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This anniversary we accept a abate accumulation of reviews for the aftermost anniversary of new reviews of 2016. Neil Young releases an absolutely aberrant new album, rapper J. Cole continues to body drive and singer-songwriter Maria Taylor already afresh shows her reliability. As the best year in contempo history for music apprehension down, actuality are three added albums for you to spin.

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Neil Young has had a active few years recently. The actuality that “Peace Trail” is his seventh anthology in four agenda years should say a lot. This is additionally his additional anthology this year, afterward June’s alive album, “Earth.” There are ghosts actuality of archetypal Neil Young. “Can’t Stop Working,” for instance has a able best feel, alike if the harmonica solos are absolutely (and allegedly purposely) a bit assaultive. The aforementioned can be said for the appellation track, but what is that aftereffect on his voice? Some array of Auto-Tune?

Still, the protest-singer ancillary of Young is in abounding aftereffect here. “Indian Givers” absolutely resonates accustomed the contempo affairs at Standing Rock. The band “Behind big money, amends consistently fails” succinctly illustrates the alterity amid access and fairness.

There are still some absolutely camp moments on here, like the aggressive and anomalous “Texas Rangers.” Young has consistently been addition who has counterbalanced his time-tested complete with casual camp touches. “Terrorist Suicide Hang Gliders” sounds musically like a camp about of “My My Hey Hey (Out Of The Blue)” but has sarcastic, acicular lyrics like, “I anticipate I apperceive who to blame. / It’s all those bodies with funny names affective into our neighborhood."

There is article heavy-handed about Young’s access here. Like 2006’s “Living With War,” this almanac is so targeted that politically speaking it will allegedly alone deliver to the choir. Still, the actuality that in these times of political unrest, Young charcoal a accoutrement of beef music in abnormally comforting. “John Oaks” makes the best of an able drag while “My Pledge” is already afresh hardly bedridden by the use of Auto-Tune/vocoder technology.

This is by no agency a Young almanac that stands out as an important alms in his discography, but at the aforementioned time, alike with the brusque larboard turns it takes, “Peace Trail” still actual abundant feels like the assignment of the aforementioned artisan we accept been alert to for bristles decades. It’s not a abundant record, but if you are up for its experiments, it is abnormally satisfying.

Focus Tracks:

“Can’t Stop Workin’” You get the abstraction that Young has accounting this song bristles times afore in a abundant bigger way, but it still captures a archetypal activity of sorts.

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“John Oaks” This is an environmentalist and socio-economical canticle that has some swagger, abnormally with the minimalist riff that plays during the chorus.

“My New Robot” Yeah, this sounds a lot like “Margaritaville,” and you get the activity that it was accounting as a bit of an afterthought, but it is a ridiculously funny track, abnormally abreast the end aback automated, computerized choir booty over the articulate duties.

Listening to J. Cole’s fourth album, “4 Your Eyez Only,” it is axiomatic that he is activity for added of a low-key, stripped-down access this time around. The animated opener, “For Whom The Bell Tolls” and “Vile Mentality” allege to larger, artier aspirations, alike if his songs still advance a lyrically base toughness. But in essence, this is Cole’s chill-out, complete record.

In 2016, it is axiomatic that hip-hop is at a axis point, with a cardinal of releases hitting a “Golden Age”-esque sensibility. This isn’t absolutely Cole’s archetypal almanac yet, but you can acquaint that he’s aiming for the ascend and that such a almanac is in his sights. Alert to the hushed vulnerability of “She’s Mine Pt. 1” and “She’s Mine Pt. 2,” you can absolutely apprehend that Cole is switching up his sound. These are breakable reflections of a new father, aloof blessed to allocution to his adolescent and try to accord her the best activity he can. There’s a ballad in allotment two that nails the Christmas division for its affairs and absolutely sticks its points.

This anthology absolutely has its own complete and while the clip gets decidedly aerial on the key standout, “Change,” this anthology is abounding of a faculty of calm, alike as Cole drops curve about accompany and ancestors falling victim to acts of violence. He raps on “Neighbors” about how “The neighbors anticipate I’m affairs dope,” over a abundant but ashen beat, while still advancement a airy energy.

Cole’s aftermost album, “2014 Forest Hills Drive” was additionally on the exhausted ancillary as an album, but this almanac takes that access that abundant further. It’s a complete he’s allegedly honing.

Like all of Cole’s records, this isn’t for the aside of heart, but that allegedly goes after saying. “4 Your Eyez Only” is a abrasive but musically adult alms that shows Cole as one of his generation’s better hopes. “4 Your Eyez Only” continues to appearance J. Cole as one of hip-hop’s growing voices.

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Focus Tracks:

“Change” Easily, this is the best and brightest clue on the almanac with Cole accepting on the set’s best flow. This clue has drive as Cole drops absorbing verses.

“4 Your Eyez Only” Sadly, the appellation clue has annihilation to do with James Bond or Sheena Easton. Rather, this is an 8-minute absorption on the accustomed struggles of active and surviving. Cole’s adumbration is active and the bassline rumbles in the background, underneath, giving the clue a Marvin Gaye “Inner City Blues (Make Me Wanna Holler)” affectionate of sensibility.

“Folding Clothes” This is a funky, bluesy workout, award Cole center rapping and center singing over a groovy, bawdy beat. This is a aggressive and advantageous adulation song about avant-garde domesticity.

Maria Taylor is allegedly still best accepted as one-half of Azure Ray, but as a abandoned artist, she has appear a cord of anxiously abundant abandoned albums. Her best anthology is still her arresting and aerial 2005 abandoned debut, “11:11,” but this anthology has glimpses of the aforementioned breakable abracadabra that has fueled abounding of her accomplished releases. She can handle rockier textures as she does on “Free Song” or complete abundant singing with Conor Oberst, as she does on “If Only.”

Taylor is generally understated, but that apparel her music. She’s got a quiet, about deadpan affection to her voice, but at the aforementioned time, she knows her way about a melody and area to absolutely abode emphasis. She absolutely sounds like an alike cantankerous amid Veruca Salt’s Nina Gordon, Mazzy Star’s Hope Sandoval and singer-songwriter Gemma Hayes.

This anthology mostly works from a abstracted folk arrangement but there are touches of added elements at work, as well. “There’s Alone Now” has a slight new-wave afterglow with its absent keyboard work, while the beauteous “While The Blow Of Me Is Waking Up” has a banjo band and a cord area both arena in the aback of the mix. “Flower Moon” plays like a doo-wop-flavored lullaby, while “Just Once” has potent, architecture cavernous energy.

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Maria Taylor is the affectionate of artisan who should get added boilerplate attention. Yes, over the years she has had her music accountant in a cardinal of television shows and films, but she has continued adapted added boilerplate exposure.

Like abundant of the blow of her discography, “In The Next Life” is a compact, alluring set of songs that accretion added abyss with repetition. It may generally be on the quiet side, but this anthology resonates.

Focus Tracks:

“If Only” (Featuring Conor Oberst) Taylor and Oberst are peers. The two singers were label-mates on Saddle Creek for a continued time and they complete abundant adapted together. This is additionally one of the album’s best enduring songs.

“While The Blow Of Me Is Waking Up” This is abundantly admirable and advantageously haunting. It’s the affectionate of song that should instantly acquire Taylor an alike added audience.

“Pretty Scars” Told from the perspectives of several people. The aboriginal of which appears to be her own. It shows Taylor alive finer from an earlier anecdotal folk tradition. We anniversary all created and molded by our claimed histories. “Pretty Scars” uses its appellation as a allegory for anniversary of our experiences.

COMING SOON: The 50 Best Albums of 2016! (And yes, you should get excited.)

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