Interior Design Course Berlin
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["582"]The Ogilvy Berlin ECD on acquirements to cipher age-old 10, accepting to grips with Snapchat for Coca-Cola and active his aboriginal bureau while at university
Tim Stübane began coding at the age of 10, authoritative asinine computer amateur with his friends. Age-old 14, his computer abilities took added of a austere about-face as Macintosh computers started to become added readily accessible for agencies and architecture firms – including that of his father. Tim accomplished his dad’s designers the way about a computer and got ashore into some of the company’s aboriginal computer-based projects.
He eventually went assimilate abstraction beheld advice at the University of the Arts in Berlin, area he headed up a student-run bureau alleged Daughters & Sons. They formed on absolute projects for absolute audience and it was Tim’s job to cull calm the best acceptable accepting from anniversary advance to assignment on baddest briefs. And it’s stood him in acceptable account for area he is today. After stints at top Germany agencies like Jung von Matt and Scholz & Friends, Tim went on to begin the Berlin appointment of Ogilvy & Mather in 2011. He’s still the ECD there today and abaft such assignment as aftermost year’s absurd ‘Mein Kampf Gegen Rechts’, a counter-book to the republishing in Germany of Adolf Hitler’s ‘Mein Kampf’.
LBB’s Addison Capper bent up with him to acquisition out more.
LBB> While belief in Berlin you headed up a student-run bureau - what can you acquaint us about that experience? What affectionate of projects did you assignment on and what did you apprentice during that time?
TS> That was a actual appropriate time at ‘Daughters & Sons’. It was a absolute ‘Ltd.’ company, but based at the University of the Arts in Berlin. That sums up the challenge; I had to accumulate the antithesis amid bread-and-butter and aesthetic demands. We got a nice studio, some desks, a brace of the big biscuit Macintoshes and a coffee machine. About ten accepting formed the amount team, accepting projects from the absolute market, which were absolutely diverse. We did aggregate from a archetypal ad attack to the autogenous architecture of a flagship store. For them we pulled calm the appropriate accepting from all belief courses: clear and automated designer, writer, coder, strategists, architects and dramaturgs. And I was aggravating to administer all this creatively while studying. To be honest, this bureau job was abundant added abounding than studying. It was absurd training for the future! And I fabricated some friendships there that still aftermost to this day.
["776"]LBB> You advised beheld advice at the University of the Arts in Berlin - how did you end up accomplishing that? Was announcement commodity that you were consistently agog to get into?
TS> I started coding at the age of 10 aloof for fun. With some accompany I programmed some asinine games. But back I was 14 the aboriginal Macs entered the bureau apple - and additionally my father’s baby architecture bureau. At that point, I accomplished the developed designers how to accord with a computer. I jumped on my aboriginal baby projects, guided by my dad. These adventures brought me to my studies. At university I initially focussed aloof on bookish projects for the cultural sector. But afresh I abutting this student-run agency. That afire the animalism for abundant advice account in a broader sense. So announcement acquainted like a abundant amphitheater for me. I still anticipate so, alike the amphitheater is abundant bigger now.
LBB> What was your adolescence like above-mentioned to that? Area did you abound up and what affectionate of kid were you?
TS> I grew up in a baby boondocks with a lot of attributes surrounding our house. I spent my time aggressive trees, architecture dams in a stream. It was a cosy and adequate childhood. As a boyhood I became an oarsman in a quadruple sculls. At a aiguille time we accomplished every day in the week. But to adverse that, I was additionally a abundant pen-and-paper role-player. With a brace of guys, we assuredly developed our own roleplaying arrangement and adventures for it. The art of storytelling in the aboriginal ‘90s!
LBB> You’re the architect of Ogilvy Berlin, and above-mentioned to that you formed at DDB Berlin, Jung von Matt and Scholz & Friends. What aggressive you to set up the office? Why was it the appropriate time to become the ‘boss’ and why was Ogilvy a acceptable fit?
TS> After all these complete offices I could accept entered addition big shop. But I capital commodity special, commodity added entrepreneurial. My above artistic accomplice and I talked with a lot of agencies in this phase. Ogilvy was one of them. We admired the ancestry of the brand, the bashful but absorbing artistic achievement and the agenda-setting access of their acute leaders. It was aberrant that absolutely this abundant bureau arrangement had a bare atom in Berlin. So Ogilvy won the chase in the end. In the alpha it didn't feel like actuality a boss. It was absolutely the opposite. We started the appointment in 2011 with aloof bristles people. Everyone had to booty affliction of aggregate themselves: lightbulbs, coffee and, yes, communications for new clients.
LBB> A lot of your contempo assignment has been abiding in amusing media and boyhood ability - I’m cerebration of the Snapskate assignment for Coke and the ascent gifs. Are these areas that your amorous about?
["533.5"]TS> I like amusing media, yes. It's a nice amphitheater for creatively adorning your communications. And if acclimated appropriately it can disentangle its ability as a holistic business tool. Best adolescence use amusing media added artlessly than earlier ancestors and they are consistently agog on exploring new territories. That makes this ambition accumulation so interesting. I'm alive for a lot of brands that accept a boyhood focus, abnormally Coca-Cola and Fanta. So it's additionally allotment of my job to actualize agreeable things for them. The added you accept adolescence and their culture, the bigger the solutions you can appear up with for them.
LBB> Snapchat is an absorbing one - so abundant of the world’s adolescence spends so abundant time on the app these days, but it seems as admitting brands are disturbing to amount out how best to use it. What are your thoughts on that? What could agencies be accomplishing to bigger adviser their audience through that journey?
TS> I allotment your assessment. For me the acumen is: Snapchat was aboriginal of all congenital about the needs of teens. Honestly, it took me a while to not acquisition this belvedere cool annoying in agreement of user experience. But for adolescence it's alive out perfectly. This belvedere wasn't congenital for parents. And it wasn't congenital for brands. It is boyhood territory. That's what they like about it.
So, it's absolutely difficult for brands to tap into the accepting of the app, because you are an invader. You accept to acquisition a way to fly in beneath the alarm or in barter of accepting you accept to action commodity special: fun, excitement, news, shareable content, etc. An okay-ish way is to use the actuality of influencers and their channels in adjustment to accretion credibility. For Coke we begin addition added artistic way and developed SnapSkate – an absolute bold application absolute appearance of the app after spending a distinct cent on media.
LBB> Which added pieces of contempo assignment are you decidedly appreciative of and why?
TS> As a amount of a bigger PR attack we fabricated a blur for The Coca-Cola Aggregation about the actuality that their bottles and cans are 100% recyclable. We didn't alone appetite to accomplish a claim, we capital to prove this fact. Therefore we created a blur absolutely crafted out of PET bottles and cans. A adulation story, in which a Coke and a Fanta canteen accommodated over and over afresh – acknowledgment to recycling. It was a arduous activity in agreement of timing, crafting and, above this, ambidextrous with a austere civic topic. But we formed calm with a applicant who stood 100% abaft the idea, who fought for it, and a brace of absurd artists to accompany the accomplished affair to life.
There was no ‘normals’ way of accomplishing such a analytical thing. Creating a blur set, characters and backdrop out of bottles and cans was an experiment, commodity none of us had anytime done before. But that makes a activity agitative and bears the adventitious of a abundant result, doesn't it? Here's the authoritative of: https://www.youtube.com/watch?v=tT81G9px3w8
["773.09"]LBB> What do you acquisition best inspiring? Do you acquisition yourself axis in a accurate administration for inspiration?
TS> Afflatus can appear from aggregate surrounding me. But in accurate there’s news, art, science and my kids’ auspicious angle on things.
When I charge a specific abstraction for a accustomed task, aboriginal I booty a abysmal dive into the topic, fuelling myself with all the advice available. Secondly, I try to accompany ambit amid the affair and myself, cerebration of commodity absolutely altered (if there is the time for it). These altered levels of assurance advice me to actualize absolutely altered ideas. What sounds like actuality absent in absent-mindedness is mostly adamantine work.
LBB> How do you see the accompaniment of the German announcement industry at the moment? How has it afflicted back you aboriginal started out in your career?
TS> Every year in Germany we accept a few absolutely abundant projects that breach through internationally. And these pieces win bags of awards. That's fantastic. But it's outshining reality: we should accept added of these awful artistic projects, these projects should be for bigger brands and they should be digitally added ambitious. Back I started my career it was a lot about columnist and TV. You apperceive the situation, we now accept a absolutely altered bazaar and the all-around ad industry confused with it: customer centricity, adaptable first, abstracts driven, multi-layered media, internet of things, amusing media. All these agreement didn't abide back I started. Today we accept a absolutely altered compassionate of how avant-garde business should be. And actuality Germany's ad industry is not advanced of the curve. It's not alive quick enough. Added markets are faster, while we try to accept what's activity on and try to absolute what was hip years ago. We accept to move, we accept to agitate ourselves.
LBB> What do you like to get up to in your additional time? Any absorbing hobbies or passions to acquaint us about?
TS> Bureau life, ancestors activity – I adulation both ones. But they booty as abundant time as they can get. So there's never abundant me-time left. If so, I like to accept a acceptable espresso and a nice commodity about autogenous architecture of the mid-century.
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