‐At 8:30. Free.

DONALD SUTHERLAND — Organ. With Phyllis Bryn‐Julson, soprano. Riverside Church, Riverside Dr. at 122d St. At 7.

STATEN ISLAND CHAMBER MUSIC PLAYERS — Stanley Hoffman, ‐violin; Robert Kogan, cello; Madelyn Lea, Plano. Ives, Piston, Persichetti, Kogan (premiere). S. I. Association College Lounge, Ocean Terrace. At 8:30. Free.

KATHRYN ZUBIN—Mezzo soprano. An American Battleground Festivals concert at Federal Hall National Memorial, Able-bodied and Ample 5h. At 5:30. Free.

Wednesday

GUGGENHEIM MEMORIAL CONCERTGoldman Band. Richard Franko Goldman and Alnsiee Con, conductors; Frank Scimonelll, soloist. Mendelssohn, Rodgers, Stravinsky, others.. Damrosch Park, Lincoln Center. At 8. Free.

KOHON STRING QUARTET—CONY WalkThrough, 33 W. 42d St. At 12:15. Free.

MOSTLY MOZART—Same as Mon.

MUNICIPAL CONCERTS ORCHESTRA—Same as Tues., but at Seaside Park, Seabreeze Ave. and Olean Pkwy, Bklyn, At8.

NEW YORK PHILHARMONIC—Same as Tues., but at Prospect Park, Bklyn. At 8:30. Free.

Thursday

GUGGENHEIM MEMORIAL CONCERT—Goldman Band. Richard Franko Goldman and Alnsiee Cox, conductors; Jerry Kuhl, soloist. Sibelius, Tchaikovsky, Lully, Brahms, others. Forest Park, Glendale, Queens. At 8. Free.

MOSTLY MOZART—Same as Tuas.

MUNICIPAL CONCERTS ORCHESTRA—Same as Tues., but at Starrett City, Belt Pkwy. and Pennsylvania Ave., Bklyn. At 8.

NEW YORK CHORAL SOCIETY—Verdi (Stabat Mater; Requiem) Joseph Flummerielt, director. CAMI Hall, 163 W. 57th St. At 7:30.

NEW YORK PHILHARMONIC—Same as Tues., but at Cunningham Park, Queens. At 8:30. Free.

ST. MARK'S SUMMER SINGS—Haydn (Lord Nelson Mass), Handel (Messiah, Parts I1 and I{ü. Philip Olsen, director. St. Mark's Er(sconal Church. 3350 !2d St., at 34th Ave. Jackson His., Queens. At 7:30.

Friday

GUGGENHEIM MEMORIAL CONCERT—Same as Thur., but at Damruch Park, Lincoln Center. At a.

MOSTLY MOZART—Same as Mon.

Saturday

EVENSONG RECITAL—Organ. Cathedral Church of St. John the Divine, Amsterdam Ave. and .112th St. At 3:30. Free.

GUGGENHEIM MEMORIAL CONCERT—Same as Thur...but at Seaside Park, Seabreeze Ave. and Ocean Pkwy., Bklyn. At a.

MOSTLY MOZART—Same as Mon.

Tristats

CARAMOOR FESTIVAL — Sat., 11:30: Roberta Peters, soprano. Handel, Debussy, Strauss, Rodrigo, Bach. Abutting Sun., 5:30: Rosalm Tureck, Plano. All‐Bach. Katonah, N.Y.

CHAUTAUQUA MUSIC FESTIVAL—Mon.: Robert Ward's “The Crucible.” Fri.: Mozart's “Coal Fan Tune.” Chautauqua, N.Y. At 1:30.

GARDEN STATE ARTS CENTER—Pittsburgh Symphony. Bartok, Mozart, Dvorak. Donald Johanos, conductor; Rudolf Firkusney, soloist. Telegraph Acropolis Park, Garden Accompaniment Parkway Exit 116, N.J. Wed., 1:30.

LAKE GEORGE OPERA FESTIVAL—Today, 7: Opera on the Lake Cruise. Mort. (mat.) Fri., 1:15: Verdi's “Falstaff.” Sat. (mat.): Mozart's “Cost Fan Tutte.” Glens Falls, N.Y.

LONG ‐ISLAND SYMPHONY — Dvorak, Tchalkovsky, Johann Strauss. Suffolk Canton Park, Yaphank, L.1. Sat., Free.

MASTERWORK MUSIC AND ART FOUNDATION—Summer sing. Purcell (Come Ye Sons of Art), Robed Starer (Ariel). Michael Mav, director. Canton College of Morris, Dover, H.J. Wed., 8.

MUSIC MOUNTAIN—Berkshire Quartet, with Florence Kirsh, piano. Mozart, Brahms, Piston. Falls Village, Conn. Sat., 3.

OPERA COMPANY OF NASSAU —Mascagni's “Cavalierly Rusticana” and Leoncavallo's “I Pagllacci.” C. W. Column College, Aud., Brookville, L.I. Sat., 8.

SUMMER OF MUSIC ON THE HUDSON FESTIVAL—Sofia Steffan, average soprano. Lyndhurst, Tarrytown, N.Y. Sat., 8:30. WATER GAP CONCERTS—Water Gap Chamber Ensemble. “Music from the Jefferson Library.” Delaware Water Gap National Recreational Area, abreast MIIIbrook, N.J. Sat., 7:30.

Nation

BERKSHIRE FESTIVAL—Boston Symphony. Fri.. 9: Beethoven (Overture to “Coriolan”; Symph. No. 1; Symph. No. 7). Colin Davis, conductor. Sat., 8:30: Beethoven (Mlssa Splemnis). Mr. Davis, conductor; Festival Chorus, John Oliver, director. Abutting Sun.: 2:30: Beethoven (Egmont Overture; Plano Arrangement No. 3; Symph. No. 5). Klaus Tennstedt, conductor; Malcolm F. plan. Tangiewood, Lenox, Mass.

MARLBORO MUSIC FESTIVAL—Fit‐Sat.: Chamber music. Abutting Sun.: Beethoven Choral Fantasy. Marlboro, Vt. At 8:30. MONADNOCK MUSIC FESTIVAL—Chamber music. Mon., 8: American Date Festival Theater, Milford, N.H. Wed., 8:30: Nelson Congregational Church, Nelson, N.H. Thur., 8:30: Jaffrey Center Meeting House, Jaffrey, N.H. Fri., 8:30: Marlow Boondocks Hall, Marlow, N.H. Sat., 8:30: Walpole Unitarian Church, Walpole, N.H.

NEW HAMPSHIRE MUSIC FESTIVAL — Stravinsky, Haydn, Tchalkovsky, Vaughan Williams. Thur., 8; Interlakes H.S., Route 25, Meredith, N.H. Sat., 8: Gifford Middle H.S., Route 11.A, Gilford, N.H.

TEMPLE UNIVERSITY MUSIC FESTIVAL —Tues.; Virgil Fox, organ. Thur.‐Sat.: Pittsburgh Symphony; with the Savoy Company. Gilbert and Sullivan. Abutting Sun.: Pittsburgh Symphony; Andrew Schenck, conductor) Carlos Montoya, guitar. Ambler, Pa. At 8:30.

Jazz

In Concert

HAMIET BLUIETT—A saxophonist, afresh with Charles Mingus, at the arch of a console of friends. Jazzmanla, 14 E. 23d St. Today, noon.

HARLEM FESTIVAL OF JAll—With Curtis Boyd, Joe Chambers, Lou Donaldson, Aloft Holly, Helen Humes, Jo Jones, Harold Mabern, Stella Mans, Roland Prince, Leon Thomas, Harold Vick, others. Harlem Cultural Center, 2349 Adam Clayton Powell Blvd. Tues.‐Sat.,7.

NEW YORK NEOPHONIC ORCHESTRABIg‐band applique In the Stan Kenton address led by Joel Kaye. Grace Plaza, Sixth Ave. and 43d St, Tues., 12:15.

In the Clubs

HAROLD ASHBY QUARTET—The onetime Duke Ellington tenor saxcphenist arch his own group. West End Cate, Sway at 114th St. Wed.

BALABAN AND CATS—A club alleged for the backward guitarist, with Red Balaban In allegation of both club and band, which Includes: Jim Andrews, Dick Rath, Jackie Williams, Herb Hall, Ed Potter. Red Richards, on piano, alternates with the band. Tues. guest: Ed Hubber, trombonist. Eddie Condon's, 144 W. 54th St. Men‐Sat,

MICKEY BASS—A bassist who has played with Freddie Hubbard, Art Blakey and Billy Eckstein, arch his own group, the Co.operation. Doctor Generosity, Additional Ave. and 73d St. Suns.

ART BLAKEY JR. AND HIS GENERATION—Son of the acclaimed bagman accomplishing some boot on his own. Barbara's, 78 W. 3d St. Mon., Thur.

RUBY BRAFF QUARTET The mellowtoned cornetist, arch his own quartet. Eddie Condon's, 144 W. 54th St. Today.

BILLY BUTTERFIELD—A gold trumpet from the exhausted years, with Buddy Tate, one‐time Count Basie saxophonist; Hank Jones on piano; Milt Hinton, bass; and Ronnie Cole, drums. Michael's Pub, 211 E. 55th St. Tues.‐Sat.

JAKI BYARD—A olanlst who encompasses every aspect of lau, from ragtime and Fats Wailer to the present, wit's Nabil Totah on bass. Willy's, 7 W. 8th St. Suns.

WARREN CHIASSON TRIO — Chiasson vibes, Check Wayne on guitar and Wilbur Little, bass. Guest actualization today by Joe Puma, guitar. Gregory's, 1149 Aboriginal Ave. Suns.

DUKE CLEAMONS—An accomplished bas1st arch a leash with Errol Clarke on piano and Thomas Harris on drums. Angry Squire, 216 Seventh Ave. Today, Fri.‐next Sun.

RIO CLEMENTE TRIO—Willy's, 7 W. 8111 5t. Wed.‐Sat.

ALBERT DAI LEY—After account with Stan Getz's Quartet and Woody Herman's Band, pianist Altert Dailey has acclimatized Into a abiding Sunday afternoon allure at Folk City, 130 W. Third St.

DARDANELLE—A pianist who has touches of Tatum and who sings with echoes of Lee Wiley—a adamantine aggregate to beat. Bar Nora, 167 E. 33d St. Tues.Sat.

FRANKIE DASH AND HIS ALL STARS—The All Stars Include Clarence Hutchenrider, the clarinet brilliant of the Casa Loma Orchestra; Gene Roland, already a Stan Kenton trumpeter and arranger; and Jimmy Wormworth, a bagman who has not been heard abundant In contempo years. Jilly's, 256 W. 52d St. Sun.‐Mon.

DOROTHY DONEGAN—Ten of the fastest and arch fingers In the West (or the East) alive (and sometimes overworking) Bach to boogie‐woogie. Jimmy Weston's, 131 E. 54th St. Tues.‐Sat.

ARMEN DONELIAN—Piano. Jim Smith's Village Corner, 143 Bleecker St. TuesWed.

ROY ELDRIDGE SEXTET—One of the abundant trumpeters, the affiliated articulation amid Louis Armstrong and Dizzy Gillespie. with a bandage that Includes Bobby Pratt. trombone; Joe Muranyt, clarinet. Jimmy Ryans, 154 W. 54th St. Tues.‐Sat.

GIL EVANS SEVENTEEN‐PIECE BAND—Big, bumptious, argument beast music created by one of the abreast big‐band Innovators. Village Vanguard, 178 Seventh Ave. So. Morn.

ART FARMER AND THE ROLAND HANNA TRIO—A attenuate trumpeter backed by a pianist, Roland Hanna, who is a amateur In his own right. Village Vanguard, 176 Seventh Ave. So. Tues.‐next Sun.

FLOATING JAM SESSION—The musicians change from night to night and actualization to style. Alarm In beforehand to acquisition out who Is lined up the night You plan to go. Maryville, Frank's Place, 41 E. 58th St. Mon.‐Sat.

CHUCK FOLDS—A pianist who starts in ragtime, moves to Harlem stride and afresh to exhausted and manages to accomplish all complete both Indigenous and contemporary. Cookery, 21 University PI. Sat.‐Sur, afternoons.

TINY GRIMES TRIO—A allegorical gutterIst from the 52d St. canicule of laze, aback he played in Art Tatum's trio. West End Cafe, Bway at 114th St. Mon.‐Tues.

BARRY HARRIS TRIO—A agilely afflicted pianist who stirs up some acutely accepted performances after alike ruffling his feathers. Bradley's 70 Univ. PI. Suns.

HELEN HUMES—The abundant rediscovery of 1975 aback In the adequate ambience breadth she fabricated her comeback; with Gerry Wiggins, piano, and Maier Holley, bass. Cookery, 21 Univ. PI. Mon.‐Sat.

JAZZ OPEN HOUSE—Jazzmania Society, 14 E. 23d St. Wed., FrI.‐Sat.

ELVIN JONES QUINTET—Village Vanguard, 178 Seventh Ave. So. Today.

MAX KAMINSKY SEXTET—A adept of the Dixieland wars still alarming authoritative, acceptable trumpet. With his Dixieland Applesauce Band, of course. Jimmy Ryans, 154 W. 54th St. Suns.

BROOKS KERR TRIO—Kerr, the Ellington scholar, on piano; with Sonny Greer, drums, Russell Procope, clarinet and saxophone, and Allcla Sherman, vocals, Gregory's, 1149 Aboriginal Ave. Today, Wed:Sat.

ANDY LAVERNE—Piano. With Jane Valentine, vocals. Jim Smith's Village Corner, 143 Bleecker St. Today, Thur.Sat.

BERNIE LEIGHTON QUARTET—Polished applesauce piano by a adept of abundant Benny Goodman groans. Jimmy Weston's, 131 E. 54th St. Sun.‐Mon.

BUDDY MORROW AND HIS ORCHESTRA —A big danon band, led by a trombonist who Is a adept of the exhausted bands. Rainbow Room, Rockefeller Center. Tues.‐Sat.

NEW ORLEANS FUNERAL AND RAGTIME BAND—One of the liveliest and best able acceptable tan bands in town, apperception on e New Orleans repertory aback Woody Allen happens to be arena with them, on a Chicago repertory aback he Isn't. Michael's Pub, 211 E. 55th St. Mon.

THE ORIGINAL TRADITIQNAL JAZZ BAND—Chelce musicians fatigued from several acceptable insolate bands. led by Stsn Levine, a drummer, and notable for Jacques Kerrlan, whose acute sax echoes Sidney Sechst. Patch's Inn, 314 E. 70th St. Wed.

BUCKY PIZZARELLI—One of the rontemnorary masters of the guitar. P.S. 77 Restaurant, 355 Amsterdam Ave. Mon., Thur.‐Sat.

SAMMY PRICE—The administrator of boogie‐woogie pianists brings his Kansas Burghal ability to the Village. Cookery, 21 Univ. Pl. Suns.

GENE ROLAND TRIO—A trumpeter and arranger who Aeve'nned in the Stan Kenton bandage with Morris Edwards, bass, and Jim Watkins, guitar. Also, Lynn Crane. vocals. Gregory's, 1149 Aboriginal Ave. Mon.‐Sat.

BOBBY ROSENGARDEN AND HIS ORCHESTRA—With Mavine Sullivan. Painbow Room, Rockefeller Center. Today.

RON ROUI.LIER ORCHESTRA—A big, accepted bandage Ind by an active arranger from England. Willy's, 7 W. an St. Tues.

JIMMY ROWLES—Bradley's, 70 University PI. Mon.‐Sat.

SONNY RII59O‐4 tremhonkkt with a continued account of big‐band credits, including Sauter Finegan Orchestra, loins the businessm n ‐ musicians at applesauce of N??. Shepheard's, Drake Hotel, 56th St. and Esplanade Ave. Fri.

LONNIE LISTON SMITH AND THE COSMIC ECHOS—Smith's piano assignment has a abreast eon credible but it congenital on 18-carat insolate sources. Village net‐. Bleecker St. and Thompson St. Today.

GRAHAM STEWART 8 HIS GAS HOUSE GANG—Lusty New Orleans‐flavored in: from trombonist Stewart, an essenre of amphitheater from bagman Freddie Moore and echoes of the Eddie Condon army from whomever abroad shows un. Fugue, 275 Aboriginal Ave., at 16th St. Thur.

SWING ‐ TO ‐ BOP QUINTET—With Ed Lewis, trumpet: Harold Cumberbatch, baritone sax; backed by Diane, drums and bass. West End Cafe, Bway al 114th St. Thur.‐Frt.

STANLEY TURRENTINE QUARTET—A able insolate saxophonist who has been auspiciously axis against soul‐pop. Village Gate, Bleecker at Thompson St. Mon.‐Sat.

TWO TENOR BOOGIE—With Paul Quiplchette. West End Cafe, Sway at 114th St. Sat.‐Sun. Arts and Leisure Guide CEDAR WALTON QUARTET—A aggregation led by a pianist with a wann, anxious approach. Club Anne, 142 E. 53d St. Sat

PATTI WICKS—A accompanist end pianist who elves all her assignment a affable leu flavor; alternating with Franklin Roosevelt Underwood, Fred Argent and Billy Cunningham. Backstage, 318 W. 46th St. Nightly.

JOE LEE WILSON—Root‐deep dejection singing done with a abreast flair. Ladles Fort, 2 Bandage St. Fri., Seas.

Folk/Pop/Rock

In Concert

COUNTRY GENTLEMEN — Bluegrass. Channel Gardens, Rockefeller Center. Wed., 4:30.

FLYING CLOUD—Folk music advanced Britain. Bells of Hell, 105 W. 13th St. Wed... 9:30.

SUSAN FOWLER, SUZY KAUFMAN and BILL NININGER—Folk music. Pit Coffeehouse, Church of St. Paul and St. Andrew, 263 W. 86th St. Sat., 7.

IMPACT EXPRESS—Rock music. Battery Park. Wed., 12:30. Free.

ROBERT “ONE‐MAN” JOHNSON—Country blues. Summergerden, Architecture of Avant-garde Art, 8 W. 54th St. Fri.‐Sat., 8. Free.

PRISCILLA MAGDAMO—Mezzosoprano. With Michael Dadap, guitar. Aboriginal American songs, Ives, Billings. others. Hall of Fame for Abundant Americans, Bronx Association College, Univ. Ave. and 181st St. Today, 2, Free.

SCHAEFER MUSIC FESTIVAL — Mon., 6:30: Marshall Tucker Bandage and Grinder Switch, hard‐boogeying Southern rockers. Wed., 6:30: Harry Chapin, the afflicted accompanist of “story songs.” Fri. 6: She Na Na, the agreeable arrant fake‐fifties theater‐rock ensemble. Sat., 6:30: John Sebastian, New York's own affable folk. rocker, whose aftermost anthology and distinct were hasty successes. Central Park, Woliman Skating Rink Theater, Fifth Ave. at 59th St.

SOUTH STREET SEAPORT—Tues.: XSeamen's Institute. Wed.: Bantu Night, with Sandy Davis, Jeff Davis, Paul Brown, others. Thur.: Skookill Express, bluegrass. Fri.: Anita Sheer and flamenco music and dance. Pier 15, Fulton St. end East River. At 7:30.

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In the Clubs

KAYE BALLARD—Grand Finale, 210 W. 70th St, Today.

BRICKTOP AND COMPANY—Cleo, 7 Lincoln Plaza. Tues.‐Sat.

SHELLY BROWN—Singer. Soerebala, 140 E. 71îh St. Wed.‐Sat.

CATCH 111—Shepheard's, Loews Drake Hotel, Esplanade Ave. at Seth St. Mon.‐Sat.

TOMMY FURTADO TRIO—Jimmy Weston's, 131 E. 54th St. Tues.‐Sat.

SKITCH HENDERSON The onetime aqueduct of the “Tonight Show” bandage caressing the piano with a abate ensemble. Michael's Pub, 211 E. 35th St. Tues.‐Sat.

CARMEN MCRAE—Songs with a hlp, camber by a accompanist who can additionally brawl a bit of piano aback she wants. Dangerfleld's, 1118 Aboriginal Ave. Mon.‐Sat.

TRACY NELSON AND THE CURTIS BROTHERS—Bottom Line, 15 W. 4th St. Thur.‐Sat.

JANE OLIVER—Singer. Ballroom, 458 W. Bway. Today.

MARTHA REEVES—And Hot Chocolate. Bottom Line, 15 W. 4th St. Mon.‐Wed.

BILL RUSSELL—Plano and singing that touches about aggregate including Sesame St., lau and bleary‐voiced association sings. Onde's, 945 Additional Ave. Tues.‐Sat.

MARTHA SCHLAMME AND ALVIN EPSTEIN—An evening. of Kurt able-bodied by one of today's outstanding Weill infer. meters, Miss Schla. ma. with abetment from the acclaimed actor, Albert Epstein. Reno Sweeney, 126 W. 1382 St. Tues:Sat.

MONIQUE VAN VOOREN—Sultry songs for summer nights by one of nightlite's constant sex symbols. Rainbow Grill, Rockefeller Center. Mon.‐Sat.

DOC AND MERLE WATSON—Bottom Line, 15 W. 5th St. Today.

JANE WHITE—Actress angry singer, with Sian Freeman at the piano. Alfredo's Settebello, Seventh Ave. and 10th St. Today, Tues.‐next Sun.

RONNIE WHYTE—Stylish piano arena and singing from a ample and Imaginative renertory. Bijou, 400 E. 57th St. Tues.‐Sat.

Tristate

HARRY CHAPIN—Westbury Music Fair, Brush Hollow Rd., Westbury, L.I. Mon., 7 and 10:30.

MITZI GAYNOR —Westbury Music Fair, Brush Hollow Rd., Westbury, L.I. Today, 7:30.

KINGFISH — Calderone Concert Hall, Hempstead, L.I. Today, 8.

PETER LEMONGELLO—Westbury Music Fair, Brush Hollow Rd., Westbury, L.I. Tues: Fri., 8:30; Sat., 7 and 10:30; abutting Sun., 3 and 7:30.

NO‐GAP GENERATION BAND—Artie Miller, who derives from Benny Goodman, on clarinet and Lester Adolescent on tenor saxophone, arch a accumulation whose adolescent hearts exhausted affectionately for the Exhausted Era. Blue Water Inn, Ocean Ave., Seabright, N.J. Wed.‐Sat.

SMITH STREET SOCIETY JAZZ BANDBinghamston's, 725 River Rd., Edgewater, N.J. Suns., 3.

BARRY WHITE AND LOVE UNLTD.Westchester Premier Theater, White Plains Rd., Tarrytown. N.Y. Thur: Fri., 8:30; Sat., 7 and 10:30; abutting Sun., 7:30.

Revues

LATIN FIRE '76—A caricature starring Manolo Torrents, Freddy Manion, Candide, July Del Rio, Marlene and Oscarine. Chateau Madrid, 48th St. and Les. Ave. Tues.‐Sit.

Art

(All galleries, unless contrarily noted, are bankrupt Sundays.)

Galleries Uptown

ELIE NADELMAN—Sculptures. Wilden stein, 19 E. 64th St. Through Sept. 3. Bankrupt Als.

Group Shows

(The afterward galleries are captivation Brous shows, including mostly affiliate artists.)

ACA, 25 E. 73d Si. Through Aug. 31. Bankrupt Mons, and Sate.

ACQUAVELLA, 18 E. 79th St. Opens Mon. Through Sept. 3. Bankrupt Sais.

FINDLAY, 17 E. 37th St. Through Aug. 31.

GIMPEL, 1040 Mad. Ave., at 79th St. Through Sept. 4. Bankrupt Mom.

GRAHAM, 1014 Mad. Ave., at 78th St. Through Aug. 30.

KRAUSHAAR, 1055 Mad. Ave., at nth St. Through Aug. 13. Bankrupt Sets.

LARCADA, 23 E. 67th St. Through Aug. 31. Tues.‐Frls., 11‐4.

PHOENIX, 939 Mad. Ave., et 74th St.—Rubbings taken from barrio and tombstones In the bristles boroughs of New York City. Through Aug. 27. Bankrupt sets, SELECTED ARTISTS, 655 Med. Ave., 60th St.

WEINTRAUB, 992 Mad. Ave., at 77th St. Through Aug. 30. Bankrupt Sets.

Galleries 57th St.

Group Shows

(The afterward galleries are captivation accumulation shows, Including mostly affiliate artists.)

ARRAS, 29 W. 57th St. Through Sept. 3. Bankrupt Mons. and Sah.

CRISPO, 41 E. 57th St. Through Aug. 1.

GENESIS, 41 E. 57th St. Through Sept. 11.

GETLER/PALL, SO W. 57th St, Through Sept. 3. Bankrupt Mons.

HAMMER, 51 E. 57th St. Through Aug. 1a. Bankrupt Sets.

HUMBOLDT, 37 W. 57th St. Through Frl. Bankrupt Mons‐ and Sets.

PACE, 32 E. 57th St. Through Sept. 24. Bankrupt Sets.

PORTNOY, 56 W. 57th St. Concepts‐ In clay. Through Sept. 11.

RENE, 6 W. 57th St. Through Aug. 9. Bankrupt Mom.

Galleries SoHo

JOHN CAGE‐Manuscript sketches. SolWay, 139 Bounce St. Through July 31. Bankrupt Mons.

NANCY GENN‐Paper works. Caldwell, 383 W. Bway. Through July 31. Bankrupt Mons. and Sets.

Group Shows

(The afterward galleries are captivation accumulation shows, including mostly affiliate artists.)

PACE, 32 E, 57th St. Through Sept. 24. Bankrupt Sato.

112 GREENE STREET GALLERY. Through July 31. Bankrupt Mons.

WESTBROADWAY, 431 W. Bway. Exchange actualization from Boston Visual Artists Union. Through Aug. 5. Bankrupt Mons

Other

BUTLER LIBRARY, Columbia U., 114th St. amid Bway and Amsterdam Aves, ‐“The Faces of Lincoln” credible ln prints, sketches and mementos. Through Sept. 30. Mons.‐Fris., 9.5

FEIDEN, 51 E. 10th St.‐Lithographs, drawings, oils and gouaches by Don Freeman, cniun.cler of the theater, Through Oct. 2.

NEW SCHOOL, 65 Fifth Ave., at 14th St., allowance 510‐“America Today,” the aboriginal murals accomplished by Thomas Hart Benton ln 1931. Through Sept. 30. Mons.‐Fris., 9.5.

NOHO, 542 LaGuardia PI. ‐ Associates show. Through Aug. 21. Tues.‐Suns., 2‐6.

WOMEN'S INTERART CENTER, 549 W. Std St. Through Sept. 3, Mens.‐Fris., 2‐8.

Museums

AFRICAN ‐ AMERICAN INSTITUTE, 833 United Nations Plaza, Aboriginal Ave. at 17th St‐“Abomey Appliques,” a affectation of cottonappll.ued bank hangings from Abome,, Benin Through Aug. 31. Mons.Fris., 9‐5; Sets., 11.5.

AMERICAN MUSEUM OF NATURAL HISTORY, Central Esplanade W. at 79th St.A new abiding Hall of Minerals and Gems. “Recycling America's Resources,” consisting of audio‐visuals, cartoon and three‐dimensional displays pointing up the bind of abbreviating food of minerals and forestry resources. Through Aug. 31. Mons.‐Sets., 10‐4:45; Suns, and holidays, 11‐5.

BRONX MUSEUM OF THE ARTS; 851 Grand Concourse‐Art in action by bristles artists. Through Aug, 13. Mons: Fris., 10‐4.

BROOKLYN MUSEUM, Eastern Parkway and Washington Ave,‐Gorellck accumulating of over 100 brand and butt seals from the Abreast East from the backward Ith mlllenlum B.C. to the end of the Sasanlan Dynasty In the 7th aeon A.D. Through Dec, 31. Aboriginal 19t11‐century Staffordshire articles busy with American themes. Through Dec. 31. Ceramics and watercolors by Klyonobu Kato, a Japanese pediatrician. Through Sept. 26. American watercolors and pastels from the backward 18th aeon to the mid‐20th, by Sargent, Prendergast, Rothko, O'Keeffe, others. Through Oct. 31. Weds.‐Sats., 10‐S; Suns., 12‐S; holidays, 1‐S. Bankrupt Mons, and Tues.

THE CLOISTERS, Fort Tryon Park‐The abiding collection. Tugs: Sass., 10 4:45, Suns., 12‐4:45.

FRICK COLLECTION, 1 E. 70th St.‐A abiding accumulating housed In the rest. dente of Henry Adobe Frick (1849‐1919). Weds: Sats., 10‐6; Suns., 1.6,

GUGGENHEIM MUSEUM, 1071 Fifth Ave. ‐"The Gugsenhel"t Architecture Collection: Paintings, 1880‐1945,” comprised of about 200 works dating from the era nt Column Impressionism to the abutting of Apple War II, Through Oct. 3, Twentyfive works by Jean Are, Including ample and baby sculptures and relicts In w‐od, bronze, marble and plaster. Through Aug. 22. Tues. 11.8: Weds: Suns., and holidays, 11.5., Bankrupt Mons.

HAYDEN PLANETARIUM. C.P.W. at Slut St.‐"Yankee Stargazers.” Showings, Mans: Fris., 1 and 3; Sets. and Sons., 1, 2, 3, 4. Leserium, Thurs.‐Suns., 7:30, 9, 10:30.

JEWISH MUSEUM, Fifth Ave. at 92d St.“Biblical Archeology.” a affectation antlaultles supplemented by maps, photo murals end an audio‐visual presentation. A attendant of the assignment of Ludwig Y. Welpert, artist of abreast august art. Through Aug. I, August ohlecfs In argent by Ludwig Wolpert. Through Aua, 8. Mons.‐Thurs., 12‐5, Suns., 113.

METROPOLITAN MUSEUM OF ART, Fifth Ave. at 12d St.‐Some 120 examples of American art from the 17th aeon to the aboriginal 20th, fatigued from the museum's collection. Through Dec. 31. Sixteen Chinese mural paintings (hanging scrolls, handsrrolls, anthology leaves), from the 11th aeon through the 18th. Closes today. Nine French terra‐cotta statuettet of the 18th century, Including a anew apparent “Bacchante” by Rodin. Through Nov. 30. “Studies In Conn??issnurship: Chinese Paintings from the Arthur M. Sa‐kler Collection.” Including 41 paintings from the 14th aeon to the 20th. Through Sept. 7. “American Ephemera.” a affectation of 250 oblecte (advertisements, greeting cards, cirrus and amphitheater post. ers, and the like), Through Aug. 8. night paintings by Goya, lent by The Prado Museum, in Madrid. Through Sat. Works by 19th.century Afro‐American artists, alignment from 1810 to 19oor also, examples of adorning arts crafted by disciplinarian In the abysmal South. Closes today. Seventeenth‐century Dutch, 18th aeon English and 19th‐century French assets from the Robert Legman collodion. Threiroh Oct. 3. “Summer Nounhies: The Timeless Landscape,” a actualization of 16 Chinese mural paintings (hanging scrolls, handscrolls, anthology leaves) from the 11th through the 18th centuries, Trmugh Sept. 7, Four paintings of thg lets rnthle end RensISSenen Periods by German painters, on accommodation from Munich for two yea's. Tues., ln. 8:41: Weds. Sats,. 10‐4:45; Suns., 114:45 Bankrupt Mons.

MUSEUM OF AMERICAN FOLK ART. 40 W, Sad St.‐“The Prow of the State,” a actualization of works on cardboard or fabricated from paper, ether by New York Accompaniment artists or P??ing activity in the state. Admitting Sept. 24. Daily, except Mons., 10:30‐5:30.

MUSEUM OF THE AMERICAN INDIAN. abroad at 155th St.‐A abiding West Indian display of 200 commonsensical and august ohlacls dating from 150 A.D. to 1500 A.D. Tugs‐Suns., 1‐5

MUSEUM OF THE CITY OF NEW YORK. Fifth Aye. et 104th St.‐"Revolution,” a affidavit including blush prolections, a complete arrangement and actual objects, afterward the aisle of the burghal during the American Revolution. Through Dec A aloft actualization of afflicted memorabilia (photos, programs, apparel sketches, amphitheater renderings), absorption on the Messrs. Lee, J. J. and Sam Shubert. Through Oct. 31. “Trick Tors from the Gold Collection, a actualization of 200 optical and automated playthings. Through Jan. 9. Tues: Sats., 10.5; Suns., 1.5.

MUSEUM OF CONTEMPORARY CRAFTS ‐CRAFTS, 29 W. 53d St.‐Selections from “Objects USA” Ninety pieces of ceramic, fiberglass, metal, copse and added ability materials. Through Sept. 19. Tues: Sats., 114; Suns., 1‐6.

MUSEUM OF MODERN ART. 11 W. 53d St.‐"Narrative Prints,” almost Iy 95 works by eight artists, including some of the best acclaimed examples of the genre. Through Aug. 8. A attendant of added than 80 paintings and a advanced alternative of assets by the avant-garde Surrealist Andre Massdn. Through Aug. 17. Slides assuming seven protects of the Mexican mural artist Lutz Barragan. Through Sept. 7. Four new alive prototypes of taxicabs produced by blaze American and two European car manufacturers, based on blueprint developed at the museum. Through Sept. 7. “Handmade Paper: Prints and Unitise Works,” by Dine, Motherwell, Oldenburg, others. Through Soot. 26. Twenty drawings. Including assignment no paper. by Gorky, Pollock, Rothko, David Smith, others. Through Sept. 12. Mons.‐Tues., Fris.‐Suns., 11‐6; Thurs., 114. Closed

NEW‐YORK HISTORICAL SOCIETY, 170 Central Allotment West, at 77 St. ‐ “The Sword of Rebellion Is Drawn: New York In the American Revolution.” a actualization annihilative the battlefields. forts, landmarks and Pardo of the “War of American ability in New York,” including photography mans and manuscripts. Baby oblects fabricated by Shakers in Watervliet and New Lebanon, N.Y A calibration archetypal of “Mount Pleasant,” the celebrated Beekman Heyse ki llt in 1763‐64 forth the East River. A new abiding exhibition of the society's accumulating of adorning arts. An display featuring the aboriginal press of the Declaration of Ability fabricated by John Dunlap, additional portraits of associates of the Continental Congress who drafted the Declaration. Political cartoons, newspapers, pamnhlets. attack buttons, posters, etc. that characterize New York candidates in presidential campalons of the 19th and 20th centuries. Tues.‐Fris., and Suns., 1‐5; Sats., 10‐5

NEW YORK PUBLIC LIBRARY, Fifth Ave. et.42d St.‐“independence: A Liter. pry Panorama, 1770.1950,” attenuate printed editions and menuseriots of Atneriran literature. Through Sept. 17. “PrintmakIng In America,” a alternative of works from the 1700's to the present. Through Seat. 30. Tues.‐Sate., 9‐9.

NEW YORK PUBLIC: IBRARY AT LINCOLN CENTER ‐Fifty‐five posters by such artists as Picasso, Bonnard end ?? Messina, Ruth St. Donis and Ted Shawn. Through Aug. 28. Mons.‐Fris., 10.6, and Mon. and Thu eves until 8; Sats., 12‐6.

VEERS MIISF??M. Flushing Meadow, Grana Park. Flushing‐Tho cow In art, saps In paintings. sculptures and decor. anvil arts alignment trim a 3000 B.C. Sumerian allowance to bulge Warhol's cow wallpaper. Through Sept. 12. Tues: Sats., 10.5; Suns., 1.5.

SO'ITH STREET SEAPORT MUSEUM. 16 Fulton St.‐“Fa‐nweil to Old England: Now York In Revolution,” e actualization of artifacts evocative of activity and barter in New York during the sprnnd bisected of the 18th century. Through March. “A Closer Leek at Trees,” activity case to the aboriginal 1800's. Through March; Daily, 12‐6.

TIRETAN ART CENTER, 330 I ??house Ave., ??; The ??ques Marchais collection. Tues., Thurs., Sets: Suns., 2‐5.

U S. CUSTOm HOUSE Bowling Green‐A battleground architecture in Beaus‐Arts actualization ?? absolute ??tures by ?? Chester French and mural by ?? Marsh. Through Sept. 19. Weds Suns, 11‐6.

WHITNEY MUSEUM, 945 Mad. Ava., at 57th St.‐?? years of American ?? ?? absolute works by about 65 ??ists and ?? into ?? Through Sept. 26. Tues., 11‐10; Weds.Sate.. 11‐6.; Suns., 1,4.

WHITNEY DOWNTOWN MUSEUM, SS Water St.‐Original assets for Tho architecture and architecture of the Brooklyn Bridge. Through Aug. 13. Mons: Fris.. 11‐3; Sats., 12‐3.

Tristate Region

ALDRICH MUSEUM, 258 Capital St., Ridgefield, Conn. ‐ “Contemporary Reflections,” assignment by some 70 artists who at the time of their alternative were not represented by a bartering gallery. Through Sept. 5. Sats.‐Suns., 2‐5.

HUDSON RIVER MUSEUM, 511 Warburton Ave., Yonkers‐“Theatrical Evolution. 1776‐1976,” a actualization of works from 106 collections, Illustrating phases of the American amphitheater from Its European runts to contemnorary Off Off Broadway. Through Sept. 5. Weds.‐Sat., 10‐5; Suns., 14; bankrupt Mons. and Tues.

KATONAH, 98 Bedford Rd., Kato'eh, N.Y. ‐“Abstract Expressionism end Later Movements,” Including Close, Stella, Warhol, Wesselman, others. Through Sept. 11. Tues.‐Thurs., and Suns., 2‐S; Fris: Sats., 10‐5.

NEUBERGER MUSEUM, College at Purchase, N.Y.‐William Scharf's “Continuum.” a alternation of paintings on Interchangeable scrolls. Through Sept. 5. “Constructivism Is Alive,” Including works by Mar, Jrwott and Niemeyer. Through Sept. S. Tues.‐Sats., 11‐5; Suns., 1‐5.

YALE UNIVERSITY ART GAL'.ERY. New Haven, Conn.‐American Presidential china. Through Sept. 5. Tues: Saits., 10.5; Suns., 2‐5.

Photography

RICH CHU‐"Chinatown: A View from Within,” SO black‐and‐whits photographs depicting the activity actualization of Chinese Americans today. Stieglitz, 34 W. 13th St. Opens Tues. Through Aug. 29. Tues., 7‐9 P.M.; Sats.‐Suns., 1‐6.

FRED FEHL‐Three‐hundred photographs taken from 1940‐1975 of the arts. New York Public Library at Lincoln Center. Through Sept. 1. Mon., Thur., 10‐9; Tues., Wed., Fri., 10‐6; Sat., 12.6,

GERTRUDE KASEBIER AND CLARENCE WHITE‐Photographs taken from 1898 to 1915 by two founding members, forth with Alfred Stelalltz, of Photo‐Secession movement. Hellos, 18 E. 67th St. Through Sept. 11. Tues. Fris., 10‐6.

JOHN THOMSON‐Historical black‐andwhite photographs of London artery activity In 1877. Stieglitz, 34 W. 13th St. Closes today. Tues., 7‐9 P.M.; Sats., Suns., 1‐6.

Group Shows

ASIA HfUSE, 112 E. 64th St.‐‐Over 100 aboriginal photographs of Victorian India, Including assignment by Bourne, Burke, Hoffman, Beato, Shepherd and Johnston. Through Aug. 29. Mons..Fris., 10.57 Sats., 11‐5; Suns., 1.5.

INTERNATIONAL CENTER OF PHOTOGRAPHY, 1130 Fifth Aye., at 94th St.“Remarkable American Women,” best photographs of activity aback to 1845 and Including Amelia Earhart, Lydia E. Pinkham, Lizzle Borden. Through Sept. 12, “Glimpses of America, 194S1975,” taken by Henri Cartier‐Bresson. Through Sept. 12. “Spectator Sports: Politics and Olympics,” a multi‐media Presentation of accomplished contests, campaigns and conventions. Through Soot. 12, the Munich Olympic Games. Through Sept. 12. “The Alaska Gold Rush,” actual photographs by Eric A. Hogg. Through Sept. 12. Tues.‐Suns., 11‐5.

JEWISH MUSEUM, 1109 Fifth Ave., at 92d St‐Over 300 black‐and‐white photographs exploring the history of Jewish activity in Poland afore Apple War II. Through Sept, S. Mons.‐Thurs., 12‐5; Sung., 11‐6.

MUSEUM OF MODERN ART, 11 W. 53d St.‐Forty photographs by Nick Nixon, Including aerial angle point pictures of Boston. Through Oct. 5. Photos by William Eggleston‐Nu museum's aboriginal actualization of blush prints‐with such subied matter. as trucks, cars, tricycles, burghal houses, black landscapes, and ancestors and friends. Closes today. Mons.Tues., Fris.‐Suns., 11‐6; Thurs., 11‐9.

NEW YORK HISTORICAL SOCIETY. 170 CPW, at 77th St.‐ Contemeorary photographers attending at New York es It appears In the Bicentennial decade. Tua: Fris., Suns., 1‐5; Sala., 10‐5.

SOHO PHOTO, 34 W. 13th St.‐Groux actualization of Weepers, Carter, Krebs, Mason, Alpert, Hopper, Sabeiman. Opens Tues. Through Aug. 29. Tues., 7‐9 P.M.: Sats: Suns., 1‐6.

SOUTH STREET SEAPORT MUSEUM, 16 Fulton St.—Eighty photographs apparent aboard the tour‐roasted barque Peking, advantaged “Peking and the Tail Shies. Steel Square‐Riggers 1885‐1957.” Dally. 11‐5.

THIRD EYE, 17 Seventh Ave. So.—“Influx, Allotment 11,” beginning photographs application a array of techniques. Through Aug. 28. Tues.‐Fris., 4‐8; Sats.‐Suns., 12‐6.

WITKIN, 41 E. 57th St.—Nineteenth‐century British photographers, including Emerson, Cameron, Adamson, Sutcliffe, Talbot. Also, 50 prints by Imogen Cunningham‐portraits artery scenes, nudes ‐covering 1901 to 1974. Opens Wed. Through Sept. 4. Tues.‐Sats., 11‐6.

For children

CHILDREN'S THEATER—Shows featuring stories, games, clowns, Jugglers, etc. Flushing Boondocks Hall, 107‐35 Northern Rivd., Queens. Today, 2; Sat., 11 and 1.

FILM—Today, 12: “My Man Godfrey.” Sat., 12: “Ali Baba Goes to Town.” Architecture of Avant-garde Art, 11 W. 53d St.

FILM ADVENTURES FOR CHILDREN“Inspector General.” Regency, Bway at 67th St. Thur., 10 A.M.

MAGIC SHOWS—Magicians and clowns. Abracadabra Towne House, 1026 Third Ave. Sets., 2:15. Anxiety required.

OFF CENTER THEATER‐“Frankenstein.” Central Park, 79th St. and Filth Ave., at bottom of Cedar Hill. Sun., 2 and 3:30. Free.

PENNY BRIDGE PLAYERS — A agreeable adjustment of “Snow White and Rose Red.” Brooklyn Music School, 126 St. Felix St. Mon., Wed.. Fri., 1:30; Tues., Thur., 10:30 and 1:30.

TAXI TALES—A agreeable banter exploring the problems of burghal activity as credible through the eyes of cabbies. Performed by Proposition Theater. Architecture of Modem Art, 11 W. 53d St. (956‐6100) Closes Mon.

13TH STREET THEATER—“Gingerbread,” a agreeable coh??dy. 50 W. 13th St. (9249785) Sats., Suns., 1 and 3.

Miscellany

BICENTENNIAL SALUTE TO AMERICAN FILM COMEDY—A absolute affairs presenting banana amount of the awning during the aftermost century. Architecture of Avant-garde Art, 11 W. 53d St. Through Jan. 4.

BUS TOURS—Brownstones, Tiffany windows. Bicentennial history of Brooklyn. Conducted by Louis Sinner, 130 St. Edwards St., Bklyn. Weds. and Sats.

CARNEGIE HALL CINEMA—Weds., a John Ford Tribute; Fris., a attendant of Charlie Chaplin films. 887 Seventh Ave.

THE HISTORY OF FILM—A alternation archetype the change of blur from aboriginal shorts by Edison through such masters as Griffith and Chaplin, absolute with works by Viscontl and Altman. Architecture of Avant-garde Art, 11 W. 33d St. Suns., 5.

MIME TROUPE—“Garden Array Mime.” South Artery Seaport, Fulton St. and Pier 15. Today, 12:30.

MOVIES IN THE PARKS—Free films by beginning and accustomed filmmakers, In 12 parks throughout the bristles boroughs. rims: Thurs., 9. (For Information, alarm 472‐1003)

POIRET EXHIBII—A alternative of apparel advised by Paul Polret (18791944). Actualization Institute of Technology, 227 W. 27th St. Through Sept. 11. Tues., 10.9; Weds.‐SaIs.; 101.

SCHOONER—Three‐hour cruises aboard the South Artery Seaport's “Pioneer.” Mons., Thurs., Fris., 12, 5:30; Sets., Suns., 10, 2, 7. (For reservations, alarm 766‐9076)

WALKING TOURS—Of Greenwich Village: Daily: for reservations, alarm 242‐1630. Of Manhattan: Suns., on a alternating schedule; for Information, alarm 586‐4763. Of SoHo: Sets., 2:30 (free); meets at Chargeless Amplitude Alternate U., 339 Lafayatte St., at Bleeder St.

Poetry Readings

MICHAEL O'BRIEN and STUART.MILLER —Chumiey's, Bedford and Barrow Sts. Sat., 2.

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JAMES REISS—Dodge Room, Earl Hall, Columbia U., Bway and 117th St. Tues., 3:30.

KRIS RISKER—English Pub, Seventh Ave. and 56th St. Today, 3:30.

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