Tyler, The Creator – Droppin' Seeds Lyrics | Genius Lyrics | droppin seeds lyrics[/caption]
droppin seeds lyrics
Here is a complete account of nominations for the 33rd anniversary Grammy Awards, appear beforehand this week. The awards will be presented at Radio City Music Hall on Feb. 20.
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Tyler, The Creator – Droppin' Seeds Lyrics | Genius Lyrics | droppin seeds lyrics[/caption]
1. RECORD OF THE YEAR: "Another Day in Paradise," Phil Collins; "From a Distance," Bette Midler; "Nothing Compares 2 U," Sinead O'Connor; "U Can't Touch This," M.C. Hammer; "Vision of Love," Mariah Carey.2. ALBUM OF THE YEAR: "Back on the Block," Quincy Jones; ". . . But Seriously," Phil Collins; "Mariah Carey," Mariah Carey; "Please Hammer Don't Hurt 'Em," M.C. Hammer; "Wilson Phillips," Wilson Phillips.
3. SONG OF THE YEAR: "Another Day in Paradise," Phil Collins; "From a Distance," Julie Gold; "Hold On," Chynna Phillips, Glen Ballard and Carnie Wilson; "Nothing Compares 2 U," Prince; "Vision of Love," Mariah Carey and Ben Margulies.
4. NEW ARTIST: The Black Crowes; Mariah Carey; The Kentucky Headhunters; Lisa Stansfield; Wilson Phillips.
5. POP VOCAL PERFORMANCE, FEMALE: "All Around the World," Lisa Stansfield; "From a Distance," Bette Midler; "I'm Your Baby Tonight," Whitney Houston; "Nothing Compares 2 U," Sinead O'Connor; "Vision of Love," Mariah Carey.
6. POP VOCAL PERFORMANCE, MALE: "Another Day in Paradise," Phil Collins; "Downtown Train," Rod Stewart; "Georgia on My Mind," Michael Bolton; "I Don't Have the Heart," James Ingram; "Oh Pretty Woman" (From "A Black & White Night Live"), Roy Orbison; "Storm Front," Billy Joel.
7. POP PERFORMANCE BY A DUO OR GROUP WITH VOCAL: "Across the River," Bruce Hornsby and The Range; "All I Wanna Do Is Make Love to You," Heart; "All My Life," Linda Ronstadt with Aaron Neville; "Hold On," Wilson Phillips; "Roam," B-52's; "Unchained Melody (1990 Re-recording)," Righteous Brothers.
8. POP INSTRUMENTAL PERFORMANCE: "Going Home," Kenny G; "Saturday Night and Sunday Morning," Phil Collins; "Setembro (Brazilian Wedding Song)," Quincy Jones; "Twin Peaks Theme," Angelo Badalamenti; "What's Goin' On," Stanley Jordan.
9. ROCK VOCAL PERFORMANCE, FEMALE: "The Angels," Melissa Etheridge; "Black Cat," Janet Jackson; "Black Velvet," Alannah Myles; "Steamy Windows," Tina Turner; "Whole Lotta Trouble," Stevie Nicks.
10. ROCK VOCAL PERFORMANCE, MALE: "Bad Love," Eric Clapton; "Blaze of Glory," Jon Bon Jovi; "Cradle of Love," Billy Idol; "Rockin' in the Free World," Neil Young; "You Can Leave Your Hat on," Joe Cocker.
11. ROCK PERFORMANCE BY A DUO OR GROUP WITH VOCAL: "Almost Hear You Sigh," Rolling Stones; "Blue Sky Mining," Midnight Oil; "Higher Ground," Red Hot Chili Peppers; "Janie's Got a Gun," Aerosmith; "Suicide Blonde," INXS.
12. ROCK INSTRUMENTAL PERFORMANCE: "Ah Via Musicom," Eric Johnson; "D-FW," The Vaughan Brothers; "Flying in a Blue Dream," Joe Satriani; "Passion and Warfare," Steve Vai; "True Gravity," The Allman Brothers Band.
13. HARD ROCK PERFORMANCE: "Epic," Faith No More; "Kickstart My Heart," Motley Crue; "The Razor's Edge," AC-DC; "Ritual De Lo Habitual," Jane's Addiction; "Time's Up," Living Colour.
14. METAL PERFORMANCE: "Lights . . . Camera . . . Revolution," Suicidal Tendencies; "Painkiller," Judas Priest; "Persistence of Time," Anthrax; "Rust in Peace," Megadeath; "Stone Cold Crazy," Metallica.
15. ALTERNATIVE MUSIC PERFORMANCE: "All Shook Down," The Replacements; "Goodbye Jumbo," World Party; "I Do Not Want What I Haven't Got," Sinead O'Connor; "The Sensual World," Kate Bush; "Strange Angels," Laurie Anderson.
16. R&B VOCAL PERFORMANCE, FEMALE: "Alright," Janet Jackson; "Compositions," Anita Baker; "Giving You the Benefit," Pebbles; "I Can't Complain," Patti LaBelle; "Make It Like It Was," Regina Belle.
17. R&B VOCAL PERFORMANCE, MALE: "Here and Now," Luther Vandross; "Johnny Gill," Johnny Gill; "Misunderstanding," Al B. Sure!; "Round and Round," Tevin Campbell; "Whip Appeal," Babyface.
18. R&B PERFORMANCE BY A DUO OR GROUP WITH VOCAL: "Born to Sing," En Vogue; "Can't Stop," After 7; "I'll Be Good to You," Ray Charles and Chaka Khan; "Papa Was a Rolling Stone," Was (Not Was); "The Secret Garden (Sweet Seduction Suite)," Al B. Sure!, James Ingram, El DeBarge and Barry White.
19. R&B INSTRUMENTAL PERFORMANCE: No nominations in this category.
20. RHYTHM & BLUES SONG: "Alright," Janet Jackson, James Harris III and Terry Lewis; "Here and Now," Terry Steele and David L. Elliott; "I'll Be Good to You," George Johnson, Louis Johnson and Sonora Sam; "My, My, My," L.A. Reid, Babyface and Daryl Simmons; "U Can't Touch This," James Miller and M.C. Hammer.
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Tyler, The Creator ft. Lil Wayne - Droppin' Seeds (Lyrics) - YouTube | droppin seeds lyrics[/caption]
21. BEST RAP SOLO PERFORMANCE: "All Hail the Queen," Queen Latifah; "I Got the Job Done," Big Daddy Kane; "Ice Ice Baby," Vanilla Ice; "Monie in the Middle," Monie Love; "U Can't Touch This," M.C. Hammer.
22. BEST RAP PERFORMANCE BY A DUO OR GROUP: "And in This Corner," DJ Jazzy Jeff and Fresh Prince; "Back on the Block" (track from Quincy Jones' "Back on the Block"), Ice-T, Melle Mel, Big Daddy Kane and Kool Moe Dee; "Fear of a Black Planet," Public Enemy; "The Humpty Dance," Digital Underground; "We're All in the Same Gang," The West Coast Rap All-Stars.
23. BEST NEW AGE PERFORMANCE (vocal or instrumental): "Balkan," Mysterious Voices of Bulgaria (Philippe Eidel and Arnaud Davis, producers); "Caravan of Dreams" (track from "Reference Point"), Acoustic Academy; "Earth: Voices of a Plant," Paul Winter; "Mark Isham," Mark Isham; "Taproot," Michael Hedges; "Yellowstone - The Music of Nature," Mannheim Steamroller.
24. BEST JAZZ FUSION PERFORMANCE (vocal or instrumental): "Apasionado," Stan Getz; "Birdland" (track from "Back on the Block"), Quincy Jones (various artists); "Fast Forward," Spyro Gyra; "Inside Out," Chick Corea Elektric Band; "Stolen Moments," Lee Ritenour.
25. BEST JAZZ VOCAL PERFORMANCE, FEMALE: "All That Jazz," Ella Fitzgerald; "Carmen Sings Monk," Carmen McRae; "Droppin' Things," Betty Carter; "I Got It Bad and Ain't That Good" (track from "Echos of Ellington Vol. 1"), Dianne Reeves; "The Peggy Lee Songbook - There'll Be Another Spring," Peggy Lee.
26. BEST JAZZ VOCAL PERFORMANCE, MALE: "Astoria: Portrait of the Artist," Tony Bennett; "Big Boss Band," George Benson; "Freddie Freeloader," Jon Hendricks; "Scrapple From the Apple" (track from "The Many Faces of Bird"), Bobby McFerrin; "We Are in Love," Harry Connick Jr.
27. There is no Class 27 this year - best applesauce articulate performance, group.
28. BEST JAZZ INSTRUMENTAL PERFORMANCE, SOLOIST: "Anniversary," Stan Getz; "Basie's Bag" (track from "Big Boss Band"), George Benson; "Crazy People Music," Branford Marsalis; "The Hot Spot," Miles Davis; "The Legendary Oscar Peterson Trio Live at The Blue Note," Oscar Peterson.
29. BEST JAZZ INSTRUMENTAL PERFORMANCE, GROUP: "Again Never" (track from "Mo' Better Blues"), The Branford Marsalis Quartet featuring Terence Blanchard; "Bluesiana Triangle," Art Blakey, Dr. John and David "Fathead" Newman; "The Legendary Oscar Peterson Trio Live at The Blue Note," Oscar Peterson Trio; "Max & Dizzy - Paris 1969," Max Roach and Dizzy Gillespie; "Standard Time Vol. 3, The Resolution of Romance," Wynton Marsalis.
30. BEST JAZZ INSTRUMENTAL PERFORMANCE, BIG BAND: "Airmail Special," Louie Bellson; "Basie's Bag" (track from "Big Boss Band"), The Count Basie Orchestra (on the George Benson anthology featuring The Count Basie Orchestra); "Cookin' in the Kitchen," Lionel Hampton and His Big Band; "The Definitive Thad Jones Volume 2 Live From the Village Vanguard," The Mel Lewis Applesauce Orchestra; "Treasure Chest," The Bob Florence Limited Edition.
31. BEST COUNTRY VOCAL PERFORMANCE, FEMALE: "Come Next Monday," K.T. Oslin; "I Fell in Love," Carlene Carter; "Quittin' Time," Mary-Chapin Carpenter; "Where You've Been," Kathy Mattea; "You Lie," Reba McEntire.
32. BEST COUNTRY VOCAL PERFORMANCE, MALE: "Friends in Low Places," Garth Brooks; "Hard Rock Bottom of Your Heart," Randy Travis; "I'd Be Better Off (In a Pine Box)," Doug Stone; "Turn It On, Turn It Up, Turn Me Loose," Dwight Yoakam; "When I Call Your Name," Vince Gill.
33. BEST COUNTRY PERFORMANCE BY A DUO OR GROUP WITH VOCAL (for organized duos or groups): "Fast Movin' Train," Restless Heart; "Ghost in This House," Shenandoah; "Jukebox in My Mind," Alabama; "Love Can Build a Bridge," The Judds; "Pickin' on Nashville," The Kentucky Headhunters.
34. BEST COUNTRY VOCAL COLLABORATION, for duos or groups of artists who do not commonly sing together: "A Few Ole Country Boys," Randy Travis & George Jones; "Highwayman 2," Waylon Jennings, Willie Nelson, Kris Kristofferson & Johnny Cash; "Poor Boy Blues," Chet Atkins & Mark Knopfler; "'Til a Tear Becomes a Rose," Keith Whitley & Lorrie Morgan; "Waiting on the Light to Change," Randy Travis & B.B. King.
35. BEST COUNTRY INSTRUMENTAL PERFORMANCE: "Dawg '90," David Grisman; "Pedernales Stroll," (track from "Keeping' Me Up Nights"), Asleep at the Wheel; "So Soft, Your Goodbye," (Track from "Version of the Truth"), Foster & Lloyd; "Wild Rose," (track from "Breaking New Bround"), Wild Rose.
36. BEST BLUEGRASS RECORDING, articulate or instrumental: "The Boys are Back in Town," The Nashville Bluegrass Band; "Darlin' Boys," The Dillards; "Grassroots to Bluegrass,," Mac Wiseman; "I've Got That Old Feeling," Alison Krauss; "Take It Home," Hot Rize.
37. BEST COUNTRY SONG: A songwriter's award: "Come Next Monday," K.T. Oslin; "The Dance," Garth Brooks; "Friends in Low Places," Garth Brooks; "When I Call Your Name," Vince Gill; "Where've You Been," Kathy Mattes.
38. BEST ROCK-CONTEMPORARY GOSPEL ALBUM, for solos, duos or groups: "Beyond Belief," Petra; "Crank It Up," Mylon & Broken Heart; "Find Me in These Fields," Phil Keaggy; "Phase II," Eddie DeGarmo; "The Secret of Time," Charlie Peacock.
39. BEST POP GOSPEL ALBUM, for solos, duos or groups: "Another Time . . . Another Place," Sandi Patti; "Go West Young Man," Michael W. Smith; "God Is Good," First Call; "More to This Life," Steven Curtis Chapman; "Warriors," Phil Driscoll.
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Tyler, the Creator - Droppin' Seeds (ft. Lil Wayne) | Lyrics ... | droppin seeds lyrics[/caption]
40. BEST SOUTHERN GOSPEL ALBUM, for solos, duos or groups: "The Great Exchange," Bruce Carroll; "He's Still in the Fire," The Speers; "Let the Redeemed Say So," The Nelsons; "The Reunion," The Happy Goodman Family; "Victory Road," J.D. Sumner & The Stamps.
41. BEST TRADITIONAL SOUL GOSPEL ALBUM, for solos, duos or groups: "Bringing It Back Home," The Clark Sisters; "I Remember Mama," Shirley Caesar; "Mom & Pop Winans," Mom & Pop Winans; "Ron Winans Presents Family & Friends Choir II," Ron Winans, Family & Friends Choir; "Tramaine Hawkins Lives," Tramaine Hawkins.
42. BEST CONTEMPORARY SOUL GOSPEL ALBUM, for solos, duos or groups: "Face to Face," Edwin Hawkins; "He's Right on Time-Live From Los Angeles," Daryl Coley; "Portrait," The Richard Smallwood Singers; "Return," The Winans; "So Much 2 Say," Take 6.
43. BEST GOSPEL ALBUM BY A CHOIR OR CHORUS: "Having Church," the Rev. James Cleveland & The Southern California Community Choir with the Rev. James Cleveland, choir director; "He's Worthy," Dr. Jonathan Greer and the Cathedral of Faith Choirs with Maurice Culpepper, choir director; "Hold On, Help Is On the Way," The Georgia Mass Choir with James Bignon, choir director; "Love Alive IV," Love Center Mass Choir with Walter Hawkins, choir director; "Open Our Eyes," the Rev. Milton Brunson & The Thompson Community Singers with the Rev. Milton Brunson, choir director.
44. BEST LATIN POP PERFORMANCE: "Autobiografia," Duncan Dhu; "Por Que Te Tengo Que Olvidar?" (Track from "Nina"), Jose Feliciano; "Quien Como Tu," Ana Gabriel; "Se Me Enamora El Alma" (track from "Se Me Enamora El Alma"), Isabel Pantoja; "20 Anos," Luis Miguel.
45. BEST TROPICAL LATIN PERFORMANCE: "Amiga" (track from "Los Principes de la Salsa"), Luis Enrique; "Color Americano," Willie Colon; "Lambada Timbales" (track from "Chile Con Soul"), Poncho Sanchez; "Tito Puente Presents Millie P.," Tito Puente & Millie P.
46. BEST MEXICAN-AMERICAN PERFORMANCE: "Amor Con Amor" (track from "No Te Olvidare"), Mazz; "Familia y Tradicion," Santiago Jimenez, Jr.; "Las Clasicas de Jose Alfredo Jiminez," Vincente Fernandez; "Nuestro Tiempo," Los Diablos; "Soy de San Luis" (track from "Texas Tornados"), Texas Tornados.
47. BEST TRADITIONAL BLUES RECORDING: "Coming to Town" (track from "The Hot Spot") John Lee Hooker, Earl Palmer, Tim Drummond, Miles Davis and Roy Rogers; "Live at San Quentin," B.B. King; "Standing My Ground," Clarence "Gatemouth" Brown; "T'Aint Nobody's Bizness If I Do" (track from the "Black and Blue" casting recording) Ruth Brown and Linda Hopkins.
48. BEST CONTEMPORARY BLUES RECORDING: "Family Style," The Vaughan Brothers; "Jump for Joy," Koko Taylor; "Midnight Stroll," The Robert Cray Band featuring The Memphis Horns; "Red Hot & Blue" (track from "Red, Hot & Blue") B.B. King and Lee Atwater; "Stickin' to My Guns," Etta James.
49. BEST TRADITIONAL FOLK RECORDING: "Brazil Forro - Music for Maids and Taxi Drivers," Toinho de Alegoas, Duda de Passira, Jose Orlando and Heleno Dos Oito Baixos; "Classic Tracks," Ladysmith Black Mambazo; "Let's Get Cajun," Basin Brothers; "Old Time Duets," The Whitstein Brothers; "On Praying Ground," Doc Watson; "Partisans of Vilna: Songs of World War II Jewish Resistance," Various.
50. BEST CONTEMPORARY FOLK RECORDING: "Days of Open Hand," Suzanne Vega; "Hammer and a Nail" (track from "Nomads-Indians-Saints") Indigo Girls; "Helpless Heart," Maura O'Connell; "Steady On," Shawn Colvin.
51. BEST REGGAE RECORDING: "An Hour Live," Toots & The Maytals; "Make Place for the Youth," Andrew Tosh; "Mek We Dweet," Burning Spear; "Now," Black Uhuru; "Time Will Tell - A Tribute to Bob Marley," Bunny Wailer.
52. BEST POLKA RECORDING: "Everybody Polka," Eddie Blazonczyk's Versatones; "Fiddle Faddle," Polka Family Band; "Grand Illusion," Toledo Polkamotion; "Sounds From the Heart," Jimmy Webber & The Sounds; "When It's Polka Time at Your House," Jimmy Sturr & His Orchestra.
53. BEST RECORDING FOR CHILDREN: "Doc Watson Sings Songs for Little Pickers," Doc Watson; "How the Leopard Got His Spots," Danny Glover, narration, Ladysmith Black Mambazo, music; "The Little Mermaid" (various artists and songs from the motion picture), Roy Dotrice, narrator; "The Little Mermaid - Original Motion Account Soundtrack" (songs and active score) Howard Ashman and Alan Menken, composers; "The Rock-a-Bye Collection - Volume Two," J. Aaron Brown and David R. Lehman, producers.
54. BEST COMEDY RECORDING: "The Best of Bob & Ray: Selections From a Career, Volume 4," Bob Elliott and Ray Goulding; "The Best of Comic Relief '90," assorted comedians; "Jonathan Winters into the . . . '90s," Jonathan Winters; "More News From Lake Wobegon," Garrison Keillor; "P.D.Q. Bach: Oedipus Tex & Other Choral Calamities," Professor Peter Schickele.
55. BEST SPOKEN OR NON-MUSICAL RECORDING: "`Diane . . . ' The Twin Peaks Tapes of Agent Cooper," Kyle MacLachlan; "Gracie: A Love Story," George Burns; "Jimmy Stewart and His Poems," Jimmy Stewart; "A Prairie Home Companion: The 4th Anniversary Farewell Performance," Garrison Keillor; "Profiles in Courage," John F. Kennedy Jr.
56. BEST MUSICAL CAST SHOW ALBUM (Award to anthology producers and to lyricists and composers of added than 50 percent of new score): "Anything Goes," John Frazer, anthology producer; "Black and Blue," Hugh Fordin, anthology producer; "City of Angels," Cy Coleman and Mike Bernicker, anthology producers, Cy Coleman, composer, David Zippel, lyrics; "Gypsy," John McClure, producer; "Les Miserables, the Complete Symphonic Recording," David Caddick, producer.
57. BEST INSTRUMENTAL COMPOSITION: "Change of Heart," clue from "Question and Answer," Pat Metheny; "The Chief," clue from "Reunion," Pat Metheny; "Going Home," clue from "Live," Kenny G and Walter Aranasieff; "One Last Pitch, clue from "Lofty's Roach Souffle," Harry Connick Jr. and Joe Livingston; "The Sinister Minister," clue from "Bela Fleck and The Flecktones," Bela Fleck.
58. BEST INSTRUMENTAL COMPOSITION WRITTEN FOR A MOTION PICTURE OR FOR TELEVISION: "Dick Tracy Original Score," Danny Elfman; "Driving Miss Daisy: End Titles," clue from "Driving Miss Daisy Original Soundtrack," Hans Zimmer; "Glory," James Horner; "The Little Mermaid: Original Motion Account Soundtrack" (instrumental account allocation of album), Alan Menken; "Soundtrack from `Twin Peaks,' " Angelo Badalamenti.
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Tyler, The Creator Droppin' Seeds Ft Lil Wayne (Lyrics) - YouTube | droppin seeds lyrics[/caption]
59. BEST SONG WRITTEN SPECIFICALLY FOR A MOTION PICTURE OR FOR TELEVISION: "Blaze of Glory," for "Young Guns II," Jon Bon Jovi; "Kiss the Girl," for "The Little Mermaid," Howard Ashman and Alan Menken; "More," for "Dick Tracy," Stephen Sondheim; "Sooner or Later," for "Dick Tracy," Stephen Sondheim; "Under the Sea," for "The Littlest Mermaid," Alan Menken and Howard Ashman.
60. BEST MUSIC VIDEO, SHORT FORM: "All I Want," Lightning Seeds, administrator Tarsem, ambassador Lexi Godfrey; "Another Day in Paradise," Phil Collins, administrator Jim Yukich, ambassador Paul Flattery; "Nothing Compares 2 U," Sinead O'Connor, administrator John Mayberry, ambassador Hugh Symmonds; "Oh Father," Madonna, administrator David Fincher, ambassador Tim Clawson; "Opposites Attract," Paula Abdul, admiral Michael Patterson and Candice Reckinger, ambassador Sharon Oreck.
61. BEST MUSIC VIDEO, LONG FORM: "Bernstein in Berlin Beethoven: Symphony No. 9," Leonard Bernstein, administrator Humphrey Burton; "Live: Featuring the Rock Opera `Tommy,' " The Who, administrator Larry Jordan, ambassador Michael Pillot; "Please Hammer Don't Hurt 'em, the Movie," M.C. Hammer, administrator Rupert Wainwright, ambassador John Oetjen; "The Singles Collection," Phil Collins, administrator Jim Yukich, ambassador Paul Flattery; "We Too Are One Too," Eurythmics, administrator Sophie Muller.
62. BEST ARRANGEMENT ON AN INSTRUMENTAL: "Birdland," clue from "Back on the Block," Quincy Jones, Ian Prince, Rod Temperton and Jerry Hey; "Born on the Fourth of July," John Williams; "Brush This," clue from "The Groove Shop," John Clayton; "Monster Movie Music Suite," clue from "Mancini in Surround: Mostly Monsters, Murders and Mys," Henry Mancini; "Tales of Daring, Chapters 1-4," clue from "Inside Out," Chick Corea.
63. BEST INSTRUMENTAL ARRANGEMENT ACCOMPANYING VOCAL "Body and Soul," Tony Bennett, arr. by Jorge Calandrelli; "Come Sunday," Donna McElroy, arr. by Mervyn Warren and Cedric Dent; "Fumilayo," Dianne Reeves, arr. by George Duke; "The Places You Find Love," Siedah Garrett and Chaka Khan, arr. by Jerry Hey, Glen Ballard, Clif Magness and Quincy Jones; "Recipe for Love," Harry Connick Jr., arr. by Mark Shaiman and Harry Connick Jr.
64. BEST ENGINEERED RECORDING (NON-CLASSICAL): "Back on the Block," Quincy Jones, eng. by Bruce Swedien; "Bedtime Stories," David Baerwald, eng. by Steve Chuchyard and Dan Marnien; "But Seriously," Phil Collins, eng. by Hugh Padgham; "Holdin' a Good Hand," Lee Greenwood, eng. by Scott Hendricks; "Love Is Gonna Getcha," Patti Austin, eng. by Don Murray.
65. PRODUCER OF THE YEAR: Glen Ballard; Phil Collins and Hugh Padgham; Mick Jones and Billy Joel; Quincy Jones; Arif Mardin.
66. BEST ALBUM PACKAGE: "Behind the Mask," Fleetwood Mac, art administrator Jeri Heiden; "Bossanova," Pixies, art administrator Vaughan Oliver; "Compositions," Anita Baker, art admiral Carol Bobolts, Anita Baker and Jim Ladwig; "Days of Open Hand," Suzanne Vega, art admiral Len Peltier, Jeffrey Gold and Suzanne Vega; "Songs for Drella," Lou Reed and John Cale, art administrator Tom Recchion.
67. BEST ALBUM NOTES: "The Complete Galaxy Recordings," Art Pepper, addendum by Gary Giddins; "The Chess Box," Bo Diddley, addendum by Robert Palmer; "Brownie," Clifford Brown, addendum by Dan Morgenstern; "The Jack Kerouac Collection," addendum by David Perry; "The Chess Box," Muddy Waters, addendum by Mary Katherine Aldin and Robert Palmer.
68. BEST HISTORICAL ALBUM: "Symphonies 1-9 and Leonore Overture No. 3," Beethoven, ambassador John Pfeiffer; "Brownie," Clifford Brown, ambassador Kiyoshi Koyama; "The Jack Kerouac Collection," ambassador James Austin; "The Complete Recordings, Robert Johnson," ambassador Lawrence Cohn; "Aida," "Falstaff," "Requiem," "Te Deum," "Va," "Penseiro," "Hymn of the Nations," Toscanini, ambassador John Pfeiffer.
69. BEST CLASSICAL ALBUM: Adams, "Fearful Symmetries," "The Wound Dresser," John Adams, cond., Sanford Sylvan, baritone; "Carreras, Domingo, Pavarotti in Concert," Jose Carreras, Placido Domingo, Luciano Pavarotti, tenors, Zubin Mehta, conductor, Christopher Raeburn, producer; Hanson, "Symphonies 3 and 6, Fantasy Variations on a Theme of Youth," Gerard Schwartz cond., Carol Rosenberger, piano, Adam Stern, producer; Ives, "Symphony No. 2, The Gong on the Hook and Ladder (Fireman's Parade on Main Street)," "Central Park in the Dark," "The Unanswered Question," Leonard Bernstein, cond., Hans Weber, producer; "The Last Recording," Vladimir Horowitz, piano, Thomas Frost, producer; Rachmaninoff, "Vespers," Robert Shaw, cond., Robert Woods, producer.
70. BEST ORCHESTRAL PERFORMANCE: Beethoven, "Symphonies No. 7 in A and No. 8 in F," Sir Georg Solti, Chicago Symphony; Hanson, "Symphonies No. 3 and No. 6," Gerard Schwarz, cond., Seattle Symphony; Ives, "Symphony No. 2, The Gong on the Hook and Ladder (Fireman's Parade on Main Street)," "Central Park in the Dark," "The Unanswered Question," Leonard Bernstein, cond., New York Philharmonic; Shostakovich, "Symphonies No. 1 and No. 7," Leonard Bernstein, cond., Chicago Symphony; Shostakovich, "Symphony No. 8," Leonard Slatkin, cond., St. Louis Symphony.
71. BEST OPERA RECORDING: Mussorgsky: "Boris Godounov," Mstislav Rostropovich cond. National Symphony Orchestra; solos: Raimondi, Vichnievskaia, Gedda, Ptishka, Riegel, Tesarowicz; Michel Garcin, producer. Prokofiev: "The Love for Three Oranges," Kent Nagano cond. Orchestra of Opera de Lyon & Chorus; solos: Bacquier, Viala, Gautier, Dubosc, Bastin; Arend Prohmann, producer. Verdi: "Attila," Ricarrdo Muti cond. Orchestra e Coro del Teatro alla Scala Milano; solos: Ramey, Studer, Shicoff, Zancaro. David Groves, producer. Wagner: "Das Rheingold," James Levine cond. Metropolitan Opera Orchestra; solos: Morris, Ludwig, Jerusalem, Wlaschiha, Moll, Zednik, Rootering. Cord Garben, producer. Weill: "The Threepenny Opera," John Mauceri cond. RIAS Berlin Sinfonietta Berlin; solos: Lemper, Kollo, Milva, Adori, Denesch. Michael Haas, producer.
72. BEST CHORAL PERFORMANCE (OTHER THAN OPERA): Bach: "St. Matthew Passion," John Eliot Gardiner cond. Monteverdi Choir, London Oratory Junior Choir & English Baroque soloists; Handel: "Susanna," Nicholas McGegan cond. U.S. Berkeley Chamber Chorus, Philip Brett, choral aqueduct & Philharmonia Baroque Orchestra; Rachmanioff: "Vespers," Robert Shaw cond. Robert Shaw Festival Singers; Vaughan Williams: Symphony No. 1 "Sea Symphony," Bernard Haitink cond. London Philharmonic Choir & Orchestra; Walton: "Belshazzar's Feast," Bernstein: "Chicester Psalms," "Missa Brevis," Robert Shaw cond. Atlanta Symphony Chorus & Orchestra.
73. BEST CLASSICAL PERFORMANCE - INSTRUMENTAL SOLOIST WITH ORCHESTRA: Hanson: "Fantasy Variations on a Theme of Youth," Carol Rosenberger, piano (Gerard Schwarz cond. New York Chamber Symphony); Lazarof: "Tableaux (After Kandinsky) for Piano & Orchestra, Garrick Ohisson, piano (Gerard Schwarz cond. Seattle Symphony). Shostakovich: "Violin Concerto No. 1 in A Minor," Glazunov: "Violin Concerto in A Minor Opus 82," Itzhak Perlman, violin (Zubin Mehta administering Israel Philharmonic); Stravinsky: Works for Piano and Orchestra, Paul Crossley, piano (Esa-Pekka Salonen administering London Symphonietta); Trumpet Concertos (Haydn, Hummel, Tartini, Torelli and Bellini), Rolf Smedvig, trumpet (Jahja Ling administering Scottish Chamber Orchestra).
74. BEST CLASSICAL PERFORMANCE - INSTRUMENTAL SOLOIST (Without Orchestra): Carter: "Night Fantasies," Adams, "Phrygian Gates," Ursula Oppens, piano; Debussy: 12 Piano Etudes, Nitsuko Uchida, piano; "The Last Recording" (Chopin, Haydn, Liszt, Wagner), Vladimir Horowitz, piano; Mozart: Piano Sonatas K. 283, 331, 332, 333, Alicia de Larroche, piano; Paganini: 24 Caprices for Solo Violin, Op. 1, Midori, violin.
75. BEST CHAMBER MUSIC OR OTHER SMALL ENSEMBLE PERFORMANCE - Articulate or Instrumental: Arensky: "Piano Trio No. 2 in D Minor," Tchaikovsky: "Piano Trio in A Minor," Mona Golabek, piano, Andrea Cardenes, violin, Jeffry Solow, cello; Bartok: "Contrasts," Stravinsky, "L'Histoire du Soldat-Suite," Ives: "Largo, Songs," Richard Stoitzman, clarinet, Richard Goode, piano, Lucy Chapman Stoitzman, violin; Brahams: The Three Violin Sonatas (Nos. 1, Op. 78; 2, Op. 100; 3, Op. 108), Itzhak Perlman, violin, Daniel Barenboim, piano; Crumb: "Black Angels," Tallis: "Spem in Alium," Marta: "Doom. A Sigh," Ives: "They Are There!," Shostakovich: "Quartet No. 8," Kronos Quartet; Haydn: "The Seven Last Words of Christ," Julliard String Quartet.
76. BEST CLASSICAL VOCAL PERFORMANCE: Adams: "The Wound-Dresser," Stanford Sylvan, baritone; Berlioz: "Les Nuits D'Ete, Op. 7," Mahler: Five Wunderhorn Songs and Five Ruckert Songs, Jan DeGaetani, mezzo-soprano; "Carreras, Domingo, Pavarotti in Concert," Jose Carreras, Placido Domingo, Luciano Pavarotti, tenors.
77. BEST CONTEMPORARY COMPOSITION: Adams: "The Wound-Dresser," John Adams, artisan (Sanford Sylvan, baritone; John Adams, conductor; Orchestra of St. Luke's); Bernstein: Arias and Barcarolles, Leonard Bernstein, artisan (William Sharp, baritone; Judy Kaye, mezzo-soprano; Michael Barrett and Steven Blier, pianos); Lazarof: "Tableaux (After Kandinsky) for Piano and Orchestra," Henri Lazarof, composer; (Garrick Ohlsson, piano; Gerard Schwarz, conductor; Seattle Symphony); Riley: "Salome Dances for Peace," Terry Riley, artisan (Kronos Quartet); Zwillich: Symphony No. 2. Ellen Taaffe Zwillich, artisan (Lawrence Leighton Smith, conductor; Louisville Symphony Orchestra).
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78. BEST ENGINEERED RECORDING, CLASSICAL: Crumb: "Black Angels," Tallis: "Spem in Alium," Marta: "Doom. A Sigh," Ives: "They Are There!," Shostakovich: Quartet No. 8, (Kronos Quartet), Judith Sherman, engineer; Mahler: "Symphony No. 8 in E Flat (Symphony of a Thousand)" (Lorin Maazel, cond. Vienna Philharmonic; Vienna State Opera Chorus; Vienna Bous Chorus; ORF Chorus and Arnold Schoenberg Choir), Bud Graham, engineer; Rachmaninoff: Vespers (Robert Shaw cond. Robert Shaw Festival Singers), Jack Renner, engineer; Shostakovich: Symphony Nos. 1, Op. 10 and 7 (Leningrad) Op. 60 (Leonard Bernstein cond. Chicago Symphony Orchestra), Karl-August Maegler, engineer; Shostakovich: Symphony No. 8, Op. 65 (Leonard Slatkin cond. St. Louis Symphony Orchestra), William Hoekstra, engineer.
79. CLASSICAL PRODUCER OF THE YEAR: Michael Fine, Judith Sherman, Adam Stern, Hans Weber, Max Wilcox.
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