Modern Castle Home Plans - Home Design 589 | Modern Castle House DesignModern Castle House Design
Boldly conceived by a arch shoe artist and his wife in 1908, the recently-restored Upmeads in Staffordshire has consistently elicited abundant comment, as Oliver Gerrish explains. Photographs by Justin Paget.
["388"]Upmeads stands in the suburbs of Stafford and has aggressive able feelings, both absolute and negative, aback it was congenital in 1908. It was created for a arresting couple, Frederick and Mabel Bostock, who were both associates of the Plymouth Brethren and aggregate a accepted ancestor, the Rev William Henry Dorman, who played a aloft role in the accumulation of this evangelical group.
The Bostock ancestors founded the acclaimed Lotus shoe aggregation of Stafford in 1759 and affiliated to boss the industrial, borough and cultural activity of the canton town. Frederick was absorbed in architectonics and his wife (née Dorman) had accomplished as an artisan at the Birmingham School of Art, the breastwork of the Arts-and-Crafts Movement. Mabel’s brother, John, was a abutting acquaintance of Frank Lloyd Wright.
The arced admission bow. Aloft the aperture is a arrangement like a portcullis and the date 1908. Carved in the stonework are the brand of the builders and a Spanish-inspired pattern
According to ancestors tradition, the new abode was an attack to audacious Shawms, a adjoining country abode that had been advised by H. T. Sandy for Frederick’s ancient brother. It was completed in 1905 and declared by Pevsner as ‘a abode in the Voysey appearance – aboriginal in essentials but not yet out of accord with the past’. To architecture Upmeads, the Bostocks turnedto the Arts-and-Crafts artist Edgar Wood, who was of Unitarian stock, a artist of the Northern Artworkers Guild and a acquaintance of Charles Rennie Mackintosh.
It is not absolutely bright how they chose him, but ancestors attitude states that he was recommended by Sandy afterwards his own proposals for a abode were alone as actuality comparatively bold. Whatever the case, in the continued run, Mabel came both to animosity the artist and the home he created for her.
A appearance appear the axial hall, with its ottoman
The name of the abode is apparently adopted from a medieval story, The Well at the World’s End, accounting in 1896 by William Morris, which refers to ‘the little hills of Upmeads’. This affiliation apparently explains the castle-like air of the building, which is planned on a aboveboard basement and has adventurous absorption evocative of Vanburgh. It’s additionally Wood’s best assured attack at a flat-roofed house, which began with 36, Mellalieu Street (1906) in Middleton, Manchester, and was afresh followed by Dalnyveed (1907) in Hertfordshire, a abode generally mistaken for Upmeads.
The accomplished is complete of 2in Staffordshire brick, adamantine burnt and of burst amethyst and grey-red tones, with dressings of Bath stone. Incidentally, the artery are not laid in a approved bandage with headers and stretchers, as you would apprehend in a architecture of quality. Rather, they are all placed with the continued ancillary of the brick adverse outwards laid as stretchers. The abode was congenital by Espley & Sons of Stafford.
The marble broiler and panelling of the arch bedroom
Upmeads is approached from a appropriate bend at the end of a beeline drive. The abode emerges aback on the larboard from amid two lodge-like barrio that aforetime accommodated a barn and services. Originally, these were both of a distinct storey, the barn block accepting been acute by addition storey anon afterwards achievement to board the chauffeur. The capital advanced is arty and restrained, with a axial doorway. This adventurous and beat façade was affiliated to the new assignment of Walter Gropius and Adolf Meyer for their automated clients. A cartoon of the admission advanced of Upmeads was apparent at the Royal Academy in 1908.
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A real modern day castle! 8931 sq ft, 6 garage stalls, 6 bedrooms ... | Modern Castle House DesignGouged out aloft it is a three-bay about-face bow, a affection that calls to apperception the assignment of Wood’s abreast Josef Hoffmann, in his assignment at the Palais Stoclet in Brussels. Surmounting the accomplished is a advanced tower, which is visually affiliated to the lower akin of the façade by a vertical bandage of bean that incorporates the advanced aperture and two windows.
One of the bedrooms preserves its aboriginal wallpaper, possibly to a architecture by Klimt
Over the aperture is a carved burden evocative of a portcullis with the date 1908 and, aloft this, is a angrily carved adorning console accumulation Frederick’s and Mabel’s initials. Wood had visited Spain in 1908, which may accept been an admission for his absorption in geometric patterns.
The almost baby advanced aperture gives assimilate a antechamber and a low groin-vaulted vestibule. In its present form, the autogenous has been redecorated by Base Architectonics & Design. The accent has been to actualize article affectionate to the aboriginal artful of the building. Cast-iron radiators and Bakelite ablaze switches accept been reinstated throughout the autogenous and the fabrics were abundantly sourced from the athenaeum of William Morris.
The abode from the garden. It is congenital of brick with bean detail. The abstruse artlessness evokes Elizabethan design
From the advanced door, the anteroom runs beeline through into the double-height axial anteroom and garden beyond. This balanced plan reflects the admission of Wood’s partner, J. Henry Sellers, who advocated Classicism, agreement and axial planning in the admirable manner.
To one ancillary of the admission anteroom was a cloakroom and, to the other, a aperture arch to the annual areas. These originally consisted of several rooms: the kitchen, butler’s pantry, pantry, scullery, lavatory, coals, ashes, ammunition and a balustrade for the tradesman’s entrance.
A appearance of the dining allowance with its congenital cupboards. The windows were reconfigured to acquiesce a appearance of the garden
In avant-garde times, these apartment accept been fabricated into one ample kitchen and, in its present form, has a Minimalist autogenous by Bulthaup of Cheshire advised in advised adverse with the blow of the house. There is a bifold apartment below the kitchen, with admission from a access in the annual yard.
The double-height axial anteroom is aboveboard and groin-vaulted in plaster. A minstrels’ arcade over the admission looks out beyond the anteroom and into the garden. Wood had advised amber panelling for the anteroom and he may accept planned a arrangement of adorning paintwork for the vault: neither was completed. The Bostocks chose to accouter it with old appliance and ancestors portraits.
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Best 25 Modern castle house ideas on Pinterest | Modern castle ... | Modern Castle House DesignDouble doors acquaint from it to the abutting dining and cartoon rooms, to the larboard and appropriate respectively, acceptance for the accomplished to accomplish as a accession space.
The dining allowance was not originally panelled – the wainscotting anon in abode was an aboriginal reconsideration of about 1920 – but bedeviled by an amazing broiler of Siena, Swedish blooming and Irish-moss marbles. It is lit by a ample filigree window, an amplification of the aboriginal reputedly accepted by Mrs Bostock in adjustment that she could adore angle of the garden while bistro her breakfast. In its present form, the window is complete about a congenital cafe that was apparently advised by Wood.
Mr Bostock requested that Wood actualize a ample cartoon allowance to cope with the demands of their amusing life, so he was affected to accommodate what he had originally planned as two spaces. The allowance has two arch axes, one from the axial anteroom aperture to a canted bay window in the ancillary bank of the house, and the additional from the alpine south advanced windows to the arresting broiler wall. This is biconcave in plan with channelled pilasters with characteristic capitals, congenital ceramics cupboards and a bolection-moulded chimneypiece.
Morris & Co was commissioned to accomplish a huge carpeting for the cartoon room, which was awash at Christies in 1985. The blow of the autogenous was additionally expensively busy with Morris & Co bespoke carpets and wallpaper.
The aboriginal attic of Upmeads is approached up a amount from the admission hall. This ascends to the balustrade level, off which there opened two servants’ bedrooms. From this, a baby flight of stairs rises to a cantankerous access that bisects the aboriginal attic and the balustrade overlooking the axial hall. The access has a bank basement and is lit to either end by a bottle dome, treatments evocative of the artist Sir John Soane.
All the arch bedrooms are attainable from this cantankerous passage. The adept bedchamber is over the cartoon allowance and has one bank conspicuously panelled in oak with a axial marble broiler and accompanying cupboards. Its adjoining bathrobe allowance has now been adapted into a bathroom.
["651.84"]The bedchamber at the arctic end of the west addition was for Frederick Anthony (Tony) Bostock, Frederick and Mabel’s actual accompanying son. This allowance has an animated anaglypta frieze and ceiling, which incorporates Elizabethan-style strapwork. Tony died age-old 20 in 1922. The Bostocks never absolutely recovered from the accident of both of their accouchement and this allowance was corrective atramentous until the end of their lives.
There is additionally a bedchamber covered in an abnormal cardboard evocative of designs by Klimt. Its accomplish and ancestry abide a mystery.
Within the belfry apartment was added adaptation for staff. The ample allowance in the belfry is now acclimated as an breezy sitting room, and a aperture opens assimilate the roof, which is currently acclimated as an addendum of the active space, abundant as Wood had intended. It afforded arresting angle appear Cannock Chase and Stafford Castle. In the 1950s, Mabel asserted in chat that she never acclimated the roof, but that ‘the accouchement did like to use it for roller skating’. Rainwater from it was calm in tanks for calm purposes.
Whereas the admission advanced is castle-like and defensive, the garden advanced to the south is of alone two storeys and has a added calm character. Its axial bay is afresh bound by a bandage of bean that accomplish aback aloft the door. The south advanced is perched aloft a bastion-like terrace and, below it, the garden is laid out in a arrangement of ‘rooms’.
The axial allotment of the garden is steeply embanked and was accepted as the Dutch Garden. It calls to apperception agnate ‘dry moats’ at Lutyens’s Deanery Garden (1899–1901).
At Mabel’s afterlife in 1957, the abode was affiliated (under the accident he paid bisected of what the abode had amount to body in the aboriginal place) by Christopher Lingwood, Mabel and Frederick’s nephew, who affiliated their niece, Margeth Cathcart. It was during the Lingwoods’ time that the majority of the area and area of Upmeads were awash off for development. Afterwards Lingwood’s afterlife in 1985, the abode was bought by Sir Philip and Lady Hunter, who preserved the celebrated bolt in an admirable fashion.
In an abode at a affair of the Old Stafford Society in 1954, John Betjeman proclaimed: ‘You bodies of Stafford – you are so advantageous to accept that admirable abode on the Newport Road.’ Advantageous indeed, and the present owners are, with amazing activity and absorption to detail, devoting themselves to bringing the abode into a new chapter, in as accomplished anatomy as it was back aboriginal congenital 110 years ago. Upmeads is as odd and artful today as ever.
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