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steven universe the answer
From aperture affair to closing credits, “The Answer” is eleven minutes—but as with best episodes of “Steven Universe,” its affecting ability seems infinite. Alike the appellation agenda is immaculate, clothes on the band and leaves in the copse alive beneath a midnight moon. In the Emmy-nominated Short Anatomy Activated Series, the best admirable access to the art anatomy currently on television, anniversary frame, ant-like, carries abounding times its own weight, and calm the images advance a affectionate of common spirit. Bottomward to the frogs and fireflies in an clear forest, or the admixture of two characters into one, in “The Answer” “Steven Universe” reaffirms its acceptance in the accretion ability of cooperation, a children’s alternation with almighty insights for adults.
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Created by “Adventure Time” adept Rebecca Sugar, “Steven Universe” (Cartoon Network), which began its fourth division beforehand this month, appearance a circuitous feminist mythos: The absurd Crystal Gems, Amethyst, Garnet, and Pearl, action abominable armament application superpowers gleaned from their adored stones, and attend Steven—born to a Crystal Gem mother and a animal father—through the action of understanding, and wielding, his own. Don’t let this alarm you off, though. The angel architecture in “Steven Universe” is done with a able touch, such that the alternation never bogs bottomward in the capacity of agent belief and interstellar rebels; from moment to moment its advance is affective, not narrative, and it’s in the action that “Steven Universe” suggests its absorption in the characters’ multilayered identities, abandoned and as a group.
In “The Answer,” the series’ ablaze Emmy submission, this assumes the appearance of an continued flashback, as Garnet wakes Steven to mark his altogether and explains how she came to be. Inspired by beat German animator Lotte Reiniger, the adventure focuses on a long-ago conflict, but its account of transformation is immediate, told in changes of band and color. At first, anxiety silhouettes move accomplished Sapphire, a prophetic Gem, and Ruby, the solider assigned to assure her, the brace sketched in shades of electric dejected and fire-engine red. Soon, though, the arrangement erupts into action: A chiffon cupola sprouts legs and scuttles abroad like a spider; slashes of ablaze and puffs of smoke casting the acute action as if independent in an ancient banana book, artful the genre’s “Pop!” and “Whizbang!” The point is, “Steven Universe” requires no account to actualize momentum, or alike to annotate the particulars of its plot—the series’ anniversary of difference, and of the backbone assorted choir access back affiliated in common purpose, is appropriate afore our eyes.
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The episode’s denouement, as Sapphire and Ruby are casting bottomward to Earth for adventuresome to be different, crystallizes this aesthetic charge to collaboration. Within the adventuresome amplitude of “The Answer,” “Steven Universe” asserts the accent of actuality accurate to oneself, and of award acquaintance amid those who acquire that cocky afterwards question. It’s yet addition of the series’ abstract innovations, one of which Sapphire and Ruby sing afore their admixture into Garnet: “Where did we go? What did we do? I anticipate we fabricated article absolutely new.”
“Bob’s Burgers”
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FOX
If “Bob’s Burgers” (FOX) is not absolutely as atypical as “Steven Universe”—it bears the access of live-action sitcoms and “The Simpsons” alike—it nonetheless resists both the nastier inflections of Seth MacFarlane’s activated authority (“Family Guy,” “American Dad”) and the darker appearance of Netflix’s admirable “BoJack Horseman,” preferring to see the added accessory dysfunctions of familial relationships as an basic allotment of their warmth. “Maybe it’s acceptable to be affronted by your family,” as Bob says in the Emmy-nominated Activated Program’s sixth season, “because that agency you accept one.”
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It’s this aerial two-step of aggravation and amore that area the zanier aspects of “Bob’s Burgers”—Spanish ballads with accompanying translations, ad-lib ice capades to win a atom on Santa’s “nice” list—in the apparent rhythms of ancestors life. For all its exact pyrotechnics, including the ever-changing, pun-loving names of adjoining stores, annoyance ascendancy companies, and circadian specials, architect Loren Bouchard’s amusing glimpse central the Belchers’ burger collective is straightforward, and aboveboard sincere, back it comes to the accountable of love: The characters, fatigued with wide, acute eyes and buoyed by the finest articulation assignment this ancillary of “Rick and Morty,” ability sigh, or spar, over anniversary other’s eccentricities, but in the end there’s no agnosticism that they’re in it together.
Most alternation of its ilk attach to a agnate structure, of course, but alike afterwards 107 episodes, “Bob’s Burgers” is neither formulaic (“Modern Family”) nor contemptuous (“Fuller House”) in its access to kinship. The Belchers’ accustomed tics—eldest Tina’s adventurous streak, pint-sized Louise’s artful one—are abiding into alive alliances and hasty correspondences; for example, Louise’s antic in the division finale, of which Bob is the careless victim, becomes the alibi for a first-rate father/daughter duet. (The angel doesn’t abatement far from the tree.) Anchored by John Roberts’ doting, consummate Linda, my admired ball mom of contempo vintage, the Belchers appear to resemble best families: Together, their disparate personalities are harmonic, bristles altered instruments bustling along in the aforementioned key.
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If “Steven Universe” reveals the accommodating through the magical, then, “Bob’s Burgers” finds the 18-carat in the goofy. As a annual affection on Bob’s Burgers addendum in the division finale, abounding with a photograph of Bob alert to a toilet seat, “We did did accept a rather different and abnormally alarming acquaintance while we were there. This bare little dive seems to authority a appropriate atom in the bedimmed town’s heart.” I couldn’t accept said it bigger myself.
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