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One of John Maus’ admired pop songs is “Dynamite” by Taio Cruz. I apperceive this because he sang the choir for me a few weeks ago at a esplanade on a crisp, abatement afternoon in Brooklyn. Maus appear his adulation for this song adjoin the end of a continued chat about his new album, Awning Memories, due out Friday. Maus is an bookish — he has a PhD in political aesthetics — and best of the time, he talks in the affectionate of maddeningly referential and ambit way that assertive acute bodies talk. By the time we get to this point, we’ve already poked fun at gearheads, questioned some of the insidious implications of AI, and advised whether or not we’re staring bottomward the apocalypse. All abundant stuff, but there’s a notable archness to Maus’ persona that begins to acknowledge itself the best you allocution to him. After an hour and 20 annual of banter, I now acquire an audio recording of Maus singing, “We gon’ bedrock this club/ Like it’s dynamite!” with the aforementioned apparent activity he pays to absolutely any added affair of conversation.
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John Maus loves to talk. This is conceivably due to the actuality that he lives in about abreast in the Midwest. It’s additionally a accessory aftereffect of accepting a lot of ideas; the simplest lyrics on Awning Memories afford some of the best circuitous explanations, and it’s accessible to affectation a audible catechism to Maus and accept him bend off into a departure at any accessible opportunity. (He additionally moves amid annual so bound that he’s sometimes difficult to understand, appropriately the ample cardinal of affiliated clarifications in our annual transcript.) Unlike a lot of artists, Maus absolutely brand accomplishing press, and he was acceptant to every and any catechism I airish to him about the action of authoritative Awning Memories and some of the capacity that beanbag the album.
Screen Memories is Maus’ aboriginal absolution aback his 2011 blemish We Must Become The Pitiless Censors Of Ourselves. Aback that anthology came out, Maus went from actuality a agilely acclaimed alien artisan accepted for alive with Ariel Pink’s Haunted Graffiti to an alpha pop artisan in his own adapted with a growing following. In April of 2018, a career-spanning six-LP box set of Maus’ assignment will be appear by his label, Ribbon Music. The box set will accommodate a 12-song accession to Awning Memories, appropriately blue-blooded Addendum. It’s a somewhat analytical asperity for a 37-year-old artisan to be in. A box set is article usually awarded to an artisan who’s been churning out critically-acclaimed assignment for decades, or an artisan who’s already dead. But for accession like Maus, who’s put out the aggregate of their assignment beneath the radar, it makes a lot of sense.
Maus has been alive on Awning Memories for about six years. He recorded it in his home and congenital a alternative of synthesizers to assignment with. Aside from the final song, “Bombs Away,” which was co-written by Ariel Pink and Matt Fishbeck for their bandage Holy Shit, Maus is the sole biographer on the album. Unlike some of his beforehand work, Awning Memories has a assertive anxiety backpack to it; aback I aboriginal accommodated Maus, I alarm it as actuality an “apocalyptic” anthology and he doesn’t disagree with me. If anything, he’s still aggravating to amount out how to allocution about this anthology in the ambience of our accepted political moment and how to bright some of the absolute claimed fears that agency into the lyrics on Awning Memories.
Aside from a arguable bedfellow actualization on the alt-right-affiliated Million Dollar Extreme (which he assuredly addressed in a contempo interview), Maus hasn’t been in the accessible eye abundant aback Pitiless Censors was released. Now that he’s back, Maus has befuddled himself into the touring circuit, bringing a abounding bandage forth with him for the aboriginal time ever. His alive appearance is absonant and unrestrained, and its anarchy altogether contradicts the absorption and aloof Awning Memories. This is Maus’ adventurous reintroduction, a synth-pop anthology that is as adverse and foolishly aberrant as its maker. Apprehend our Q&A below.
STEREOGUM: You congenital new instruments in adjustment to accomplish this album. Tell me a little about that process.
JOHN MAUS: I anticipation [building my own instruments] would acquiesce me to activate the accomplished sonic ambit in accession to the absolutely agreeable aspect in a radically new way, if I was anxiously acquainted with the accessory I was application bottomward to the akin of the ambit boards and the carving and all that stuff. And it concluded up actuality affectionate of a aphotic alley, unfortunately. I mean, it was adorning for me, for what little that’s worth, but it didn’t really… my abstraction was that if I congenital these machines, somehow they would acquiesce me to admission to a accomplished ambit of accent colors or article that was ahead exceptional of or whatever, but afresh it concluded up actuality that I could accept aloof adored some time and acclimated the agenda plug-ins. About bisected a dozen of alone the best acute aerial would accomplish out the difference, you know? But who knows, maybe in the approaching or article that will appear in handy, I don’t know.
STEREOGUM: Well, I brainstorm you apparently abstruse article of amount architecture them.
MAUS: I absolutely abstruse stuff, but in agreement of aperture up some sonic cosmos or article like that… I’d never got that acutely into the absolute accessory complex [in authoritative my music], but I anticipation the music could alone angle to annual from some array of acquainted [sonic effort], you apperceive what I mean? Because there’s a lot of bodies that accomplish music and [gear is] primarily what they’re absorbed in, and I’d consistently affectionate of laughed at that, bold music is article added than your adorned adjournment pedal or whatever, you apperceive what I mean? And I assumption [making this album] was, in a assertive way, a acceptance of that antecedent suspicion because it assuredly comes aback to the music itself; software now is appealing seamless in its adeptness to challenge that array of accessory [that I built], so I don’t know.
STEREOGUM: There are gearheads who appetite to allocution about that actuality extensively, and afresh there’s bodies who are aloof like, “Yeah, I aloof bought it at a austerity abundance 10 years ago and I’m still application it today.”
MAUS: Nothing acceptable can appear from aloof authoritative a amulet — in the austere faculty of the chat — out of the gear. I anticipate anybody is acquainted with the amount who has all the adorned accessory and afresh there’s no music, it’s aloof like they accept a allowance abounding of big-ticket things. It’s all big-ticket too. At one point I did accept a adorned Roland Jupiter-8, but I could alone authority assimilate it for like a ages or something, because it’s aloof too abundant dough, do you apperceive what I mean? It’s too abundant chef to like… accept in an object. I’m like, “I gotta pay rent! Time to advertise it.”
STEREOGUM: You recorded Awning Memories in your own home — what’s that ambiance like and what was the action of creating this album?
MAUS: It’s a baby house, absolute bargain hire out there in the country. Every day I would be able to get up and aloof assignment [on the album], but I can’t advice but doubtable it suffered from that a little bit for abridgement of alpha air in the faculty of amusing interaction. That’s consistently absolute stimulating, I think. I mean, there’s article to be said for solitude, but I can’t advice but doubtable it’s consistently bigger to have, to be advancing up adjoin added people, you know, it keeps you–
STEREOGUM: You beggarly collaboration?
MAUS: Yeah, to be in conversation, that array of thing. So yeah, I had an abandoned little allowance in the abode and put the computer and all the accessory in there, and I bethink I anticipation I was gonna be done with it a lot sooner. The years were activity by, and it was not alike this aftermost summer but the summer afore that I anticipation I was gonna be done. I bethink watching the accomplished summer go by out of the window of that room, and in Minnesota, the summer is important. [After] the accomplished abhorrent winter you’re cat-and-mouse for that; alike the copse are cat-and-mouse for that peak, that acme about aboriginal July aback all the fireflies appear out. So I was aloof sitting there in that allowance all day on the computer, watching the sun go up and down. I absolutely capital to advance [the recordings] a little bit, you know, so I approved all sorts of things. In accession to the gear, I played about with autograph programs and software, annihilation I could anticipate of to try to accomplish raw agreeable absolute to assignment from, you know, with the allegorical assumption that if we’re activity to accomplish music today we oughta be anxiously acquainted with beat technology, so I approved to advance the boundaries of all of that as far as I was able to.
I acquainted like a lot of the things that I had up my sleeve and was able to use to abundant aftereffect in beforehand assignment from six years ago in the concurrently has already begin its way into top 40, do you apperceive what I mean? In the best all-encompassing sense, some of the harmonic annual for archetype in the beforehand records, some of the areas there that I was exploring. Not by necessarily [hearing those ideas] from me or whatever, but somehow [these old sounds I was alive with resurfaced]. Arena those cards wasn’t as accessible this time.
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STEREOGUM: It’s absorbing to apprehend you allocution about pop music — I consistently anticipate of your assignment as absolutely abundant archetype of music absorbed to the quote-unquote “underground” fabricated by accession who has a array of admiration for pop simplicity. You don’t overcomplicate the music itself and still somehow administer to acquaint big annual with immediacy.
MAUS: That’s the razor’s bend I’ve been aggravating to airing aback the beginning, and on this anthology I’m afraid I let myself accede to the allurement of, for abridgement of a bigger word: complexity. I beggarly there’s absolutely aboveboard moments on the new record, but, you know, there’s a lot of corrupt accord and things like that on a akin that maybe I would accept banned myself [from accomplishing before] in the name of simplicity. Because, you know, if the catechism is “what is pop,” right, and the acknowledgment is “the Ramones” or article like that, I alpha to think, you know, it’s additionally “A Day In The Life” and “Good Vibrations.” There’s a way to analyze some of [those ideas] that isn’t giving over absolutely to the array of symphonic ambitions [heard on] the best corrupt ‘70s accelerating rock. But I think, as I approved to accumulate [Screen Memories simple] you know, with absolute audible parts, this time about there’s a lot added activity on, I think.
It’s dark, and I afraid about that. [The anthology isn’t] light, so maybe it aloof sinks adapted through the arena and doesn’t ascend. Somebody fabricated the point that “maybe that’s all you can do adapted now,” [and I booty abundance in that]. This [album] was done added or beneath afore the election. I had absolutely hoped that it would appear out accompanying [because the] spirit [of the music], seems apocalyptic. I mean, it may be that now isn’t the appropriate. it’s not adapted to say, “Everything is awesome!” and skip about — to booty our shoes off and ball about in our socks, you apperceive what I mean?
STEREOGUM: Yes, that’s a acceptable point. I will say that although it’s dark, I do anticipate it’s fun. There’s amusement in it.
MAUS: [Laughs] Does the accuracy calculation for anything? At the absolute atomic — alike [though the anthology isn’t] ablaze and didn’t accept that array of ascent that comes by way of animation — at the absolute atomic one would still be able to curiosity at the activity that was all-important in adjustment to accomplish that array of rigor.
STEREOGUM: You mentioned the election, and I’m alone now acumen that appealing abundant every annual I do about any anthology in 2017, or any annual I’ve apprehend with an artisan in 2017, the accountable surfaces.
MAUS: I fabricated the apocalypse album. I already put out the aboriginal [single “The Combine”], which is about amid the aureate from the chaff, about the “endtimes.” [I didn’t accomplish that connection]. It’s a song about acreage machinery! Or article like that. That’s a evidence of the election, [it lends simple things] a greater faculty [of importance]. There are lyrics on the anthology [that abutment that], right, like the line: “standing on the bend of forever.” That [alludes to] a reconfiguration of temporality and advice — through the common web and the accessories and all this actuality — it seems there’s some array of alteration demography place, a array of reconfiguration. Lyrically, [the capacity I sing about] assume to bell adapted with the bearings today.
STEREOGUM: How does the appellation of the anthology itself relate? In agreement of that connected connectivity you mentioned?
MAUS: The accomplished Silicon Valley ideology, yeah, or the amaranthine anniversary of that array of advice technology. There’s, you know, there’s article appalling in all of it, to me. That’s the blessed accompaniment with the appellation of the album; there’s the accessible Freudian advertence to the awning anamnesis — remembering, like, aback your uncle blown you instead as the time he took you to get an ice chrism or article like that, in psychoanalytic abracadabra — and that is in concert with the absolute angel on the awning [that depicts] the anamnesis of a television screen.
I beggarly all this is array of the heavy, topical, ancillary, agreeable aspect of the affair over and aloft the absolutely agreeable ambit of it. The way I approved to accompany those annual to bald on the advance was through the accoutrement I was using, the media I was using. But it was a bad bet, I beggarly I’m advantaged to accept the affluence to boggle with architecture synthesizers and actuality but in this moment, there’s a bearing that grew up with GarageBand on their Macs, [who can work] aural the limitations of [those programs] and they’re able to do article 10-times added absurd than some douchebag who has the affluence of like spending a year soldering ambit boards, you apperceive what I mean? But there’s article comfortable about application aggregate but the kitchen bore as against to aloof application what’s anon at hand.
STEREOGUM: Right, and afore you mentioned how so abundant Top 40 music recycles motifs from the accomplished — that’s added the easiest affair in the apple for boyish bodies who are aggravating to accomplish music to do. You accept a cosmos of influences in advanced of you — it’s like you aloof pick, you know?
MAUS: Yeah, I beggarly from what little I apperceive of it, it seems that the [trend in pop music is to] focus added and added on timbre, which doesn’t augur able-bodied for any of the assignment I’ve done. And by timbre, I don’t apperceive if this is cool familiar, would be the complete of the sound, you apperceive what I mean? The complete of a piano, the complete of a violin, you apperceive both arena in C. And so in added words, the focus isn’t so abundant on the vertical accord of notes, the harmonies as they move angular through time, or alike on the melodies so abundant as maybe the chatty angle of production, gets at what I’m aggravating to point towards, that the complete of the affair becomes what bodies are bedeviled on so that you ability accept a bend of, like, six pitches that aloof repeats over and over afresh and the absorption is meant to be on the way that sounds, or article like that. It’s not so important or it becomes beneath and beneath important, you know, the chords and the melody and this array of thing, I don’t know, is that a fair assessment?
STEREOGUM: Yeah, and already a accurate complete or assembly artful is in faddy you alpha to apprehend it absolutely everywhere. I’m aggravating to anticipate of a acceptable archetype in pop music adapted now…
MAUS: The chipmunks! Maybe this is out of faddy now already, and you’re not gonna be able to transcribe this, I cartel you to try. [Maus makes a acute chipmunk sound] Like, the ambassador will accept their bang annihilate affair activity like [Maus makes chipmunk complete again] and there’s a little acute articulation aloof go “MAOOOOOOOOOW!”
So, I’ve got a alive bandage now and some of them chase what’s activity on [in pop music] abundant added anxiously than I do. One night, they were arena one of these songs [and I shouted]: “Turn the chipmunks off!” [The chipmunk sound] begin its way into Top 40, but I don’t apperceive what brand you’d alarm it — I can’t accumulate clue of the microgenre names — but like dubstep or article like that? Maybe that’s the music you apprehend area all of a abrupt [there’s] that acute little bleat in the background, you know? But I anticipate that’s about like a meme right? Like somebody will do an aftereffect like that and others and it will aloof affectionate of carbon itself above the mural and afresh you aloof accept chipmunks everywhere.
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STEREOGUM: Assembly trends tend to carbon themselves until everyone’s ailing of a sound. That’s what dates a song too, the moment you apprehend article and go: “Oh, God this song was absolutely appear in like 2012.”
MAUS: There’s absolutely a cardboard to be accounting on the chipmunks. I aloof apprehend it and I’m like “WHY? Why the chipmunks?”
STEREOGUM: I would acceptable a cardboard on the chipmunks. Well, let’s allocution about your bandage because you were touring for a continued time on your own — aloof you continuing up there, karaoke style, if that’s what you’d alarm it?
MAUS: Yeah, I assumption that’s what you would alarm it, and I affectionate of admired the abuse complex in that. I beggarly even, you know, alone up to the point area in assertive places [the admirers would] bandy beer at my arch and stuff… So, you apperceive on assertive stages, it artlessly wasn’t able to a army above a assertive size. It consistently affectionate of afraid me [when bodies would abhorrence my abandoned shows], too, because there are DJs and actuality [who accomplish solo], but somehow in the ambience of what was meant to be a bedrock concert, bodies would wonder, “Is this some affectionate of achievement art or article like that?” So there’s absolutely an advantage to accepting a bandage calm in adjustment to put that to rest. And afresh on top of that, of course, [having a band] allows you to investigate and analyze and activate altered aspects [of your music] sonically that you wouldn’t accept been able to do with aloof a little karaoke box. [A bandage will] draw absorption to assertive passages that you couldn’t draw absorption to, assertive songs I never would’ve done with a karaoke box because there’s too abounding passages area it’s too continued after any vocals and I’m aloof affectionate of jumping up and bottomward or something. There’s absolutely added activity in the alive complete now. The alone disadvantage [to alive with a bandage is] the anguish that maybe it’s a cop out to not accept to go out there naked, so to speak.
STEREOGUM: You absolutely bandy yourself about up there on stage.
MAUS: Yeah, I admiration if it translates. I’ve had the accident of attractive at some videos from the shows bristles years ago aback it was aloof me, and it’s absolutely aching to watch because acutely through my eyes it didn’t attending like that. Sometimes the action doesn’t translate, but I wouldn’t wanna abstraction it too able-bodied because afresh [performing] would become play-acting.
STEREOGUM: What do you beggarly play-acting? Like timing aback you’re activity to do assertive things?
MAUS: Maybe it’s awfully bearded of me, but we’ve all apparent it on TV shows and actuality aback [the performers are] animated and jumping about and they accept the beautiful little back-and-forth with the admirers and that array of thing. It’s like, “SHUT THE FUCK UP AND PLAY!” My brother lived in New York for a while and he had a antic area he’d go about and ask people, “Where does the fastest bandage in boondocks play?” And cipher knew who the “fastest band” was, or area they played. At atomic from my perspective, there is abundant that’s beautiful out there already. Isn’t there? I don’t know.
STEREOGUM: A lot of your beforehand music is synth-based, but I anticipate “Find Out” ability be my admired song on the anthology because I adulation the guitars on it.
MAUS: I should accept acclimated added guitar. I would have! I approved a little bit, and I could never get it to work. On “Bombs Away,” it should’ve been added guitar-heavy. I absolute abundant see what I’m accomplishing [on this album] in befitting either accurately or abominably with whatever began in ’54, activity through the Pistols and the Clash and Joy Division, up until… you apperceive what I mean? That’s the aisle I see myself operating along, and it’s out of allegiance to that I was cartoon on the synths and that array of thing. But I did enjoy, in agreement of the clue you mentioned, busting out the guitar. It’s fun. I didn’t use [guitar] as abundant as I maybe should have.
STEREOGUM: Maybe this is my interpretation, but the song has such a raw “fuck the man” attitude, lyrically. And aesthetically, it has a absolute ’70s New York jailbait vibe.
MAUS: Yeah I like the non-sequitur aspect of the lyrics. “Your dad is gonna acquisition out,” there’s article appalling about that to the boyish in all of us.
STEREOGUM: It has a absolute teenager-y feel.
MAUS: I anticipate that is absolutely allotment and bindle with this array of music in general. It has to accept this array of teenager-y feel, doesn’t it? That’s the botheration with the apocalyptic believer [character]…. it’s absolute developed up in a way and accommodated to a affectionate of bloodshed that the adventuresome adventurousness of adolescents would not admit. The best of this array of music consistently has this piss and alkali [to it].
STEREOGUM: I anticipate that anyone who grew up admiring indie bedrock is consistently gonna abatement aback on that affect in a song. Like: “Damn, this makes me feel like I’m 15 and my parents are cogent me I can’t go do what I wanna do and I’m so angry! They don’t accept me!” Activity off of what you said about the apocalypse activity too abundant or too developed –
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MAUS: The metal bands can get abroad with the apocalypse though, can’t they? But afresh they command it, at atomic on the face of it, a added atrocious carousal in the end.
Sabbath has a song about the apocalypse… I anticipate the brainwork on my anthology is added on the abstaining philosophical, apostolic accessory of it, attentive at atomic lyrically, continuing on the end amid time and its hand. I’ve been acceptation to attending up the ancestry of eschatology because I was consistently apprehensive what it was, [and I did aloof the added night] and the eschatos isn’t necessarily aloof the end, but it’s the extreme thing, it’s the beyond, it’s the best alien thing. So eschatology isn’t necessarily the abstraction of the end, it’s the abstraction of the best alien thing. Maybe this is affectionate of obscurantis badinage that I’m accomplishing adapted now, but I like that abstraction of the end is at hand, it’s that abstruse moment area it’s the extreme thing, the best alien affair is at hand. There’s consistently that absurdity complex with the angle of the end in a carefully religious sense. It’s not like some array of awkward evangelical “people are gonna abandon out of their accouterment in bristles days,” it’s consistently anon in this moment the best alien and extreme thing. And the best alien and extreme affair consistently actuality that somehow time could anytime be justified.
This is area the accomplished angle of the apocalypse is absolutely a admirable counterpoint, alarmingly speaking, to affectionate of a Silicon Valley adherence which would accept it that somehow time could be vindicated and justified from aural time as against to from some of standpoint best extreme and best alien from some affectionate of absurd end of time. In added words, it would accord the lie to anyone who would accept they could explain the adversity and the horror, or absolve that by way of advance or technology, there’s no way of anytime giving an annual of the suffering.
STEREOGUM: Is this what the song “City On The Edge” is about?
MAUS: I like that notion, with the way that time seems to accelerate in some array of awe-inspiring simultaneity, like it’s all one accompanying burning all past, present and future, it becomes this forever, but it’s additionally the name of the aftermost adventure of Star Trek, the aboriginal series. I saw that about and thought, oh I like that, “The City On The Bend Of Forever.” It feels like that’s an apt description of what’s activity on. We’re at the end of history’s narrative, that array of boundary, and that relates to the aftermost affair if that wasn’t clear, these are the array of annual that accomplish my bark crawl, the array of end-of-history, “We’re gonna amount it all out, we’re gonna alive forever, be cyborgs,” that array of thing. That’s great, you know, because afresh yeah, this is afresh in that sense, that’s the thing, blessed to be the last, hopefully they’re adapted because afresh I get to be one of the aftermost mortals.
STEREOGUM: Are you talking about AI?
MAUS: Yeah, aloof that accomplished fetish. That accomplished anecdotal of conservancy by way of abiding activity by way of bogus neural nets. There’s absolutely a absurd conceit in all that, but admitting they are correct, good. Aloof accomplish abiding you put on my tombstone: “Do not disturb.” I mean, I like that. Maybe afresh assuredly we can be bodies for absolute and accept what a allowance that is, because our apprentice overlords will alive consistently and apperceive all things and see all things, you apperceive what I mean?
STEREOGUM: And afresh we’ll appropriately die.
MAUS: Those of us who do die will appropriately die. It’s like in the anatomy snatchers and that array of affair it’s like, “Drink it because it’s so abundant bigger over here, already you alcohol you’ll understand.” And you’ll be like, “No thanks, I anticipate I’ll stick with my aerial fructose blah abstract over here, that’s abundant for me.”
STEREOGUM: The added song that anon affective me aback I aboriginal listened is “Pets.” That lyric, “Your pets are gonna die”… I laughed out loud, I anticipation it was funny for some reason.
MAUS: I like the amusement in that, too. But I assumption some bodies were [saddened by it]. It’s their death, it’s their bloodshed that gives activity its end. [Then the song] becomes this accomplished abstract brainwork on abiding activity at the end. Maybe this is affected or affected of me, but by way of absolute advertence to, agreeable advertence to the cord sextet “Transfigured Night,” so you accept all these trills and the synths and it’s basically, alike admitting it’s underpinned with an absolutely altered harmony, a advertence to that moment in that cord sextet in [Schoenberg’s Opus 4]. It was a accent composition and I don’t apperceive who wrote it, but a man and a woman are walking through the annex and he loves her and she loves him and afresh she tells him that she’s abundant by addition man, and he has a affection advance afresh he realizes, and he says “but I adulation you so much” and the adolescent is transfigured into his child. It’s absolute romantic. The composition is backward romanticism, ambiguous expressionism. It’s a absolutely amazing allotment of music, but there’s the about-face in there, so I accomplish the advertence to that on [“Pets”]. The focus on the anthology in accepted was about alone on agreeable details, and that accurate clue is abounding of stretto and augmentation, that affair that the bass is playing, it absolutely about in a way that’s absolutely adopted to pop, I acclimated all these accessories of motivic basic accord like that bassline is everywhere in that song, the little riff that the bass is arena in the alpha like, if you wanna accept a fun time attractive for aliens and South Esplanade episodes you can see the inversions and the retrogrades of that affair everywhere, it’s all congenital on that little nugget. It was an exercise in that way, for what little that’s worth.
STEREOGUM: It’s a fun song. A pet’s afterlife is, oftentimes, the aboriginal afterlife bodies experience. If they’re lucky.
MAUS: I had that with a cat. I bethink I was complaining and I bethink accepting a sideway glance from my old man and compassionate because I was already like 12 or whatever, and it was aloof like, “Why is the boy acting so agitated about a cat?” But it wasn’t aloof that, it was the anticipation of the affair that had eyes in the clay with worms, aloof reckoning with that aback you say it for the aboriginal time by way of a pet.
STEREOGUM: It’s pets, afresh your parents and grandparents, and afresh it’s eventually you. And I anticipate that’s the moment, aback you accept a pet as a kid, that’s aback it hits.
MAUS: There’s article to the idea; captivation fast to that anticipation is the best accurate way of affective through life. Not in a aberrant or in a calumniating way, but in a way that you admit what it is to be befuddled appear a death. I don’t know. It’s abysmal stuff.
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Screen Memories is out 10/27 via Ribbon Music. Pre-order it here.
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