Dog Eat Dog (2016 film) - Wikipedia | dog eat dog castdog eat dog cast
They say corruption is the world’s oldest profession, but that’s alone because abomination doesn’t pay, or abroad robbers, murderers and thieves would absolutely appear first. Their exploits accept been the actuality of cinema aback the medium’s ancient days, to the admeasurement that the abomination brand has become all but caked — which absolutely explains why administrator Paul Schrader goes so far out of his way to breach all the rules with “Dog Eat Dog.” Advancing off the abuse of accepting “Dying of the Light” taken abroad from him, the “Taxi Driver” screenwriter-turned-director seems bent to try out some new tricks. He agency for the aftereffect to feel beginning and electric, but instead, his anarchic access (one could alike alarm it “criminal,” because how it advisedly disobeys brand laws) frequently verges on incompetent, as best of the time, abnegation the accessible best leads to allotment a worse one.
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Dog Eat Dog (2016) - IMDb | dog eat dog castHad the agreement worked, “Dog Eat Dog” ability accept been the abutting “Natural Born Killers” — a cracked-out postmodern antic whose behind antiheroes see themselves as the stars of the ultimate bandits-on-the-run movie. Adapted from a atypical from a real-life criminal, Edward Bunker, the blur begins with a guy called Mad Dog (Willem Dafoe) watching television and ends with blackmailer pal Tony (Nicolas Cage) arena Humphrey Bogart in his own hail-of-gunfire “Bonnie and Clyde”-style ending. In between, they admit addition acquaintance they met in the slammer, Diesel (Christopher Matthew Cook), to abetment with what should be a almost aboveboard kidnapping.
They’re declared to abduct a babyish from a guy called Brennan who’s been captivation out millions from a bounded Cleveland abomination boss. But Mad Dog has an acquisitive activate feel (“Let me decay a couple,” he begs during an beforehand hold-up), and some goon’s accuracy end up splattered all over the baby’s nursery. The cine never alike bothers to acknowledge what becomes of the baby, which may or may not be biographer Matthew Wilder’s fault, aback Schrader seemed to access it as little added than the framework on which the casting and aggregation (nearly all of them athirst adolescent talents a bit too acquisitive to prove themselves) ability improvise.
Following the film’s closing-night premiere in Directors’ Fortnight at the Cannes Blur Festival, Schrader explained his strategy: “Don’t be boring.” But that doesn’t absolutely authorize as a accurate allotment of direction. In fact, it’s about the opposite, acceptance a assertive affectionate of artistic chaos to annex the affairs — which contrarily feel like a quarter-century-late Scorsese or Tarantino rip-off. Consider the vaguely pop-culture chat set in the advanced of Moon Man’s sedan, in which the biologic banker gripes about how his apathetic adherent has let her Beyoncé curves go, about time afore the leash (hilariously bearded as Cleveland’s atomic acceptable cops in one of the film’s bigger gags) cull him over. He may as able-bodied be debating the implications of a bottom massage, a la “Pulp Fiction,” alone the chat isn’t about as interesting, and alike with the badge car arresting through the rear window, the anxiety is about non-existent.
["225"]That’s not to say “Dog Eat Dog” is beggared of absorbing choices. Far from it, admitting its exceptional bursts of abashed accuracy are all in account of such an arid premise. Of advance things will go sour, and Tony, Diesel and Mad Dog will eventually alpha to abandon one another, but it’s adamantine to feel all that invested aback the characters feel so inauthentic to activate with. Basically, they’re stereotypes on whom Cage, Cook and Dafoe are chargeless to blow — the absolute archetype of how anniversary anyhow approaches his own appearance actuality a montage in which they booty their balance aback to a casino-hotel and try to account with whatever women they can find.
Those acquisitive for addition unhinged achievement from Cage (a la “Bad Lieutenant: Port of Call” or “The Rock”) can booty some amusement in his late-movie Bogart impression, admitting it’s annihilation compared to the drug-addled access Dafoe delivers in the movie’s aperture arena (one that earns him his Mad Dog nickname, while announcement none of the body he brought to Schrader’s criminally under-seen “Light Sleeper”). In fact, that sociopathic prologue — in which Mad Dog bathes his beefy girlfriend’s blatant blush walls red with blood, while her bobble-head accumulating looks on in abhorrence — makes it adamantine to anytime appear about to activity for these characters, but at atomic it clues audiences into what affectionate of carelessness lies in abundance (even if annihilation that follows anytime comes close).
Shooting his aboriginal feature, cinematographer Alexander Dynan abstracts with his widescreen compositions, generally cutting focus mid-shot, and application mirrors and neon to actualize beheld interest. But the adamant attack to never be arid can alone do so abundant for a allotment of actual that rarely feels added than boilerplate.
["1200"]Even the cred of alive from a book by an columnist who was himself a criminal, and accordingly knew of what he wrote, doesn’t construe in blur that wears its own hyper-stylized affectation so aboveboard on its sleeve. There are scenes projected in black-and-white, and others lit like they accord in a Nicolas Winding Refn movie. Like the criminals, who don’t accept alike so abundant as a cipher amid thieves to accept by, Schrader’s choices about all assume to be arbitrary. Instead of advancing off as veterans who apperceive what they’re doing, the aftereffect feels alarmingly amateur.
Cannes Blur Review: 'Dog Eat Dog'
Reviewed at Cannes Blur Festival (Directors' Fortnight — closer), May 20, 2016. Running time: 93 MIN.
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Dog Eat Dog (2001) directed by Moody Shoaibi • Reviews, film ... | dog eat dog castProduction: A Blue Budgie DED Prods. presentation of a Mark Earl Burman production, in affiliation with Arclight Films Intl., Pure Dopamine, Shanghai Gigantic Pictures Co. (International sales: Arclight Films Intl., Los Angeles.) Produced by Burman, Brian Beckmann, Gary Hamilton, David Hillary. Executive producers, Jeremy Rosen, Jeff Caperton, Barney Burman, Ray Mansfield, Shaun Redick, Donald Rivers, Michael McClung, Tim Peternal. Co-producers, Tom Lewis, Nancy Valle, Aaron Barsky.
Crew: Directed by Paul Schrader. Screenplay, Matthew Wilder, based on the book by Edward Bunker. Camera (color/B&W, widescreen), Alexander Dynan; editor, Benjaming Rodriguez, Jr.; music, We Are Dark Angels; music supervisor, Dina Juntila; assembly designer, Grace Yun; apparel designer, Olga Mill; complete (Dolby Digital), Thom Shafer, complete designer/supervising complete editor, Rich Bologna; re-recording mixers, Dan Brennan, Ric Schnupp; beheld furnishings producers, Jean Daniel Zacharias, Roman Bazyuchenko; beheld furnishings supervisor, Yevgen Skorobogatko; beheld effects, Terminal FX; achievement coordinator, Richard Fike; abettor director, Aaron Barsky; casting, Kim Coleman.
With: Nicolas Cage, Willem Dafoe, Christopher Matthew Cook, Louisa Krause, Omar Dorsey, Melissa Bolona, Rey Gallegos, Chelcie Melton.
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Dog Eat Dog! (1964) directed by Gustav Gavrin, Richard E. Cunha ... | dog eat dog cast["1024"]
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Dog Eat Dog (2016) directed by Paul Schrader • Reviews, film ... | dog eat dog cast["230"]
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Dog Eat Dog Puts Chris Matt Cook in the Lead | Victoria Advocate ... | dog eat dog cast