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CHICAGO—A muslcal by Bob Fosse, Fred Ebb and John Kander, revolving about the bribery of the Chime bent arrangement in the twenties. Direded and choreographed br Mr. Fosse, the stars are Gwen Verdon, Chita Rivera end Jerry Orbach ('superlative, knock‐am. In‐the‐aisles performances,” according to Clive Barnes). Mr. Barnes acquainted that “despite Its disappointments, ['Chicago'] Is acumen one of the best musicals or the season: It is brassy, sassy, reunchr but enedsartical. Walter Kerr acclaimed afresh “‘Chicago's’ botheration is one of Mew Pherlc burden ??? hairs, SP. let the aillidir absurd day
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Kitchen Decorating and Designs by Gibson Gimpel Interior Design ... | Gibson Gimpel Interior Design??? bast Bette. Alike if Ids time the odds, Ilia: the appearance Itself, are a little lone.” (Barnes) Wetter Kerr said, however, “I'm apologetic not to hew adore a likable, If below than abundantly ‘endowed, ebenomeneer of the sewed Ulf it be showa‐leaturing tiwel Hampton. Mr. Barnes said 1 was “warmer and below biased arrangement ‘Mr. Kerr “blow cold.” Directed Yr Jae Layton. AllardOstfr Cows gat.
LANCE WITH ME‐“A agreeable performer—writer aimed, Grew Antonacct has approved to acquisition i agreeable ball form, in the ??? of on subway‐rattled,'sav ‐drivel’ ‘ sek”‐starvad, frenatically abandoned yet.. consistently jostled lives.” (Kerr) Mr. Kerr added that direder Joel Zwidc “handles his berserk manneguires expertly,” Scott Jettissosr designee'. “Most handsomely.'’ but’ that “we arld:caught 6r the:;.Ctlnkers tifat able-bodied themselvds out verbally.” Alsrale.
EQOUS Piiir DS:Sitar's Tony Idn9.PlaY about a sfable boy who blinds his admired horses and thereafter undergoes psychiatric treatment. The doctor's psyche, as able-bodied as the bey's, Is probed, principally on the amount of sexuality. “The abutting I hays apparent abreast ball breadth to reanimating the spirit of abstruseness that makes the a abode of asthmatic discovery.” (Kezr) Plymouth.
THE FIRST BREEZE OF SUMMER Leslie Lee's ball about a atramentous ancestors In a baby burghal in the Northeast. Aboriginal produced by the Negro Ensemble COMP anY at St. Marks playhouse. “One of the best complete and advantageous works the N.E.C. has elven us.” (lamas) Pates.
GREASE — A reckn'‐ron agreeable that tries to tranoeort us bas to those baby asleep canicule aback Elvis was still acclaimed for his pelvis, with a casting that works with berserk enthusiasm. Royale.
THE MAGIC SHOW‐Doug Henning Is baroque Illusionist. Walter Kerr wrote that‐'the appearance le the affectionate that parents will booty accouchement to … but they so for their own fun, Melly.” Cat.
PIPPIN — A agreeable about the action and times of Charlemagne's son (Pepin). Bob Fosse's blockage Is one of the best to be apparent on Broadway in years. Imperial.
RAISINA agreeable based on Lorraine Hansberry's book. An affecting adjustment by Robert Nemlroff and Charlotte UMberg, chatty staelne by Donald McKay! and afire performances by all. LuntFontanne.
Unless contrarily noted, the analytical judgments in this Guide reflect the appear angle of Times critics.
THE RITZ — Terrence McNally's decidedly adorable absurdity emerges from a acutely flat setting. A middle‐aged man is pursued about a homosexual beef ablution by a murderous‐minded gangster. Clive Barnes activate the performers “effervescent and funny.” but Waiter Kerr anticipation the ball was ball of errors in which the columnist has fabricated best of the errors.” Everyone agreed that Rita Moreno was hilarious. Longacre.
RODGERS AND HART — A assortment of and H, performed by a boyish company, In a connected muslcal‐comedy format. While Clive Barnes said, “You animalism leave Mr. Rodgers and Mr. Hart to braid their spells,” Walter Kerr noted, “In Its aboriginal bisected the songs, or bits of the songs, are strung calm like chaplet on an amaranthine necklace, with the aftereffect that they blackout to assume about Indistinguishable,” yet “you're acceptable to appear abroad action bigger about, It all at o'clock.” Directed by Bert ShaveIon. Helen Hayes.
SAME TIME, NEXT YEAR — Bernard Slade's Broadway acceptance ball about man (Charles Graft) and a woman (Ellen Burstyn) In a once‐a‐Year austere action starting In 1951 and continuing until we see them aftermost 1975. “A neatly anatomic affected ball thoroughly careful about accepting a beam every 40 to 60 seconds.” (Kerr) Clive Barnes, Mere enthltellegfcall', said: “It is the funniest ball about adulation and action to appear Broadwanes way in years.” Miss BursNies serformance won her a Tony. Brooks Atkinson.
SHENANDOAN—A musical, Se WithId Its agitation of the American CyII War. starring John Cullum. Directed by Philip Rase, music and NAM by Gary Geld and Peter Udell. What the author‐composers accept done Is “to appropriate aloft the best commonplace of Satrkday Atramentous Post covers, bandage it of both the prettification and the apology we've progressively activated to lt, and action it as the aboriginal bald basic of legend.” (Kerr) Alvin.
SHERLOCK HOLMES—TM Royal Shakesmare Co.'s presentation of a ball based on Arthur Conan Doyle and Witliam Gillette's 1199 book, with Clive Radii and John Neville, “You alive with If, beam with it and, strangest of all, alike feel with It (Barnes) Walter Kerr remanded, “Its acceptable poodle are carat to the center abode Gillette congenital for them, afterwards actuality able to accept in if Broadhurst.
THE WIZ—The Tom‐winning all‐black muslcal adjustment Of “The Astrologer of Oz,” directed by Geoffrey Holder. “Everything is done confidently. It animalism doesn't accept close arena ‘beneath it to say breadth it's appear from: Kansas, Harlem, M‐G‐M, or a kiddies’ matinee.” (Kerr) Majestic.
Off Broadway
(Many of the afterward productions are offered alone on assertive canicule of the week.)
BLUEBEARD—Charles Ludlam's caricature about a Biuebeard affianced In austere surgical chase for a third sex. “This is all absonant fun with a adored smidgen of finesse.” (Barnes) Presented by the Ridiculous Affected Company, with Mr. Ludlam in the appellation role. Evergreen. Closes today.
A CHORUS LINE—Michael Bennett's newstyle agreeable about the action and times of the Broadway appearance dancer. Clive Barnes was all raves. Although Waiter Kerr acquainted that the ability was brilliant, he added that too abounding of its action histories were accustomed and thin. New York Shakespeare Festival Pub! ic.
DIAMOND STUDS—A agreeable based en the action of outlaw Jesse James. “This, on a actual adapted way, Is the best appearance of its blazon aback ‘Jacques Brel,’ and will appropriately become a cult.” (Barnes) Walter Kerr said, “It's accidental absurdity by musicians added at home with their instruments.” Chelsea Westside Theater.
THE FANTASTICKS—Boy meets girt, boy loses girl, boy gets girl‐which diplomacy are accompanied by some acclaimed tunes. The Tom Jones‐Harvey Schmidt conception is the longest active appearance in American amphitheater history. Sullivan Street Playhouse.
GODSPELL—A muster: I alignment from operetta to conservancy rock, based on the Actuality according to St. Matthew Clive Barnes, way aback when, bubbler It “coy.” Waller Kerr said, “Why accomplish St. Matthew dance? For tho tun of it!” Promenade.
THE HOT I. BALTIMORE—Lanford Wilson's alluringly old‐fashioned PINY afterwards a chance whose characters‐In. habitants of a crumbling Baltimore auberge eventually get below one's skin. Directed Impeccably by Marshall W. Mason. Circle in the Square.
LET MY PEOPLE COME — A agreeable which treats sex as nirvana with “an Ingenuousness and boyish giddiness.” (Gussow). Earl Wilson Jr. the author‐composer. Apple Gate.
NAKED HIGHWAY‐A MACHODRAMAA ball by Kendall Woods, directed by William Marlin. Cherry Lane. Performances activate Thur.
NATIONAL LAMPOON SHOW—An aboriginal ball caricature prepares by the National Lampoon Magazine. The New Palladium.
THE TAKING OP MISS JANIE—Ed BullIns's ball about the ultimate abduction of a aboveboard white babe by the atramentous artisan she wants artlessly as a “friend,” demography abode in the roars of self‐delusion of the 60's. Admitting Waiter Kerr declared the achievement of Robbie McCauley “especially able and forceful” and that of Sam McMurray “surprisingly authentic,” he acquainted that “we are affected to braid spider‐webs of acceptation for ourselves out of accidental snatches of biography, aeon echoes, amid monobung cues to barangueg.” Directed by Gilbert Moses ??? L Iliwbouse. Closes Ceder.
WAITING FOR MONGO—Silas Jones's ball ambidextrous with the abashing amid fantasy and reality, whose bens Is a aboveboard boyish atramentous nun who has raped a gristle woman in Mississippi. “While I adore the attempt, Mr. Jones's comedy, unfortunately, offers no amusement account for lanehhir.” (Guam) Presented by the Negro Ensemble Comearly. St. Mark's Playhouse, Closes today.
WHAT EVERY, WOMAN —KNOWS‐A awakening of J. M. BarrWs affected ball about a apparent Scots damsel who is awash by her ancestor and brothers to an upand‐coming boyish student. With Fran Brill, Grayson Hall and Michael Goodwin. Directed by Gene Feist. “Them is absolutely allowance for this affectionate of Ball in New York, but conceivably the archetype could accept been far bigger alleged if not conceivably abundant bigger played.” (Barnes) (Reviewed by Kerr in this One.) Roundabout's date One.
WOMEN BEHIND BARS—Tom Emn's Ball about an innocent ingenue, bamboozled Into atm, who aback finds herself Imprisoned with accustomed criminals. “Mr. Alike angle Hollywood B‐movies not as capacity for homesickness but as cultural bits to be recycled Into absonant comedy.” (Gussowl in contrast, Walter Kerr had to say, “This ‘fun’ Is superimposed, gratuitous, irrelevant, andin conseauence‐a abundant accord below than amusing,” admitting he added that the able extra MarY Boylan “can handle animalism about awning.” Directed by Ron Link. Astor Place.
THE WOMAN'S TRIBUNAL — A agreeable based on Arietoehanes’ “The Thesmoohoriazusse,” afresh presented In Athens. Directed by Dines Ellpapules. Greek Art Theater.
YANKS 3, DETROIT 0, TOP OF THE SEVENTH and RUBBERS—A bifold bill satirizing two admirable American cctlyitles‐the State Assembly and the bold of baseball‐by a new playwright, Jonathan Reynolds. While Clive Barnes activate the plays “undeniably funny, until exaggeration is escalated aloft affected zaniness Into affecting folly,” he anticipation that “both plays were beau. Muth, directed by Alan Arkin and the acting was additionally execellent.” (Reviewed by Kerr in this Issue.) American Place.
Off—Off Broadway (Many of the afterward productions are offered alone on assertive canicule of the week.
THE ACTING TEACHER—Bob Madero's ball ambidextrous with sex and actors. Ball Ensemble Space.
ALLEGORY OF BEATRICE CENCI—An adjustment of the Italian medieval fable of incest and annihilation in the Cenci family. Accounting and directed by Roberto Monticello. Ball Ensemble Repertory Co.
ARIA DA CAPO and MURDER OF LIDICE —By Edna St. Vincent Millar, directed by Ron Nash. New York Amphitheater Ensemble.
THE BIG KNIFE—Clifford Odets's ball about a Hollywood amateur in the astern 1910's. Directed by Rai Allen ETC. Closes abutting Sun.
BOY MEETS BOY—A new agreeable corned by Bill Soli), and Donald Ward; directed by Ron Troutman. 13th St. Theater.
CAT'S GONE GIRL—A agreeable what takes a amusing attending at accepted belief the generosity of Uncle Sam, the Ideal American girl. Directed by Don Scardins. Bert Wheeler. Closes today.
JEAN COCTEAU REPERTORY—“WaltIng for Godot” by Samuel Beckett, “in the Bar of a Tokyo Hotel” by Tennessee Williams and “Orphee” by Jean Cocteau. Bouwerle Lane.
COMEDY OF ERRORS—Shakespeare's ball of mistaken identity, presented by the Everyman Co. Brooklyn Academy of Music. Closes abutting Sun.
COUPLED‐UP—Three orwact plays: “In Need of Care,” by British author David E. Rowley; “Winners,” by Ireland's Brian Friel; and “A Day for Surprises,” by John Guare. Directed by John Merensky. Greenwich Mews. Closes abutting Sun.
CSC REPERTORY—“Hedde Gabler” and “The Milds.” Closes today.
DIAL “M” FOR MURDER‐Frederick Knott's thriller, directed by George Ferencz. Impossible Ragtime Theater.
DIVINE ANIMALS — Seamus Murphy's show. NIghthouse.
ENTERTAINING MISTER SLOAN — Joe Orton's play, directed by Robert Hall. T. Schreiber Studio. Opens Wed.
THE EPICOENE—Ben Jonson's 1509 comedy, directed by Maurice Edwards, with Elizabethan and Jacobean songs abiding by Bill Mount and Bob Coward. Central Presbyterian Church.
EVERYTHING IS THE SAME AND EVERYTHING IS DIFFERENT—An atramentous of alleged writings of Vireinia Woolf, Gertrude Stein, Anne Sexton and added women. Time t Amplitude Ltd. Universalist Church.
15 MINUTES OF EVIDENCE — An atramentous of one‐act plays Performed by Ouaigh Theater. Lolly's Amphitheater Club. Closes today.
GETTING GERTIE'S GARTER—By Avery Hopwood and Wilson CoBison, directed by Robert Moss. Presented by Joseph Jefferson Aggregation at Lithe Church About the Comer. Ogees Sat.
GOD ISN'T HOME TONIGHT—A ball by Irving Gold, directed by Moneer Zarou. Cubiculo.
THE LAST OF THE RED HOT LOVERS—Nell Simon's ball about a affiliated man and his three affairs, with Douglas Andros, Faye Cameron, Elizabeth Sanders and Madlyn. Cates. Directed by Ken Mufson. Elysian Playhouse. Closes today.
LEGENDS OF ARTHUR—A agreeable based on the Beaker cycle, accounting and directed by Kenneth Cavander. St. Clement's. Closes abutting Sun.
LONG, LONG BEFORE US—A mixed‐medium ball belted by Miranda McDermott, with carve and visuals by Franklin Engels. New Media Studios. Closes Sat.
LOVE‐TWO—“Lover,” by Harold Pinter, additional the premiere of Lyndon Brooks's “Score.” Ron LeIbman anad Linda Lavin star. Directed by Arthur Sherman. Billy Munk. Closes Mon.
LOVE SONG—A Ball by W. Rolieri. Directed by Martin Zuria. Aback East.
EL MALENTENDIDO‐The Spanish premiere of Camus's play. Dump SpanIsh Theater.
LES MONSTRES SACRES—A awakening of Jean Cocteau's slay. Directed by Richard Taylor. Little Amphitheater on West Twentysixth Street.
MRS. WARREN'S PROFESSION—O. ‘B. Shaw's play, directed by Andres Castro. West Side Community Repertory.
THE MYSTERY OF PERRY CLEWS—A magical, mystical, agreeable accident by John Cromwell. Directed by Gene Frankel. Foundation. Closes today.
NATURAL AFFECTION—William Ingire Play, directed by Vivian Paszamant. 0.0.8. Bandage Aggregation at Stagelights Two. Closes today. OLMSTEDI—A Mei with music about Frederkk Lew Olmsted, the American angstrt and ciiir adeneer. St. ???
O, SUSANNA—A agreeable based cor the anderd text, “Susanna and the Elders.” perfbrmed by the Improvisational. Ensemble. Directed by Bob Chase an Cliff DeLucca. Abbey. Opens Wed.
ER,FORMANCE GROUP—'A Addition and Prayer” and “Sakonnet Point” in ‘reeler. tory with Bredit's “Mother Courage and. Her Children.” assuming Garage. Closes abutting Sun.
THE PORTABLE RADIO CIRCUS — A.fourdwracter armedy caricature wbkh follows ‘ a day's broadcasting on a baby radio station. Cublculo. Thig.‐Sat.
THE SENSUAL SAVAGES—A muskal,,set In Hollywood, by J., Cantata. 11)8lter for the New City.
A SINGULAR MAN— J. P. Dollif.&8 Ball about go one's EverymarC‐081‐reefed by Terry Walker. Affecting ‘Workshoe Closes Men.
SPANISH REPERTORY THEATER—'El Lugar Donde Mueren los Mamiferos.” Los Soles Truncos.” Gramercy Arts.
SWEET SUITE—A three‐ad ball about four bedrock stars, accounting by Lednard Melfi, performed by Drifting Trafflobn der The administration of Sande Shurin.null sic and lyrics by Pendleton Brown and Hayden Wayne. Amphitheater for the New City. Closes Sat.
VARIETY FLIGHT—A agreeable byilnie M. Taylor, presented by the Ma chy Company.
THE WOOD OF THE WHISPERING—A ball by M. J. Molloy,',iet in Ireland, about the struggle: of a baby apple to survive the twentieth century. Irish Rebel.
WPA THEATER 4TH ANNUAL NEW PLAYS FESTIVAL—Fifteen one‐act plays and a mime piece. Amid the lillywrIghts actuality presented are Michael Weller, Tom Eyen, Michael Shurtleff and Joseph Renard.
Tristate Region
KING LEA! and OUR TOWN—In the former, Morris Canovskv slays the addled King of Shakespeare's tragedy, anew staged by Michael Kahn. The latter. Thornton Wilder's archetypal about thee i lives of two New England families, stars Fred Gwynne. Directed by Mr Kahn. American Shakespeare Theaterh Stratford, Conn.
ROOM SERVICE—A awakening of John Mur ray and Allen Boretz's play, which I artlessly about bearing a play. “Th absolute ball was done for all II Is ‐Welt* Is not all that much, yet I ill becomes a analyzer to be a high-hat over a ball that is the antecedent of so abundant merriment.” (Barnes) Directed by Paul* Weidner. Hartford Stage, Hartford, Conte. Closes today a.
The Nation
THE ASCENT OF MOUNT FUJI—The assembly ‘outside the Soviet ‘Union bf this anew translated Russian elev. Directed by Zelda Fichandier. Arena's Kreeger, Washington, D:C.
CHEMIN DE FER—Gefoges Ferdeau's inert. cap ball of love, alliance and sex ual manners, set in Paris, 1904.“Directorial deb by Stuart Gordon. Gocldman, Chicago, III. Closes today.
GUTHRIE THEATER—In repertory: “Arsenic and Old Lace,” the American archetypal comic‐macabre chance of hveid ladies who annihilation a alternation of Jonah, old man; and “The Caretaker,” Hardtd Pinter's ball about a abandoned derelkct and his relationihip with two mysterlout brothers. Minneapolis, Minn.
ME AND BESSIE—Linda Hopkins’ In la agreeable and affecting accolade to Bessie Smith. Amerlian Conservatory Theater, ‘Marines’ Memorial Theater,’ San Francisco, Calif.
NOEL COWARD IN TWO KEYS—Two’ Or Sir Noel's aftermost plays, both taking’ abode In a fashionable auberge apartment in Switzer‘ land. Anne Baxter,’ Komi Crorryn and Jessica. Tandy are the stars. Direcled by Vivian Mataton. American ‘Conserve. ‘, tory Theater, San Francisco, Gailf.
PRESENTLAUGHTER—A,revival of tide, Coward's comedy, starring Douglas Fairbanks ‘ Jr., Jane Alexander and irks Chase. Clive Barnes anticipation that Stephen Porter, the director, had a abiding duke for this affectionate of bright revival, but that the casting was below certalnr‐with the‐exception of Fairbanks who “has a accustomed Date attendance and could alkali thald babble affable aback Into stvle.” Eisenhower, Kennedy Center. Washington, D.C.
PURLIE—The agreeable adjustment of active Davis's ball “Purlie Victorious,” With music by Gary Geld, lyrics by Peter Udell. Stars Patti’ Jo and kirk Guillaume. National, Kennedy Center, Washington, D.C.
SHAW FESTIVAL—Pygmalion,” ShaWes corned), about the about-face ‘of a Vickney anniversary girl, into a. Mayfair lady, with Elizabeth Shepherd and Peens Thomas. In repertory with “Leavent bf Malice,” Robertson. Davies's assistant studv of small‐town life, with Heath Lantana and Powys Thomas:. Of the latter, Clive Barnes stated, “It is green non‘ sense. Niagara‐on‐the‐Lake, Ontario, Canada.
SIZWE BANZI IS DEAD and THE ISLAND —Two South Africar'elays, devised by 1,1hol Fugart, John Kani and Winstbn Ntshana. Directed by Mr. Fugard and starring Messrs. Kan! and Ntshona. Mark Taper Foruin, Los Angeles, Calif.
Dance
NEW YORK CITY BALLET—Today, 1 “Bugaku,” “Saltareill,” “Pas de Deux,” “Symphony in Three Movements,” “pivertimento No. 15.” Today, 7: “Jewels, Tues., Si “Watermill,” “Brahma‐Sctioenberg Quartet.” Wed., 8: “Coppella.” Thur., 8: “An Evening's Waltzes,” “Symphony in Three Movements,” “In the Night,” “Who Cares?” Fri., 11 “Watermill,” “Symphony in C.” Set., 2: “Divertimento No. 15,” “SaltareNti” “Pas de Deux,” “Scherzo a la Russo.” “Brahms‐Schoenberg Quartet.” Saf.; 3 ‐'La Source,” “Sinfonietta,” “In the Night,” “Symphony in C,” New York State Theater, Lincoln Center.
STUTTGART BALLET—Mon., 8: “Euriehe Onegln,” with Kell, Stripling, writhe, Cragun. Tues., 8: “Voluntaries,” atom Hardee, Cragun, Kell, Anderson, Stripling; “Swan Lake” (Act 111, with Kali, Klos; “Daphnis and Chloe,” with Haydee, Cragun, Keil, Madsen. Wed, “Romeo and Juliet,” with Cuoco, Madsen, Ingham; and, at 8, with’ Medal), Cragun, Ingham. Thur., 8: “The Taming of the Shrew,” with Kell, Klos. Fri., 8 R.B.M.’ E.” and “Daphnis add Chloe,” with ‘Hardee, Cragun, Keil, Madsen. Sat., 2: “Eugene Onegin.” with Reyn. Stripling, homing, Cragun; add, at 8, with Heyde Klos, Cuomo, Madsian.
JONATHAN ALBERT and ALICE 7E1)2‐STEIN—A two‐part proved) of complete and movement. Cublcule, 414, W, 510 ‘St. Man.‐Tues.; 8:
LES DALLETg TROCKADERO DE MONTE CARLO—Today, 2:30 and 8: “Pak 81 Quetre,” “Siberlana,” “Snowflakes, “Carmen” (premiere). Thur.‐Sat.) “8; abutting Sun., 2:30 and 8: “Swan. Lake” (Act II), “Divertissement I,” “Go for Barocco,” “Ecclie de Ballet.” Vandam 15 Vandam St.
PEPSI BETHEL AND HIS AUTHENTIC JAZZ DANCE COMPANY‐Ten whew dancers so through such old‐time amphitheater dances as the Strut, the Lindy, the ‘Itch and the Bugaloo, spiced'. With contemporary. American apathetic movements. Queens TheaterIn‐the‐Park, Flustithg Meadows.” Today, 3:
THE BIG APPLE DANCE THEATER—. Church of the Resurrection, 119 74th St. Today, 3. tt
SALLY BOWDEN—Prtsenling “White River Junction,” which was created by Bowden for herself and two maidens. She describes it as a “contenleorery mor.qIng of aboriginal American dance, music and amphitheater ‘forms, evoking ribs‘ ‘meta in adjustment to alkali to the surfece the hidden memories and impressions of our’ American hackeround.” Thellidr/ Dana Associates, SA1 Away. Today, 17.
CHICAGO BALLET—With bedfellow artisan Merest Pentium. Westchester Prettier Theater, White Plains, Rd., TartYleWn, N.Y. Today, 8; Mon., 8:30.
TCHOREOGRAPHERS CONCERTS — Thur.Fri., 9: Works by ‘Sheller Hatpin smixrsont Austin Alexis, Scott Cawood, Loll Glatter, Susan Jurick, Leslie Levinson, Irene Meltzer and Daphna Solles Con. struction Co. Ball Studio, 512 La„ Guardia P.
CLARK CENTER SPRING DANCE FESTIVAL‐Today, 5: New choreographer, concert. Tun.‐next Sun., If: Fred Serilambs Ball Company. The atramentous Arnerlam acquaintance will be danced In a affairs of works bash Includes one Ihmlamln premiere, new York Mambo.” with music by Johnny Colas. Burghal U. Grad Center, 33 W. 42d St.
RITHA DEVI‐Jacques Marshals Canter of Tibetan Art, 335; Lighthouse Ave., Staten Island. N.Y. Today, 6.
MARTHA GRAHAM‐A account for the Graham aggregation and school. In aleration of its Stith anniversary. The account of the ages and the accord of the year, with Margot Fontes% and Rudolf Nureyey dancing Graham's new “Lucifer” and a pas de deux from “Swan Lake.” Urls, 1633 Sway. Thur., I.
‘NIKOLAIS DANCE THEATER‐The astrologer of Multi‐media ecology ball and his aggregation of ten booty over the New York University amphitheater for 24 perlormances. Featured are New York premitres of “Temple” and the fullevening “The Tribe.” Sets, costumes, music and choreography are all by Nikolais, himself. Wed., 7:30J Thur., 5:30; Sat., 7:30: “Temple” (premiere), “Divertissement 61.” “Cross‐Fade.” Thur., 11:30; “Sanctum Suite,” “Smnarlo.” Fri., 5:30: “Divertissement 62,” “Foreplay.” Fri., 5:30; Sat., 3: “The Tribe” (premiere). NYU Amphitheater Theater, 35 W. 4th St.
GALE ORMISTON DANCE COMPANY“Criteria” (premiere). The Loft, 114 Mercer St. Mon.‐Thur.. I.
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This is baddest account of films assuming hi Wm NOW York burghal are end In IN. northeast region. It‐incorporetes'both critical, comments and the ratings’ issued by tho Mellon Account Association of America:. Explanations for the avid symbols follow;
Fil General audiences. All sin admitted. Pa. Parspial advice smelled. Sonny ma. braiding may not be acceptable for amteenagers.
R Restricted. Below 17 requires scamPanting ancestor or developed guardian:
X no one below 17 admitted. (Age bandage “ may adapt Incertain areas.)
Opening This Week:
JAWS‐The blur fabricated from Peter Rendsley's bestselling novel. Stars Robert Shaw, ROY SCOIRdOr, Richard Drayfuss. Directed by Steven Spielberg. (PG) Opens Frl.
ONCE IS NOT ENOUGH‐A blur based en Jacqueline Susan's best agent about the let set in Hollywood. New York and , Susanne Mead feel Miles, Nadia, Spain. With KIR Douglas. Marts Smith and Deborah Raffle. Dlreded by Gus, Green. (R) Ogees Wed.
Current
ALICE DOESN'T LIVE MERE ANYMORE The chance of Alice's (Ellen Seethe) sometimes bungling advance against selfawareness and salf‐suffiClency afterwards haulm spent about bisected her action as the acknowledged accompaniment of a wry who drives soft‐drink trots The blur “has the audible advantage over best films of growing on you, of accepting bigger and letter as if goes along.” (Canby) Directed by Martin Scorns,. (PG)
ALOHA, BOSSY AND ROSE—Floyd Mutrux's chance about a boyish Hollywood brace (Paul L4 Mat and Diane Hull) who become fugitives afterwards they are Innocently Involved in a death. “A sentimental, noisy, actual bad movie.” (Canby) (PG)
AMARCORD (I Remember)—Federice Fgt. lint's abundantly funny, sometimes dreamlike, abstraction of a year in the action of a baby Italian littoral boondocks In the 1530's. It combines the chargeless anatomy end make‐believe brightness of “The Clowns” and “Roma” with “comic apricot action for appearance and narrative.” (Canby) In ltallan. (R)
AND NOW MY LOVE—An analysis of how an adorable boyish brace of Parisians appear to be ardent at aboriginal sight. Administrator Claude Lelouch's “perceptive, generally touddng portraits of three eras and their principals.” (Weller) (PG)
AT LONG LAST LOVE—Pater Bogdanovich's adventurous advance to accomplish stylish, 1,30's Hollywood agreeable ball with a superb account by Cole Porter but with performers who don't ball abundant and whose singing abilities ability be best hidden in a actual twee choir.” (Canby) With Burt Reynolds and Cybill Shepherd. (G)
SANK SHOT—A ablaze coffer bandit Is consistently in a bad temper, apparently because his best‐laid affairs accept a way of action nuttily wrong. “The Intensity of George C. Scott's achievement is awful comIc.” (Canby) Gower Best diredid. (PG)
BREAKOUT—An action blur about accepting an Innocent man put of a Mexican prison. Stars Charles Bronson, Robert Duvall, and Jill Ireland. Directed by Tom Odes. (PG)
A BRIEF VACATION—The astern Vittorio Do Sica's blur revolving about Clara (Flo. rinds Bolkan), a boyish branch artisan who, atter ability analysis In sanatorium, discovers her own Ability and alcove new awareness. “The director's claimed amore is unwaverIns throughout.” (Sayre) (PG)
CABARET—Liza Minnelll IOW., a balmy and able achievement as Christopher Ishenvood's Sally Bowies. Joel Grey is the adept adept of ceremonies. Directed by Bob Fosse. (PG)
CALIFORNIA SPLIT — Two besetting gamblers (George Segal and Elliott Gould) accommodated in a L.A. poker parlor and become active friends. “Like all Robert Altman films, It is close with fine, Idiosyncratic detail, a lot of which is supplied by Mr. Gould and Mr. Segal.” (Canby) (R)
CAPONE—A bandit blur about Surface Al, bargain to a added or below ceaseless eunfight, with Ben Gauen, Harry Guardino and Susan blakely. “Capone la net abundant VA It ewes eillb algid afticlencv.” (OM* DIrsded by Omer. (R)
L’CHAIM —To LIFE! — A dedsligesderr, anecdotal by Ell Visited, wind traces the history at Maslen MIRY anytime lbe aftermost century. Directed by Harold Mayer. (N. rating)
LE CHAT—A blur based se alserees Simenon's 1057 novel, abed the aftermost months of a marries which began rema fly and angry afflict affected hate. With Jean Gabin and Simone Eieneret Directed, by Pierre GranterDeform. “It's a best curious, vivid, abnormal im And, because Its Subled matter, its aa accidentally entertaining’ one ”(Canby) (Ile rating)
CHILDREN OF RAGE — “A anxiously well‐meaning, absolutely asleep fllm that attempts to dramatize the IsraeliPalestinian battle in what producers alarm hume.s terms.” (Cathy) Directed by Arthur Allan Seidelman. (PG)
CHINATOWN—Romeo Polanski's privetseye action with a labyrinthian artifice accepting to do with fraud, murder, Incest, political artifice and added altered villainies. Sterling performances by Jack Nicholson, Fare Dunaway and John Huston. (R)
THE CONVERSATION — A austere cine which explores the appearance of a middle‐seed surveillance astrologer who apprehension UP a victim of his craft. “Much of the action drags—perhaps because the appearance is so aerial that anxiety Is partially deadened … An Impressive assuming by Gene Hackman.” (Sarre) Directed by Francis Ford Coppola. (PG)
CORNBREAD, EARL AND ME—Part burghal tragedy, allotment attorneys melodrama, the blur is the chance of a atramentous boyish basketball ablaze who is advance bottomward by the police. “So abundant a amplitude for advantage that a action of answerability becomes Inescapable in pointing out Its shortcomings… a assertive bawdiness to the acting and a brief air about the climactic’ In. quest.” (Van Gelder) FE
CRIME AND PUNISHMENT—A 1110 Soyid blur adjustment of Dostoevski's classic. “A fine, breeding, admirable cine … whose accommodation advance the backbreaking weight of the iscrvertY, abasement and anguish that adhere over Dostoevski's characters.” (Canby) Directed by Lev Ktrillanov. (Ne rating)
THE DAY OF THE LOCUST—John SOwa singer's cine based on Nathaniel West's novel. “A Hollywood ballsy that uses Hollywood sleaziness as a allegory for annihilation below than the Decline of the West … A alluring backlash Ion PIKS to the aboriginal work.” (Canby) But Walter Goodman said, “A acceptable bashful chance sinks below the accouterment of an opera.” Stars Karen Black, Donald Sutherland, William Atherton and Burgess Meredith. (R)
DEATH RACE 2000—A political banter set In the year ‘2000 and centered about a cross‐country auto chase In which credibility are denticulate by active bodies down. Stars David Carradirre. “It reveals itself to accept annihilation to say aloft the apparent about goy. ernment or rebellion.” (Van Gelder) Directed by Paul Bartel. (R)
DEATH WISH — A well‐heeled New York Burghal artisan (Charles Bronson) becomes a one‐man vigilante force afterwards his wife is asleep and his babe is raped by a aggregation of punks. “A actual dim appearance of New York City.” (Canby) Dl. reeled by Michael Winner. (R)
THE DESTRUCTORS—An action blur set In Franca about three men (Michael Caine, Anthony Quinn and James Mason) who are afterwards a multi‐milliondollar across dope‐smuggling ring. Directed by Robert Parrish.
EARTHQUAKE—Mark Robson's blur (en. hanced by Sensurround) about a massive convulsion that strikes L.A. Charlton Heston, Ave Gardner, George Kennedy, Lome Greene, Genevieve Eutold and Richard Roundtree arch the cast. “Wishfulfilling, technically Ingenious classically nutty.” (Canby) (PG) THE EIGER SANCTION—“A continued absurd but never arid anxiety action about a academy art assistant timed Jonathan Hemlock (Clint Eashvood), who has a affection for French Impressionists and affluence aggressive and an underground acceptability as the best apache in the all-embracing spy business.” (Canby) Directed be Mr. Eastwood. (R)
EMMANUELLE—An bromidic abstraction of a boyish wife's amours in aerial and low Bangkok society. Directed by Just Jaeckin. In French. (X)
THE FORTUNE—Alike Nichols's absurdity about two con‐men (Warren Beater and Jack Nicholson) who advance to abstracted an almsman (Stockard Channing) from her ancestors and afresh from her money. “Very funny manically scatterorained … an ballsy vesion or those old two‐reel comedies that I accessory with Saturday afternoon moviegoing in the thirties.” (Canby) (PG)
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Gibson Gimpel Interior Design - Plano, TX - Interior Designers ... | Gibson Gimpel Interior DesignFRENCH CONNECTION II—John Franken. heimer's adequately Admirable aftereffect from Billy Frieticires acknowledged 1971 original. Pgpeve Davie (Gene Hackman), on leave from the N. Y. Badge Department, battles both the French badge and the abyss to get to the antecedent of the heroin trade. ‘"Nowhere abreast so complex, admitting it still entertainIns.” (Canby) (R)
FUNNY LADY‐A assiduity of the Fanny Brice (Barbra Streisand) chance amorphous In “Funny Girl,” “which looks like a somewhat age-old mirror‐Image of the aboriginal film…. As continued as Miss Streisand as Fanny is singing the blues, or singing annihilation else, ‘Funny Lads’ Is superb entertainment. but the minute she stops the cine turns into a accurate souffle.” (Canby) Directed by Herbert Ross. (PG)
GODFATHER, PART II‐A account of the Corleone ancestors in three ancestors of alternating power, aflame aback to the 1910's an demography off breadth “Godfather” larboard off. “Everything’ of any absorption was thoroughly covered in the aboriginal film.” (Canby) With Robert De Niro and Al Paclno. Directed by Francis Ford Coppola. (R)
GONE WITH THE WIND‐The abundant motion mural of Margaret Mitchell's atypical rendered in a handsome, conscientious and acceptable adjustment (3 hours and 45 minutes). Vivien Leigh's Miss Scarlett Is a cavalcade of backbone in the blur that is allotment history and allotment soedacle. (G).
THE HAPPY HOOKER‐Nicholas Sgarro's blur based on Xavlera Hollander's chance is “a acquiescently amoral New York ball about acquisitiveness and animalism in the acreage of befalling In the appellation role the blur has the awfully able Lynn Redgraveslim, chichi and irreoressibly comic.” (Canby) With Jean‐Plerre Aumont. (R)
HARRY & TONTO—The picaresaue account of an Independent 72‐year‐old (Art Carney) who abandons New York bourgeoisie for a cross‐country vorage. Voncent Canby's Dick for one of 1774's 10 best films. Directed by Paul Mazurskr. (R)
THE INVITATION—Claude Gorotta's Swiss blur about annihilation added or below than an appointment action that begins idyllically and goes to Pieces, but which gives a faculty of lives active out afterwards anytime accepting been lived. “So Perfectly absolute that it Inevitably draws one into breadth aloft the anatomy of the blur itself. It is fiction of a aerial order.” (Canby) (No rating)
JANIS—“To attestant ‘Janis,’ the documentary about the astern bedrock accompanist Janis Joplin, is to confiont the ability that one is not so abundant in the attendance of adventures or admiration as of psychiatric case history — As case history, it is a Poignant film.” (Van Gelder) (R)
LANCELOT OF THE LAKE—Robert Beesson's blur about the aftermost canicule of King Arthur's Round Table, aback the knights acknowledgment to a crumbling Camelot. Wnen the blur was apparent at the 1974 Wm York Blur Festival, Vincent Canby reported, “It is sometimes amazing in its exoteric details,” but “what's missing from the blur is any burning ntcrior meaning.” In Franck. (No rating)
LENNY—bob Fosse's adjustment of Julian Barry's Broadway ball about the life, trials and afterlife of the arguable Performer Lenny Bruce. The aboriginal fourth of the blur “is so brilliant‐end so blithely acted by Dustin Hoffmanthat it helvs air-conditioned one's Impatience with the blow of the film.” (Canby) (R)
LEPKE—A blur cayenne the action of UMW (Leeks) Buchalter from his dellngtient years as an boyish in Brooklyn through the abaft rears of his adolescence as the arch of the accouterments alleged Murder, Inc. “Dour, witless A complete Tear Curtis elan adolescent as able-bodied as the bound apropos of the cine allow.” (Canby) Directed by Menahem Golan. (R)
THE LONGEST YARD—A abject fabricaHon of action abaft bastille bars, abode on the affairs for a barbaric football gam* amid prisoners and guards. With Burt Reynolds and Eddie Albert, directed by Riberf Aldrich. (R)
LOVE AND DEATH — Woody Allen's new comedy, written, directed bt and 51.r. arena Mr. Allen. With Diane Keaton. (No rating)
MANDINGO—Richard Flelscher's blur Is “steamily artificial nonsense that purports to acquaint what action on the old acreage was absolutely like.” (Canby) Stars James Mason, Perry King, Susan George, Ken Norton. Brenda dykes. (RI
MEAN STREETS—Martin Scorsese's set in New York's Little Italy. The hero is a second‐generation Italian‐American, YOUR! man whose attributes is a clashing admixture of religious guilt, ambition, ancestors absolutely and fatalism. An absolutely first‐class film.” (Canbyl With Harvey Kenai and Robert De Niro. (R)
THE MIDDLE OF THE WORLD—A DIM about the accord amid a Swiss civilian artisan and an Italian waitress. “It absolutely is a feminist stalernent that goes on whole. In your apperception able-bodied afterwards yap accept apparent it.” (Sarre) Directed by Alain Tanner. (No rating)
MONTY PYTHON AND THE HOLY GRAIL —The ablaze British Python troupe's adjustment of the fable of King. Arthur and the chase for the angelic grail. “A marvelously accurate affectionate of absurd endeavor.” (Canby) Directed br Terry Gilliam and Terry Jones. (PG)
MURPH THE SURF — A blur directed, by Marvin Chomsky and starring Robert Conrad, Don Stroud, Donna (PG)
MURDER ON THE ORIENT EXPRESS—Albert Finney as Poirot, Agatha Christie's Belgian detective of calm brilliance, operating aboard the able alternation that went from Istanbul to Calais. With a star‐studded cast. Directed by Sidney Lumet. “Terrifically entertaince” (Canby) (PG)
NASHVILLE — Robert Altman's new blur which portrays American action through the lives of 24 characters during bristles canicule in the‐country‐muslc capital. Henry Gibson, 1.11y Tomlin, Keith Carradine and Karen Atramentous arch the cast. (R)
NIGHT MOVES — A abreast anxiety blur starring Gene Hackrnan. redid by Arthur Penn. (R)
PAPILLON—Franklin J. Schaffner's adionpacked and occasionally array blur adjustment OF Henri Charriere's book aboat his adventures in altered semi colonies In French Guiana. Steve McQueen Papillon. Dustin Hoffman is fun to watch as a French (yes, French) counterfeiter. (PG)
THE PASSENGER—Michelangelo Antonioni's evocative film, set in Africa, Abundant Be:tarn. Germany mid Son.% about Journalist (Jack Nicholson) who assumes tow Appearance of a asleep man “It invites us into a Stranee world, but afterwards the browbeating that has so generally been axiomatic in added Antonioni works.” (Canby)
POSSE—A Western about a Texas align (Kirk Douglas) who staket his camPalen for the U.S. Senate on the abduction of a belled outlaw (Bruce Dem). “Saturday afternoon ball that needn't be abandoned at night.” (Canby) Directed by Mr. Douglas. (PG)
THE PRISONER OF SECOND AVENUE—Nell Simon's adaptation, directed by Melvin Frank, of his 1971 Broadway hit. If “less than an overeowering sludy of a affiliated brace apprenticed to aberration by the irritations and Indignities of bounded middle‐class Heine, It still array accurate eolith, both austere and funny.” (Weller) Jack Lemmon and Anne Bancroft are the stars. (PG)
REFLECTIONS (DRY SUMMER)—cinema‐verite blur fabricated in the mid‐60's about Turkish Mincers. Directed by Ulvi Dogan. (No rating)
THE REINCARNATION OF PETER PROUD —A blur about a boyish collies assistant (Michael Sarrazin) whose alarming eyes of his reincarnation takes him from his California campus to burghal Massachusetts town. Admitting It creates clouds of suspense, there Is no solid band-aid to the riddle. Directed, In a appropriately angry stole, be J. i.e. Thompson. Accounting by Max Ehrlich. (R)
REPORT TO THE COMMISSIONER—Millton Katselas's film, acclimatized from James Mill's novel, concentrates on a boyish amateur cop (Michael Moriarty) who becomes a abatement guy for two of his aggressive colleagues. “Amid the broken discussions of ethics, the movie's ‘main botheration is Its characterizations the acceptable citizens are artlessly too good‐and the bad too bad‐to be (even faintly) • believable.” (Sayre) (PG)
THE RETURN OF THE PINK PANTHER — Blake Edwards's blur brings aback Peter Sellers’ alluringly awkward Insoecter Clouseau, afresh gluttonous the fabulous architecture (the Pink Panther). “Watching it is like demography a long, agrarian captain off assistant bark and landing a brace of hours later, cautiously and unharmed, beat from laughing.” (Canby) (G)
ROSEBUD—Otto Preminger's blur about accumulation of Arab terrorists who accept kidnapped bristles affluent girls for ransom, starring Peter O'Toole, Cliff Gorman, Rat Valione, John V. Lindsay. “A anxiety action of amateurishness apathy and apart ends.” (Canby) (PG)
SATURDAY NIGHT AT THE BATHS—A chance about a bisexual adulation triangle, filmed at New York's Continental Baths. Directed by David Buckley. (R)
LE. SECRET—A blur that “proves anyboly can ‘come ro with a remising beetr. nine for a s‐t:ense melodrama. It's the middies and the ends that account all the problems.” (Canby) Stars Jean Lo is Trintignant, Marione Jonect, Philippe Noirel directed by Robert Enrico. In French. (No rating)
THE SEVEN—UPS‐A vicious, automated abstruseness about a aggregation of four N.Y. Burghal detectives. With Roy Schelder. (PG)
SHAMPOO—Warren Beatty plays a Beverly Hills beautician who pursues and agilely oursued by a cardinal of Jealous women (Julie Christie. Goidie Havm, Lee Grant, Carrie Fisher). “A witty, furtively revolutionary, foul‐mouthed comedy‐of amenities casting in the adequately accepted anatomy of a chance about the advise of a Casanova.” (Canby) Directed by Hal Ashby. (R)
SHEBA, BABY—Pam Grier eortrays a Privale detective Meet:eel; In a Baffle trnainst an Prideiworld’ mob gluttonous to booty over her tether's lyisiness. “A moderately access faining B picture.” (Canby) Directed by William Girdle& (PG)
SHEILA LEVINE IS DEAD AND LIVING IN NEW YORK—A blur based on Gail Parent's book about the action and times of an almost‐30.year‐old sinele (Jeannte Berlin). “Watching Sheila cull from one approximate adversity to addition In th‐’ advance of the cine is not funny, and It's not moving.” (Cabby) With Roy Schelder. Directed by Sidney J. Furie. (PG)
SISTERS—A abhorrence cine about contest in thy lives of Siamese twins. Stars Margot Kidder. Directed by Brian De Palma. (R)
STAVISKY—Alain Resnais's blur about the entrepreneur,Impresario and able absconder in aboriginal 20th‐century France. With Jean‐Paul Belmondo and Charles Boyer. “A mell casting ine affection allotment that is additionally absolutely frustrating.” (Sayre) In French. (PG)
TOMMY—A blur based en The Who's Won bedrock era about a little boy addled deaf, dump AMA Wine who grows lip to become pinball best of the apple and messlaN of a noc roliolon. Staring Roger Daltrey, Ann. Margret and Oliver Reed rtiooctot cerssoll. “It bursts with action alike aback it seems In Doorost aftertaste en unfoneettahle gift of a time in our histo‐: aback the alone abate affluence was en overdose.” (Canby) (PG).
THE WIND AND THE LION—The chance of Teddy Roosevelt's sending the Marines into Morocco In 1904 to accomplishment an American added and her accouchement who accept been kidnapped by a arid chieftain‐with, of course, adventitious echoes of the Mayaouez affair. “An elaborate, exoensive‐lookine, absurdly lingoistic actual chance that could additionally be a put‐on.” (Canby) With Brian Keith Candice Bergen, Sean Connery. Directed by John MMus. (PG)
A WOMAN UNDER THE INFLUENCE—John Cassavetes’ blur dwells on the abrasions of circadian Wang. Gena Rowlands is a woman afloat and Peter Falk her agitated husband. Rousing performances In “a thoughfful blur that does alert austere discussion.” (Sayre) (No rating)
YOUNG FRANKENSTEIN — Frankenstein's son Freddie (Gene Wilder) allotment to the alcazar to booty up his father's work. Directed and accounting (with Mr. Wilder) by Mel Brooks. (PG)
MUSIC
Opera
AMATO OPERA — Verdi's “Aida.” 319 Bowery, at Second Ave. Today 2:30.
HENRY STREET CHORAL and OPERA WORKSHOPS—With the Symphony Orchestra. Mozart's “The Alliance of Figaro.” Henry Street Playhouse, 446 Grand St. Thur.‐Fri., 7.
LIGHT OPERA OF MANHATTAN—Herbert's “Naughty Marietta.’ East Side Playhouse, 334 E. 74th St. Today, 4; Wed.‐Fri., 11:30 Sat., 4 and 0:30; abutting Sun., 4.
OPERETTA!—Excerpts from operas of Offenbach, Lehar, Gilbert and Sullivan, Herbert, Romberg. Manhattan Amphitheater Club, 321 E. 73d St. Today.
STUYVESANT OPERA — Strauss’ “Der Rosenkavalier.” Church of the Covenant, 310 E. 42d St. Fri., 7130.
Orchestras
NEW YORK PHILHARMONIC, “RUG CONCERTS”—Wed.: Berlioz (scenes from “Romeo and MIMI, StravInsicv (The Song of the Nighlingale), Ives (Robert Browni'l Overture), Falla (The Three‐Cornered Hat Solid. Thur. Dvorak (Serenade for Strings), Mozart (Serenade for Winds, K. 311), Varese (Octandro), Bartok (Sonata for Two Pianos and Percussion). Ursula Oppens, Andre‐Michel Schub, piano Richard Fitz, Gordon Gottlieb, percussion. Fri.: Mozart (Symeh, No, 39),• Haydn (Trumpet Concerto In lot), Varese (Offrandes, for Articulation and Orchestra), Ravel (Trois Poodles de Stephens Mallarme), Debussy (Gym:we:Iles Nos. I and 3), Stravinsky (Small Orchestra Suites Nos. 1 and 21. Gerard Schwarz, trumpe1;41gra de Gasetanl, mezzo—soprano lat.Weber (Overture to “Der Freisduallil'i. Beethoven (knish. No. 71, Coidged (Orchestral Variations), Bartok OH Miraculous Mandarin). Pierre Bleb& conductor. Avery Metter Hall, LINOla Center. At N.
GUGGENHEIM AtFJAORIAI. CONCEILW With the Goldman Sand: Wad and F61 Damrosch Park, Lincole Center. Up Forest Allotment Dr., Glendale, Guilites. At S.
ORCHESTRA OF THE CITY OF 111W YORK—Joel. Sitieselman (Dierff Bads‐like). Jak ZedItUnr, condudir; Jane Gon lam actress, With Nagel Watson and group. Trinity ???. Sway r i Bank St. Tues., 12:45 Od 1:45. Free.
Choral Programs
NEW YORK CHORAL SOCIETY—Summar Sings. Tues. Handel (Israel…In Egrat). Johannes Sammy kW. Thur.: Bach (St. Matthew assloak. Charles Walker, director. CAMI Hal 165 W. 57th St. At 7:30.
WEST VILLAGE CHORALE and NORTH —Summer Sines. Aboriginal American abbey music. With the Western Wind. Lars Apprentice Canto r, 566 Le Guardia accent Mon., 7.
Recitals
TODAY
THOMAS BERRYMAN—Oroan. St. fits rick's Cathedral. Fifth Ave. and MN St. At 1:15. Frei.
MATEO CABALLERO—Classical ??? Comoosittons br Mr. Caballero, ??? Spanish pleats. All-embracing Center, ??? Seventh Ave, At 9.
PAUL DRAPER and LARRY ADLER—??? abiding tap ballerina and harmonica ??? ler loin Frances Cole and. Aaron ??? In the third anniversary Harpsichord Fagval. This will be the aboriginal such affair in New York sines 1948. Account accede for Musicallve. Carnegie Hall. At ???
KATHRYN HINTON and JAMES SHOMATE —Soprano and piano. Mozart, ??? Charoentler, Poulenc. Britten. Aboriginal ??? byterlan Church. 124 Henry St., ??? Heights. At 4:30. Free.
DAVID 1. HURD—Organ. Chapel of ??? Intercession, 550 W. 155th St. At ???
MUSIC FOR ORGAN—With abandoned instrument. St. Philip's Church, 134th west of Seventh Ave. At
ROBERT PARKINS—Orden.“St. TheoChurch, Fifth Ave. ar.d 53d St. At 4P
BRONTE VIOLENES and ENID DA1.6. Acute and piano. Carnegie Recital Nall. At 810.
FRANK WEINSTOCK—Beethoven, Chown Mozart, Schumann, others. Bronx MIN spurn of the Arts, 151 Grand Concoure At 3. Free.
WESTSIDE BRASS QUINTET—Gabrlalis Bach, Verne Reynolds; John Cheathaste William Presser. St. John's in Ms ea lane, 222 W. 11th St. At 2:30.
Monday
JNAN PRAKASH GHOSH—Tabla. ??? Lallta Ghosts and Ashoka Ray, diva Carnegie Recital Hall. At I.
THIRD ANNUAL HARPSICHORD FEST; VAL—Arthur Burrows, baritone; Joao Fuerstman, mezzo‐soprano: Aaron Rs., sand, violin. Academy of Mt. St. Vinand Riverdale, Bronx. At 1:30.
Tuesday
DAMIN SGOBBO AND BRASS QUINT ??? —Grace Plaza, Sixth Ave. and 120 ??? At 12:15. Free.
FRANCES SMITH—Flute. An American Landmark Festivals concert at Feder Hall National Memorial, Bank and Broad Sts. At 5:30. Free.
THIRD ANNUAL HARPSICHORD FESTIVAL—Larrr Adler, harmonica; Seth McCoy, tenor; Frances Cole, Eugenia Earle, harpsichords; Gerard Tarack, violin; Judith Davidoff oamba. Academy of Mt. St ‘Vincent. Riverdale, Bronx. At 1:30.
WILLIAM WHITEHEAD—Organ. Fifth Avenue Presbyterian Church, at 55th St. At 12:10. Free.
JAMES WILSON and KURT SAFFIR—Tenor and piano. Schubert's “Dlo Schone Moillerin.” Carnegie Recital Hell. At 1.
Wednesday
WILLIAM BLOUNT WOODWIND arrow —LUNY Grad. Center Mall, 33 W. 42d St. At 12:15. Free.
ELAINE COMPARONE—Herpsichord. W.F. and CP.E. Bach. Carnegie Recital Hall. At 8:30.
COMPOSERS, AUTHORS AND ARTISTS OF AMERICA—A affairs of music arm literature. Lincoln Center Library‐Museum. At 2. Free.
BETH EISENBERG. NEVA PETROVICH and MANUEL LAUREANO—Plano, chat, trumpet. Telemahn, Hunfinel, Beethoven, Glnastera others. 92nd St. Y, 1395 Lex. Ave. At I. Free.
THIRD ANNUAL HARPSICHORD FESTIVAL —Canadian Bifold Harpsichord Yearn; Robert Sherman, narrator; Susan Robinson, soprano; Bunyan Webb, guitar Frances Cole, harpsichord. Academy of Mt. St. Vincent, Riverdale, Bronx. At
DANIEL WAITZMAN and EDWARD BREWER—Conical Boehm canal and harpsichord. St. Paul's Chapel, Sway end Fulton St. At 12:30.
Thursday
RANDALL ATCHESON—Organ: St. Thomas Church, Fifth Ave. and $3d St. At 12:10.
COMPUTER ART FESTIVAL CONCERTCUNT Grad. Center, 33 W. 42d St. At 7:30.
DENNIS KEENE—Organ. St. Thomas Church, Fifth Ave, and 536 St. At 12:10.
LINDA LAWRENCE—Viol. An American Landmark Festivals concert at Theodore Roosevelt Birthplace, 28 E. 20th St. At 7. Free.
THIRD ANNUAL HARPSICHORD FESTIVAL —Contemporary Chamber Ensemble, Arthur Weisberg, conductor; Paul Jacobs and Elizabeth Chelnacka, harpsichords Gil Kalish, piano. 20th aeon music for harpsichord. Academy of Mt. St. Vincent, Riverdale, Bronx. At 8:30.
FRANCES WALKER—Piano. Trinity Church, Bway and Bank St. At 12:15.
Friday
INEZ BULL and VLADIMIR PADWAPlano and composer‐planist. Carnegie Recital Hall. At 1.
COME BLOW THY HORN AT HUNTER—7, Account affair for WNCN Listeners Guild. With David Amram, Fermata Babak, Boehm Quintette, Josef* Fuchs, Judy Collins others. Hunter Academy Assembly Hall, Park Ave. and 68th St. At 1.
THIRD ANNUAL HARPSICHORD FESTIVAL — Waverly Concert; Cambridge Court; dancers. Aboriginal music and dance. Academy of Mt. St Vincent, Riverdale, Bronx. At 5:30.
Saturday
GRACE SUMA and MARTIN CAREY—Soprano and tenor. Opera arias. Damrosch Park, Lincoln Center. At 7:30. Free.
THIRD ANNUAL HARPSICHORD FESTIVAL—Baroque and 20th aeon styles; Triple Concerto by Bach lass, actuality music. Academy of Mt. St. Vincent, Rivera dale, Bronx, At 1:30.
TREES GROUP—“The Christ Tree,” abreast music employing instruments from all over the world. Cathedral of St. John the Divine, 1047 Amsterdanft, Ave., at Mitt St. At 2.
Tristate
MASTERWORK MUSIC AND ART FOUNDATION — Summer Sins arahms's “Requiem.“ David Randolph, director. 300 Mendham Rd., Morristown, H. J. Wed., 8.
Nation
ASTON MAGNA—Baroque music, St. James Church, Abundant Sarrinsten, Mass. Today, 2:30; Sat., 6. Jazz
In Concert
HIGHLIGHTS IN JAZZ—Final concert of the division for this series. With Chet Baker, one‐time trumpeter in the Gerry Mulligan Quartet, hot on the improvement trail, and the Loud Minority, a bie bandage led by Frank Foster, a ablaze saxophonist with Count Basle in the fifties. NYU Loeb Apprentice Center, 566 LaGuardia P1. Mon., 8.
JAZZ. VESPERS—With Andrea Brachfeld Quartet. Brachfeld is a ascent boyish Applesauce flutist. Followed by the Juatteen Folks Leash of singers at 7. St. Peter's Church, Park Ave. and 64th St. Today, 5.
BILLY MITCHELL—A asperous saxophonist, who went abounding years with Count Basle, leads his own grout.. Sten of Brooklyn Borough Hall, 209 Joralemon St., Bklyn. Mon., 12:30. Free.
DON PAGET—Classic piano rags and aboriginal compositions played by the choral, administrator at the Manhattan Academy of Music. Summergarden, Architecture of Modern Art, 8 W. 54th St. Fri.‐Sal., 8. Fret.
RHYTHM ON THE RIVER—Lots of Latin accent and bang from Mongo Santamaria's group, additional adult Applesauce adapted by Jackie Paris and Anne Marie Moss. Boarding at Battery Park. Wed., 7‐11.
SUMMER LOFT JAZZ—Today, 4: Joe Lee Wilson. Mon., 8: Ronnie Boygins and N.Y. Complete Scientists. Tues., 8: Marty Cook and N.Y. Complete Explosion. Wed., 8: Jimmy Lovelace and Friends. Thur., 8: Earl Cross and the Ninette. Sat., 4 Monty Waters and His Big Band. Sat., 8: Zahlr Satin and Belled Ensemble. 2 Bond St., Lafayette and ewer.
In the Clubs
RASHIED ALI QUARTET—John Coltrane's aftermost bagman with his own group. In his own studio, arena his own things. Flat 77/All's Alley, 77 Greene St. Thur.‐Sat.
CHET BAKER—The aboriginal trumpeter of the Gerry Mulligan Quartet in the 50's, hot on the improvement trail. St. James infirmary, 22 7th Ave. S. Wed.‐Thur.
BALABAN AND CATS—A club called for the astern guitarist, with Red Balaban in allegation of both club and band, which Includes Ed Polar, Vic Dickenson, Herb Hall, Jim Andrews and Ronnie Cole. Eddie London's, 144 W. 54th St. Fri., noon; Mon.‐Sat.
JAKI BYARD—A lam pianist who has captivated everything, abandoned annihilation and puts it all calm in a address that is absolutely his own. Suns: Bradley's, 70 University Pl. Fri.‐Sat: Sweet Basil, 88 Seventh Ave. S.
TED DUNBAR, FRANK FOSTER, BOB CRANSHAW and DAVID LEE—All‐star copse on ouitar, tenor saxoohone, bass and drums, respectively. Boomers, 340 Stoecker St. Wed.‐Sat.
GORDON EDWARDS—Bass. With Cornell Dupree, guitar; Richard Tee, piano, Mikell's, 760 Columbus Ave. Sun.‐Thur.
ROY ELDRIDGE BAND—One of the chargeless trumpeters, the affiliated articulation amid Louis Armslrone and Dizzy Gillespie, with bandage that Includes Bobby Pratt, trombona; Joe Muranvi, clarinet. Jimmy Ryans, 154 W. 54th St. Tues.‐Sat.
DON ELLIOTT—The onetime vibraharpist in George Shearing's Quintet, now arena both accordance and mellophone. With his group. Stryker's, 103 W. 86th St. Wed.Thur.
CHUCK FOLDS—A pianist who starts In ragtime, moves to Harlem stride and afresh to beat and manages to accomplish all complete both aboriginal and contemporary. Cookery, 21 University PI. Sat. and Sun. afternoon.
CHUCK FOWLER—Piano. W. Boondock, 114 10th Ave., at 17th St. Today only.
TINY GRIMES‐The guitarist who was already a ablaze one—third of the acclaimed Art Tatum Leash is still acrimonious some accepted lines. West End Cafe, Sway and 114th St. Wed.‐Thur.
AL HAIG TRIO—Mon.‐Sat.: Piano by able survivor of the be‐bop era. Sun.: With accordant guitar by Sam Brown. Gregorts, 1149 Aboriginal Ave.
NANCY HARROW—A sumer who shone blithely but briefly in the aboriginal ‘60s allotment afterwards a continued absence. With
Marco Swados, piano, and Richard Davis, bass. Cookery, 21 Univ. PI. Sof&
LOUIS HAYES QUARTET—The bagman who already accumulating Cannonball Adderley's trouts leads his own Quartet, with Tex Alien on trumpet. Boomers, 340 Blacker St. Mon.‐Tues.
ROY HAYNES—A bagman who started out in be‐boo but developed his own Hair and flash. Tin Palace, 325 Bowery. Fri.‐Sat.
LANCE HAYWARD—A pianist with a ablaze blow and a able anamnesis for larz tunes and old sop songs. Nightly except Weds., aback Jim Roberts fills In at the piano. Jim Smith's Apple Corner, 142 Blocker St.
HELLMAN'S ANGELS—Daphne Hellman on harp, from dejection to classical, with the s000rt of guitar and bass. Apple Gale, Thompson and Bleecker Ste. Tues.
HELEN HUMES—One of the abundant dejection and carol singers, with Jerry Wiggins, Islam Johnny Williams, bass. Cookery, 21 University Pl. Mon: Sat.
MILT JACKSON QUARTET—The longtime vibist of the disbanded Modem Jan Quartet out on his own. Apple Vanguard, 1711 Seventh Ave. So today only.
THAD JONES/MEL LEWIS BIG BAND—Still accurate the apple move with performances that are as apart as Ian declared to be but rarely is. Buddy's Place, 133 W. 33d St. Mon.‐Sat.
MAX KAMINSKY—A adept of the Dixieland wars still alarming authoritative. acceptable trumpet. With his Dixieland Jan Band, of course. Jimmy Ryans, 154 W. 54th St. Sun.‐Mon.
["630.5"]
Gibson Gimpel Interior Design - Plano, TX - Interior Designers ... | Gibson Gimpel Interior DesignCROOKS KERR TRIO—The world's arch ascendancy on the compositions Duke Ellington. Kerr, a 23‐year‐old Pianist, plays with dyed‐In‐the‐wool Ellington veterans‐Sonny Greer and Russell Precepts, Gregory's, 1149 Aboriginal Ave. Wed.‐Sun.
LEE KONITZ TRIO—Konitz, the alone alto saxophonist who auspiciously went his own way aback Charlie Parker bedeviled Ian altolsts in the 40's, Is still action his own way, assisted by Dick Katz, on Piano and John Beal, bass. Occasional vocals by Lynn Crane, wife of the padrone. Gregory's, 1149 Aboriginal Ave. Mon:Tues. Kenn: Is additionally at the Tin Palace, 325 flowery. Sun.
ELLIS LARKINS — Feather fingers and adulation rhythms by a adept of the abandoned piano. Tangerine, Lex. Ave. end 75th St. Tues.‐Sat.
BERNIE LEIGHTON QUARTET—Polished applesauce affairs by a adept of abundant Benny Goodman groups. Jimmy Weston's, 131 E, Seth St. Suns.‐Mons.
DAVE MATTHEWS ORCHESTRA—A orevocative new 12•olece Ian bandage with a beginning ensemble sound, several able soloists and aesthetic arrange by Its pianist‐leader. Bristles Snot, 2 St. Marks Pl. Mons.
CHARLIE MINGUS—Mlngus, on bass, still ample as action and sometimes as unpredictable. With Novella Nelson, the extra angry singer. Bottom Line, IS W. 4th St. Thur.‐Sat.
MUSIC COMPLEX JAZZ ORCHESTRA —With Jaki Byard, bedfellow conductor, and featuring Sarah Boatner, vocalist. Bristles Soot, 2 St. Marks Pl. Suns.
NEW ORLEANS FUNERAL AND RAGTIME BAND—One of the liveliest and best able acceptable Ions bands town, apperception on a New Orleans repertory aback Woody Alen happens to be arena with them, on a Chicago repertory aback he Isn't. Michael's Pub, 211 E. 55th St. Mons.
RED NORVO—The aboriginal and still the best admirable mallet man in lam arena accordance (and maybe xylophone) with Hank Jones. Piano; Milt Hinton, bass; Ron Traxier. drums. Michael's Pub, 211 E. 55th St. Tues.‐Sat.
HOD O'BRIEN TRIO—Led by a pianist who knows Ian from be‐pop advanced and alike backward. St. James infirmary, 22 7th Ave. S. Suns.
SY OLIVER a HIS ORCHESTRA—Edges of Jimmie Luncedord and Tommy Dorsey, Played by the arranger who created a OAP for loth of those bands. Rainbow Rom, 30 itoellefeller Plan. Mon.‐Sat.
THE ORIGIRAL TRADITIONAL JAW BAND—Chelat musidans fatigued from woad iradltleelal Jan bends, lad by Stan Levine, a drummer, and abnormally notable for Jaceseg Kenian, whose acute whom carries balmy edam of Sidney Sachet. Patch's Inn, 314 E. 70th St. Weds only.
MURIEL ROBERTS—Included in Miss Roberts's Diane offerings are appearance tunas and Applesauce tunes flemelmans Bar, Carlyle Hotel, Mad. Ave. and 76th St. Men.‐Sat.
PHAROAH SANDERS QUINTET—Lots or tingle, chime and outerspaze complaining by a grouts that builds long, moody, impressionistic performances. Apple Vanguard, 178 Seventh Ave. S. Tues.Sat.
HAZEL SCOTT—Cerebrated Jan pianist. accompanist with her trio. Jimmy Weston's, 131 E. 54 St. Mon.‐Sat.
TONY SHEPPARD‐Singer/pianist. Witt Billy Pop, bass. Patch's Inn, 314 E. 70th St, Thur.‐Sat.
GRAHAM STEWART a HIS GAS HOUSE GANG—Lusty, New‐Orleans‐flavored Applesauce from trombonist Stewart, an aspect of amphitheater from bagman Freddie Moore and echoes of the Eddie Condon army from whomever abroad shows up. Gas House, 275'Flrst Ave. at 16th St. Thurs.
SUN RA ORCHESTRA—The ancient of the masters of amplitude Jazz, with a wagonload of instruments, backdrop and sounds. Bristles Spot, 2 St. Marks Pl. Sun. only.
SWING—TO BOP QUINTET — With Ed Lewis, trumpet, Harold Cumberbatch, baritone sax, backed by piano, drums and bass. West End Cafe, Bway and 114th St. Fris.
CECIL TAYLOR—A pianist of outstanding abstruse agility, who was avant afore there was a Applesauce avant garde, allotment to the arena of his best contempo triumphs. Bristles Spot, 2 St. Marks Pl. Tues. Suns.
TWO COUNTS, ONE DUKE AND A RAM —A Basis reunion‐Jo Jones, the abundant bagman of the aboriginal Basle band; Paul Quinichette, the saxonhonic “Vice Pres.” almsman to Lester Boyish in the in the 50's band. With Taft Jordan, trumpet; Ram Ramirez, piano. West End Cafe, ‘Way and 114th St. Sat.‐Sun.
MICHAL URBANIAK—A Polish violinist and saxophonist with awful alone Ideas and a actual absolute attack. Added End, 149 Bleecker St. Today only.
PATTI WICKS—At the piano, with the businessmen‐musicians of Applesauce At Noon, Drake Hotel, Park Ave. and 56th Sr. ‘Fri. only.
FRANC WILLIAMS SWING FOUR—Former Ellington artisan Franc Williams, Eddie Durham (trombone and electric guitar), who Played with Basle, Ram Ramirez, piano and Shelton Gary, drums. West End Cafe, Bway and 114th St. Mon. and Tues.
JOE LEE WILSON—A accompanist who hangs amid the old actuality and the new. St. James Infirmary, 22 7th Ave. S. Mons.
NEIL WOLFE — Plano. Wilts Richard Young, bass. Patch's Inn, 314 E. 70M St. Tues.
ATILA ZOLLER—A guitarist from Hungary who lingers amid classical and Applesauce Influences. Tin Palace, 325 Bowery. Wed.‐Thur.
Folk/Pop/Rock
In Concert
CHICAGO and THE BEACH BOYS—The affectionate of bifold bill that would accept been absurd in pre‐recession canicule two awfully accepted bands, Chicago a baton in big‐band Jazz‐rock; the Beach Boys, aggressive from the old canicule as surfing escapists. Madison Square Garden. Today, 7:30.
THE GEORGIA FLYER—A New Yorkbased dejection bandage led by guitarist Bob Maienky. South Street Seaport, 15 Fulton St. Today, 8.
JOHN JACKSON—A dejection accompanist and guitarist from Virginia with an easy, old‐fashioned way. South Street Seaport, 15 Fulton Street. Wed., 7:30. Free.
JOEL KAYE—Leading the New York Neophonic, a big bandage Patterned on the Los Angeles Neoplionic already led by Stan Renton. Stets of Nrooklyn forengb Nell. 200 Joraiemon St, Skim. Wed.. 12:30. Free.
TED LUNDY AND SOUTHERN MOUN—TAIN — BOYS‐Bluegrass in the unsullied; acceptable manner. South Street Seaport, 15 Fulton St. Thur., 7:30.
MIGHTY SPARROW—And ethers. Inks, appropriately music from the West Indies, beaded by on of the leadingractitioner of the more. Madison Square Garden Center. Today, 7 and 11.
“MR MUSIC”—A drowsiery of bedrock ‘n roll, with singers, dancers and musicians. Beacon Theater, Bway and 75th St. Today, 8; FrI.‐Sat.. 7:30 and 10:30.
MICKEY O'BRYAN—Calypso. Bryant Park Sixth Ave. and 42d St. Fri., 12:1S. Free.
RENAISSANCE—The pop‐rock big bandage that ambassador Howard Stein is aggravating to accomplish into cogwheel aftermost babble in elegance. Carnegie Halt. Fri abutting Sun., 8.
LINDA RUSSELL—FolksInger. “Songs of the Revolution.” An American Landmark Festivals concert at Hamilton Grange National Memorial, 227 Convent Ave., at 111st St. Today, 3. Free.
SCHAEFER MUSIC FESTIVAL—Man., 6:30: Tony Bennett and Lionel Hamaton. Wed., 7: Bob Marley and The Wailers. One of the actual best reggae groups, both Infectious and thoughtprovoking. Fri., 7 The Sensational Alex Harvey Band, a new rambudious British band. Sat., 7: 10 CC and The Image. One of the added Interesting of the clever, quick‐changing boyish British accelerating bedrock bands. Wellman Skating Rink Theater, Fifth Ave. and 99th St.
HARRY TERRILL—The one‐time advance saxophonist of Mitchell Ayres's bandage leads a blo bandage that follows the Ayres patterns. Bryant Park, Sixth Ave. and 42d St. Mon., 12:15. Free.
In the Clubs
VIVIAN BLAINE—Of “Guys and Dolls” and altered films, Miss Blaine follows in the footsteps of several added Broadway veterans at Brothers and Sisters. 355 W. 46th St. Nightly, through Sat.
CHERRY VANILLA—Trude Heller's, 418 Sixth Ave. Thurs.‐Sats.
JUDITH COHEN—An active accompanist with an basic app roads. Amphitheater Restaurant, 458 W. Bway. Tues.‐Sat.
RITA DIMITRI and STANLEY'BRILLIANT Op‐la‐la in their own balte by a bedmate (piano, guitar) and wife (00‐1a‐la) team. La Chansonette, 890 Second Ave. Tues.‐Sats.
EUNICE—Blues and homesickness with Bob Ashion's combo. Executive Suite, Alden WOW, C.P.W. and 120 St. Weds.
GEORGE FEVER—Popular even by as amateur who has been on the bistro scans for added than 25 Years. Stanhope. Fifth Ave. at 81st St. Tres‐Ws.
FRVING FIELDS & HIS TRIO‐Plano and vocals. Roman Pub, Nevi York Hilton, at Rockefeller Center. Tues.‐Sets.
TOMMY FURTADO TRIO—Jimmy Weston's, 131 E, 54th St. Mons.‐Fris.
DANA GILLESPIE and STEVE SATTENReno Sweeney, 126 W. 13th St. Tues.
GOTHAM‐Club Casablanca. 38th St. and Mad. Ave. Weds.‐Sims.
MURRAY GRAND—A active athenaeum of ‘ appearance tunes and well‐aged POP sans. Daly's Daffodil, Aboriginal Ave. and 59th St. Wed.‐Sun.
GOLDIE HAWKINS—Thg old, cheep faculty of Porstr, Kern, Gm.nwin et al. Played to a active fare‐thee‐well by a pianist who knows how to accumulate the music ‘bubblIno. Roger's, 324 E. 57th St. TUGS, Sat.
ISRAELI SHOW—Avram Grobard, Flue Russkys, others. El Avram, 80 Grave St. Wads.‐Suns.
LARRY JOHNSON‐Singer; pianist, organ1st. Pub Theatrical, ‘WOO and Set St. Tues.‐Sats.
LAINIE KAZAN‐A articulation that can belt but still be svelte. Rainbow Grill, Rockefeller Center. Tues.‐Sat.
AL KOOPER/ELLIOT LURIE‐Keeper Is adept of the New York folk arena and Dylan days, and a acceptable artisan on his own. Batton Line, 15 W. 4th St. Today only.
LEMON TREE—Shepherd's, Drake Hotel, 56th St. and Park Ave. Mon.‐Sat. LITTLE LULU AND THE HUMPERSRock band. Bisected Note Club, 149 W. 54th St.
MEL MARVIN and DAVID CHAMBERS—Manhattan Amphitheater Club, 321 E. 73d St. Today only.
ROGER McGUINN—And Jimmy Buffett. The aloft arch Byrd, alive adamantine to authorize himself as a abandoned artist. Bottom Line, 15 W. 4th St. Mon.‐Tues.
MERCEDES and MIRAL‐Middle Eastern singers. Dervish, 23 W. 8th St. Tues.Sun.
RUTH! NAVON—Israell singer. Sabra East, 232 E. 43d St. Niohtly, itxcapt Fri.
NOSTALGIA—Joe Carter, one‐man be nd, with Dorothy Arms, soprano; drip earthen Sill Dern, WIN and esters. BIll's Gay Mrs. 57 E. Mb St. agons.‐Sats.
LOUISE OGILVIE and ED LINDERMANDates Oat/edit, Serb St. eft Aboriginal Ave. Mem. and Tams.
SUCKY PITIARELLJ—A muter of adapt styles lass, OOP and dassicaL 5ftrebala. lea. Ave. and 74th St. Tues Wed. Nth.
LYNN RICNANDS—Pleae. Jentese, lie N. 61111 7N. Tose.,511.
RICARDO RODA — lansarodhuld. bele, 117 E. 55th St. Alerm. Sats.
E ARL NOSI—Pterdst Sift et ha Deft, MS tbkd Aim M.‐Set.
S ILL RUSSELL—A ‘Mahe and arduous become f haft eh that melds waft Ift mud rfterlunele nand complete NNW Wmw, folh Ind id Ave 111011).
CRAIG PUSSELL—Trude /Wier% 418 Shdh Ave Thrown Wad.
ARIS SAN GROUP—Sirocco, 21 R. 29tt St. Tres..Suns.
BOSSY SNORT—The ultimate in Ushers able, active bendable admirable shwins with Cowardly (Noel. Mat Is) onichiloo and ocaftenally swinslise out ft the plans. Wttn Saved). Peer, bass eft Dick Sheridan, drums. Cafe Carlyle. Carlota Hotel, Mad. Ave. and 77th St. Tues. Sets.
TRIO NUEVO MEXICO—Fonda Las Mliaems, 70 E. SSM St. Mon.‐Sat.
VAUDEVILLE—Marie lane, David sea. larnin, Softie “the singing dee. *Wm Macao Nahum*, ZO Med. Ave Safe.
WAYLAND FLOP/EIS—With “Madame.” Grand Finale, 210 W. 70th St. ???
Trittato
BLUEGRASS—Thur.: Central Allotment Malls. Fri.: Charlie Moore and the Dixie Parham. Spare Room, 740 Hamilton St., Scams*, N.J.
FIFTH DIMENSION and PHOEBE SNOW —Westbury Music Fair, Westbury, LI. Today, 5:30.
LENA HORNE and ALAN KING—Westchester Theater, Whits Plains Rd.. Tar. niown. Tues.‐Fri., 1:30; Sat., 7 and 10:30.
JESUS CHRIST SUPERSTAR—Rock opera, mdformed by Nassau Youth Amphitheater Co. Hofstra University, John Cranford Adams Playhouse, S. Campus, Hempstead, LI. Tues.‐Wed., 11:30.
TOM JONES—Westbury Music Mr. Westbury, LI. Tues. Fri. 1:303 Set., and 10:30.
PINK FLOYD — The beat British mew‐avant‐garde active band. Nassau Coliseum, Uniondale, LI. Mon.Tues., S.
SMITH STREET SOCIETY—A Dixieland damsel bandage flavored with honkr‐tonk, ragtime, and vaudeville. Nathan's, Oceantide. N.Y. Wed., 7.
WET WILLIE—Dodd's Molidowbrook Pred., 1050 Pompton Ave., Cedar Grove, N.J. Wad., 1 and 11:30.
(AN wedgy Was ellawat aster are carbon Suaftes.)
Art
Galleries Uptown
KERMIT ADLER‐Watercolors of augment and flowers better. 3 E. 7111h St. Thriven Sat. Closed Mons.
BORIS BILINSKY—Russien Megier of decors and apparel ter ballet end opera, 1900.1930 “It ts deer. Oft tram this rather abbreviate ‘selection, that he bed a admirable affected am” (Kratfer) Hutton, 967 Mad. Ave.. MI 74th St. Admitting Fri. Clossd Sals.
WINSTON ISRANOt.i—Smelebstrad paintings of abstracts and birds. Wien/ass. It E. 67th St, Generally Tues. Through July 3. Closed Sals.
MARC CHAGALL—Five painting end abed ISO graphics. Welnhaub, 992 Mad. Ave. at 77th St. Through June NI. Chesil Mons.
JANET CULBERTSON — MisadtadIum works en paper, on the affair “Woman. A New Myth.” Lerner‐Holler, 789 Mad. Ave.. at 67th St. Through June 3$. Closed Mons.
GEORGE GROSZ—Drawinp eel wailermien by this Gernioneftsrlan artisan (111m‐1959). Jain Russell slated that a Welt to the appearance was mandatory, if alone to see, a cardinal of alien drawings. Salbersty. 917 Mad. Ave.; at 77th St. Through June 2S. Cleo* Mons.
ALBERTO MAGNELLI—Fleuratlye and ‘ca. austere paintings (1914 to 1967) by an Italian artisan who lived and absolved in Franca. Aborbach, 911 Mad. Aso.. at 77th St. Through June IS. Closed Mona.
REUSES NAKIAN — Allegorical bronzes, assets end torn‐conas. Graham, 1014 Mad Ave, at 70th St. Through July 3.
NORMAN ROCKWELL—OrigInal paintings and drawings, Including several on accommodation from the artist. Arcade 1020, 1020 Med. Ave., it 791h St. Through June 24.
DAVID SMYTH—pastels et geometric shapes. Feldman, 33 E. 74th St. Through July 31. Closed Sits.
XCERON—Small watercolors, assets and gouaches, Additional a abhorrence paintings, by Gawk‐American artisan (18504967), In a appearance ranstne from his capricious ceramics of the 20'd.to his afterwards no040‐Active style. Urn), 20 E. 69th St. Through Juno Z. Closed Mons.
Group Shows
ACQUAVELLA, 1S E. 74111 St.—Scuiptures by Anthony Cam, David Smith end Willard Boepple, and paintings by Jules Olitsky, Walter Darby Banned, liens Hofmann, Gottlieb,’ Moselle, Duboffat and Matta. Through June XL Closed Sets.
ALEXANDER. 26 E. 70 St.—Prlats from the Cooper‐Hewitt Architecture collection, by Whistler, Childs Hassam, Mary Simms and Thomas Moran. Through June 27. Closed Sal, and Mons.
LA BOETIE, 9 E. 12d St.—Small works from the gallon collection, accumulation of Expressionist, and Surrealist, graphics. Through Jung 21. Closed Mons.
SORGENICHT, 1011 Mad. Ave.; at PM St.—“The affectionate Landscape,” a appearance Including John MacWhinnle, Gabor Petordi, Jimmy Ernst, Additional boyish artists. Through Fri. ‘Closed Mons.
ELKON, 1063 Med. Ave., at nth St—Re. cent assignment bY.111111art artisan NW Alm Including Edward ‘Avardislan, 70111 Or lap, William David Ridenhour, Wag Within. Throat* Sept. Closed Mona.
PETER FINDLAY, 162 E. SW St.—About 100 uldroa prints bi Swab, Womanly HOInlaill and Gibers. Through Sat. Cloud Mans.
FORUM, 1011 Med. Ave., N Mt St.A appearance of new aptitude oaintines by Jack earned, Robert Farris, Dan Ohstins earlatuns by Marisa Jacob. WIS. Ham Nualtheran. *name dens V. Omit Mans.
GALERIE INTERNATIONALE, 1095 Mad. Ave. at 1136, St.—Works in a beforehand of mediums by artists Judeuntrlee. Oftns Tues. Through de 24. Cased Meas.
GIMPEL. 1660 Mad. Ave..it MN 51,■ “The sole is that at Maraber fauslft the dela the astern elnetootettlee and action tulles; the emu. NW et Pallock K11M, Goittleb, Wed* Relneault. N’ teenate. Iletinann, Temlln. The ift Wads kruched vino elinched, IletteWe de Kaol in menet at blacks eft WOW. Rainftres procadftellen with the SW} cadent and werward buds of the brusIL” (Russell) Waugh July 11.
JACKSON. 32 E. 69th St—Gallant accumulation Mow. ThMuoll June Z. Mead Mans.
INOEDLER, 21 E. 70th St.—“Le Cabinet illthateur,” paintings displayed in allowance settings Si their period. “It Is appearance that is fun for about *dont and that for Assertive People‐Darticularly acceptance N Min Whey of art end the history 10,tatta‐will giving en Infer. bite het 01 NNW applique sandalled. *web Jaly 31. and their
KNOEDLER CONTEMPORARY. 19 E. 10th St.—Gatient artists, Including Darby Na ward, Mort* Louis, Larry’ PoOns and Path stawrwavo Jung 30. COTTLER, 3 E. 65th St A halt‐dozen artists. Through Sat. Mons.‐Fris.. 124; Sits., 121
EFEBRE, 47 E. 77th St.—“This is the Lefebre Gallery”: Alechlosky, Corneille, Jorge, Seoul; others. Through June 27. Closed Mons and Sets.
EVY, 981 Mad. Ave.‐“Paintings of American Summer, 1830‐1930,” Including works by Moran, Biers‐fedi additionally Durand. Through July 18. Closed Sets.
IICHOLLS, 1014 Mad. Ave., at 78th St.Cartoons and watercolors on the affair “Flora & Fauna,” by Charles Addams, Peter Arno, William Stele and others. Through July 18. Mons.‐Fris., 12.5.
PHOENIX, 939 Mad. Ave., at 74th St.A appearance adulatory the gallery's 17th season, with paintings by its 29 members. Opens Tues. Through July 3.
PANKOW, 108 E. 78th St.—Collages be painters Donna Byars, Carmen Cicero, John Day, Frank Dolphin and Catharine Warren. Through Aug. 30. Closed Mons.
RAYDON, 1091 Mad. Ave., at 82d St.Paintings, sculptures, watercolors and graphics. Through July 31. Closed Mons. had one‐man shows. Through Fri. Closed Mons.
SCHOELKOPF, 825 Mad. Ave., at 69th St.—‐Works by artists who accept never had one‐man shows. Through Fri. Closed Mons.
SHEPHERD, 21 E. 84th St.—A motor affectation of 19th‐century French allegorical works by 95 artists. “The Point of the appearance lies aloft all in Its generosity (160 items) and in Its affluence of abrupt Insights.” (Russell) Through June 28. Closed Mons.
SOLOMON, 959 Mad. Ave., at 75th St.Albers, Arp, Calder, de Kooning, Hofmann, Stella, Warhol. Through June 30.
STONE, 48 E. 86th St.—Works in varlous mediums by arcade and added artists. Through June 30. Closed Mons.
ZIERLER, 956 Mad. Ave., at 75th St.P.aintings by arcade artists. Through Jung 27. Closed Sets.
Galleries 57th St.
EDWARD HICKS‐“This handsome analysis of the paintings of Edward Hicks (1780‐1849), the Quaker preacher who became a archetypal amount in the history of American folk art with his pictures of the ‘Peaceable Kingdom,’ is of a affection and ambit that we commonly apprehend alone from the best austere architecture shows.” (Kramer) Crispo, 41 E. 57th St. Through June 28. Accessible Suns., 1:30.5.
HANS HOFMANN‐A alternative of astern paintings. Emmerich, 41 E. 57th St.—Through June 27. Closed Mons.
CLAUDIO MARZOLLO — Kinetic ablaze sculptures. Fishbach, 29 W. 57th St.—Through June 28. Closed Mons.
YVONNE MULLER — New abstruse blush paintings. De Marry, 29 W. 57th St.—Through June 27. Closed Mons.
ISAMU. NOGUCHI — New stainless‐steel sculptures. Pace, 32 E. 57th St. Through Frl. Closed Mons.
LEON POLK SMITH‐Hard‐edge, geometric paintings and collages in two or three colors. Rene, 6 W. 57th St.—Through Sat. Closed Mons.
ROGER WELCH‐Videos and affidavit on the affair of near‐death. Stefondly, 50 W. 57th St. Through June 28. Closed Mons.
Group Shows
ARRAS, 29 W. 57th St. — Tapestries, sculptures and paintings by arcade artists, additional assets and miniature paintings be Norman Laliberte. Through June 27. Closed Mons.
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Gibson Gimpel Interior Design - Plano, TX - Interior Designers ... | Gibson Gimpel Interior DesignESMAN, 29 W. 57th St.—Paintings end bank pleces by seven artists. Through July 31. Closed Mons.
FRUMKIN, 41 E. 57th St.—New assignment be arcade artists, Including an oil by Philip Pearlstein, a dyptich by James McGarrell, a self‐portrait by Joan Brown and an ecology by Willard Midgette. Through July 31. Closed Sale.
KENNEDY, 40 W. 57th St.—Over 50 works in altered mediums, on the affair of the Western expansion, by Charles M. Russell, Frederic Remington, George Catlin and others, Through July 3 Closed Mons.
MIDTOWN, 11 E. 57th St.—Works by Isabel Bishop, Hans Moller, Fred Nagler, Robert Vickrey and added associates of the Midtown group. Through July. Closed Sate.
PACE, 32 E. 57th St.—New acquisitions of African and Oceanic art, Throcigb Aug. 17. Cored Mons.
SACHS, 29 W. 57th St.—Paintings in variBrandt, Cavallon, Civlous telto, Denby, Guerrero, Lorber, Pace and others. Through June 26. Closed Mons and Sets.
ZABRISKIE, 29 W. 57th St. Ecology sculptures accurate with models, studies, slides and photographs, by Lloyd Hamrol, Anne Healy and Athena Taita• Opens Tues. Through July 31. Closed Sato.
Galleries SoHo
STEPHEN ANTONAKOS‐Neon sculptures of abridged squares and circles. Weber, 420 W. Bway. Through June 25. Closed Mons.
H. AOKI‐Paintings of maps of New York. Razor, 444 W. Sway. Through ‘June 26. Closed Mons.
ROBERT ELLIS — Photo‐sensitized areas and astute corrective Images on canvas. Yu, 393 W. Bway, Through Thur. Closed Mons.
M.C. ESCHER‐Drawings and prints, additional two documentary films assuming the well‐known print‐maker (1898‐1972) at work. Vorpal, 465 W. Bway. Through Sept. 30. Closed Mons.; accessible Suns., 1‐6.
MICHAEL GOLDBERG — Paintings and drawings. Cuningham Ward, 94 Prince St. Through June 28. Closed Mons.
LINDA HOWARD‐Five ample aluminum Sculptures. Carve Now, 142 Greene St. Through Sat.
DON JOHNSON and JAMES TORLAKSON Allegorical aggregation paintings accompanying to the affair of fishing by Mr. Johnboil. Watercolors that characterize abounding aspads of the burghal ambiance by Mr. Torlakson. Hoffman, 429 W. Sway. Through June 25. Closed Mons.
BEVERLY PEPPER‐Models and photographs of two astronomic land‐sculptures, one of which has bean completed In ‘Dallas, Texas. Emmerich, 420 W. Sway. Through June 27. Also, four ample sculptures at Hammarskiold Plaza Carve Garden, 47th St. and Second Ave. • Through Labor Day.
ANDRES RODRIGUEZ‐SANTOS and HARRY M. ZINZELLA‐Charcoal assets and Paintings by the former, and photolithographs by the latter. Terrain, 141 Greene St. Through Thur. Tues.‐Sats.
PETER van der DOES‐“New Textural Works.” 55 Mercer Street. Through June 30. Tues.‐Sals., 12‐6.
Group Shows
A.I.R., 97 Wooster St‐Gallery artists, Including Attie, Degas, Healy and Spero. Through Wed, Closed Mons.
BOWERY, 135 Greene St.—P:110111s by affiliate artists. Through June 30. Tues.Sets., 1‐6.
CLOUD, 152 Wooster St.—Works in altered mediums by Joel Tarlowe, William Beimken, Janet Shafner, Louise Abrams and Beryl Catalano. Through Juno 28. Closed Mons.; accessible Suns.
COOPER, 155 Wooster St.—Lynda knells, ‐Robert Grosvenor, Richard Van Buren and others. Through June 28. Closed Mons.
FIRST STREET GALLERY, 118 Prince St.—‐Gallery members. Through June 29. a Frig.‐Suns., 1‐6.
GREEN MOUNTAIN, 135 Greene St.Group appearance by arcade artists and ■ abstracted appearance of mural paintings shy. New England artisan Francis Conners. Through Thur. Closed Mons.
HUNDRED ACRES, 156 W. Sway‐Gallery group. Opens Sal. Through July 31.
0. K. HARRIS, 383 W. Sway‐An Inv,. tatIonel exhibition of works in altered 6 mediums by about a dozen artists. Opens ‐Set Through July 25. Closed Mons.
PPINCE STREET GALLERY, 106 Prince St. — Two ??? paintings aolace by arcade artists. Through June 210, Fris.‐Suns., 1.5.
SECOND STORY SPRING STREET SOCIETY. 167 swims St.—Paintings, sculptures and assemblages by arcade artists. Through July 15. Closed Mons.
SOHO 20, 99 Siertng St.—Invitational appearance of women artists, two works from each, In a ambit of shies and mediums. Through Jane 21. Closed Moos.
UNICORN. 120 Spring St.—Paintings by Harold Garde, and Pat and Chuck Tafra. Through June 24. Closed Mons.
WESTBROADWAY, 431 W. Bway—Members’ accumulation exhibition additional works alleged by associates of the salters, of accouchement all adolescent than 14 years. Through June 24. Closed Moos.
WOMEN IN THE ARTS, 435 &Acme St. —Works in a cardinal of mediums by Sari Dienes, Lin Ehrlich, Myra Gods, Bernet% Rudolph and Judy Seigel. Through July 12. Tuts. and Sets., 2‐5.
Other
AFRICAN‐AMERICAN INSTITUTE, Aboriginal Ave. at 47th St.—Seventy‐five bolt from nine West African countries. Through Aug. 31. Mons.‐Frls, 9.5; Sets.. 11‐5.
CITY UNIVERSITY GRADUATE CENTER. 33 W. 42d St.—The Third All-embracing Computer Art Festival of computergenerated cartoon and sculptures. Through Sat. Mons.‐Fris., 9‐6; Sats., 11‐3.
DORSKY, 111 Fourth Ave., at 11th St.—Gallery artists Nathan Oliveira, William Crutchfield and Richard Hunt. Through July 3.
AL HIRSCHFELD—A attendant of assets of affected and amusing caricatures. Felden, 51 E. 10th St. Through June 30. Closed Sat. morns.
PIERRE MONTANT—A agreeable abstruse painter Introducing the amount and allwhite works. Touchstone, 37 E. 4th St. Closes today.
NEW SCHOOL ART CENTER, 65 Fifth Ave.—Environmental and Interior designs, graphics, Illustrations, sculptures, Paintings and so forth, from acceptance or Parsons Academy of Design. Through July 30. Mons.‐Fris., 124; Sits., 10‐6.
NOHO, 542 LaGuardia Pl.—Amorphic‐like forms corrective in acrylics by Elizabeth Lienau Blumenthal. Landscapes and abstracts by Dorothy B, Hayes. A ample dlohich accumulation abstruse shapes and the animal amount by Juliette Leff. Through June 21. Tues.‐Sats., 1‐6; Suns.. 1‐S.
NINA POSNANSKY and ROGER SCHERMOND—Figure paintings by the aloft and aberrant amount paintings by the latter. Waverly, 103 Waverly Pl. Through June 29. Closed Weds.
PRATT GRAPHICS CENTER, 831 Broadway, at 13th St.—Prints by Pratt printmakers. Through June 30. Closed Sat. morns.
ELDRIDGE SUGGS III — Brightly black paintings with an Impasto affect and tapestries in a folk tradition. Acts of Art, 15 Charles St. Through Sat. Tues.Sets.. 2‐B.
ANNE TABACHNICK — Contempo assets and paintings of landscapes and still fifes. Roko, 90 E. 10th St. Through June 30. Tues.‐Sats., 124.
Museums
AMERICAN ACADEMY OF ARTS AND LETTERS, Bway at 155th St.—Paintings, sculptures, photos and manuscripts by anew adopted associates and recipients of awards. Closes today. Daily, except Mons., 1.4.
AMERICAN MUSEUM OF NATURAL HISTORY. Central Park W. at 79th St.—“A Abreast African Arts Festival,” comprised of added than 200 works that accommodate graphics, paintings, sculptures, pottery, carved calabashes, textiles. leatherwork and tapestries, done by artists from nine African countries. Through Aug. 17. About 20 hand‐woven tapestries created by accouchement and adults at a branch accustomed by the astern Ramses Wisse Wessel in Egypt. Through July 20. Leonard Todd, an architect, uses debris cans, toys and amateur to agreement with architectural forms. Through Oct. Mons.‐Sats., 10‐4:45; Suns. and holidays, 11‐5.
ASIA HOUSE, 112 E. 64th St.—Oriental treasures from the Musee Gulmet, In Paris. “Whereas Ginnet himself took a primarily accurate absorption in his collections, the choices for Asla Abode were fabricated with artful belief In mind; and they accomplish an acclaimed show.” (Russell) Closes today. Mons.Fris., 10‐5; Sets., 11.5; Suns., 1‐5.
BROOKLYN MUSEUM, Eastern Parkway and Washington Ave.—An exhibition of 19th and aboriginal 20th‐century oils, watercolors and pastels by Thomas Cole, Albert Pinkham Ryder, Elli; Vedder and added American painters. Through June. “A Anniversary for Every Season: Japanese Paintings from the CD, Carter ColtectIon,” a appearance of added than 53 awning and annal paintings apery best of the above schools of Japanese painting. Through Aug. 10. Over 100 brand and butt seals from the Abreast East, from the astern Ith millenlum B. C. to the end of the Sasanian Dynasty in the 7th aeon A.D. Through abutting May. Fifty Southeast Asian ceramics, from the 14th aeon through the 16th. Through Aug. 31. Over 100 prints and assets by Bonnard, Hackney. Warhol and others. Through Aug. 31. Weds., 10‐9; Thurs.Sets., 10‐5; Suns., 11‐5; holidays, 1‐S.
BRONX COUNTY HISTORICAL SOCIETY, Bainbridge Ave. and E. 208th St. —Spring art affectation in the garden. Closes today. Sets. and Suns., 1‐4. BRONX MUSEUM OF THE ARTS, 851 Grand Concourse‐Eighty aboriginal assets from ‘the National Cartoonists Association collection, IlluttratIng the actual development of the assistant bandage aback Its origins in 1895. Through June 29. Mons Frls., 10‐4; Suns., 2‐5.
CENTER FOR INTER‐AMERICAN RELATIONS, 680 Park Ave, at 68th St.—An affectation of tapestries by Luis Montle!, Guarnran artisan from Venezuela. Daily, 12‐6.
CHINA INSTITUTE, 125 E. 65th St.—A hundred and twenty‐six pieces of ancient Chinese afflict on accommodation from the Buffalo Architecture of Science. Closes today. Mons:Fris., 104; Sets., 11.5; Suns., 2‐5. THE CLOISTERS, Fort Tryon Part‐The abiding collection. Tues.‐Sals., 10‐4:45; Suns., 14:45.
COOPER‐HEWITT MUSEUM OF DESIGN, 9 E. 90th St.—Sponsor of the “Immovable Altar Exhibit,” a walkine circuit from Battery Park to the Brooklyn Bridge, In which architectures appearance of the burghal are acicular out. Opens Wed. Through Aug. 8.
FINCH COLLEGE MUSEUM OF ART, 62 E. 78th St.—About 80 paintings and works on paper, from accessible and clandestine collections, by Abstruse Expressionist James Brooks. Closes today. Daily, except Mons., 1‐5.
FRICK COLLECTION, 1 E. 70th St.—A abiding accumulating housed in the rest. dente of Henry Clay Frick (1849‐19191. Weds and Suns., 1.6; Thurs.‐Sals., 104.
GUGGENHEIM MUSEUM, 1071 Fifth Ave., at Beth St.—Works in altered mediums by American artists of the 60's and 70's. Through Sept. 7. A analysis of works on Payer by Marc Chagall, accoutrement in archival arrangement the altered periods of the artist's career and supplemented by above oils from the museum's accumulating and on loan. Through Sept. 28. Tues., 114; Weds: Suns. and holidays, 11‐5. Closed Mons.
HAYDEN PLANETARIUM, C.P.W. at account St. —Laserium, the laser ablaze concert, Presented Thursday, Friday, Saturday and Sunday evenings at 7:30, 9 and 10:30. Through Aug. 31. Also, the Sky Show, presented weekdays at 2 and 3:30 Sits, at 11, 1, 2, 3, 4 and 5; Suns. at 2, 3, 4, and 5.
JEWISH MUSEUM, Fifth Ave. at 92d St.—A Biblical mural fabricated from a array of abstracts by over 1000 New York academy children. Through Dec. 6. “Magic and Superstition in the Jewish Tradition,” a appearance of artifacts, folk art, assets and added objects, as able-bodied as an audio‐visual presentation. Through Sept, 14. Paintings by the Israeli artisan Pinhas Shear. Through July 11. Mons Thurs., 12‐5; Suns 11‐6.
METROPOLITAN MUSEUM OF ART, Fifth Ave. at 12d St. — “Romantic and Glamorous Hollywood Design,” an exhibition of clothes beat by acclaimed blur stars from the 1920's to the 1960's. Through Aug. 31. “Francis Bacon: Contempo Paintings 1961‐1974,” 36 Paintings (of agreeable faces, spastic figures, butchered abandon of beef and added sublects cogent 20th‐contury angst), done aback 1968, in a attenuate one man appearance here. “The time may Indeed be accomplished for Mr. Bacon's adulatory access Into the alertness of American art, for he is acutely one of the classiest conserve. bristles painters on the apple scene.” (Kra, mer) Through June 29. “From the Acreage of the Scvlhlans: Ancient Treasures from the Museums of the U.S.S.R., 3000 B.C. to 100 B.C.” “The accuracy and action of account that charac. terize the Scythian gold bblects are amount for around-the-clock exhilaration.” (Runsell). Through July 13. the abreast addition of the Metropolitan, advised tem‐lath to abode the Robert Lohman Accumulating of paintings, Malone., Venetian glass, Jewelry and furniture. “That there are admirable Mines in the Lehman accumulating is not in dispute; but the collar, tions or a whats no focus no adherence no constant eie for moiler.” (Russell) “Seeder Citizens Art Exhibition ‘75,” locioding over 70 obisds of art. “French Painting 1774.1830: The Age of Revolution,’ en exhibition In. accusation assignment by Ingres, David, Gericautt and Delacroix. Through Sept. 7. Weds.1Sals., 10‐4:45; Tues., 104; Suns., 114:45. Closed Mons.
MORGAN LIBRARY, 29 E. 36th St.—Over 125 assets by Beniamin West and by his sifted son, Raphael Lamar West. “This Is, all in all, absolutely the affectionate of exhibition one has hoped the Bicentennial would accompany us appearance that Illuminates an breadth of our aesthetic ancestry tormerty abstruse or Ignored.” (Kramer) Through July 31. Contempo acquisitions for the Cary Music Collection. Through July 31. Tues‐Sats., 10:30‐5; Suns., 1.5.
MUSEUM OF THE AMERICAN INDIAN, Iwo, at 155th St.—Nineteen paintings by. North American Indian artists; and 33 Mexican masks that Accommodate specific architecture elements for social, political or religious activity. Through July 30. Daily, except Mons., 1‐S.
MUSEUM OF THE CITY OF NEW YORK, Sth Ave. at 103d St.—“Curtain Call,” a affectation of whitings, drawings, posters, sculptures and apparel adulatory the women who graced New York's amphitheater for the oast 70 years, such as Anita Loos, Sarah Bernhardt and Irene Castle. Through Sept. 1. “How Austere Was My City,” an affectation which describes the amusing problems of 19th‐century New York by agency of photograohs, journals, maps, manuscripts and added material. Through Sept. L Tues..Sats., 104; Suns. and holidays, 1‐S.
MUSEUM OF MODERN ART, 11 W. 5311 St.—Recent acquisitions of paintings and sculptures. Through June 29. Assets from the 1920's by 51 artists from France, Germany, Russia and the U. S. Closes today. Approximately 35 awe-inspiring works, DIM a baby accumulation of table sculptures, in a attendant of the assignment of the British sculptor Anthony Caro. “It is this faculty of an advancing exeerience advance in anchored but abundant amplitude that Mr. Caro brought to abstruse carve with such agreeable finesse, and it is for this that Posterity is acceptable to account him.” (Kramer) Through July 6. An Informal analysis of the museum's assets from 1920 through 1929. Closes today. Video protects’ by eight artists. Through July 31. Attenuate documents, scripts, stills and posters accompanying to the career of D’ Griffith. Through June 29. Graphic designs from posters, books, annual layouts and logotypes done by Milton Glazer in the aftermost decade. Through Sept. 14. Eight black‐and‐white video tapes by Jean OM, Vito Acconci, Bill Biota, Giulio Paolinl, others, on appearance daily, 11.2. Through July 31. Tues.Sets., 10:30‐5; Thurs., 11‐9; Suns., 12‐6. The museum's Summergarden, W. 54th St., is accessible Frls..Suns., 6‐10; and 8. Free.
NEW YORK CULTURAL CENTER, 2. Columbus Circle—“The Nude in American Art,” a appearance archetype the subiect from the colonial paintings of Benjamin West and John Singleton Copley to the assignment of Tom Wesselman and Philip Pearistein. “This is a appearance to be apparent —to be faced, one should rather say.” (Russell) Through June 29. Sixty‐five paintings by 23 20th‐century Spanish artists, amid them Miro, Tapies and Rivera. Through June 30. An architectonic carve erected alfresco the Center and extending aloft the architecture itself, advised by Paul von Ringelhelm in anniversary of the Bicentennial. Through June 30. “200 Years of Royal Copenhagen Porcelain.” Closes today. Weds.Suns., 1.6.
NEW‐YORK HISTORICAL SOCIETY, 170 Central Park West, at 77 St. — “The Sword of Apostasy is Drawn: New York in the American Revolution,” a appearance depicting the battlefields, forts, landmarks and bodies of the “War of American ability in New York,” Inducing photography, accumulation and manuscripts. Tues.‐Fris., and Suns., 1‐5; Sets., 10.S.
NEW YORK PUBLIC LIBRARY, Fifth Ave. at 42d St.—“Joint Lives: Elizabeth Barrett and Robert Browning,” an affectation comprised of 150 Items. Through Nov. 1. Attenuate Library backing of Swiss prints and books. Closes today. Mons.‐Sats., 9‐5.
NEW YORK PUBLIC LIBRARY AT LINCOLN CENTER—A colledion of 90 attenuate and altered agreeable Instruments dating aback over a aeon of bristles centuries. Through Sat. “Hommage a Ravel,” a appearance in coniondion with the New York Burghal Ballet's “Hammage,” consisting of Ravel manuscripts and, memorabilia. Through June 30. Abstruse collages by Philip Laing. Through Aug. 16. Mons.‐Sats., 12‐6.
QUEENS MUSEUM, New York Burghal Bldg., Flushing Meadow‐Corona Park, Flushing, N.Y.—Ceramic works from three Peruvian cultures, anachronous from 500 B.C. to 500 A.D. Through July 27. Tues.‐Sats., 10‐5; Suns., 1‐S.
SOUTH STREET SEAPORT MUSEUM, 16 Fulton St.—Ten Paintings of whales by Richard Ellis. Through June 29. “Seascapes and Psalms.” by Christine Chew Smith. Through June 30. Daily, 12.6.
STORE FRONT MUSEUM, 162‐02 Libelist Ave., Jamaica—Polychromed sculptures from West Africa, abounding of which were carved ancestors ago, sometimes for shock effect, psycholozical acceptation or allegorical effect. Through Aug. 16. Tues. Fris., 10:30.5; Sate., 12‐3.
STUDIO MUSEUM IN HARISM, 2033 Fifth Ave., at 125th St.—Paintings and assets of burghal scenes by ‘Arthur Coppedge. Through June 30. Mons. and Weds., 10‐9: Tues., Thurs., and Fris., 10‐6; Sets and Suns., 1‐6.
WHITNEY MUSEUM, 945 Mad. Ave., at 75th St.—“20th‐Century Assets from the Abiding Collection,” with works alignment from a Prendergast watercolor to a Calder gouache. Through July 13. Twenty‐four paintings by Jo Baer, an aboriginal Minimal artist. Through July 13. “The Whitney Flat Club and American Art, 1900‐1932,” a appearance in accolade to the museum's founder, Gertrude Vanderbilt Whitney, and a about organized analysis of American art over 32‐year period. “Here a action spirit Prevails. Reminiscence takes antecedent over discrimination.” (Kramer) Through Sept. 3. Works by teenagers who use flat accessories operated by the Whitney's Education Department on Manhattan's lower East Side. Through June 29. Alleged assignment by 14 video artists projected en a tour‐by‐six bottom awning abiding Into four feature‐length programs. Through Wed. “Seascape and the American Imagination,” an exhibition assuming the Influence of sea and bank on American artists (Blakelock, Homer, Ryder and others), accoutrement a aeon from the astern 17th aeon to the aboriginal 20th. Through Sept. 9. Mons.‐Sats., 11‐6; Tues, eves until 10 (free admission); 12‐6.
Tristate Region
ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, Conn. — Paintings, sculptures and constructions by lesserknown artists. Through Aug. 31. Sots. and Suns., 2‐5.
DAVISON ART CENTER, Wesleyan U., Middletown, Conn.—A baby appearance of Prints and drawings, additional three sculptures, by Lee Bontecou. Closes today. Mons.‐Sats., 10‐4; Suns., 2‐5.
HECKSCHER MUSEUM, Prime Ave., Huntington, N. Y.—“The Ball of the See,” 65 paintings, watercolors, assets and Prints on loan. Closes today. Fris., 10‐5; lets.. Suns. ant tedidays,14.
HUDSON RIVER MUSEUM, 517 Warburton Ave.. Yonkers—“FHgbt for Fun,” a appearance which tells the chance of man's allure with flight as reflected through abreast art. Through June 22. Tues.‐Sats., 10‐5; Wed. eves.. 7‐10; Sung., 1‐5.
KATONAN GALLERY, 28 Bedford Rd.. Katonah, N. Y.—“Minf‐Ch'l Clay Abstracts Reflecting Ufe in Ancient China.” “These dars accept a absolutely artful beauty, but it is accessory to their adorableness as altar able with a action so active that time cannot extinguish It.” (Canaday) Through June 2P. Suns.. Tues.. Thurs., 2‐5; Eds. and Sets., 10‐5.
LYMAN ALLYN MUSEUM, 100 Mohegan Ave., New London, Conn.—Paintings and prints by Nelson C. White. Through July 6. Tues.‐Sats.. 1‐5; Suns., 2‐5.
MONTCLAIR ART MUSEUM, 3 So. Affluence Ave., Montclair, N.J.—Paintings by Loren Macvar. Through June 22. Posters by Ben Shahn. Through June 22. Tues.‐Sats., 10‐5; Suns., 2‐5:30.
MUSEUM OF ART, SCIENCE & INDUSTRY, 4450 Park Ave., Bridgeport, Conn.—Contemporary Chinese brushwork by Wang Chi‐Yuan. Tues.‐Suns., 2‐5.
NEUBERGER MUSEUM, Academy at Purchase, Purchase, N.Y.—Models and allegorical texts accompanying to the assignment of the American artisan Edward Lerrabee Barnes. Tues.‐Sats., 11‐5; Suns. 15.
YALE UNIVERSITY ART GALLERY, New Haven, Conn. — Aboriginal 20th‐century American Realist prints, assets and watercolors. Through Aug. 31. Tues.Sets., 10‐5; Suns., 2‐5. Closed Mona. and holidays.
Photography
ADAL and MURRAY ALCOSSER—Fotomontage by Adal and a blush portfolio by Pr. Alcosser. Foto, 492 Broome St. Through June 28. Weds.‐Sats., 1.6.
JONATHAN BAYER—Black‐and‐white photographs. Carlton, 127 E. 69th St. Through June 28. Closed Mons.
MANUEL ALVAREZ BRAVO—Work from the aftermost bristles decades by a Mexican Photographer. Witkin, 243 E. 60th St. Through Sat. Closed Mons., accessible Thur. eves until S.
MICHAEL DE CAMP and BARBRA WALZ —Dye alteration Images accumulation 9e0. metrics with bolt and cardboard by the former; black‐and‐white pictures emphasizing design, adverse and arrangement by the latter. Nikon House, Mad. Ave. and 50th St. Through June 27, Closed sets.
PAUL DIAMOND and BERNARD PIERRE WOLFF—Mostly black‐and‐while photos. raphs of Mr. Diamond's action in California; and photographs fabricated in India by Mr. Wolff. Midtown Y, 344 E. Through Fri. Thurs.‐Sat., 1.6; Suns., 2‐5.
WILL FALLER—Photographic prints adapted by the artisan with the use of dyes, oils, pencils and chemicals. Focus II, 163 W. 74th St. Through June 30. Accessible evenings, from 8.
NICOLE FRIED and JANET GARSTKA—Photos accumulation faces, nudes, oblects, copse and plants, with mural or cosmos backgrounds, by Miss Fried, and blush Photos of signs by Miss Grastka. Helium 224 E. 68th St. Through Fri. Thurs.‐Sats., 1‐6; Suns.
EIKOH HO OE and DAVID FREUND—Urban settings in Japan by the former, and burghal landscapes by the latter. Light, 1018 Mad. Ave., at 79th St. Through June 28. Closed Mons.
IRVING PENN—Twelve contempo prints In platinum. Architecture of Modern Art, 11 W. 53d St. Through Aug. 3. Mons.‐Sats., 11.6; Thur. eves until 9; Suns., 12‐6.
FREDERICK PLAUT—Scenes and portraits taken in abounding adapted genitalia of the world. Camera Club of New York, 37 E. 60th St. Through July 30. Mons.Fris., 2‐6.
CHRISTOPHER RAUSCHENBERG—Blackand‐white photographs from the aftermost three years. Through June 26. Closed Mons.
WILLIS PETERSON—Colcr photographs or animals which abide the Southwestern deserts, the Northwest and Alaska, the Abundant Plains and the Eastern United States. American Architecture of Accustomed History, Central Park W. at 79th St. Through July 5, Mons.‐Sats., 10‐4:45; Suns., 11‐5.
FRANCOISE SAUR and EDDIE KULIGOWSKI—Photographs of Alsace by Miss Seer and a “Beach Games” by Mr. Kuligowski. French Cultural Services, 972 Fifth Ave. Through Fri.
W. EUGENE SMITH — “Minamata,” alternation of photographs on the sublect of the contagion of the sea by Industrial wastes about a Jananese fishing lane. “He is a man with a mission, and his mission is to actuate us that article both angry and capricious has befallen the numan condition.” (Kramer) Gene Thornton commented, however, “The aboriginal adjustment in Action was added able both as art and as propaganda, and added aces of canning in a abiding form.” All-embracing Center of Phoograshy, 1130 Fifth Ave., at 94th St. Through June 29. Tues.‐Suns., 114.
ROBB WEBB—Studies of Coney Island in wintertime, Crossroad, 2639 Bwav, at 100th St. Through June 30. Daily, 12‐12.
DAN WILLIAMS—Work by a columnist from Ohio. Flat Architecture in Harlem, 2033 Fifth Ave., at 125th St. Through July 16. Mons.‐Weds., 10.9; Tues., Thurs., Fris., 10‐6; Sats. and Suns. 1‐6.
Group Shows
ELLIOTT, 1018 Mad. Ave., at 79th St.—Photography in France, from Daguarre to Atget. “If there was annihilation abroad in this appearance but the abundant photographs of Baudelaire and his illustrious contemPorarles by Cadet, It would be an event, but here, too, are astonishing plctures by Nader, Negro, DuCharno and others, alignment from biking pictures of the Middle East to what assume to be some of the ancient amative nudes.” (Kramer) Through June 30.
FLOATING FOUNDATION OF PHOTOGRAPH, W. 79th St. Boat Basin—Group show. Through June 29. Sets. and Suns., 12:304:30.
METROPOLITAN MUSEUM, Fifth Ave. at 82d St.—“Era of Analysis the Rise of Mural Photography in the American West, 1860‐1885,” a above assuming of mural photographers of the astern 19th century, amid them O'Sullivan, MuybrIdge and William Bell. “We see some of the best aberrant landscapes accepted to man, and we are in at the bearing of a new approach of communication.” (Russell) Through July 6. Weds‐Sats., 10‐4:45; Tues eves., until 8:45; Suns., 11‐4:45. Closed Mons. and holidays.
NEW‐YORK HISTORICAL SOCIETY, 170 CPW, at 77th St.—Contemporary photographers attending at New York as it appears in the bicentennial decade. Tues.Frls., Suns., 1.5; Sets., 10‐5.
SCHOELKOPF, 825 Mad. Ave., at 69th St. —Nineteenth‐center, photographs of the Middle East, by elicited, Bonfils, Beate, Film, others. Through July 11. Closed Mons.
SOHOPHOTO, 30 W. 13th St.—Elaine Martens, Gary Schoichet, Dawn Mitchell Tress, Elaine Wickens. Through June 29. Tues., 7.9 P.M.; Sats. and Suns., 14.
WOMEN'S INTERART CENTER, 549 W. 52d St.—“PholeFlow: New Dimessicms,” an analysis of accurate anatomy and design. Through July 21. Mons. Fris., 24.
For children
ACTING BY CHILDREN — “People Painter,” a agreeable performed by children. Hudson Guild, 441 W. 26th St. Today, 1 and 3.
CHILDREN'S CABARET—Entertalners below the age of 16, with Andy Kaufman as adept of ceremonies, In a connected appearance from cafeteria until banquet time. (Adults accepted alone if accompanied by a child.) Improvisation Cafe, 351 W. 44th St. Suns.
FILM—“Lost Horizon” (1937), with Renaid Colman, Jane Wyatt and Edward Everett Horton. Architecture of Modern Art, 11 W. 53d St. Today, 2.
JUNIOR MUSEUM—During the summer (daily, except Mons.), the architecture conducts abundance hunts, flat workshops and excursions through the gallery, fop accouchement alignment in age from 3 to 12. Burghal Museum, Fifth Ave. at 824 St.
THE OLD CURIOSITY SHOP—An hour of folk tales and archetypal belief by Dickens, Kipling, Carroll, Poe and others. Universalist Church, 4 W. 76th St. Sets., 2:30.
PLAYMATES COMPANY—“The Owl and the Pussycat,” a agreeable play. St. Peter's Episcopal Church, 346 W. 20th St Today, Sat., abutting Sun., 1 and 3.
13TH STREET THEATER—Sets, and Suns., 1: The Cat in the Castle.” Sits and Suns., 3: “The Three Magic Mushrooms.” 50 W. 13th St.
Miscellany
AUCTION—Japanese works of art. Sotheby Parka Bernet, 980 Mad. Ave. Mon., 2; Tues., 10:15 and I; Wed. and Thur., 10:15 and 2.
FILMS—A accolade to women who accept accounting for the screen, including Morsuerite Duras, Lillian Hellman, Eleanor Perry, Penelope Gilliatt, Jay Presson Allen, sponsored by Women's Interart Center and the New School. Fifth Avenue Cinema, Fifth Ave. and 12th St. Today, 7:30.
NEW YORK FLEA MARKET—About 100 artisans, antiquarians, brand and bread dealers, abounding from out‐of‐state. 25th St. and Sixth Ave. Suns., 12‐7, acclimate permitting.
NEW VAUDEVILLIANS ‘75—A alternation of productions alms abreast artists In the acceptable amphitheater format. R.F.K. Theater, 219 W. 48th St. Opens Thur. Thurs.‐Suns., II matinees Sits. and Suns., 3.
STREET FAIR—Exhibits of antiques, aged cars and best costumes, 52d St., from Eighth Ave. to Aboriginal Ave. today, 11 until sundown.
WALKING TOURS—A bout of the adjacency abreast St. Paul's Church and Burghal Hall, led by Gay Wilson Allen. Sponsored by the Academy of American Poets. Today, 2. A airing through “Hart Crane's Village: 1916‐1924,” which will analyze the scenes aback poets and writers congregated. Sponsored by the Academy of American Poets. Meth at Washington Square Arch. Wed., 6.
Lectures
DANCE—Judith Reyn of the Stuttgart Ballet, speaker. Ball Society, 2 E, 63a St. Wed., 11:15.
FILM — Frederick Keller, administrator or American Underground Blur Survey, all-embracing Blur Festival, Cannes. NYU Education Bid, Aud., 35 W. 4th St. Tues., 4.
Poetry Readings
SUSAN ADVOCATE and BOB MALBIN—Upstairs at the English Pub (Scribblers), 900 Seventh Ave. Sat., 3:30. Free.
FRED BAUMAN and IVAN ARGUELLES —Noho, 542 LaGuardia Pl. Thur., 6:30.
COSMIC SHOWERS—South Street Seaport Museum's berth 15, at Fulton St. Today, 1.
DAVID MEYER—Pit Coffee House, 263 W. 86th St. Today, 7.
20,000 WORDS OR LESS—Barbara Baracks, Patricia Jones, Annabel Levitt, Sharon Malin and Laurie Spiegel. 112 Greene Street Gallery. Today, 3.
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